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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
Interactive Television for Young Children
Interactive Television for Young Children: Developing Design Principles Ana Vitoria Joly Hulshof A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy September 2010 University of Brighton Abstract The research reported in this thesis investigates preschoolers‟ interactions with interactive television applications. The study involved the development of an electronic programme guide prototype and the empirical evaluation thereof. There were three main aims. The first aim was to analyse children‟s interactions and illustrate them in a framework to further understanding of the way preschoolers interact with the television. The second aim was to contribute design principles for preschool interactive television and the third aim was to refine methods and add to the knowledge of design and evaluation techniques involving young children. This research, which involved design and evaluation phases, was carried out with children in Brazil and in the United Kingdom aged between three and four. Children participated actively as informants and were asked for input at various stages of the project. Their participation during design activities and evaluation sessions was crucial to the constitution of the framework, the development of design principles and the refinement of methods for working with preschoolers. The results revealed that young children‟s interactions with interactive television are influenced by: the children‟s age, motor skills, country context, media and device use and knowledge. These factors along with the input device used for interaction and characteristics of the interactive television application determine the number of accomplishable tasks, the time taken to accomplish the tasks, the complexity of the tasks that can be accomplished, the hints and assistance as well as interactions needed to accomplish the tasks. -
West Virginia Broadband Enhance Council 2020 Annual Report
2020 West Virginia Broadband Enhancement Council 2020 ANNUAL REPORT TO THE WEST VIRGINIA LEGISLATURE Table of Contents 1. Executive Summary ............................................................................................................................... 1 2. Existing, Continuing and New Initiatives ............................................................................................... 2 3. Broadband Mapping ............................................................................................................................. 4 Key Components of the Interactive Mapping System .................................................................. 4 Broadband Advertised Speed Ranges Interactive Map ................................................................ 5 Broadband Development Hub ...................................................................................................... 6 Public Wi-Fi Map ........................................................................................................................... 6 Public Project Development ......................................................................................................... 7 Speed Tiers by County ................................................................................................................... 8 Speed Tiers Statewide ................................................................................................................... 8 Providers Statewide ..................................................................................................................... -
Movie Inventory - Dvd 4/2/2019 Movie Title Rating
MOVIE INVENTORY - DVD 4/2/2019 MOVIE TITLE RATING 10 CLOVERFIELD LANE PG-13 12 STRONG 12 YEARS A SLAVE R 13 HOURS R THE 15:17 PARIS PG-13 211 R 20TH CENTURY WOMEN R 47 METERS DOWN PG-13 5 FLIGHTS UP PG-13 50-1 PG-13 THE 5TH WAVE PG-13 6 DAYS R 7 DAYS IN ENTEBBE PG-13 THE ACCOUNTANT R ACTS OF VIOLENCE R ADRIFT PG-13 AFTERMATH R AIR STRIKE R ALEX & ME G ALICE THROUGH THE LOOKING GLASS PG ALL THE MONEY IN THE WORLD R ALMOST CHRISTMAS PG13 ALPHA PG-13 ALVIN AND THE CHIPMUNKS G THE AMAZING SPIDER-MAN 2 PG-13 AMERICAN ANIMALS R AMERICAN ASSASSIN R AMERICAN MADE R AMERICAN SNIPER R AMITYVILLE: THE AWAKENING PG-13 THE ANGRY BIRDS MOVIE PG-13 ANNABELLE: CREATION R ANNIHILATION R ANT-MAN PG-13 ANT-MAN: THE WASP PG-13 AQUAMAN PG-13 ARRIVAL PG-13 PAGE 1 of 18 MOVIE INVENTORY - DVD 4/2/2019 MOVIE TITLE RATING ARSENAL R ASSASIN'S CREED PG-13 ASSASSINATION NATION R ATOMIC BLONDE R AVENGERS: AGE OF ULTRON PG-13 AVENGERS: INFINITY WAR PG-13 BAD MOMS R A BAD MOMS CHRISTMAS R BAD SANTA 2 R BAD TIMES AT THE EL ROYALE R BAMBIE G BARBIE & MARIPOSA THE FAIRY PRINCESS UNRATED BARBIE & THE DIAMOND CASTLE UNRATED BARBIE & THE 3 MUSKETEERS UNRATED BARBIE IN A MERMAID TALE 2 UNRATED BARBIE IN PRINCESS POWER UNRATED BATMAN V SUPERMAN DAWN OF JUSTICE PG-13 BEATRIZ AT DINNER R BEAUTY & THE BEAST PG BEFORE I FALL PG-13 THE BEGUILED R BEIRUT DVD BLU RAY R THE BELKO EXPERIMENT R BEN-HUR PG-13 BEN IS BACK R THE BFG PG THE BIRTH OF A NATION R BLACKHAT R BLACK MASS R BLACK PANTHER PG-13 BLACKkKLANSON R BLADE RUNNER 2049 R BLAIR WITCH R BLIND R THE BLIND SIDE PG-13 BLINDSPOTTING -
OCT 0 3 2007 LIBRARIES a Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time
A Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time by Awo Dede 0. Ashiabor Submitted to the Department of Electrical Engineering and Computer Science in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Electrical Engineering and Computer Science at the Massachusetts Institute of Technology May, 2007 ©2007 Massachusetts Institute All rights reserve( Author Department of Electrical EL May 25, 2007 Certified bv [John ily, Seniojn- ign Engineer) VI-A Company Thesis Supervisor Certified by vid Perreault] ;is Supervisor Accepted by Arthur C. Smith Professor of Electrical Engineering Chairman, Department Committee on Graduate Theses MAS$ACHUSETTS INSTiTUTE, OF TECHNOLOGY BARKER OCT 0 3 2007 LIBRARIES A Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time By Awo Dede 0. Ashiabor Submitted to the Department of Electrical Engineering and Computer Science on May 28, 2007, in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Science and Engineering. Abstract A small sized and efficient method to power RGB LEDs for use as backlights in flat panel displays is explored in this thesis. The proposed method is to drive a parallel switched connection of LEDs with a single Average Mode Controlled buck regulator. Specifications for the switching regulator and control circuitry are described. The application circuit demonstrates current settling times between 7ps and 30ps at a switching frequency of 290kHz. Current settling is improved at higher switching frequencies, with settling times approaching a 2ps to 4ps range at 1MHz switching. M.I.T. -
Denyce Lawton Sag/Aftra
DENYCE LAWTON SAG/AFTRA _____________________________________________ TELEVISION THE 5th QUARTER GUEST STAR GO90 THE PLUG SERIES REGULAR NETFLIX I LOVE YOU, BUT I LIED GUEST STAR LIFETIME MANN And WIFE GUEST STAR BOUNCE TV CASTLE GUEST STAR ABC ALMOST HOME RECURRING YOUTUBE JUDGE AMOS SERIES REGULAR FOX PILOT TYLER PERRY’S HOUSE OF PAYNE SERIES REGULAR TBS ENTOURAGE CO-STAR HBO REMIXED HOST BET 106 & PARK HOST BET HALF & HALF CO-STAR UPN THE PARKERS CO-STAR UPN FILM ME, MYSELF & THEM LEAD AMAZON SECRETS LEAD BET Network 2016 SUPPORTING LEAD LIONSGATE JUSTICE SERVED LEAD FILM FESTIVAL THE DEMPSEY SISTERS LEAD UP TV ALL BETWEEN US LEAD LAKESIDE PICTURES FRAT BROTHERS LEAD BET Network WINNERZ LEAD DM FILMS ACT LIKE YOU LOVE ME SUPPORTING LEAD E-ONE ENT. BETWEEN SISTERS LEAD Gospel Music Channe SWITCHIN’ THE SCRIPT LEAD NEW CONQUEST FILMS THE COALITION LEAD SWIRL FILMS INTERCEPTION SUPPORTING LEAD BLUETAPE Productions THE LOVE YOU SAVE LEAD Gospel Music Channel NO VACANY LEAD LIONSGATE MALICE N WONERLAND LEAD DOGG TOWN FILMS VLOG SUPPORTING TWISTED PICTURES DEADTONE (7eventy 5ive) SUPPORTING LEAD CODEBLACK ENT. REDLINE SUPPORTING LEAD PARAMOUNT IT AIN’T EASY LEAD VIVENDIENT ENT. THE PENDULUM LEAD RIPPLE EFFECTS FILMS GO FOR BROKE SUPPORTING ARTISAN THEATRE ROMEO & JULIET JULIET SHAKESPEARE THEATRE A MIDNIGHT SUMMERS DREAM PUCK SHAKESPEARE THEATRE RAISIN IN THE SUN BENEATHA YOUNGER LARGO PLAYERS WOMEN OF BREWSTER PLACE KISWANA LARGO PLAYERS SPECIAL SKILLS DIALECTS: NEW YORK, SOUTHERN, SPANISH, FRENCH, COCKNEY SPORTS: AEROBICS, BASEBALL, BASKETBALL, BOWLING, BOXING, CHEERLEADING, FOOTBALL, GOLF, SOCCER, SOFTBALL, TENNIS, TRACK & FIELD, VOLLEYBALL ABILITIES: SWIMMING, EQUESTRIAN-GENERAL, FISHING, MARTIAL ARTS, MOUNTAIN BIKING, ROLLER SKATING, ROLLER BLADING, STAGE COMBAT, TRAMPOLINE, COMEDIAN, DANCE: BALLET, BALLROOM, BELLY, HIP HOP, JAZZ, LICENSED DRIVER, FIREARMS, IMPROV, TELEPROMPTER, HOSTING CELL: (818) 404 – 5564 EMAIL: KimchiGyrl@Gmail . -
Part A– Standard Prize Draw Terms – Spiral: from the Book of Saw Entrants Who Find All Four (4) Letters with Each Letter Hi
Part A– Standard Prize Draw Terms – Spiral: From The Book of Saw Entrants who find all four (4) letters with each letter hidden within the four (4) Spiral: From The Book of Saw images on the Lionsgate UK Instagram main feed and comment the correct word these four (4) letters spell out on the competition post with the caption: ‘We want to play a game. The rules are simple: we’ve hidden 4 letters across our #Spiral Instagram feed posts. Find them all and comment below the word they create to be in with the chance of winning a Saw Blu-ray boxset and Saw 4K on Blu-ray. Win or lose, make your choice. T&Cs at link in bio, 18+ UK only’ could win (A) one (1) Saw: Legacy Collection 2021 edition, a Blu-ray boxset that contains eight (8) discs (Saw, Saw II, Saw III, Saw IV, Saw V, Saw VI, Saw: The Final Chapter and Jigsaw), and (B) one (1) Saw 4K on Blu-ray (the “Prize”). There are five (5) Prizes to be won by five (5) Entrants who follow the Entry Mechanics and are selected at random per clause 13 (the “Winners”). Each Winner will receive one (1) Prize. 1. Promoter: The Promoter is Lions Gate International (UK) Limited of registered office address 5th Floor 45 Mortimer Street, London, W1W 8HJ 2. Eligibility (a) To enter this Prize Draw you must be aged 18 years old or over with a registered Instagram account during the Opening and Closing Date; (b) By entering the Prize Draw, you confirm that you are 18 years old or over. -
Internet Pricing and the History of Communications
Internet pricing and the history of communications Andrew Odlyzko AT&T Labs - Research [email protected] http://www.research.att.com/ amo Revised version, February 8, 2001. Abstract There are repeating patterns in the histories of communication technologies, including ordinary mail, the telegraph, the telephone, and the Internet. In particular, the typical story for each service is that quality rises, prices decrease, and usage increases to produce increased total revenues. At the same time, prices become simpler. The historical analogies of this paper suggest that the Internet will evolve in a similar way, towards simplicity. The schemes that aim to provide differentiated service levels and sophisticated pricing schemes are unlikely to be widely adopted. Price and quality differentiation are valuable tools that can provide higher revenues and increase utilization efficiency of a network, and thus in general increase social welfare. Such measures, most noticeable in airline pricing, are spreading to many services and products, especially high-tech ones. However, it appears that as communication services become less expensive and are used more fre- quently, those arguments lose out to customers’ desire for simplicity. In practice, user preferences express themselves through willingness to pay more for simple pricing plans. In addition, there is a strong “threshhold” effect to usage-sensitive billing. Even tiny charges based on utilization decrease usage substantially. In a rapidly growing market, it is in the service providers’ interest to encourage usage, and that argues for simple, preferably flat rate, pricing. Histori- cal evidence suggests that when service costs decrease, such arguments prevail over the need to operate a network at high utilization levels and to extract the highest possible revenues. -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
Pastor Tom Gable and Pastor Kathryn Gulbranson
The four weeks leading up to Christmas Day are called Advent—meaning coming or arrival. It’s a season of waiting and preparing before the birth of Jesus, a time to prepare our hearts and our homes for the arrival of the baby Jesus. This time of waiting invites us to take time to slow down and reflect. To help facilitate that waiting, preparing, and reflecting, we’re offering Holden Evening Prayer at 6:30pm on Wednesdays—the 2nd, 9th, and 16thon Zoom (Meeting ID: 4159243782). This is in addition to our regular Sunday morning worship on Zoom at 9:30am, our YouTube Worship Videos and twice weekly Devotions. Please Join Us! And to celebrate the Birth of Our Savior—Christmas, we are offering two services: o 12/24 at 4 pm—Christmas Eve Family Service—joining together with Elim Lutheran Church in Petaluma and led by Pastor Tom Gable and Pastor Kathryn Gulbranson. This will be live, on Zoom—Meeting ID: 4159243782. o 12/24 at 6 pm—Christmas Eve Service of Lessons and Carols. This worship will be televised on our local community access cable stations: Channel 26 (Comcast) and Channel 99 (AT&T U-verse), livestreamed at www.marintv.org and shown on our Marin Lutheran YouTube https://www.youtube.com/channel/UClEvlmnS72YKEIgw6laMRwA. Please make every effort to invite you neighbors, friends and relatives in the area and around the country to join us for one or both of these services. They will be special times to celebrate the birth of our Savior who brings hope and joy into our world! I close with a prayer: As we wait for the birth of Jesus, we pause and think about what we want this season to be: a season of hope, a season of peace, a season of joy, a season of love, a season of family togetherness, a season of reflection. -
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films.