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Iiiiiiiii a Fantastic Community Response To
the balmain THe Peninsula □ □ □ association Incorporated iiiiiiiii news sheet Vd35Nol Issue 263 Founded November 1965 February 2000 Conservation Crisis Ferry Wharf Closure L o y a l t y S q u a r e Peninsula is under threat from Imost 100 local residents gath A fantastic community response to ^ the development of existing single ered at Yurulbin Point to discuss the "Save Our Memorial" fund has made possible the restoration of dwelling sites. Until the Minister for the abrupt closure of the wharf due to damage and deterioration of the the Loyalty Square monument. The Planning, Mr Refshauge, approves fund was established by the Balmain- the Draft Town Plan, Council Is rela structure. Sandra Nori, MP, Mayor Rozelle RSL Sub-branch and The Vil tively powerless. We are concerned Maire Sheehan and ward councillors, that DCP 20 on Single Cottages Is not Jamie Parker and Paddy McGuinness lage Voice. operating as effectively as we had attended. Sydney Ferries deny any re A temporary construction fence has hoped. sponsibility for the repair claiming the appeared around the monument to fa Leichhardt Council is accountable. cilitate the remedial work. It is antici Recent sales of old houses are causes for concern. Residents are at a loss to Elliott Street Wharf is also out of ac pated that the work will be completed in tion after being rammed by a ferry. 4-6 weeks. explain why someone would spend up to $600 000 on an old house and then Residents are concemed by the can Further information can be obtained pull it down for redevelopment. -
Education Kit Years 7-12 the Writing’S on the Wall - a Short History of Street Art
Education Kit Years 7-12 The Writing’s on the Wall - A Short History of Street Art The word graffiti comes from the Italian language and means to inscribe. In European art graffiti dates back at least 17,000 years to wall paintings such as are found in the caves of Lascaux in Southern France. The paintings at Lascaux depict animals from the Paleolithic period that were of cultural importance to the people of that region. They are also believed to be spiritual in nature relating to visions experienced during ritualistic trance-dancing. Australian indigenous rock art dates back even further to about 65,000 years and like the paintings at Lascaux, Australian indigenous rock art is spiritual in nature and relates to ceremonies and the Dreaming. The history of contemporary graffiti/street art dates back about 40 years to the 1960s but it also depicts images of cultural importance to people of a particular region, the inner city, and their rituals and lifestyles. The 1960s were a time of enormous social unrest with authority challenged at every opportunity. It is no wonder graffiti, with its strong social and political agendas, hit the streets, walls, pavements, overpasses and subways of the world with such passion. The city of New York in the 1970s was awash with graffiti. It seemed to cover every surface. When travelling the subway it was often impossible to see out of the carriage for the graffiti. Lascaux, Southern France wall painting Ancient Kimberley rock art Graffiti on New York City train 1 The Writing’s on the Wall - A Short History of Street Art In 1980 an important event happened. -
1 Something Unusual Captured the World's Imagination at the 2000
Something unusual captured the world’s imagination at the 2000 Olympics in Sydney Australia. You may recall the surprising word hanging from the Sydney Harbour Bridge unveiled at the opening ceremony. When the torch was lit to launch the games the background was illumined by fireworks. Just then a massive sign that hung on the bridge flashed to brilliance, and in a moment people around the globe read what God has placed inside each of us. The word was Eternity. It’s such a strange word to be associated with a non-religious event. What does that word mean to you? According to Ecclesiastes 3:11a, “He has made everything beautiful in its time. Also, He has put eternity into man’s heart.” 3000 years before the 2000 Olympics a man named Solomon in the Bible wrestled with this word. He was the richest man of all time and yet he wasn’t happy and could find no satisfaction out of life. He had it all. He had money, sex and power. And in the end these were his words: “So I hated life, because what is done under the sun was grievous to me, for all is vanity and a striving after wind. He eventually came to the conclusion that God had put eternity into man’s heart and only what is done with eternity in mind will bring ultimate satisfaction It is this spirit that I hope will captivate you today. Today is the last in a series of four messages that revolve around the calling and early ministry of Elisha the prophet. -
41234248.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship Trials, Truth-Telling and the Performing Body. Kathryn Lee Leader A thesis submitted to the University of Sydney in partial fulfilment of the requirements for the degree of Doctor of Philosophy Department of Performance Studies July 2008 Abstract In this thesis, I examine the role performance plays in the adversarial criminal jury trial. The initial motivation behind this inquiry was the pervasiveness of a metaphor: why is the courtroom so frequently compared to a theatre? Most writings on this topic see the courtroom as bearing what might be termed a cosmetic resemblance to a theatre, making comparisons, for instance, between elements of costume and staging. I pursue a different line of argument. I argue that performance is not simply an embellishment of the trial process but rather a constitutive feature of the criminal jury trial. It is by means of what I call the performance of tradition that the trial acquires its social significance as a (supposedly) timeless bulwark of authority and impartiality. In the first three chapters I show that popular usage of the term ‗theatrical‘ (whether it be to describe the practice of a flamboyant lawyer, or a misbehaving defendant) is frequently laden with pejorative connotations and invariably (though usually only implicitly) invokes comparison to a presupposed authentic or natural way of behaviour (‗not-performing‘). Drawing on the work of Michel Foucault and Pierre Bourdieu I argue that, whatever legal agents see as appropriate trial conduct (behaviour that is ‗not-performing‘), they are misrecognising the performative accomplishments and demands required of both legal agents and laypersons in the trial. -
Golden Yearbook
Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do -
Low Culture in Sydney 1887-1914
Common Pleasures: Low Culture in Sydney 1887-1914 Susan Doyle Doctor of Philosophy 2006 CERTIFICATE OF AUTHORSHIP/ORIGINALITY I certify that the work in this thesis has not previously been submitted for degree, nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledge. In addition, I certify that all information sources and literature used are indicated in the thesis. Susan Doyle. Contents Preface and Acknowledgements ii Abstract vi Introduction 1 Part 1, The Pub 23 Chapter 1: The 1887 Intoxicating Drink Inquiry 24 Chapter 2: Lower-Class Drinking: Places and Practices 54 Chapter 3: Women and the Drink Question 82 Part 2, The Vaudeville Theatre 115 Chapter 4: 'Colour, Music, Light and Rhythm': Vaudeville in Sydney 116 Chapter 5: The Gallery Gods: 'Kicking up a Row in Olympus' 141 Chapter 6: “We’ve Got a Lodger and He’s Very Fond of Ma’: The Vaudeville Repertoire 162 Part 3, The Street 196 Chapter 7: Larrikin Days 197 Chapter 8: The Haymarket Swell: Larrikin Fashion 223 Chapter 9: Everyday Resistance: Larrikin Street Life 248 Conclusion 280 Bibliography 285 i Preface and Acknowledgements In Heterologies De Certeau writes: By a professional reflex, the historian refers any discourse to the socioeconomic or mental conditions that produced it. He needs to apply this kind of analysis to his own discourse in a manner that will make it pertinent to the elucidation of those forces that presently organise representations of the past. -
Handbook of Research Methods in Health Social Sciences Pranee Liamputtong Editor
Handbook of Research Methods in Health Social Sciences Pranee Liamputtong Editor Handbook of Research Methods in Health Social Sciences With 192 Figures and 81 Tables Editor Pranee Liamputtong School of Science and Health Western Sydney University Penrith, NSW, Australia ISBN 978-981-10-5250-7 ISBN 978-981-10-5251-4 (eBook) ISBN 978-981-10-5252-1 (print and electronic bundle) https://doi.org/10.1007/978-981-10-5251-4 Library of Congress Control Number: 2018960888 # Springer Nature Singapore Pte Ltd. 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. -
Why Nothing Happens
Can Porn Set Us Free? A speech to the Sydney Writers Festival May 25th 2003 Clive Hamilton1 In Growth Fetish I argue that it has become apparent that the liberation movements of the sixties and seventies – the sexual revolution, the counter-culture, the women’s movement and the civil rights movement – have had some unforeseen and regrettable consequences. Contrary to the dreams of the young people of that era, the liberation movements did not create a society of free individuals in which each of us, released from the shackles of social conservatism, could find our true selves. While the goals were noble, the effect has been to open up to the marketers areas of social life from which the forces of commerce had previously been excluded. In a strong sense, the liberation movements of that era did the ground work for the neoliberal economic revolution of the eighties and nineties. It seems to me that the libertarian-left continues to invest so much in the freedoms won in the sixties and seventies that it has lost its capacity for discernment, an ability to recognise the social limits of individual freedoms. The ideas of the libertarian-left have become a reactionary force, for they have substituted an uncritical defence of the freedoms won in an earlier era for a real politics of social change. I’d like to develop this argument with respect to the perennial question of sex, and in particular the commodification of sexuality and what I call the pornographication of everyday life. This is a fitting topic for this Writers Festival not least because one of the overseas literary stars is Catherine Millet, author of the best-selling memoir The Sexual Life of Catherine M. -
Mr David Ewan Marr
Mr David Ewan Marr The honorary degree of Doctor of Letters was conferred upon David Ewan Marr, BA LLB Sydney, by the Chancellor at the Faculty of Arts & Social Sciences graduation ceremony at 11.30am on 11 October 2013. Citation Chancellor, I have the honour to present Mr David Ewan Marr for admission to the degree of Doctor of Letters (honoris causa) in recognition of his outstanding achievement as a journalist and critical commentator. David Marr graduated from the University of Sydney with a Bachelor of Arts in 1968 and a Bachelor of Laws in 1971. From 1972, after travelling in Europe and Africa, Mr Marr worked as a journalist on the Bulletin magazine and in 1980 he became editor of the National Times. Mr Marr joined the ABC's Four Corners program as a reporter in 1985. His coverage of the deaths of Aborigines in custody in Western Australia, Black Death, saw him awarded both a Walkley Award and a Human Rights Commission Award. At the ABC he also worked as a presenter for Radio National and from 2002 to 2004 he hosted the ABC’s Media Watch program. Mr Marr has also written a number of highly acclaimed books. His biography of the then Chief Justice Sir Garfield Barwick titled Barwick, published in 1980, won the NSW Premier's Prize that year. He wrote his second book, The Ivanov Trail (1983), after covering the Royal Commission into Australian Security Intelligence Organisation. Mr Marr is best known for his third book, Patrick White: A Life, published in 1991, for which he won much critical acclaim. -
Mr Eternity Footnotes
the true story of an unlikely australian icon one man • one word Mr Eternity: The Story of Arthur Stace Additional source material Note: the chapter and page numbers (in bold) provided below link this additional source material to the relevant section of text in the paperback version of Mr Eternity. Introduction: Mr Eternity xii Arthur Stace was not the first person to write ‘eternity’ around the streets of Sydney. In the SMH (9 November 1887, p. 5), the author of the ‘As You Like It’ column wrote: ‘Only yesterday I found written upon the wall of the building in which my business is transacted the word “Eternity” in letters of a chalk about ten inches by four; and upon the doorstep I was exhorted to repent.’ xv In the SMH, on 31 December 1999, p. 1, The Herald’s editorialist that day opined: ‘The highlight of the fireworks display will be the blaze in a fiery minute or so of the wordEternity “ ”, in Arthur Stace’s copperplate writing … [It] will be a provocative sign, as Arthur Stace intended, of the brevity of human life and the endlessness of life itself.’ xvi In the days that followed [the word Eternity appearing on the Harbour Bridge for New Years celebrations in 2000], there was scarcely a word of protest and plenty of delighted praise. See for example, letters to the editor of SMH, 4 January 2000, p. 10; one correspondent suggested that the Eternity sign should remain on the Bridge ‘forever’; the editorial in the Daily Telegraph (Sydney), 6 January 2000, p. -
NEWSLETTER ISSN 1443-4962 No
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Queensland eSpace AUSTRALIAN NEWSPAPER HISTORY GROUP NEWSLETTER ISSN 1443-4962 No. 17 April 2002 Compiled for the ANHG by Rod Kirkpatrick, 13 Sumac Street, Middle Park, Qld, 4074, 07-3279 2279, [email protected] 17.1 COPY DEADLINE AND WEBSITE ADDRESS Deadline for next Newsletter: 15 June 2002. Subscription details at end of Newsletter. The Newsletter is online through the “Publications” link from the University of Queensland’s School of Journalism & Communication Website at www.sjc.uq.edu.au/ Current Developments: Metro (17.2-29); Current Developments: Provincial (17.30-43); Items related to Newspaper History (17.44-64). CURRENT DEVELOPMENTS: METRO 17.2 THE NEW BLACK VOICE Owen Carriage has established his second national indigenous newspaper. He launched the Koori Mail on 23 May 1991 and ceased to be its owner in early 1992 (Kirkpatrick, Country Conscience, p.401). On 27 February 2002 he launched the National Indigenous Times, a fortnightly, as a direct competitor to the Koori Mail. Carriage says many indigenous readers now feel the Koori Mail and some other indigenous media “haven’t done their homework” or “properly investigated” issues ranging from unaccountable governments to high indigenous school dropout rates and the indigenous child abuse inquiry recently set up by the West Australian Government. Todd Condie, editor of the Koori Mail, disagrees strongly with Carriage’s criticisms (Australian, Media liftout, 7 March 2002, p.10; see 17.63.5). 17.3 POSSIBILITY OF FAIRFAX NEWSPAPER BUREAUX MERGER The editor of The Age is refusing to rule out a possible merger of various sections run by the two major Fairfax newspapers The Age and Sydney Morning Herald . -
Frankfurt Book Fair 2019 Black Inc
BLACK INC. FRANKFURT BOOK FAIR 2019 BLACK INC. FRANKFURT BOOK FAIR 2019 On the Line 3 On the Fine Edge of Now 28 Act of Grace 5 Contest for the Indo- Pacific 29 Factory 19 6 The Song Remains the Same 31 Melting Moments 8 Sludge 32 A Couple of Things Before the End 9 Randomistas 33 Jacinda Ardern 10 Fear of Abandonment 34 Car Crash 11 The Big Four 35 Solved! 12 It’s Alive! 36 The Medicine 14 2062 37 Inside the Greens 15 Between Us 38 The Prince 16 The Chess Raven Chronicles 39 See What You Made Me Do 17 Ninja Bandicoots and 40 Turbo- Charged Wombats The Shortest History of Europe 18 The Amazing Adventures of 41 On Robyn Davidson 19 Grover McBane, Rescue Dog Salt 22 How to Win a Nobel Prize 42 Our Right to Take Responsibility 23 Girlish 43 Deep Time Dreaming 24 Growing Up Aboriginal in Australia 25 Black Inc. Agents 44 Mutants 27 Black Inc. Contacts 46 On the Line Notes from a Factory Joseph Ponthus Translated by Stephanie Smee On the Line (À la ligne) is Joseph Ponthus’ first novel, the story of a casual worker labouring in the fish-processing plants and abattoirs of Brittany. Day after day he records with infinite precision the nature of work on the production line, the noise, the weariness, the dreams stolen by the repetitive nature of exhausting rituals and physical suffering. But he finds solace in a life previously lived. He has read the classics, been swept away by Alexander Dumas, the poetry of JULY 2020 Apollinaire, the songs of Trenet.