A Medieval Theme

Total Page:16

File Type:pdf, Size:1020Kb

A Medieval Theme A Medieval Theme This package contains: - Information on a Castle, Knights, Family Crests, and Food - Activities for children and/or families to do - Projects to create - Snack and meal ideas - History of Medieval Swords (attached separately) - Word Searches (attached separately) - Colouring pages (attached separately) Quality Time in a Learning Environment Inside A Medieval Castle Keep Trim Castle in Ireland ...is a Norman castle on the south bank of the River Boyne in County Meath, Ireland, built by Hugh de Lacy, Lord of Meath and his son Walter. It is a very old structure and it is in terrific shape. Look at the outside of the Keep. See the stairs on the lower right. These stairs lead to the only entrance to the Keep. Note that sole door is up off the ground. This made it much more difficult to attack and nearly impossible to use a battering ram against. Plan of the keep This is that massive main door to the Keep. It is very thick and solid. The door and lock are about 250 years old. The key to this door is about a foot in size. Inside that single door into the Keep is a room called the disarming room. This is where all visitors to the castle would give up their weapons. No one was trusted. A portcullis is a heavy vertically-closing gate typically found in Medieval fortifications, consisting of a latticed grille made of wood, metal, or a combination of the two, which slides down grooves inset within each jamb of the doorway. There are various rooms in the Keep and they look like this. The wooden floor is the same as it would have been hundreds of years ago. The room for the Lord of the Keep and his family would be the room that is the absolute furthest from the main doorway. This gave them maximum protection and defense. Another fascinating defense measure inside the Keep was the way the stairwells were made. They would have a clockwise rotation so defenders of the Keep could easily use their right hand sword hand. Attackers trying to go up the stairs would have their sword hand against the inner wall. That made it difficult for them to swing their swords. And, these stairwells had a trick in that the height and the depth of the steps would vary. Or there would be one particular step that was of a different size. This is called a trip-step and it could trip up an attacker who wasn't familiar with the stairwells. In the alcove to the left of the window below, there is a hole in the bottom. That is the toilet chute! People had to take care of business in the Keep. The chute goes all the way down to a room in the bottom. And they were always cautious about chutes like this because sometimes castles were taken over by having people crawl up through these chutes. They would often have metal bars protecting them. Here is a fireplace inside the castle main room. It was added centuries after the Keep was first built! It was a marvel of an upgrade and renovation! Until then this castle was very cold. Here is a look up through the fireplace air chute. It is called a fumarelli and it curves and twists on its way up to bring the smoke out. The curving and twisting was to stop rain from coming straight down and into the Keep and put out the fire. Knights of the Round Table The Knights of the Round Table are characters in the legends of King Arthur. They were thought to be the best knights in the kingdom and lived with the king in his castle in Camelot. To become a knight of the round table he had to prove he was chivalrous and swore an oath of Chivalry. Chilvary - the medieval knightly system with its religious, moral, and social code. The combination of qualities expected of an ideal knight, especially courage, honor, equality, courtesy, humility, justice, gratitude, discipline, faith, and generosity (a readiness to help the weak). The table the knights sat at was round because this symbolized that everyone who sat at it was considered equal. This is also the reason why they were called The Knights of the Round Table. They would sit at the table to have discussions about their adventures and quests as well as the safety of Camelot. Knight in Shining Armor Build your own Knight in shining armor! Here is what you’ll need – Construction paper Tin/aluminum foil Glue Black & yellow pipe cleaners Feather, or something similar for decoration Black marker 1. Cut a head, rectangle body, arms and legs out of tin foil. Glue these Pieces onto a piece of construction paper. (alternative – cut out pieces Of cardboard and paint them silver, or any other colour) 2. To make elbows and knees, hand and feet, crumple up some small pieces of tin foil into balls, glue them on, and flatten slightly. 3. Cut out a small rectangle of paper to represent the knight’s face and draw on two eyes. (you could also use two small googly eyes) Glue onto your knight’s helmet. Add a feather or other material to the helmet for decoration. 4. To make a sword, wrap a small piece of black pipe cleaner around a longer piece of yellow pipe cleaner. Glue onto your knight’s hand. (you could also use a wooden toothpick that you paint, or a coloured plastic toothpick, or a cocktail spear, which often come in the form of a sword) *Note for parents – You could also have your child scrounge around the house or the outdoors for items to create their own idea of a sword. **Alternative for older children – Using newspaper or any paper, have your child create a 3-D version by crumpling the news/paper up into body parts (ie, head/helmet, body, arms & legs) and cover them with tin foil. These 3-D Knights could be poseable. The Family Crest During medieval times, all families had a motto as well as a coat of arms or crest. The crest showed the identity and status of that family and was displayed on banners, shields, swords, tapestries, even burned into the crusts of bread on special occasions. The family motto basically said `this is who we are and why we are special`. Even today we see mottos and crests displayed on clothing, walls, and in homes…Can you think of anything that you may own with a crest on it? Do you recognize the familiar Coats of Arms below? Name ____________________ Name _____________________ Name ____________________ Name _____________________ What Do They Mean? Everything found on a coat of arms has a meaning behind it: colours, animals, plants, and flags all have a meaning to them. If you were to design your own crest, what would you include? Use the list below to make up your own message! Colours & Metals Gold or yellow - Generosity Argent, white or silver - Peace, honesty & sincerity Sable or black - Constancy, dependability & sometimes sadness Blue - Loyalty and truth Red- Military fortitude, fairness Green - Hope, joy and sometimes loyalty in love. Purple - Royal majesty, sovereignty and justice, authority Tawny - Worthy ambition, desire, spirit Sanguine – cheerful, hopeful, optimistic, upbeat Animals and Common Objects Lion - Courage Tiger - Great fierceness Panther - A beautiful & fierce woman who is very tender and loving to her young Horse - Readiness Boar - A fierce combatant Lamb - Gentleness and patience Beaver - Industry and perseverance Fox - Wit or wisdom Snake - Wisdom Dove - Peace Dragon - Defender of treasure Double or Single Eagle - Action, ingenuity, speed Horns and Antlers - Strength Heart - Charity, sincerity Hand - Faith, sincerity, and justice Crown - Royal authority Angel - Dignity, glory, and honor Sun - Glory and splendor Spear or Lance - Knightly service and devotion to honor Horseshoe - Good luck Cornucopia - Bounty of Nature’s gifts Gold Spur - Dignity of knighthood Sun - Glory and splendor Trumpet - Ready for the fray Shield - A defender Trunk of a Tree - An object of veneration Wheel - Fortune ACTIVITY – Using the templates below and the symbols & meanings above, have your child create a Family Crest. As a family, create a Family Motto. Medieval Foods and Snacks Agriculture was vital in the Medieval age. Agriculture allowed villages and towns to grow by providing a source of food to feed the people who lived there, and by providing produce which could be sold at the market. General two meals were eaten each day – lunch at Midday and a light Supper. Diet of Peasants (farmers) ● The main foods eaten by peasants (farmers & villagers) were bread, porridge, and potage, which was a vegetable stew. They grew grains such as wheat, rye, oats, or barley. The grains were boiled whole in a porridge, soup, or stew, or ground into flour. Meat was expensive, so it was rarely eaten. ● They kept chickens and cows, so they had eggs and milk, from which they made butter and cheese. ● Protein was usually legumes such as beans, peas, or lentils; fish was available. ● On very rare occasions, meat such as poultry, pork, or beef was eaten. ● Peasants depended mostly on their harvest for food. Vegetables such as onions, leeks, cabbage, garlic, turnips, parsnips, peas, and beans were staples. ● Fruits were available in season: apples, pears, plums, elderberries, rhubarb, and small wild strawberries. ● Water was not clean, so they drank weak beer or milk. Diet of the Wealthy (upper class) ● The diet of the wealthy (upper class) was more varied; they ate more meat but fewer vegetables. ● Dairy products were considered food for the poor, so they did not consume them.
Recommended publications
  • Records of the Medieval Sword Free
    FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser.
    [Show full text]
  • The European Bronze Age Sword……………………………………………….21
    48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations
    [Show full text]
  • THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
    THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way.
    [Show full text]
  • The Virtual Tour
    Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2012 The irV tual Tour Elizabeth Laura Mayor Worcester Polytechnic Institute Justin Henry McLaughlin Worcester Polytechnic Institute Kai He Worcester Polytechnic Institute Seth Michael Lipkind Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Mayor, E. L., McLaughlin, J. H., He, K., & Lipkind, S. M. (2012). The Virtual Tour. Retrieved from https://digitalcommons.wpi.edu/ iqp-all/2641 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. The Virtual Tour Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in partial fulfillment of the requirements for graduation by Runzi Gao Kai He Seth Lipkind Elizabeth Mayor Justin McLaughlin Professor Jeffrey L. Forgeng, Major Advisor ii iii Abstract This project integrated technology and history to transform the visitor experience at the Higgins Armory Museum. The team upgraded the museum’s “Virtual Armory” website, creating a Virtual Tour with interactive and multimedia content for over a dozen pieces in the Higgins collection, including videos, animations, interactive graphics, and a Flash-based minigame. The team
    [Show full text]
  • Chiswick Auctions
    Chiswick Auctions Medals and Militaria 1 Colville Road, London COMPLETE - Lots and images are continually uploaded until W3 8BL Saturday evening. United Kingdom Started 15 Mar 2016 11:00 GMT Lot Description Gènèral Charles Emmanuel Mast (1899-1977), an important French group of medals and awards to Gen. Mast The Chief of Staff of the 1 10th Army Corps, Head of the Algiers Division and 3rd North African Infantry Division. As a Major General he participated in the liberation of North Africa i ...[more] WWI Military Cross medal group awarded to WWII casualty Captain J.R. West , Berks Yeo (Berkshire Yeomanry) and later of 5th 2 Battalion Dorset Home Guard; GV Military Cross, 1914-15 Star, British War and Victory medals and miniatures. Captain West died as a result of friendly fire as he, along with ma ...[more] WWI Military Cross Officer's medal group, awarded to M R Orr Ewing R.F.A. / Royal Artillery, George V Military Cross, 1914 Mons Star, 3 British War, Victory and India General Service Medal, North West Frontier 1930/31 clasp, (RM strike), Orr-Ewing mentioned in dispatches, Lieutenant in 1914 to Major i ...[more] China Republic medal; Cao Kun Inauguration medal 1923, silver gilt with enamel peonies encircling five point star, central photographic 4 image of President Cao Kun, reverse enamel has disc of Army & China 1912-28 flags Chinese Embassy to France bronze medal, 1919, obverse; a blacksmith working in clogs at an anvil, marks B.U, reverse translates 5 'each is the blacksmith of his fate forging one builds of his country', reverse; the same in Chinese, 5.9cm diameter.
    [Show full text]
  • Sample File Gladius: Double-Edged Sword of Roman Design Between 65 and 70 Cm Long
    he sword has been an iconic weapon in role-playing games from the earliest days. Who Thasn’t played a game where at least one player played a character wielding a mighty sword — be it a simple longsword, heavy bastard sword, versatile short sword, massive two-handed sword, or dextrous rapier? Swords, in their many flavors and varieties have filled the pages of role-playing games, fantasy books, and other writings for generations. But when you play your games, whether set in far off fantasy lands or in Norman England, do your swords all look alike? What sets one longsword apart from another? Sure, they all do the same amount of damage, but what makes them special? Swords have been around in human history since the Bronze Age, or maybe even earlier. They reached their height of variety and versatility in the European Middle Ages and have found a place among the armies of the world, stretching across Europe, Africa, and Asia. In basic terms, a sword is a bladed (edged) weapon used for cutting and thrusting. The exact definition, style, and name depends on which age of history you are examining and the culture that created the weapon. From saifs, daos, khopesh, katanas, spatha, talwar, and Viking swords to Norman Longswords, Zweihanders, scimitars, rapiers, epee, and cavalry sabers, swords have found a place in our history. These weapons were all designed to meet a specific need for the wielder - whether functional or emotional or both. From purely utilitarian functionality to great works of art, swords run the gamut of form and function, which is probably why they are so important in role-playing games.
    [Show full text]
  • Reinventing the Sword
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan Charles Edward Ethridge Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Ethridge, Charles Edward, "Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan" (2007). LSU Master's Theses. 3729. https://digitalcommons.lsu.edu/gradschool_theses/3729 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. REINVENTING THE SWORD: A CULTURAL COMPARISON OF THE DEVELOPMENT OF THE SWORD IN RESPONSE TO THE ADVENT OF FIREARMS IN SPAIN AND JAPAN A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Charles E. Ethridge B.A., Louisiana State University, 1999 December 2007 Acknowledgments I would like to express my gratitude to my supervisor, Dr. Fredrikke Scollard, whose expertise, understanding, and patience added considerably to my graduate experience. I appreciate her knowledge of Eastern cultures and her drive to promote true ‘cross-cultural’ research.
    [Show full text]
  • KVETUN PRICE.Pdf
    FFG Federschwert The definition of the optimal training/tournament tool for historical fencing developed with Freifechtergilde (FFG) Price: 220 EUR Warranty: 1 year The spring structural steel: 60S2A Crossguard: steel 45. Isothermal annealing Hardness: HRC 47-50 Total length: 1330 mm Blade length: 1050 mm Handle length: 275 mm Blade length with ricasso: 1050 mm Width of crosspiece: 260 mm Blade width: 58 mm at the cross, 12 mm at the tip. Blade width in ricasso: 5 mm Width of the shield: 60 mm near cross, 80 mm top Thickness of ricasso: base 58 mm, widest part 80 mm Blade weight: 920 gr Weight 1600 gr. Balance: 60 mm from the cross Bending: 1.25 kg weight gives 105 mm bend Attachment: peened Messer Price: 230 EUR Warranty: 1 year The spring structural steel: 60S2A Isothermal heat treatment Hardness: HRC 47-50 Total length: 880 mm Blade length: 660 mm Handle length: 190 mm Crossguard width: 180 mm Width of the blade: 43 mm at the cross, 15 mm at the tip Weight: 1280 gr Balance: 65 mm from crossguard Bending: 1.25 kg weight gives 85 mm bend Rapier #1 Price: 180 EUR Warranty: 1 year. Steel: 60S2A Isothermal heat treatment. Hardness: HRC 47-50 Total length: up to 127 cm Blade length: 107 cm or 114 cm Handle length: 85 mm Width of the blade: 16 mm Depth of bowl: 7cm Cup diameter: 13 cm Width of the crossguard: 30 cm Thickness of the blade in ricasso: 6 mm Width of the blade in ricasso 20 mm Edge width: 6 mm Blade weight: 390 gr Weight: 1065 gr Balance: 50 mm from the cup / 115 mm from the cross Bending: 1.25 kg weight gives 395 mm bend Attachment: threaded Rapier #3 Price 200 EUR Warranty: 1 year Isothermal heat treatment Hardness: 47-50 HRC Total length: 126 cm Blade length: 107 cm or 114 cm Handle length: 85 mm Blade width: 16 mm Crossguard width: 30 cm Width of the blade in ricasso: 20 mm.
    [Show full text]
  • CAS Hanwei 25Th Anniversary Catalog!
    CAS25th Anniversary Hanwei Catalog Welcome to the CAS Hanwei 25th Anniversary Catalog! 2010 marks the 25th anniversary of CAS’s inception and to celebrate our quarter-century Hanwei has excelled in producing the Silver Anniversary Shinto, a superlative Limited Edition (very limited!) version of the first Katana that Hanwei ever made for CAS. The original Shinto enabled many sword enthusiasts to afford a purpose-built cutting sword for the first time, introducing many enthusiasts to the sport of Tameshigiri, and the Silver Anniversary Shinto, featured on the covers and Page 14 of this catalog remains true to the basic design but features silver-plated fittings, advanced blade metallurgy and a stand unique to this sword. Also new to this catalog are the swords of two traditionally warring Ninja clans (the Kouga and Iga, Page 38) that depart from the typical plain-Jane Ninja styling and will be welcomed by Ninjaphiles every- where. The new Tactical Wak (Page 37) is a modern version of the traditional Wakizashi, intended for serious outdoor use and protection – it will see a lot of use in the backwoods. Reenactors will be excited about the new Hand-and-a-Half sword (the Practical Bastard Sword, Page 71), with its upgraded steel, great handling and new user-friendly scabbard styling. The number of martial arts practitioners enjoying cutting with Chinese-style swords is growing very rapidly and so we had Scott Rodell, author and teacher of this discipline, design the first purpose-built cutting sword (the Cutting Jian, Page 50) for these enthusiasts. Several mid-2009 introductions are now also included in our full catalog for the first time.
    [Show full text]
  • Claymore Free Ebook
    FREECLAYMORE EBOOK Norihiro Yagi | 192 pages | 23 Jun 2011 | Viz Media, Subs. of Shogakukan Inc | 9781421539355 | English | San Francisco, United States Claymore - The history of Clare: Priscilla digs Claymore into her rage during the fight against Teresa. When the Claymore ends, the Claymore called Clare begins her march to battle. The battle against a rare male Awakened Being rages on a mountain from which no Claymore has Claymore returned. As flesh is torn, and despair sets in, Clare surprises her new comrades. If Clare can land one blow against Riful, the Awakened Being will reveal more information about Priscilla. Miles away, Claymore lumbering horde of towering madness is Claymore the march. Looking for a movie the entire family can enjoy? Check out our picks for family friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. In a world rife Claymore deadly creatures called "youma", a young silver eyed woman, Clare, works on behalf of an organization that trains female youma halfbreeds into warriors with the ability to destroy these creatures. Considered a rogue for picking up a stray child and almost losing herself to her youma side by "Awakening", she is constantly assigned rather dangerous missions. Written by Anonymous. I've always been a fan of anime series, Claymore favourite being Berserk. I tend to focus a lot on the pacing Claymore the built tension when I watch anime, and Berserk is The master of pacing. Another thing I tend to focus on Claymore character development and overall sentimentality of the show.
    [Show full text]
  • STRUCTURAL ANALYSIS of HANDLES of HIGHLY CURVED IRANIAN SWORDS Çok Kavisli İran Kılıçlarının Kabzalarının Yapısal Analizi Dr
    Kafkas Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Kafkas University Journal of the Institute of Social Sciences Sonbahar Autumn 2020, Sayı Number 26, 725-745 DOI:10.9775/kausbed.2020.038 Gönderim Tarihi: 25.06.2020 Kabul Tarihi: 25.11.2020 STRUCTURAL ANALYSIS OF HANDLES OF HIGHLY CURVED IRANIAN SWORDS Çok Kavisli İran Kılıçlarının Kabzalarının Yapısal Analizi Dr. Manouchehr Moshtagh KHORASANI MBA and Executive MBA Programs, Frankfurt School of Finance and Management (Frankfurt, Germany) Mail: [email protected] ORCID ID: 0000-0002-7663-1963 Dr. Nima ARJMANDI Department of Medicine, Shahid Beheshti University of Medical Sciences (Tehran, Iran) Mail: [email protected] ORCID ID:0000-0001-8326-5706 Çalışmanın Türü : Araştırma Abstract The handle of Iranian sword šamšir shows a complicated construction that has not been investigated scientifically so far. The handle consists of handle scales (āj), rivets (mil-e etesāl), adhesive material (zāj-e sepid), crossguard (bolčāq or mohāfez-e daste), pommel cap (kolāhak) and tangbands (āhanak). On some handles, there are two separate steel plates that are attached to the tang via adhesive materials and rivets as well. To analyze the construction, digital scanners, AutoCAD software (Autodesk Inc.) and X-ray radiography will be used. The following article will show that such a construction is not a haphazard one, but in such a construction, the tang of the sword functions like a spring in a spring and dumper system, and the adhesive material also functions as a dumper and the design may significantly prevent propagation of reaction shock waves to the user’s hand. The goal of this study is to show how this system of shock absorption works.
    [Show full text]
  • Martin Siber's Fight-Lore of 1491 AD
    Martin Siber’s Fight-Lore of 1491 AD A sword and buckler thesis on the Fechtlehre from Handschrift M I 29 (Codex Speyer) at the University of Salzburg, Austria by Jeffrey Hull Foreword The Fechtlehre (fight-lore) of Martin Siber is part of the Handschrift M I 29 now residing at Universitätsbibliothek Salzburg. This Fechtbuch (fight-book) was originally put to paper by Hans von Speyer, its compiler and editor, in the southwestern area of Germany in 1491 AD, and hence we may call this Codex Speyer. A fine transcript of the whole Codex Speyer by Beatrix Koll of Universitätsbibliothek Salzburg is posted at: http://www.ubs.sbg.ac.at/sosa/webseite/fechtbuch.htm. I thank her for her inspiring work and gracious help, and encourage others to view it. At one time Universitätsbibliothek Salzburg had posted its own high-quality colour facsimile of Codex Speyer on the Web. Uni-Salz no longer does but hopefully someday they may post it again. Also, I thank Monika Maziarz for sharing her personal transcript of Siber for helpful comparison. Ultimately, I chose to do my own original transcript of Siber’s fight-lore based upon the manuscript- facsimile of Codex Speyer, so that I could trust the unity and validity of my own work. Thus I made transcription of the Middle High-German manuscript and translations into New High-German and into New English. Also, I interpreted Siber’s fight-lore, by trying to let it lead me where it would. I have striven to render the text with regard for the literary, the historic and the martial.
    [Show full text]