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The Seductive Voice
> The art of seduction The seductive voice Charles Darwin had no doubts about the origins of music – it was a kind of mating call, a primitive language of the emotions from an early stage of evolution. While his ideas about music and evolution have often been alluded to, Darwin never really paid much attention to music. His contemporary Herbert Spencer, who was much more conversant with music, saw it differently – music had evolved from language, in particular speech laden with emotion. Wim van der Meer tic and the texts always had something to do with love. But their greatest asset was their voice. The best singers were (and iscussion on the origins of music and its evolutionary are) capable of captivating their audience with magical Dsignificance has regained momentum over the past magnetism. decade and a half. Nils Wallin, Ian Cross, Steven Mithen and Björn Merker are among those who have given impetus to this In my personal contact with some of the great women singers field of research referred to as biomusicology. Others oppose of India, I have been struck by how powerful the voice can be. the idea of music as important to evolution. Steven Pinker, for It is enough for them to barely utter a few sounds and one can- instance, considers music a useless, though pleasant, side- not escape the attraction. It is some indefinable quality of the product of language that could just as well be eliminated from voice, openness of the sound, and an earthy sensuality. Of human existence. course this is not limited to Indian courtesans. -
US Eyelights August
Number : 27 August 2021 Sankara Nethralaya USA Sankara Nethralaya USA 9710, Traville Gateway Drive No.392, Rockville, MD 20850 e-mail : [email protected] Sankara Nethralaya’s new centre at R. A. Puram August 2021 2 Sankara Nethralaya Fundraiser – A Grand Success Sankara Nethralaya (SN) is a non-profit charity organization providing ophthalmic (eye) care throughout India. For the last four decades, SN has treated millions of patients. Sankara Nethralaya USA (SN USA) was formed in the USA thirty years ago so NRIs could contribute to help mission of SN. SN USA, based in the USA, has received the highest rating of four stars by Charity Navigator for maintaining financial accountability and fiscal transparency for funds donated by donors and how they are utilized towards the stated cause. Every year, Sankara Nethralaya USA organizes Indian classical dance and music programs in various cities to raise awareness and raise funds. Because of the pandemic, all programs have been conducted virtually. As part of our mid-year campaign, Kalaratna Vidwan Flute Nagaraju Talluri gave a devotional flute music concert on July 25th, 2021. He performed the following songs: Ÿ Maha Ganapateem - Lord Ganesh Ÿ Adivo Alladivo - Annamayya Ÿ Janani Janani - Tamil song by Ilayaraja Ÿ Shyam Teri Bansi- Hindi- Lata Mangeshkar Ÿ Bhagyada Laxmi Baaramma- Kannada Ÿ Tandanaanaa Hare - Annamayya Ÿ Payoji Maine Raam Ratan Dhan Payo - Hindi - Meera bhajan Ÿ Harivaraasanam – a popular Malayalam song for Ayyappa Swami first sung by Shri K. J. Yesudas Ÿ Shankara Nada Sharirapara - SPB - Sankarabharanam Ÿ Sathyam Shivam Sundaram - Hindi - Lata Mangeshkar 3 August 2021 Sankara Nethralaya executive committee members - President Emeritus S V Acharya, President Bala Reddy Indurti, Vice President Moorthy Rekapalli, Secretary Srinivas Ganagoni, Treasurer Banumati Ramkrishnan, Joint Secretary Sowmiya Narayanan, Joint Treasurer Raja Krishnamurti, and Past President Leela Krishnamurthy appealed the audience through TV channels to support the cause and help indigent blind patients in India. -
Top 10 Male Indian Singers
Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
Album Name Ganesh the Most Potent Prayers Sr Track Title Track Type
Album Name Ganesh the most potent prayers Track Type Sr Track title (Vocal / Duration Artiste Name Composer Lyricist Instrumental) 1 Shri Ganeshay namah vocal 2:17' Lata Mangeshkar Mayuresh Pai Traditional 2 Shri Siddhivinayak Naman vocal 4:15' Lata Mangeshkar Mayuresh Pai Traditional Shri Ganesh Mahamantra and 3 Ganesh Gayatri vocal 4:00' Lata Mangeshkar Mayuresh Pai Traditional 4 Kleshanashak shri Ganesh Mantra vocal 4:16' Lata Mangeshkar Mayuresh Pai Traditional Shri siddhivinayak santati-prapti 5 and Aashirvaad mantra vocal 4:17' Lata Mangeshkar Mayuresh Pai Traditional Shri Lakshmi-Vinayak Mantra and 6 Mahaganapati Moolmantra vocal 4:17' Lata Mangeshkar Mayuresh Pai Traditional 7 Shri Mayuresh Stavaha vocal 4:16' Lata Mangeshkar Mayuresh Pai Traditional 8 Jai Jai Ganesh Moraya vocal 4:11' Lata Mangeshkar Mayuresh Pai Traditional Shyam Manohar 9 Inner Voice Signature Shlok Vocal 0:52' Pt. Jasraj Vinayak Netke Goswami 10 Ganapati Atharvashirshya Vocal 15:37' Suresh Wadkar Vinayak Netke Traditional Suresh Wadkar & 11 Gajanan Stuti Vocal 4:35' Chorus Vinayak Netke Vinayak Netke Suresh Wadkar & 12 Shubhanana Gajar I Vocal 5:53' Chorus Vinayak Netke Vinayak Netke 13 Jayanti jai Ganapati Vocal 11:39' Suresh Wadkar Vinayak Netke Vinayak Netke Suresh Wadkar & 14 Anaadi Nit Poojita Vocal 3:34' Chorus Vinayak Netke Vinayak Netke Suresh Wadkar & 15 Hey Prarambha Adhipati Vocal 5:28' Sabhiha Vinayak Netke Ashok Roy 16 Mantra Pushpaanjali Vocal 2:56' Suresh Wadkar Vinayak Netke Traditional 17 Shubhanana Gajar II Vocal 1:01' Chorus Vinayak Netke -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
Getting to Know Your Indian-American Neighbors (PDF)
Seeking Educational and Language and Culture Employment Opportunities LANGUAGES: INDIANS HAVE COME TO THE UNITED STATES: INDIA IS DIVIDED INTO MANY STATES WHICH ARE • Early immigrants came for freedom from foreign oppression BASICALLY LANGUAGE-REGIONS. • American universities later attracted thousands from India • All major languages of North are from Indo-Aryan family of • America offered good quality living and good jobs which Sanskrit is the foundation • Languages of South are of Dravidian origin, with distinct IMMIGRATION BEGAN IN THE 1800’s ancient literary heritage and script • As citizens of the British Empire (later Commonwealth), • English is one of the official languages of India, used in Indians settled in all parts of the world government and professional work • Early 1900’s: Thousands of Sikhs opposed to British rule • Ancient poems, songs, folk tales are highly regarded in came to the west coast, especially California, to become a modern Indian culture major farming community • The Vedas (1500 B.C.), hymns to gods, are world’s oldest • 1930-1940: Strict U.S. immigration laws prevented most continuously used literature Asians from coming; Only 496 Indians entered U.S.; all were • The Upanishads (800 B.C.): basis of Hindu philosophy denied citizenship • Mahabharat and Ramayan, stories of good and evil, are • 1960’s to present: Increased immigration of Indians, espe- BORDERED: known by almost every villager; have artistically influ- cially students, professionals and businessmen • on north by China, Nepal, Tibet, Bhutan and Himalayas enced other cultures • on west and northwest by Pakistan and Arabian Sea • Performed in Michigan are some classical and folk dances INDIANS IN THE U.S. -
The Function of Bombay Cinema in Salman Rushdie's Midnight's Children
Salman Rushdie: A Special Cluster “Taking on the Tone of a Bombay Talkie”: The Function of Bombay Cinema in Salman Rushdie’s Midnight’s Children Deepa P. Chordiya In recent years, Bollywood movies, produced in Bombay and hugely popular in India, have enjoyed a surge of popularity worldwide.1 Praised for their lavish sets and spectacular song and dance sequences, Bombay films, and the conventions of this cinematic genre, are becom- ing increasingly mainstream. Until recently, however, the conventions of Bombay cinema were largely ridiculed, satirized or dismissed by Indian and Western critics as lacking realism. Rachel Dwyer and Divia Patel point out that the Indian term “filmi,” which means belonging to or as- sociated with film, “is seen as derogatory, suggesting something cheap and trashy” (30). Salman Rushdie’s observations about Bombay cinema reinforce this view: [m]ost Hindi movies were then and are now what can only be called trashy…[using] scripts of dreadful corniness, [looking] tawdry and garish, and [relying] on the mass appeal of its star performers and musical numbers to provide a little zing. (Step Across is Line 5–6) While Rushdie’s assessment is a highly dismissive view of Bollywood movies, Bombay cinema nevertheless figures prominently in many of his novels and functions as an important narrative device most notably in Midnight’s Children. Indeed, it is possible to argue that the fragmentary structure of Bombay cinema mirrors and elucidates the likewise frag- mentary nature of “everyday reality” in Midnight’s Children. Moreover, the suggestion that fragmentation central to cinema as well as daily life 97 Deepa P. -
STUDYBAY TECHNOLOGIES PRIVATE LIMITED May 21, 2020
STUDYBAY TECHNOLOGIES PRIVATE LIMITED May 21, 2020 STUDYBAY TIMES NATIONAL Mobile App “National Test Abhyas” launched by Union HRD Ministry A new mobile application called ―National Test Abhyas‖ has been launched by the Ministry of Human Resources Development. The application which has been developed by the National Testing Agency will help the candidates to take mock tests for exams such as JEE Mains, NEET, etc. The main aim of the application is to help students during the closure of educational institutions. Important takeaways for all competitive exams: Union Minister of Human Resources Development: Ramesh Pokhriyal ‗Nishank‘ India gives $2 million aid to UN agency for Palestinian refugees’ welfare India has provided USD 2 million aid for the United Nations Relief and Works Agency working for the welfare of Palestinian refugees. This aid is given for UNRWA core programmes and services, including education and health, amidst the coronavirus crisis. India has increased the annual contribution to the UNRWA from USD 1.25 million (Rs. 9.45 crore) to USD 5 million (Rs. 37 crore) in 2019. The contribution was presented to the United Nations agency by the Representative of India (ROI) to the State of Palestine, Sunil Kumar. Important takeaways for all competitive exams: United Nations Relief and Works Agency Headquarters location: Amman, JordanUnited Nations Relief and Works Agency Commissioner-General: Christian Saunders Cyclone Amphan intensifies into Super Cyclone Cyclone Amphan intensified into a super cyclone with wind speed above 200 kmph and moved further towards North-Northeastwards over West Central Bay. It is the first super cyclone to hit the region in the last two decades since a super cyclone-hit Odisha in 1999 causing widespread damage and loss of life. -
The Historical View of the Relationship Between Koutilya and Mourya Empire
Vol-6 Issue-5 2020 IJARIIE-ISSN(O)-2395-4396 THE HISTORICAL VIEW OF THE RELATIONSHIP BETWEEN KOUTILYA AND MOURYA EMPIRE. PROF.PRAHALLADA.G. M.A., M.PHIL. ASSISTANT PROFESSOR DEPARTMENT OF HISTORY IDSG GOVERNMENT FIRST GRADE COLLEGE CHIKAMAGALUR-577102 ABSTRACT Chanakya dedicated his life to forming the Maurya Empire and guiding its pioneer Chandragupta Maurya and his son, Bindusara. He was the royal advisor, economist and philosopher during their reign. Born in 371 BC, Chanakya has been traditionally identified as Kautilya or Vishnugupta. Vishnugupta was actually a redactor of Kautilya’s original work, which suggests that Kautilya and Vishnugupta are different people. Chandragupta was an eminent ruler of the Maurya Empire. He successfully conquered most of the Indian subcontinent and is believed to be the first king who unified India. He was well revered and accepted by other kings. The Teacher And The Student Chanakya and Chandragupta shared a relationship based on reverence and trust. Chanakya was not just a teacher to Chandragupta; he was also his prime minister, friend, well-wisher and advisor. Chanakya was the person and power behind Chandragupta's early rise to power. It was Chandragupta Maurya who founded the great Maurya Empire but he couldn't have done it without Chanakya's guidance. Chanakya met Chandragupta by chance but the moment they met, Keywords-Chanukya, Chandragupta, mourya, Amathya, empire, Arthashastra, Pataliputra. INTRODUCTION Chanakya dedicated his life to forming the Maurya Empire and guiding its pioneer Chandragupta Maurya and his son, Bindusara. He was the royal advisor, economist and philosopher during their reign. Born in 371 BC, Chanakya has been traditionally identified as Kautilya or Vishnugupta. -
Ragamala World Music 2017 Program Book
RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer. -
Ali Akbar Khan, Le Maître Du Sarod Indien
Cahiers d’ethnomusicologie Anciennement Cahiers de musiques traditionnelles 5 | 1992 Musiques rituelles Ali Akbar Khan, le maître du sarod Indien Huib Schippers Traducteur : Isabelle Schulte-Tenckhoff Édition électronique URL : http://journals.openedition.org/ethnomusicologie/2446 ISSN : 2235-7688 Éditeur ADEM - Ateliers d’ethnomusicologie Édition imprimée Date de publication : 1 janvier 1992 Pagination : 258-276 ISBN : 978-2-8257-0456-1 ISSN : 1662-372X Référence électronique Huib Schippers, « Ali Akbar Khan, le maître du sarod Indien », Cahiers d’ethnomusicologie [En ligne], 5 | 1992, mis en ligne le 15 décembre 2011, consulté le 19 avril 2019. URL : http:// journals.openedition.org/ethnomusicologie/2446 Article L.111-1 du Code de la propriété intellectuelle. ENTRETIEN ALI AKBAR KHAN, LE MAÎTRE DU SAROD INDIEN* Huib Schippers En 1936, un jeune joueur de sarod fit ses débuts à la All India Music Conference de Allahabad. Ce premier concert en solo d'Ali Akbar Khan marqua le début d'une phase importante de l'histoire de la musique instrumentale indienne. Jusque là, aucun joueur de sarod n'avait su atteindre pareille maîtrise technique et artistique. Ce fut le début d'une carrière remarquable, couvrant maintenant plus de cinq décennies. Des milliers de concerts et d'émissions de radio, ainsi que de nom- breux enregistrements commerciaux ont affirmé la renommée du khansahib comme le digne dépositaire de la gharān ā de son père Baba Allauddin, et comme l'un des meilleurs musiciens du vingtième siècle. Mais l'importance d'Ali Akbar Khan va au delà de ses qualités artistiques. Sa vie reflète les changements sociaux et musicaux que l'Inde a connus tout au long de ce siècle : le déclin des cours royales, le rôle de la All India Radio comme nou- velle protectrice de la musique classique, l'avènement du concert de masse, le dé- veloppement de la musique enregistrée et la propagation de la musique indienne en Occident.