Martin Siber's Fight-Lore of 1491 AD
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
Hans Wurm’S Ringbuch C
Hans Wurm’s Ringbuch c. 1507 - A Translation and Commentary By Keith P. Myers Exclusively for the ARMA, March 2002 The manuscript you see here is thought to have originated in approximately 1500 in the workshop of the Landshut woodcutter and printer Hans Wurm. “Landshut” could be translated as “grounds keeper”, which may go along with the description of Wurm as a “woodcutter” as well as a printer. Dr. Sydney Anglo, senior ARMA advisor and leading scholar of historical fencing, describes Wurm’s work as an “experimental and rudimentary block book”, and notes that it may have been one of the earliest printed treatises produced. The author remains anonymous, and only one copy is known to survive. It is thought to consist of the actual colored test prints made from the original wood blocks. It is unclear whether the Ringbuch was ever actually widely published. It was, however, plagiarized on at least two occasions. These later reproductions referred to the manuscript as “Das Landshuter Ringerbuch.” Although they demonstrate some dialect differences, these copies almost directly correlate with Wurm’s Ringbuch. Both likely arose independently of each other, and where based directly upon Wurm’s earlier work. The first copy is dated to approximately 1507. It does not designate the exact year, the author, the printer, or the locale. While it places the techniques in the same order as Wurm, the grapplers in the illustrations are dressed in a completely different fashion than in Wurm’s Ringbuch. The second copy is dated to approximately 1510. It originated from the Augsberg printer Hannsen Sittich. -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Swordsmanship and Sabre in Fribourg
Acta Periodica Duellatorum, Hands-on section, articles 103 Hands-on section, articles Sweat and Blood: Swordsmanship and sabre in Fribourg Mathijs Roelofsen, PhD Student, University of Bern [email protected], and Dimitri Zufferey, Independant Researcher, GAFSchola Fribourg, [email protected] Abstract – Following a long mercenary tradition, Switzerland had to build in the 19th century its own military tradition. In Cantons that have provided many officers and soldiers in the European Foreign Service, the French military influence remained strong. This article aims to analyze the development of sabre fencing in the canton of Fribourg (and its French influence) through the manuals of a former mercenary (Joseph Bonivini), a fencing master in the federal troops (Joseph Tinguely), and an officer who became later a gymnastics teacher (Léon Galley). These fencing manuals all address the recourse to fencing as physical training and gymnastic exercise, and not just as a combat system in a warlike context. Keywords – Sabre, Fribourg, Valais, Switzerland, fencing, contre-pointe, bayonet I. INTRODUCTION In military history, the Swiss are known for having offered military service as mercenaries over a long time period. In the 19th century, this system was however progressively abandoned, while the country was creating its own national army from the local militias. The history of 19th century martial practices in Switzerland did not yet get much attention from historians and other researchers. This short essay is thus a first attempt to set some elements about fencing in Switzerland at that time, focusing on some fencing masters from one Swiss Canton (Fribourg) through biographical elements and fencing manuals. -
Products Catalogue 2016 HISTFENC.COM
PRODUCTS CATALOGUE 2016 TORSO PROTECTORS HEAD PROTECTORS ARM PROTECTORS LEG PROTECTORS TRAINING WEAPON ACCESSORIES HISTFENC.COM CUSTOM PROJECTS WHO ARE WE? SPES Historical Fencing Gear is a group of HEMA enthusiasts. At the very beginning we were producing combat clothing and civil clothing for medieval reenactors. With time passing we have also expanded our business with products for Historical Fencing lovers. What made us unique throughout the years: • high quality of our products • constant development of our offer TESTED ON • stable cooperation with our customers • contribution to the development of HEMA circle HUMANS The very first protective gear fully designed and created by us was manufactured in 2007 for the needs of Fechtschule Gdańsk on the initiative of Andrzej Zmuda Trzebiatowski and with the participation of Jan Chodkiewicz. Since then we are in cooperation with Fechtschule schools from Poland and all over the world in the field of inventing and testing our products. They are the source of information about their expectations towards the gear during combat. The knowledge is the key point when designing new elements and improving protectors. Our major goals are: FUNCTIONALITY proVIDING HIGH ease OF MOVEMENT ImproVEMENT LEVEL OF safetY DURING COMBat When you visit our internet shop you can be sure, that the products you will find there, have passed multiple tests in combat conditions! Thanks to close cooperation with HEMA gear owners, we discovered that our products give a great level of protection and ease of movement during combat! It increases the comfort of usage and gives great satisfaction when fighting with no worrying about the safety. -
THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way. -
Swordplay Through the Ages Daniel David Harty Worcester Polytechnic Institute
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2008 Swordplay Through The Ages Daniel David Harty Worcester Polytechnic Institute Drew Sansevero Worcester Polytechnic Institute Jordan H. Bentley Worcester Polytechnic Institute Timothy J. Mulhern Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Harty, D. D., Sansevero, D., Bentley, J. H., & Mulhern, T. J. (2008). Swordplay Through The Ages. Retrieved from https://digitalcommons.wpi.edu/iqp-all/3117 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. IQP 48-JLS-0059 SWORDPLAY THROUGH THE AGES Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by __ __________ ______ _ _________ Jordan Bentley Daniel Harty _____ ________ ____ ________ Timothy Mulhern Drew Sansevero Date: 5/2/2008 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor Keywords: 1. Swordplay 2. Historical Documentary Video 3. Higgins Armory 1 Contents _______________________________ ........................................................................................0 Abstract: .....................................................................................................................................2 -
Fightcamp 2018 Programme ● Classes Are Limited to 40 Participants Each, Unless Otherwise Stated
FightCamp 2018 programme ● Classes are limited to 40 participants each, unless otherwise stated. ● Warm-ups might not always be included in classes. ● Arrive promptly for classes - ask permission if joining late. ● Bring appropriate equipment. Most classes will not have equipment to borrow. Check with the instructor if in doubt. ● Please familiarise yourselves with the tournament and sparring rules, including essential equipment requirements. ● Competitions in ORANGE AREA: A B C D E F (Gym Hall) (Field) (Field) (Field) (Field) (Sparring Arena) Thursday 16 August Registration opens from 6pm (also tournament registration) – Please register as soon as you arrive on site! DAY 1 - Friday 17 August 0800-0900 Breakfast 0900-0930 Opening speech at bar area & final registrations for all tournaments at reception 0930-1130 Chris Halpin & Lauren Joshua R Bradshaw - Magnus Hagelberg - Crooked Scott Brown - Dussack Assault at arms (nylon backsword) – Qualifying Ireland – Parkyn’s Docciolini's sidesword & and Squinting Cuts in pools Cornish Hug Wrestling companion weapons Meyer's Longsword 1130-1330 Martin Austwick – Piermarco Terminiello - Jack Butcher - Halfswording Asante Lawla – Traditional Rapier & smallsword tournament – Qualifying Catch Wrestling Pagano Single Sidesword according to Fiore dei Liberi Indian Weapons Training pools (Shastar Vidiya) 1330-1430 Lunch 1430-1630 Assault at arms (nylon Pedro San Miguel - Foil Keith Farrell - Footwork Jay Maxwell - Grips, Trips and Barriers (sparring arena) open backsword) – Final according to Alfred Hutton -
RINGEN VOCABULARY by Jason Vail and Casper Bradak Copyright 2008 the Medieval and Renaissance Fighting Manuals Are a Rich Source
RINGEN VOCABULARY By Jason Vail and Casper Bradak Copyright 2008 The medieval and Renaissance fighting manuals are a rich source of sportive and combative wrestling techniques. These techniques are pictured and described, often in such great detail that replicating them in the modern salon is readily possible. But rarely do the period authors assign names to their techniques. The lack of an agreed system of names complicates our ability to discuss and share this exciting and effective material. To remedy that deficit, we have compiled a suggested list of names for many of the most common and effective throws, locks and blows found in ringen. THROWS Forward over-the-leg, or forward over-the-thigh — with various grips Backward over-the-leg, or backward over-the-thigh— with various grips RINGEN VOCABULARY Vail and Bradak One leg pick Two leg pick Short hip throw — with various grips 2 RINGEN VOCABULARY Vail and Bradak Hip throw Half hip throw Headlock hip throw Outside hip throw 3 RINGEN VOCABULARY Vail and Bradak Reverse hip Shoulder throw Reverse shoulder throw Inside sweeping thigh or inner thigh throw 4 RINGEN VOCABULARY Vail and Bradak Outside leg hook Inside leg hook Cross hook, or outside cross hook Stomach throw 5 RINGEN VOCABULARY Vail and Bradak Fireman’s carry Rear lift One leg Two legs Groin or inner thigh lift 6 RINGEN VOCABULARY Vail and Bradak ARM LOCKS Pressing arm Over the shoulder arm break Arm bar against upper arm Upper key (both your arms outside his) 7 RINGEN VOCABULARY Vail and Bradak Upper key (first figure 4 or kimura) -
The Art of Defence on Foot with the Broad Sword and Sabre
THE ART OF DEFENCE ON FOOT WITH THE BROAD SWORD AND SABRE FOURTH EDITION BY CHARLES ROWORTH 1824 TRANSCRIBED. RESTORED AND INTRODUCED BY NICK THOMAS INSTRUCTOR AND CO-FOUNDER OF THE ACADEMY OF HISTORICAL FENCING (UK) Presented below is a complete reconstruction of the fourth edition of Charles Roworth's 'Art of Defence', or AOD as it is sometimes now known. The AOD is one of the most important references on British swordsmanship on foot in the Napoleonic period, The British army did not adopt an official infantry sword system until after war's end. However, when they did, it was based on this style depicted by Charles Roworth, as well as Henry Angelo Senior, whose son created the official system in 1817, based firmly on his father’s methods. Despite not being an official system, these 'broadsword' methods were widespread throughout the 18th century. In the case of Roworth's AOD manual, it was recommended for purchase and use by British officers in many publications of the time. They are also well referenced to have been taught in many military units. Roworth's manuals give the most in-depth insight into infantry sword combat in this period, and likely served as the basis of sword training for many in the army and militia of the day. As well as a method for those elsewhere, such as in America, where this edition was published. The Art of Defence was first published in 1798. This second edition was also published in the same year, and though very similar, it features a number of changes to both text and illustration. -
The Virtual Tour
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2012 The irV tual Tour Elizabeth Laura Mayor Worcester Polytechnic Institute Justin Henry McLaughlin Worcester Polytechnic Institute Kai He Worcester Polytechnic Institute Seth Michael Lipkind Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Mayor, E. L., McLaughlin, J. H., He, K., & Lipkind, S. M. (2012). The Virtual Tour. Retrieved from https://digitalcommons.wpi.edu/ iqp-all/2641 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. The Virtual Tour Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in partial fulfillment of the requirements for graduation by Runzi Gao Kai He Seth Lipkind Elizabeth Mayor Justin McLaughlin Professor Jeffrey L. Forgeng, Major Advisor ii iii Abstract This project integrated technology and history to transform the visitor experience at the Higgins Armory Museum. The team upgraded the museum’s “Virtual Armory” website, creating a Virtual Tour with interactive and multimedia content for over a dozen pieces in the Higgins collection, including videos, animations, interactive graphics, and a Flash-based minigame. The team -
MEIBUKAN MAGAZINE House of the Pure Martial Arts
MEIBUKAN MAGAZINE House Of The Pure Martial Arts European Medieval and Renaissance Martial Arts Courtesy of the Musee du Louvre, Paris. Entry of the Crusaders into Constantinople on 12 April 1204 Courtesy of the Musee du Louvre, Paris. Entry Crusaders into Constantinople on 12 THE INTERNATIONAL WEB BASED MARTIAL ARTS January 2006 MAGAZINE AS A PDF DOCUMENT Special Edition no 1 House of the Pure Martial Arts WWW.MEIBUKANMAGAZINE.ORG Special Edition January 2006 MEIBUKAN MAGAZINE House of the Pure Martial Arts SPECIAL EDITION No. 1 JANUARY 2006 HISTORY 2 MISSION STATEMENT A Short Introduction to Historical European Martial Arts Meibukan Magazine is an initiative of founders Lex Opdam and Mark Hemels. Aim of this web based REVIEW 4 magazine is to spread the knowledge and spirit of Renaissance Swordsmanship by John Clements the martial arts. In a non profitable manner Meibukan Magazine draws attention to the historical, spiritual Medieval Swordsmanship by John Clements and technical background of the oriental martial arts. Medieval Combat by Hans Talhoffer Starting point are the teachings of Okinawan karate- do. As ‘House of the Pure Martial Arts’, however, Meibukan Magazine offers a home to the various au- FEATURE 5 thentic martial arts traditions. Renaissance Martial Arts Literature FORMAT FEATURE 8 Meibukan Magazine is published several times a year How to tell if your Fencing is a Martial Art or a Combat Sport in an electronical format with an attractive mix of subjects and styles. Each issue of at least twelve pages is published as pdf-file for easy printing. Published FEATURE 11 editions remain archived on-line.