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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Web Site Leads to GOP Complaint
Johnny Appleseed Linden students celebrated the American legend of Johnny Appleseed last week. Serving Linden, Roselle, Rahway and Elizabeth Page 3 LINDEN, N.J WWW.LOCALSOURCE.COM 75 CENTS VOL. 89 NO. 39 THURSDAY OCTOBER 5, 2006 Web site leads to GOP complaint By Kitty Wilder paid a total of $9 for two domain Kennedy said he was not aware ofthe site, Enforcement Commission said it is Managing Editor CAMPAIGN UPDATE names. The second domain name was adding, “It’s nothing I’m supporting.” not the commission’s policy to con RAHWAY — Local Republicans used to create a second Rahway He said Devine is not a consultant firm or deny complaints filed. have filed a complaint with the state Republicans for Kennedy Web site at for his campaign, but he is paid for Web sites have become common in alleging a Democratic campaign Lund. It did not contain a disclaimer. www.timeforchange2006.net. printing services. campaigning and are treated like other worker created a Web site intended to The site, which did not include a The address is similar to another Devine said he is a consultant for campaign literature, Davis said. They misrepresent their party. disclaimer, contained a similar address Bodine for Mayor address, www.time- Kennedy, adding, “I advise the Demo are required to include a disclaimer The complaint, filed Friday with to the homepage for the campaign rep forchange2006.com. cratic Party on strategic and tactical clarifying who paid for the site. the state Election Law Enforcement resenting the council candidates and Cassio said the similarity between measures to promote their candidates The commission follows a standard Commission, alleges the group Rah mayoral candidate Larry Bodine. -
Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation
ilGIUSEPPE VERDItrovatore conductor Opera in four parts Marco Armiliato Libretto by Salvadore Cammarano and production Sir David McVicar Leone Emanuele Bardare, based on the play El Trovador by Antonio García Gutierrez set designer Charles Edwards Tuesday, September 29, 2015 costume designer 7:30–10:15 PM Brigitte Reiffenstuel lighting designed by Jennifer Tipton choreographer Leah Hausman The production of Il Trovatore was made stage director possible by a generous gift from Paula Williams The Annenberg Foundation The revival of this production is made possible by a gift of the Estate of Francine Berry general manager Peter Gelb music director James Levine A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco principal conductor Fabio Luisi Opera Association 2015–16 SEASON The 639th Metropolitan Opera performance of GIUSEPPE VERDI’S il trovatore conductor Marco Armiliato in order of vocal appearance ferr ando Štefan Kocán ines Maria Zifchak leonor a Anna Netrebko count di luna Dmitri Hvorostovsky manrico Yonghoon Lee a zucena Dolora Zajick a gypsy This performance Edward Albert is being broadcast live on Metropolitan a messenger Opera Radio on David Lowe SiriusXM channel 74 and streamed at ruiz metopera.org. Raúl Melo Tuesday, September 29, 2015, 7:30–10:15PM KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Verdi’s Il Trovatore Musical Preparation Yelena Kurdina, J. David Jackson, Liora Maurer, Jonathan C. Kelly, and Bryan Wagorn Assistant Stage Director Daniel Rigazzi Italian Coach Loretta Di Franco Prompter Yelena Kurdina Assistant to the Costume Designer Anna Watkins Fight Director Thomas Schall Scenery, properties, and electrical props constructed and painted by Cardiff Theatrical Services and Metropolitan Opera Shops Costumes executed by Lyric Opera of Chicago Costume Shop and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ms. -
Disappoints" Chairs
'\foiume 7, Number 3 College At Lincoln Center, Fordham University, New York February 19-March 4,1986 Fordham Divests From Three Five-Year Corporations Operating In South Africa Plan To Be By Franz C. Adams includes the Chairman of the Board of Trustees of the University's total capital investment of about Prepared Richard Bennett, Fr. O'Hare, and foar Board $36 million. Fordham University's Board of Trustees, voted members. Philion said he plans to meet with the Board of last December 10 to disinvest University funds Trustees on whether there are any possibilities for from companies "who are not observing the By Mary Kay Linge ^ Investment figures taken from the University's complete divestment. "I would like to see people Sullivan Principals" according to University Presi- four portfolios show the value of Fordham stock take the risk and show their support because we dent Rev. Joseph A. O'Hare, The Board also In response to a request made by University in businesses in South Africa to be over $9 million are morally right," he said. adopted a set of general principles concerning President Rev. Joseph A. O'Hare, S.J., the College social responsibility and investment policies, he at Lincoln Center is to prepare "a Strategic Plan said. for developments over the next five years," an- According to Stephen Philion, (FC '86), co- nounced Dean William Tanksley in a February 4 founder of the Fordham Coalition for Divestment, memorandum to the faculty. Students, faculty and about 30 leaders on the campuses of Rose Hill and administrators are all expected to be involved in the College at Lincoln Center are in favor of com- this project, said Tanksley, which is set to be plete divestment of Fordham stocks. -
70S & 80S MUSIC
70s & 80s MUSIC TITLE ARTIST ABBA Medley Stars On 45 Are You Old Enough Dragon Billy Don't Be A Hero Paper Lace C'est La Vie Robbie Nevil Abc Pop - Various Artists As Stevie Wonder Black Betty Ram Jam California Dreamin' The Mamas & The Papas Abraham, Martin & John Pop - Various Artists Atomic Blondie Black Cat Janet Jackson Call Me Blondie Addicted To Love Robert Palmer Baby got back Sir mix a lot Black Man Ray China Crisis call me al paul simon Africa Toto Baby I love You Aretha Franklin Blame It On The Boogie The Jacksons Can You Feel It The Jacksons After The Love Has Gone Earth Wind & Fire Back To Life Soul II Soul Blinded By The Light Bruce Springsteen Can't Fight This Feeling REO Speedwagon Ain't No Mountain High Enough Diana Ross Bad Michael Jackson Blue Monday New Order Can't Get Enough Of Your Love Babe Barry White Ain't No Sunshine Bill Withers Bad Girls Donna Summer bohemian rhapsody queen Can't Help Lovin' That Man Trudy Richards Ain't No Sunshine Pop - Various Artists Bad To The Bone G.Thorogood & The Destroyyers Boogie Fever Slyvers Can't Stop the Music The Village People Ain't Nobody Rufus & Chaka Khan Ball Of Confusion Pop - Various Artists Boogie Wonderland Earth Wind & Fire Candy Iggy Pop All Fired Up Pat Benatar The Ballad of Lucy Jordan Marianne Faithfull Borderline Madonna Cant Get Enough Of Your Love Barry White all i wanna do Heart The Ballad Of Lucy Jordan Pop - Various Artists Born In The U.S.A. -
Giuseppe Verdi
Giuseppe Verdi Luisa Miller GIUSEPPE VERDI Melodramma tragico en tres actes Llibret de Salvadore Cammarano 14 - 27 de juliol Temporada 2018-2019 Temporada 1 Luisa Miller 2 Patronat de la Fundació del Gran Teatre del Liceu Comissió Executiva de la Fundació del Gran Teatre del Liceu President d’honor President Joaquim Torra Pla Salvador Alemany Mas President del patronat Vocals representants de la Generalitat de Catalunya Salvador Alemany Mas Mariàngela Vilallonga Vives, Francesc Vilaró Casalinas Vicepresidenta primera Vocals representants del Ministerio de Cultura y Deporte Mariàngela Vilallonga Vives Amaya de Miguel Toral, Antonio Garde Herce Vicepresident segon Vocals representants de l’Ajuntament de Barcelona Javier García Fernández Joan Subirats Humet, Marta Clarí Padrós Vicepresident tercer Vocal representant de la Diputació de Barcelona Jaume Asens Llodrà Oriol Lladó Esteller Vicepresident quart Vocals representants de la Societat del Gran Teatre del Liceu Marc Castells Berzosa Javier Coll Olalla, Manuel Busquet Arrufat Vocals representants de la Generalitat de Catalunya Vocals representants del Consell de Mecenatge Francesc Vilaró Casalinas, Àngels Barbarà Fondevila, Àngels Jaume Giró Ribas, Luis Herrero Borque Ponsa Roca, Pilar Fernández Bozal Secretari Vocals representants del Ministerio de Cultura y Deporte Joaquim Badia Armengol Santiago Fisas Ayxelà, Amaya de Miguel Toral, Santiago de Director general Torres Sanahuja, Joan Francesc Marco Conchillo Valentí Oviedo Cornejo Vocals representants de l’Ajuntament de Barcelona Joan -
If There's No "Fat Lady," When Is the Opera Over? an Exploration of Changing Physical Image Standards in Present-Day Opera
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2012 If There's No "Fat Lady," When Is the Opera Over? An Exploration of Changing Physical Image Standards in Present-Day Opera Emily L. Stephenson University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Music Performance Commons Recommended Citation Stephenson, Emily L., "If There's No "Fat Lady," When Is the Opera Over? An Exploration of Changing Physical Image Standards in Present-Day Opera" (2012). Electronic Theses and Dissertations. 627. https://digitalcommons.du.edu/etd/627 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. IF THERE’S NO “FAT LADY,” WHEN IS THE OPERA OVER? AN EXPLORATION OF CHANGING PHYSICAL IMAGE STANDARDS IN PRESENT-DAY OPERA A Thesis Presented to the Faculty of Arts and Humanities University of Denver In Partial Fulfillment of the Requirements for the Degree Master of Arts by Emily L. Stephenson August 2012 Advisor: Sarah Morelli, PhD © Copyright by Emily L Stephenson 2012 All Rights Reserved Author: Emily L Stephenson Title: If there’s no “fat lady,” when is the opera over? An examination of changing physical image standards in present-day opera Advisor: Sarah Morelli, Phd Degree Date: August 2012 Abstract Though present-day American society generally assumes opera is one of the few remaining entertainment fields where talent matters more than physical appearance, as the 2004 firing of Deborah Voigt demonstrates, present-day opera singers are increasingly being held to stricter image standards. -
Simon Boccanegra
Giuseppe Verdi Simon Boccanegra CONDUCTOR Opera in a prologue and three acts James Levine Libretto by Francesco Maria Piave and Arrigo PRODUCTION Boito after the play by Antonio García Gutiérrez Giancarlo del Monaco Saturday, February 6, 2010, 1:00–4:20 pm SET AND COSTUME DESIGNER Michael Scott Last time this season LIGHTING DESIGNER Wayne Chouinard STAGE DIRECTOR The production of Simon Boccanegra is made Peter McClintock possible by a generous gift from the estate of Anna Case Mackay. Additional funding was received from the Metropolitan Opera Club, the Annie Laurie Aitken Charitable Trust, The Eleanor Naylor Dana Charitable Trust, and Mr. and Mrs. Paul M. Montrone. The revival of this production was made possible by a gift from Barbara Augusta Teichert. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2009–10 Season The 134th Metropolitan Opera performance of Giuseppe Verdi’s Simon This performance is being broadcast Boccanegra live over The Toll Brothers– Metropolitan Opera Conductor International James Levine Radio Network, sponsored by in o r d e r o f v o c a l a p p e a r a n c e Toll Brothers, America’s luxury Paolo Albiani Gabriele Adorno ® homebuilder , Stephen Gaertner Marcello Giordani with generous long-term Pietro Amelia’s lady-in-waiting support from Richard Bernstein Joyce El-Khoury* The Annenberg Foundation, the Simon Boccanegra A captain Vincent A. Stabile Plácido Domingo Adam Laurence Endowment for Herskowitz Broadcast Media, Jacopo Fiesco, also and contributions known as Andrea from listeners James Morris worldwide. Maria, daughter of Simon Boccanegra, This performance also known as Amelia is also being Grimaldi broadcast live Adrianne Pieczonka on Metropolitan Opera Radio on SIRIUS channel 78 and XM channel 79. -
Ernani Giuseppe Verdi (1813-1901)
1/18 Data Livret de : Francesco Maria Piave (1810-1876) Ernani Giuseppe Verdi (1813-1901) Langue : Italien Genre ou forme de l’œuvre : Œuvres musicales Date : 1844 Note : Drame lyrique en 4 actes. - Livret de Francesco Maria Piave, d'après le drame de Victor Hugo "Hernani". - 1re représentation : Venise, Teatro La Fenice, le 9 mars 1844 Des thèmes de l'opéra ont fait l'objet d'une paraphrase pour piano par Franz Liszt Domaines : Musique Détails du contenu (4 ressources dans data.bnf.fr) Contient (2) Ernani. Acte 2. Letizia ne , Giuseppe Verdi Ernani. Ouverture , Giuseppe Verdi inondi (1813-1901) (1844) (1813-1901) (1844) Voir l'œuvre musicale (2) Paraphrases. Piano. LW , Franz Liszt (1811-1886) Bouquet de mélodies. , Ferdinand Beyer A203. Ernani. Verdi, Piano. Op. 42. Ernani. (1803-1864) Giuseppe Verdi, Giuseppe (1859) data.bnf.fr 2/18 Data Éditions de Ernani (262 ressources dans data.bnf.fr) Enregistrements (216) extrait : Othello : Acte IV - , Giuseppe Verdi extrait : Ernani , Giuseppe Verdi Air du Saule et Ave Maria (1813-1901), S.l. : s.n. , s.d. (1813-1901), [S.l.] : [s.n.] , "Mia Madre..." [s.d.] extrait : Don Carlos : , Giuseppe Verdi extrait : Ernani , Giuseppe Verdi extraits (1813-1901), S.l. : s.n. , s.d. (1813-1901), [S.l.] : [s.n.] , [s.d.] extrait : Ernani , Giuseppe Verdi extrait : Rigoletto , Giuseppe Verdi (1813-1901), [S.l.] : [s.n.] , (1813-1901), [S.l.] : [s.n.] , [s.d.] [s.d.] extrait : Alla vita che tarride , Giuseppe Verdi extraits : Ernani , Giuseppe Verdi (1813-1901), [New York] : (1813-1901), [S.l.] : [s.n.] , [Eterna records] , [194.?] [s.d.] Ernani , Giuseppe Verdi Ernani , Giuseppe Verdi (1813-1901), [New York] : (1813-1901), [S.l.] : [s.n.] , [B.J.R. -
High-Fidelity-1987-0
S311V3 is03 iS030IA 3N111 LB6l VS1105'15 CSES vim oianv o3ain 1531 11210d321 )iinw 1W aNn aaino Lspivno s Hamvacisano, SalVS SINVOS 9 [OH MaN &ft. 9NR1301SNO3 -0111011/111S, 11110S SlUtION11.1MOH MOH alnoHs 11 4a.aNnos -qum LW LS313 31110631NOH Are ivaloia aNnowns Id EIOSS3D0 any 00( ONI10e11:1111S S0301A - Arr. iPlt ,igaRik$10,1N- V0,404 &SHIA MOO, .LV s.aaN 300Z-CiAlf r kiOSS33014c1 i .1 IN) L ,714:0 IMO+ - r -N 19025 PA -ESHERD! DR JEFFREY 3337 C;) HASTINGS P D MR N In YL c0 HIF JEF98 13337 2HST4 OCT90 16 7JEF451 #25333 CO 19025 #131Cninmx>m5-DIPCT NotEvolutionary The C-90 Pioneer's Revolutionary C -90/M-90Preamp readies you for the video revo- Elite High -Fidelity Components. lution, with six video inputs, a built-in AucLophiles, take note: The preamp and ampli-video enhancer, and two -buss switching fier you've been waiting for are finally here. (separate"Record" and"View" selectors). The IntrodLcing the Pioneer Elite Hi-Fi C -9C C -90's unique system remote -control unit Preamp and M-90 Power Amplifier. Together, features volume adjustment, input source they combine the finest in both audio and selection, and control of audio and video video to retrieve every detail and nuance foundinput devices such as Pioneer's"SK compat- in in. cher:shed records, tapes, compact discs.ible VCRs, CDs, LaserVision players and LaserVision' discs and other software. Imaginecassette decks. a so-andstage spread throughout your entire The M-90 is a superb high -power stereo liste:-.ing room! Stunning, transparent, three- amplifier, utilizing dual -mono construction. -
Corkscrew Pointe
Corkscrew Pointe Artist Title Disc Number Track # 10,000 Maniacs More Than This 10218 master 2 These Are The Days 10191 Master 1 Trouble Me 10191 Master 2 10Cc I'm Not In Love 10046 master 1 The Things We Do For Love 10227 Master 1 112 Dance With Me (Radio Version) 10120 master 112 12 Gauge Dunkie Butt 10104 master 12 1910 Fruitgum Co. 1, 2, 3 Red Light 10124 Master 1910 2 Live Crew Me So Horny 10020 master 2 We Want Some P###Y 10136 Master 2 2 Pac Changes 10105 master 2 20 Fingers Short #### Man 10120 master 20 3 Doors Down Away From The Sun 10131 master 3 Be Like That (Radio Version) 10210 master 3 Kryptonite May 06 2010 3 Loser 10118 master 3 311 All Mixed Up Mar 23 2010 311 Down 10209 Master 311 Love Song 10232 master 311 38 Special Caught Up In You 10203 38 Rockin' Into The Night 10132 Master 38 Teacher, Teacher 10130 Master 38 Wild-eyed Southern Boys 10140 Master 38 3Lw No More (Baby I'ma Do Right) (Radio 10127 Master 1 Version) 4 Non Blondes What's Up 10217 master 4 42Nd Street (Broadway Version) 42Nd Street 10227 Master 2 1 of 216 Corkscrew Pointe Artist Title Disc Number Track # 42Nd Street (Broadway Version) We're In The Money Mar 24 2010 14 50 Cent If I Can't 10104 master 50 In Da Club 10022 master 50 Just A Lil' Bit 10136 Master 50 P.I.M.P. (Radio Version) 10092 master 50 Wanksta 10239 master 50 50 Cent and Mobb Deep Outta Control (Remix Version) 10195 master 50 50 Cent and Nate Dogg 21 Questions 10105 master 50 50 Cent and The Game How We Do (Radio Version) 10236 master 1 69 Boyz Tootsee Roll 10105 master 69 98° Give Me Just One Night (Una Noche) 10016 master 4 I Do (Cherish You) 10128 Master 1 A Chorus Line What I Did For Love (Movie Version) 10094 master 2 A Flock Of Seagulls I Ran (So Far Away) May 04 2010 1 A Perfect Circle Judith 10209 Master 312 The Hollow 10198 master 1 A Taste Of Honey Boogie Oogie Oogie 10213 master 1 A Taste Of Honey Sukiyaki 10096 master 1 A Teens Bouncing Off The Ceiling (Upside Down) 10016 master 5 A.B. -
*Encore Opera Aida 6:7:19
ENCORE OPERA FOUNDED BY STEVE SCHWARTZ For June 7, 2019 CAN YOU HELP? This Week’s Program by GENE MARTIN Verdi’s I have not yet created a formal structure for Encore Opera with a Riderwood’s commitment AIDA to maintain and increase Steve’s media Library with English Subtitles so that other residents can continue showing ————- operas after Steve and I are gone. Do let me know if you’re interested in helping; we can NOTES by STEVE SCHWARTZ talk about what needs doing. By 2011, the Metropolitan Opera had This production won an EMMY for “Outstanding performed Aida more than a thousand Classical Program in the Performing Arts” in times, more than any other opera. Last 1989-90 The Emmy Awards are administered year, they performed it with two entirely by three sister organizations which focus on different casts for a total of fourteen more various sectors of television and broadband performances in just one season! programming, namely the Television Academy AIDA is universally recognized as one for primetime programs, the National Academy of the most popular operas as measured by of Television Arts & Sciences for daytime, the number of performances in opera houses sports, news and documentary programs, and throughout the world. Verdi composed it in the International Academy of Television Arts & 1871, when he was almost sixty. By then, he Sciences for international programs. already had the status of dean of opera NEXT FRIDAY composers and had written more than two On the 14th, we have Puccini’s Tosca from the dozen operas. Hence, he was a wealthy man Arena di Verona with Daniel Oren conducting who had earned the right to live out his Fiorenza Cedolins, Marcelo Álvarez, and golden years in retirement.