Part A– Standard Prize Draw Terms – Spiral: from the Book of Saw Entrants Who Find All Four (4) Letters with Each Letter Hi
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Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Gerard K. Marino
GERARD K. MARINO AWARDS & NOMINATIONS INTERACTIVE: HOLLYWOOD MUSIC IN MEDIA WINNER SPIDERMAN: EDGE OF TIME (2011) Best Original Score for Video Game GAME AUDIO NETWORK GUILD GOD OF WAR III NOMINATION (2011) Audio of the Year Best Interactive Score Best Cinematic/Cut-Scene Audio Best Original Vocal - Choral “Overture” GAME AUDIO NETWORK GUILD GOD OF WAR: GHOST OF SRARTA NOMINATION (2011) Best Handheld Audio SPIKE TV VIDEO GAME AWARD GOD OF WAR III NOMINATION (2010) Best Original Score BRITISH ACADEMY OF FILM AND GOD OF WAR II TELEVISION ARTS (BAFTA) NOMINATION (2007) Best Original Score * ACADEMY OF INTERACTIVE ARTS GOD OF WAR II AND SCIENCES NOMINATION (2007) Outstanding Achievement in Music Composi- tion * GAME AUDIO NETWORK GUILD GOD OF WAR II AWARD (2007) Best Original Vocal/Choral GAME AUDIO NETWORK GUILD GOD OF WAR II NOMINATION (2007) Music of the Year * SPIKE TV VIDEO GAME AWARD GOD OF WAR II NOMINATION (2007) Best Original Soundtrack G-PHORIA NOMINATION (2007) GOD OF WAR II Best Original Soundtrack * The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GERARD K. MARINO ACADEMY OF INTERACTIVE ARTS GOD OF WAR AND SCIENCES (2005) Outstanding Achievement in Music Composition * GAME AUDIO NETWORK GUILD (2005) GOD OF WAR Music of the Year * GAMESPOT AWARD (2005) GOD OF WAR Best Music * IGN PS2 AWARD (2005) GOD OF WAR Best Original Score * GAMEZONE AWARD (2005) GOD OF WAR Best Original Score of the Year * G-PHORIA NOMINATION (2005) GOD OF WAR Best Original Soundtrack * SPIKE TV NOMINATION (2005) GOD OF WAR Best Original Soundtrack * * shared award / nomination MOTION PICTURES NINJA II Boaz Davidson, Frank DeMartini, Tom Waller, prods. -
Movie Inventory - Dvd 4/2/2019 Movie Title Rating
MOVIE INVENTORY - DVD 4/2/2019 MOVIE TITLE RATING 10 CLOVERFIELD LANE PG-13 12 STRONG 12 YEARS A SLAVE R 13 HOURS R THE 15:17 PARIS PG-13 211 R 20TH CENTURY WOMEN R 47 METERS DOWN PG-13 5 FLIGHTS UP PG-13 50-1 PG-13 THE 5TH WAVE PG-13 6 DAYS R 7 DAYS IN ENTEBBE PG-13 THE ACCOUNTANT R ACTS OF VIOLENCE R ADRIFT PG-13 AFTERMATH R AIR STRIKE R ALEX & ME G ALICE THROUGH THE LOOKING GLASS PG ALL THE MONEY IN THE WORLD R ALMOST CHRISTMAS PG13 ALPHA PG-13 ALVIN AND THE CHIPMUNKS G THE AMAZING SPIDER-MAN 2 PG-13 AMERICAN ANIMALS R AMERICAN ASSASSIN R AMERICAN MADE R AMERICAN SNIPER R AMITYVILLE: THE AWAKENING PG-13 THE ANGRY BIRDS MOVIE PG-13 ANNABELLE: CREATION R ANNIHILATION R ANT-MAN PG-13 ANT-MAN: THE WASP PG-13 AQUAMAN PG-13 ARRIVAL PG-13 PAGE 1 of 18 MOVIE INVENTORY - DVD 4/2/2019 MOVIE TITLE RATING ARSENAL R ASSASIN'S CREED PG-13 ASSASSINATION NATION R ATOMIC BLONDE R AVENGERS: AGE OF ULTRON PG-13 AVENGERS: INFINITY WAR PG-13 BAD MOMS R A BAD MOMS CHRISTMAS R BAD SANTA 2 R BAD TIMES AT THE EL ROYALE R BAMBIE G BARBIE & MARIPOSA THE FAIRY PRINCESS UNRATED BARBIE & THE DIAMOND CASTLE UNRATED BARBIE & THE 3 MUSKETEERS UNRATED BARBIE IN A MERMAID TALE 2 UNRATED BARBIE IN PRINCESS POWER UNRATED BATMAN V SUPERMAN DAWN OF JUSTICE PG-13 BEATRIZ AT DINNER R BEAUTY & THE BEAST PG BEFORE I FALL PG-13 THE BEGUILED R BEIRUT DVD BLU RAY R THE BELKO EXPERIMENT R BEN-HUR PG-13 BEN IS BACK R THE BFG PG THE BIRTH OF A NATION R BLACKHAT R BLACK MASS R BLACK PANTHER PG-13 BLACKkKLANSON R BLADE RUNNER 2049 R BLAIR WITCH R BLIND R THE BLIND SIDE PG-13 BLINDSPOTTING -
OCT 0 3 2007 LIBRARIES a Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time
A Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time by Awo Dede 0. Ashiabor Submitted to the Department of Electrical Engineering and Computer Science in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Electrical Engineering and Computer Science at the Massachusetts Institute of Technology May, 2007 ©2007 Massachusetts Institute All rights reserve( Author Department of Electrical EL May 25, 2007 Certified bv [John ily, Seniojn- ign Engineer) VI-A Company Thesis Supervisor Certified by vid Perreault] ;is Supervisor Accepted by Arthur C. Smith Professor of Electrical Engineering Chairman, Department Committee on Graduate Theses MAS$ACHUSETTS INSTiTUTE, OF TECHNOLOGY BARKER OCT 0 3 2007 LIBRARIES A Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time By Awo Dede 0. Ashiabor Submitted to the Department of Electrical Engineering and Computer Science on May 28, 2007, in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Science and Engineering. Abstract A small sized and efficient method to power RGB LEDs for use as backlights in flat panel displays is explored in this thesis. The proposed method is to drive a parallel switched connection of LEDs with a single Average Mode Controlled buck regulator. Specifications for the switching regulator and control circuitry are described. The application circuit demonstrates current settling times between 7ps and 30ps at a switching frequency of 290kHz. Current settling is improved at higher switching frequencies, with settling times approaching a 2ps to 4ps range at 1MHz switching. M.I.T. -
06 10-19-10 TV Guide.Indd 1 10/19/10 7:30:34 AM
Page 6 THE NORTON TELEGRAM Tuesday, October 19, 2010 Monday Evening October 25, 2010 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Dancing With Stars Castle Local Nightline Jimmy Kimmel Live WEEK OF FRIDAY , OCT . 22 THROUGH THURSDAY , OCT . 28 KBSH/CBS How I Met Rules Two Men Mike Hawaii Five-0 Local Late Show Letterman Late KSNK/NBC Chuck The Event Chase Local Tonight Show w/Leno Late FOX House Lie to Me Local Cable Channels A&E Intervention Hoarders Hoarders Intervention Intervention AMC Halloween Halloween II Halloween ANIM Pit Bulls-Parole Pit Bulls River Monsters Pit Bulls-Parole Pit Bulls CNN Parker Spitzer Larry King Live Anderson Cooper 360 Larry King Live DISC Swamp Loggers American Chopper American Chopper Swamp Loggers American Chopper DISN Halloweentown II: Revenge Deck Wizards Wizards Sonny Sonny Hannah Hannah E! What's Eating You Kardashian Fashion The Soup Chelsea E! News Chelsea Norton TV ESPN Countdown NFL Football SportsCenter ESPN2 MLB Special 2010 Poker 2010 Poker E:60 NASCAR Now FAM TMNT Funniest Home Videos The 700 Club My Wife My Wife FX Made of Honor Two Men Two Men Halloween: Resurrection HGTV Property First House Designed House Hunters My First My First House Designed HIST Pawn Pawn American American Pawn Pawn American Pickers Pawn Pawn LIFE Reba Reba Gracie's Choice How I Met How I Met Gracie's Choice Listings: MTV Jersey Shore Jersey Shore World Buried World Buried My Super 2 NICK My Wife My Wife Chris Chris George Lopez The Nanny The Nanny The Nanny The Nanny SCI Scare Scare Scare Scare Scare Scare Gundam Gundam Darkness Darkness For your SPIKE UFC Fight Night Halloween BlueMount Most Amazing Videos TBS Fam. -
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films. -
Saw 3 1080P Dual
Saw 3 1080p dual click here to download Saw III UnRated English Movie p 6CH & p Saw III full movie hindi p dual audio download Quality: p | p Bluray. Saw III UnRated English Movie p 6CH & p BluRay-Direct Links. Download Saw part 3 full movie on ExtraMovies Genre: Crime | Horror | Exciting. Saw III () Saw III P TORRENT Saw III P TORRENT Saw III [DVDRip] [Spanish] [Ac3 ] [Dual Spa-Eng], Gigabyte, 3, 1. Download Saw III p p Movie Download hd popcorns, Direct download p p high quality movies just in single click from HDPopcorns. Jeff is an anguished man, who grieves and misses his young son that was killed by a driver in a car accident. He has become obsessed for. saw dual audio p movies free Download Link . 2 saw 2 mkv dual audio full movie free download, Keyword 3 saw 2 mkv dual audio full movie free. Our Site. IMDB: / MPA: R. Language: English. Available in: p I p. Download Saw 3 Full HD Movie p Free High Quality with Single Click High Speed Downloading Platform. Saw III () BRRip p Latino/Ingles Nuevas y macabras aventuras Richard La Cigueña () BRRIP HD p Dual Latino / Ingles. Horror · Jigsaw kidnaps a doctor named to keep him alive while he watches his new apprentice Videos. Saw III -- Trailer for the third installment in this horror film series. Saw III 27 Oct Descargar Saw 3 HD p Latino – Nuevas y macabras aventuras del siniestro Jigsaw, Audio: Español Latino e Inglés Sub (Dual). Saw III () UnRated p BluRay English mb | Language ; The Gravedancers p UnRated BRRip Dual Audio by. -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
New Elements Operative Surgery
NE W E LE ME NTS O P E R A T I V E S U R G E R Y ALF . A . L. M . V E LPE AU, L E THE FACULTY E D NE PARIS U GE N THE H T L HA E SURGICAL N P A LA. C RITR PROF SSOR OF C I IQ U OF OF M ICI OF , S R O OF OS I OF , YA ACADE MY OF M ED NE T T T T E BE THE L _ IE N E E TC . M M R OF RO ICI , OF I S I U , CARE FULLY RE VISED E NTIR LY RE M DE LLE D AND AUGME NTE D WITH , E O , A TRE A TI S E O N M I N O R S UR G E R Y ; ILLUS TRATE D B Y OV E R 200 E NGRAV INGS INCORPORATE D WITH THE TE X T ACC OMP ANIE D WITH AN ATLAS I N Q UARTO OF TWE NTY- TWO P LATE T N PA . PE ATI VE P E A T T EP E EN ING THE P L E G L IN EN S &o. R R S RI CI O R ROC SS S, SUR IC S RUM , ICAN FROM THE LAS ARI THIRD AME R , T P S E D ITION. TRANSLATE D B Y N E . T W P . S O S ND , M . D ’ L E P ICIAN O THE S E AM E N S RE RE I OR Y E LA NE W Y K. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
1. Introducing the Splat Pack
1. INTRODUCING THE SPLAT PACK The ‘New Blood’: a Name Catches On Excitement about the Splat Pack seems to have been ignited with the April 2006 issue of the British film magazine Total Film. The issue featured an article by Alan Jones, entitled ‘The New Blood’. Its title was accentuated by a ‘Parental Advisory: Explicit Content’ label to let readers know they were about to enter forbidden, dangerous territory. Evidently, the local cineplex had been transformed into dangerous territory because ‘a host of bold new horror flicks’, such as Eli Roth’s Hostel and Alexandre Aja’s 2006 remake of Wes Craven’s 1977 shocker The Hills Have Eyes, had assaulted audiences with levels of brutality missing in ‘all those toothless remakes of Asian hits starring Jennifer Connelly, Naomi Watts and Sarah Michelle Gellar’ (Jones, 2006: 101, 102). Jones devotes his article to showcasing the young directors who were ‘taking back’ horror from purveyors of ‘watered-down’ genre movies (2006: 102). One of the auteurs in the movement featured in Jones’s article is Eli Roth who positions himself as one of the power players of this movement. Jones’s article features a photo of Roth brandishing a chainsaw, a devilish smirk on his face, surrounded by photos of bloody carnage from Roth’s Hostel, including an image of a man being castrated with a pair of bolt cutters. These grisly visuals imply that Roth can deliver the gory goods. In the article, Roth – a graduate of New York University’s film school whose father and mother are, respectively, a Harvard professor and fine artist – comes across as forcefully as these images 13 BERNARD 9780748685493 PRINT.indd 13 13/01/2014 10:43 Grahams HD:Users:Graham:Public:GRAHAM'S IMAC JOBS:14636 - EUP - BERNARD (TWC):BERNARD 9780748685493 PRINT SELLING THE SPLAT PACK would suggest.