Mr Eternity Footnotes
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Iiiiiiiii a Fantastic Community Response To
the balmain THe Peninsula □ □ □ association Incorporated iiiiiiiii news sheet Vd35Nol Issue 263 Founded November 1965 February 2000 Conservation Crisis Ferry Wharf Closure L o y a l t y S q u a r e Peninsula is under threat from Imost 100 local residents gath A fantastic community response to ^ the development of existing single ered at Yurulbin Point to discuss the "Save Our Memorial" fund has made possible the restoration of dwelling sites. Until the Minister for the abrupt closure of the wharf due to damage and deterioration of the the Loyalty Square monument. The Planning, Mr Refshauge, approves fund was established by the Balmain- the Draft Town Plan, Council Is rela structure. Sandra Nori, MP, Mayor Rozelle RSL Sub-branch and The Vil tively powerless. We are concerned Maire Sheehan and ward councillors, that DCP 20 on Single Cottages Is not Jamie Parker and Paddy McGuinness lage Voice. operating as effectively as we had attended. Sydney Ferries deny any re A temporary construction fence has hoped. sponsibility for the repair claiming the appeared around the monument to fa Leichhardt Council is accountable. cilitate the remedial work. It is antici Recent sales of old houses are causes for concern. Residents are at a loss to Elliott Street Wharf is also out of ac pated that the work will be completed in tion after being rammed by a ferry. 4-6 weeks. explain why someone would spend up to $600 000 on an old house and then Residents are concemed by the can Further information can be obtained pull it down for redevelopment. -
Education Kit Years 7-12 the Writing’S on the Wall - a Short History of Street Art
Education Kit Years 7-12 The Writing’s on the Wall - A Short History of Street Art The word graffiti comes from the Italian language and means to inscribe. In European art graffiti dates back at least 17,000 years to wall paintings such as are found in the caves of Lascaux in Southern France. The paintings at Lascaux depict animals from the Paleolithic period that were of cultural importance to the people of that region. They are also believed to be spiritual in nature relating to visions experienced during ritualistic trance-dancing. Australian indigenous rock art dates back even further to about 65,000 years and like the paintings at Lascaux, Australian indigenous rock art is spiritual in nature and relates to ceremonies and the Dreaming. The history of contemporary graffiti/street art dates back about 40 years to the 1960s but it also depicts images of cultural importance to people of a particular region, the inner city, and their rituals and lifestyles. The 1960s were a time of enormous social unrest with authority challenged at every opportunity. It is no wonder graffiti, with its strong social and political agendas, hit the streets, walls, pavements, overpasses and subways of the world with such passion. The city of New York in the 1970s was awash with graffiti. It seemed to cover every surface. When travelling the subway it was often impossible to see out of the carriage for the graffiti. Lascaux, Southern France wall painting Ancient Kimberley rock art Graffiti on New York City train 1 The Writing’s on the Wall - A Short History of Street Art In 1980 an important event happened. -
The Hon Sir Arthur Renwick – Former Vice-Chancellor (1889–91, 1900–02 and 1906–08)
THE HON SIR ARTHUR RENWICK – FORMER VICE-CHANCELLOR (1889–91, 1900–02 AND 1906–08) An early graduate of the University of Sydney (BA, 1857), the Hon Sir Arthur Renwick, physician, philanthropist and politician, was a Fellow of Senate from 1877 to 1908. He was elected Vice-Chancellor by Senate from 1889 to 1891, 1900 to 1902 and 1906 to 1908. PROFILE (1837 - 1908) BA Sydney MD Edin Fellow of Senate 1877 - 1908, including election by Senate as – Vice-Chancellor 1889 - 1891, 1900 - 1902 and 1906 - 1908 His early years Arthur Renwick was born on 30 May 1837 at Glasgow, Scotland. On 21 July 1841 he reached Sydney with his parents, bounty immigrants, in the Helen. He was educated at the Redfern Grammar School. His student days at the University of Sydney In 1853, Renwick matriculated as part of the 3rd cohort of students admitted to the University, and was an undergraduate student from 1854 to 1856. He graduated Bachelor of Arts at the graduation ceremony held in 1857. His career Renwick became a physician, philanthropist and politician. He studied medicine at the University of Edinburgh (MB 1860, MD 1861) and became a fellow of the Royal College of Surgeons, Edinburgh. After further research courses in Glasgow, London and Paris, in 1862 he returned to Sydney and lived at Redfern where he soon established a growing practice and was skilled in forensic surgery. Highlights of his medical career included: ▪ 1862-77, visiting medical officer for the Benevolent Society of New South Wales ▪ 1866-75, honorary physician at the Sydney Infirmary and -
1 Something Unusual Captured the World's Imagination at the 2000
Something unusual captured the world’s imagination at the 2000 Olympics in Sydney Australia. You may recall the surprising word hanging from the Sydney Harbour Bridge unveiled at the opening ceremony. When the torch was lit to launch the games the background was illumined by fireworks. Just then a massive sign that hung on the bridge flashed to brilliance, and in a moment people around the globe read what God has placed inside each of us. The word was Eternity. It’s such a strange word to be associated with a non-religious event. What does that word mean to you? According to Ecclesiastes 3:11a, “He has made everything beautiful in its time. Also, He has put eternity into man’s heart.” 3000 years before the 2000 Olympics a man named Solomon in the Bible wrestled with this word. He was the richest man of all time and yet he wasn’t happy and could find no satisfaction out of life. He had it all. He had money, sex and power. And in the end these were his words: “So I hated life, because what is done under the sun was grievous to me, for all is vanity and a striving after wind. He eventually came to the conclusion that God had put eternity into man’s heart and only what is done with eternity in mind will bring ultimate satisfaction It is this spirit that I hope will captivate you today. Today is the last in a series of four messages that revolve around the calling and early ministry of Elisha the prophet. -
Refused to Be Distracted by Such Opposition from His Duty As He Saw It
147 Chapter 5. Barnet and the Politicians. The year 1879 sets out clearly the difficulties faced by a conscientious civil servant, with weighty public and professional responsibilities, being confronted with the demands of politicians. In December 1878 the Farnell Ministry had accepted responsibility for the proposed International Exhibition to be held in Sydney. That decision placed a heavy burden on Barnet who was expected, at short notice, to prepare plans for the principal and a number of minor buildings, arrange contracts and supervise construction. While that task pressed ahead, there were other projects which could not be neglected; for example, there was an urgent and continuing need to provide additional accommodation at the hospitals for the insane as well as to design and construct a number of light houses along the poorly-marked coast of the colony. These long-range tasks could not be abandoned even though the Government had insisted that the Exhibition Building must be given Barnets personal attention and take precedence over other work. He met those demands but not without criticism and denigration of his efforts; for his part he refused to be distracted by such opposition from his duty as he saw it. An examination is now made of Barnets response to those problems. THE AUSTRALASIAN BUILDER AND CONTRACTORS NEWS. JAN. 4. 1890. ELEVATION / 11 11.411111111111110 -i. ..f..• 4iisiiirSe AA! •... 1111101 .glieerlierIL-. --_-...., - -f.. '' itgl',..'1/41' A 1•1 .1J AilliffrrilfitifliiiirphiiI4flif ite4iiirito I l'ii1111 . 4....-.111;-(11.•"■ • 1".4-41 •..4.1% 2.4,11, 1 Alg CrIiii"■■;til ,.. -illeir.-----1i ircii■- , WW0.■7110t......ext,..,,,.71,,,,4 • .•II 03,1,1.,. -
Low Culture in Sydney 1887-1914
Common Pleasures: Low Culture in Sydney 1887-1914 Susan Doyle Doctor of Philosophy 2006 CERTIFICATE OF AUTHORSHIP/ORIGINALITY I certify that the work in this thesis has not previously been submitted for degree, nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledge. In addition, I certify that all information sources and literature used are indicated in the thesis. Susan Doyle. Contents Preface and Acknowledgements ii Abstract vi Introduction 1 Part 1, The Pub 23 Chapter 1: The 1887 Intoxicating Drink Inquiry 24 Chapter 2: Lower-Class Drinking: Places and Practices 54 Chapter 3: Women and the Drink Question 82 Part 2, The Vaudeville Theatre 115 Chapter 4: 'Colour, Music, Light and Rhythm': Vaudeville in Sydney 116 Chapter 5: The Gallery Gods: 'Kicking up a Row in Olympus' 141 Chapter 6: “We’ve Got a Lodger and He’s Very Fond of Ma’: The Vaudeville Repertoire 162 Part 3, The Street 196 Chapter 7: Larrikin Days 197 Chapter 8: The Haymarket Swell: Larrikin Fashion 223 Chapter 9: Everyday Resistance: Larrikin Street Life 248 Conclusion 280 Bibliography 285 i Preface and Acknowledgements In Heterologies De Certeau writes: By a professional reflex, the historian refers any discourse to the socioeconomic or mental conditions that produced it. He needs to apply this kind of analysis to his own discourse in a manner that will make it pertinent to the elucidation of those forces that presently organise representations of the past. -
PART THREE Chapter Five Hope
PART THREE Chapter Five Hope For many former members of the Australian Imperial Force (AIF) after World War I, life on the land on a small poultry or vegetable block in company with other returned men represented more than just a return to civilian life. It was hope – hope that the horrors of war could be erased, hope that the emerging new world would be more prosperous, and hope that their lives would be re-built through their own enterprise of land ownership. For a considerable number of men on these group settlements it was also their last hope. Expectations of success were, therefore, high in the beginning on these settlements. The previous chapters of this thesis have outlined the settlements’ origins and establishment and some of the issues facing settlers, such as poor quality land, stock or crops. These difficulties made earning a living from small acreages more arduous than the men had been led to believe and they often soon found themselves with little income and a massive debt. In addition to the problems of flooding and inferior land, badly constructed homes, poor communication systems, and isolation for themselves and their families, most of the men had war-related disabilities to contend with. In spite of all these challenges, these soldier settlers attempted to re-adapt to civilian life and to build a sustainable community as part of a group soldier settlement. To support the argument of this thesis that most soldier settlers on the six group settlements in this study returned from World War I service physically and mentally 180 scarred, leaving them with long-term or permanent disabilities, a number of primary sources have been used to build a picture of how they struggled to make a living after the war. -
Sermons on James-Robert Morgan
Sermons on James-Robert Morgan Introduction - Robert J Morgan is the teaching pastor at Donelson Fellowship in Nashville, Tennessee and is well known for expository messages that are rich in excellent illustrations of Biblical principles. These sermons are older messages preached on various passages in Romans. THREE DIMENSIONS OF FAITH James 1 & 2 Today we’re beginning a series of sermons entitled “365,” daily obedience based on the New Testament book of James. Every single day this year is a day in which our faith should be exhibited by the way we live and by the obedience we have to the Word of God and particularly to the book of James, which is one of the most practical books of the Bible. It is the New Testament version of the Old Testament book of Proverbs. It is made up of pithy sayings, commands, imperatives, and words of practical wisdom. Some people liken it to the Sermon on the Mount. The theme of James is that faith wears work clothes. Faith wears work gloves. Faith is very active. The faith that James is talking about is the kind of faith that operates where the rubber meets the road and where the water meets the wheel. It is a very practical kind of faith. This little book of five chapters has had a couple of strikes against it in Christian history. First of all, the book of James was slow to be accepted by the early church as Scripture. The process of coming up with the twenty-seven books of the New Testament didn’t happen all at once, and it certainly didn’t happen like some people have claimed it did at the Council of Nicea in the early fourth century. -
Frank Jenner of George Street
JENNER OF GEORGE STREET http://www.wv4g.org Jesus said that the Kingdom of God is like a man who goes out and sows seed. This is the incredible story of Frank Jenner and how God used him in George Street, Sydney, to spread the good news of Jesus around the world. God bless you and empower you to be a bold and unembarrassed witness of Jesus Christ This updated version of the story of Frank Jenner is produced by www.personaltract.com and is based on the book "Jenner of George Street" by Dr Raymond Wilson. Frank Jenner –George Street Evangelist JENNER OF GEORGE STREET This story started many years ago in a Baptist church in Bournemouth, England. One night the pastor, Dr. Francis Dixon asked a man named Peter to share his testimony. Peter got up and said, “This is how I was saved. I was in the Royal Navy. I was walking down George Street in Sydney, Australia and out of nowhere stepped a gentleman and he said to me, ‘excuse me, sir, but could I ask you a question? I hope that it won’t offend you, but if you were to die today, where would you spend eternity? The Bible says that it will either be in heaven or in hell. Would you think about that, please? Thank you. God bless you!” Then the man left. I had never been confronted with that question – I couldn’t get it out of my mind. I got back to England and met someone who took me to a mission and that’s where I became a Christian”. -
Goalpost's the Eternity Man Selected for Locarno Film
GOALPOST’S THE ETERNITY MAN SELECTED FOR LOCARNO FILM FESTIVAL Rosemary Blight, of Goalpost Pictures Australia, is delighted to announce that The Eternity Man, the Julien Temple-directed film opera filmed in Sydney, has been selected to screen in the Piazza Grande at the Locarno Film Festival in Italy. The Eternity Man is the first Australian film to screen in the Piazza Grande since Moulin Rouge in 2001. The Piazza Grande is an enormous Renaissance square in the centre of the Swiss- Italian town which accommodates over 7,000 viewers, with film’s projected nightly onto one of the largest screens in the world. The Festival opens on August 6 with a screening in the Piazza Grande of Julian Jarrold's Brideshead Revisited. The Eternity Man will be in contention for the inaugural Variety Piazza Grande Award, awarded by critics from Variety, and the Prix du Public UBS award. Produced by Rosemary Blight (CLUBLAND, IN THE WINTER DARK) and John Wyver (GLORIANNA), The Eternity Man is based on an opera which premiered at the Almeida Theatre in July 2003 and at the Sydney Festival in 2005 to wide acclaim, and tells the story of Arthur Stace, who spent 40 years chalking a timeless message on Sydney’s streets: the single word, written in copper-plate, Eternity. The film premiered with two special sell-out Opera House screenings at the recent Sydney Film Festival. The Eternity Man is a visually and musically-arresting journey into the grotty heart of Sydney; a place of black humour, alcoholism, bashings, love, sex, lies and shocking beauty. -
Tinshill Free Church Magazine
Diary of Services and Activities Sunday Prayer Meeting 8.00am Morning Worship* 10.30am Key Club (Children aged 4-11) 10.30am Evening Worship 6.30pm The Magazine Holy Communion follows the fi rst morning o and the third evening service each month N 335 *A fully supervised crèche for young children is run in the church side room during the sermon. Monday Girls Group (aged 14-18 — fortnightly) .pm Tuesday Second Tuesday (bi-monthly) .am Making and Thinking (for ladies – monthly) .pm venue as announced Men’s Fellowship (3rd Tuesday monthly) .pm Wednesday Tots Club (term-time) . - .pm Prayer Meeting and Bible Study .pm Thursday Thursday at Two (senior citizens – fortnightly) .pm Friday Ketchup (Children aged 5-11) .pm Missionary Prayer Group (monthly) .pm at 1 Tinshill Mount TINSHILL FREE CHURCH H A , L Registered Charity No. www.tinshillfreechurch.org.uk Elders: Tel. No. Mr Martin Sellens, 68 Moseley Wood Walk, Leeds { } [email protected] Tinshill Free Church Mr Glyn Williams, 87 Tinshill Road, Leeds { } [email protected] Deacon: Mr Nigel Hibbard December 2019 / January 2020 Sun 12 2.30pm Cookridge Court Service Pastoral Letter – December 2019 / January 2020 Mon 13 7.30pm Girls Group 20/20 Vision Tue 14 10.15am Second Tuesday Speaker: Glyn Williams Subject: “Respect for Life” 20/20 vision means that you can see at a distance of 20 feet, what a ‘normal person’ can see at 20 feet - pretty clear objects! If you have 20/40 vision it Thu 16 2pm Thursday at Two Speaker: Glyn Williams means that you can only see at 20 feet what a normal person can see at 40 Fri 17 7.45pm Missionary Prayer Group feet’, and so on! Spectacles are simply a means of correction to get you back Tue 21 7.30pm Making & Thinking for Ladies – Bible study evening to 20/20 vision. -
On Getting Down and Dirty in Dorothy Porter's Verse Novels
‘Trouble, on the Rocks’: On Getting Down and Dirty in Dorothy Porter’s Verse Novels PETER KIRKPATRICK University of Sydney David McCooey has accurately observed that there is a ‘discourse of decline’ surrounding the status of poetry within public culture, and it is most keenly activated when a putative renaissance is felt to be brewing, a concomitant ‘discourse of return.’ As McCooey notes, in a slow news week the media will from time to time report on performative modes like slam poetry or hip-hop as if they’d freshly arrived as the vital answer to all that supposedly boring page- based verse one was forced to read at school or university. Poetry thereby becomes ‘something resistant to its own elite-cultural history.’ Endlessly deferred, ‘the discourse of return is often based on nostalgic models that emphasize the poet as seer, bard, presence, performer, spokesperson, and/or purveyor of special knowledge generally’ (McCooey, 2018). The popular success of Dorothy Porter’s The Monkey’s Mask is adduced by McCooey as an example, although as a verse novel in the form of a detective thriller it fails to conform to the ‘bardic’ model, but is rather a case of literary slumming. Porter actively embraced a genre that was inimical to the romantic-modernist conventions of poetic estrangement, of conscious opposition of the language and forms of mass culture, and thereby achieved a literary coup. Even today, undergraduates are surprised by The Monkey’s Mask’s combination of imagistic poetry and what might be called ‘dirty’ realism. I use this latter term because it highlights the seeming disjunction between the genres at play here and elsewhere in Porter’s long narratives, but also because The Monkey’s Mask coincided with the short-lived ‘grunge’ moment in Australian literature.