US Eyelights August

Total Page:16

File Type:pdf, Size:1020Kb

US Eyelights August Number : 27 August 2021 Sankara Nethralaya USA Sankara Nethralaya USA 9710, Traville Gateway Drive No.392, Rockville, MD 20850 e-mail : [email protected] Sankara Nethralaya’s new centre at R. A. Puram August 2021 2 Sankara Nethralaya Fundraiser – A Grand Success Sankara Nethralaya (SN) is a non-profit charity organization providing ophthalmic (eye) care throughout India. For the last four decades, SN has treated millions of patients. Sankara Nethralaya USA (SN USA) was formed in the USA thirty years ago so NRIs could contribute to help mission of SN. SN USA, based in the USA, has received the highest rating of four stars by Charity Navigator for maintaining financial accountability and fiscal transparency for funds donated by donors and how they are utilized towards the stated cause. Every year, Sankara Nethralaya USA organizes Indian classical dance and music programs in various cities to raise awareness and raise funds. Because of the pandemic, all programs have been conducted virtually. As part of our mid-year campaign, Kalaratna Vidwan Flute Nagaraju Talluri gave a devotional flute music concert on July 25th, 2021. He performed the following songs: Ÿ Maha Ganapateem - Lord Ganesh Ÿ Adivo Alladivo - Annamayya Ÿ Janani Janani - Tamil song by Ilayaraja Ÿ Shyam Teri Bansi- Hindi- Lata Mangeshkar Ÿ Bhagyada Laxmi Baaramma- Kannada Ÿ Tandanaanaa Hare - Annamayya Ÿ Payoji Maine Raam Ratan Dhan Payo - Hindi - Meera bhajan Ÿ Harivaraasanam – a popular Malayalam song for Ayyappa Swami first sung by Shri K. J. Yesudas Ÿ Shankara Nada Sharirapara - SPB - Sankarabharanam Ÿ Sathyam Shivam Sundaram - Hindi - Lata Mangeshkar 3 August 2021 Sankara Nethralaya executive committee members - President Emeritus S V Acharya, President Bala Reddy Indurti, Vice President Moorthy Rekapalli, Secretary Srinivas Ganagoni, Treasurer Banumati Ramkrishnan, Joint Secretary Sowmiya Narayanan, Joint Treasurer Raja Krishnamurti, and Past President Leela Krishnamurthy appealed the audience through TV channels to support the cause and help indigent blind patients in India. Virtual music concert was broadcasted in the following major channels: ManaTV: https://www.youtube.com/watch?v=g52jaxiPe1I TVAsia Telugu: https://www.youtube.com/watch?v=GVEzgUI8nmk Saakshi TV: https://www.youtube.com/watch?v=XWKhCEjTOV0 TV5: https://www.youtube.com/watch?v=xtHjP2nthGQ GNN: https://www.youtube.com/watch?v=PxXoGUQzCVk Viewers thoroughly enjoyed the concert and Sankara Nethralaya midyear campaign raised significant amount to restore the vision to many indigent blind patients in India. Kudos to the fundraising team, philanthropists, and the community for their unconditional support. President Bala Reddy Indurti, President Emeritus S V Acharya thanked all the Trustees and Volunteers who are working selflessly to restore vision for indigent patients. Vice President Moorthy Rekapalli thanked the efforts of Sankara Nethralaya USA and the service of NRIs. President of Sankara Nethralaya India, Dr. Girish Rao elaborated various services provided by Nethralaya to the needy people during pandemic. Special thanks to Shyam Appali, Prameela Gopu, Suresh Kumar, Theagarajan, and Sunita Doss for their assistance in organizing this program and taking care of technical aspects to present the content in different channels. Thanks are due to K.G. Venkatraman, Krishnaraj Bhat, Dr. Raj Modi, Dr. Reddy Urimindi, Srini Vangimalla, Shankar Setty, Jagannath Vedula, Narayan Indurthi, Upendra Rachupally, Rajasekhar Aila, Ravi Maraka, and Prasad Rani for promoting the event in social media, and TV channels. Thanks, are also due to media partners ManaTV, TVAsia Telugu, SakshiTV, TV5, GNN, US1, and Tori for promoting Sankara Nethralaya activities. If you have any questions, feel free to reach our committee members at the following link: https://www.sankaranethralayausa.org/committee-members.html Special Discussion with Sri S. V. Acharya, President Emeritus, SN USA on Mana TV International HD The Founder of Sankara Nethralaya USA, Mr. S. V. Acharya and his wife Mrs. Nirmala Acharya were interviewed by Mana TV and the interview was broadcasted by ManaTV on July 23rd, 2021. Mr. & Mrs. Acharya spoke about their meeting with SN Founder Living Legend, Padma Bhushan Dr. S. S. Badrinath, their involvement with SN and the growth of Sankara Nethralaya USA during past 33 years. Please click here https://www.youtube.com/watch?v=0788I0UDVpA to view the interview. We thank Leela Krishnamurthy and Narayan Reddy Indurthi for coordinating musical concerts and the walkathon event in Houston TX. For more information and to donate please visit us at https://www.sankaranethralayausa.org If you like to donate using PayPal please click the following link: https://www.paypal.com/us/fundraiser/charity/1769240 4 Record Breaking Fundraiser by Kannan Family For Deserving Patients Five years ago, a then-12-year old Jay Kannan and his family held their first fundraiser, by hosting a charity talent night, for Sankara Nethralaya Ophthalmic Mission Trust, USA (SNUSA). Jay had seen a video at an event a few months prior about Sankara Nethralaya, which described the organization and their goals. The video impacted Jay deeply, the activities of Sankara Nethralaya inspired him and he wanted to do something to help the needy patients. His parents, Amuthan and Vidya, encouraged him in this noble endeavor. Because of his own love for music, Jay thought of the idea of doing a charity talent night. He started out by asking his friends in the local community if they would be willing to perform. As more and more of his friends got on board, Jay’s talent night started to become more of a reality. The Kannans’ first concert was held in the basement of their home. With help from their friends, they put on their first, successful benefit concert and collected about $2,500. In the next two years, they raised around $3,000 each year. In the summer of 2020, they held the talent night virtually due to the COVID-19 pandemic, with virtual performances from over 20 kids. Since it was virtual, kids from other parts of the country were also able to participate and contribute. They ended up raising over $4,000 in 2020, helping provide free surgeries and restore eyesight for about 65 people. Recently, on June 19th 2021 Jay organized an in-person concert with some virtual elements added to it to accommodate those still affected by the pandemic. This year, an outdoor concert with live performances was arranged, which included virtual performances from those that were not able to attend in-person. The Kannans beat their old records and collected a new high of over $6,000. Jay and his family enjoy putting this event together every year, as it helps deserving patients who benefit from the free surgeries. These fundraising events also allow the families and their children in the community to be actively involved in philanthropic works and understand the power we all have to make a difference. Sankara Nethralaya USA’s Walkathon for Indigent Patients The Houston Chapter of the SN Ophthalmic Mission Trust (SNUSA) headed by Sri Narayan Reddy Indurthi, and Srimati Leela Krishnamurthy, Past President, organized a month-long walkathon event to increase awareness about the Sankara Nethralaya, Chennai and SN USA among the Houston Community. The walkathon challenge, which started on 1st June and ended on 30th June, 2021, was received in a very positive light by the Houston community. Fifty-five participants registered for the SN Walkathon on the Pacer App. The daily target was the completion of 10,000 steps each day for every participant and the monthly target was 300,000 steps for each participant. The participation was enthusiastic and a fun way to involve the close-knit Houston Community. The top five participants will receive surprise gifts for completing their goals with enthusiasm. The walkathon raised awareness of the mission to bring vision to indigent patients and the ability to bring hope to a deserving patient’s life. The event promoted many people to ask about ways to contribute to SN Chennai and other ways to become involved in the community services. Events like these help us spread the awareness of Sankara Nethralaya’s charitable services in their communities. We thank Sri Narayan Reddy Indurthi, Head of Huston chapter and Srimati Leela Krishnamurthy, Past President, for their untiring commitment to spreading awareness of SN’s mission to fight against preventable blindness. 5 August 2021 Sri A Jagannathan Memorial Concert Series Completes 300 concerts The Sri A Jagannathan Memorial Concert series organized by Sankara Nethralaya USA’s Joint Secretary & Trustee Mr. Sowmiyanarayan in memory of his father, Sri A Jagannathan completes 300 concerts. Over the one-year period, Sri Sowmiyanarayan organized 300 concerts and gave opportunities for more than 450 artists from the USA, Canada, Australia, New Zealand, and the UK. The fundraising concert series was created by Sri Sowmiyanarayan to honor his father’s memory. His son, Sanjith Narayanan, and his violin teacher, Sri Kamalkiran Vinjamuri helped arrange the concerts. Initially scheduled only for ten days, the virtual concert series proved to be so popular it was extended multiple times and became an ongoing music concert series. The extremely talented great-granddaughters of the unforgettable Bharat Ratna Smt. M. S. Subbulakshmi and Sangeetha Ratnakara Dr. Radha Vishwanathan:- S. Aishwarya and S. Saundarya, performed for our grand landmark of reaching 150 concerts. Young and talented artists from Australia, Canada, India, Malaysia, New Zealand, UAE, UK, USA, Singapore, and Sweden have come forward to perform for this good cause and showcase their unique talents. Your enthusiastic support and contributions have enabled Sankara Nethralaya to perform eye surgeries for over 2000 poor indigent patients over the past year. We thank you all for the tremendous support that you have given to Sankara Nethralaya and this festival. Sri Sowmiyanarayan thanks Sri Vibhu Rao (Mani Krishnaswami Academy), Sri Ramesh Sooryanarayanan ( Sai Rocks Studio), Chi. Sai Bharath (Sai Rocks Studio) and respected gurus.
Recommended publications
  • The Seductive Voice
    > The art of seduction The seductive voice Charles Darwin had no doubts about the origins of music – it was a kind of mating call, a primitive language of the emotions from an early stage of evolution. While his ideas about music and evolution have often been alluded to, Darwin never really paid much attention to music. His contemporary Herbert Spencer, who was much more conversant with music, saw it differently – music had evolved from language, in particular speech laden with emotion. Wim van der Meer tic and the texts always had something to do with love. But their greatest asset was their voice. The best singers were (and iscussion on the origins of music and its evolutionary are) capable of captivating their audience with magical Dsignificance has regained momentum over the past magnetism. decade and a half. Nils Wallin, Ian Cross, Steven Mithen and Björn Merker are among those who have given impetus to this In my personal contact with some of the great women singers field of research referred to as biomusicology. Others oppose of India, I have been struck by how powerful the voice can be. the idea of music as important to evolution. Steven Pinker, for It is enough for them to barely utter a few sounds and one can- instance, considers music a useless, though pleasant, side- not escape the attraction. It is some indefinable quality of the product of language that could just as well be eliminated from voice, openness of the sound, and an earthy sensuality. Of human existence. course this is not limited to Indian courtesans.
    [Show full text]
  • Top 10 Male Indian Singers
    Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *.
    [Show full text]
  • The Sixth String of Vilayat Khan
    Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
    [Show full text]
  • Album Name Ganesh the Most Potent Prayers Sr Track Title Track Type
    Album Name Ganesh the most potent prayers Track Type Sr Track title (Vocal / Duration Artiste Name Composer Lyricist Instrumental) 1 Shri Ganeshay namah vocal 2:17' Lata Mangeshkar Mayuresh Pai Traditional 2 Shri Siddhivinayak Naman vocal 4:15' Lata Mangeshkar Mayuresh Pai Traditional Shri Ganesh Mahamantra and 3 Ganesh Gayatri vocal 4:00' Lata Mangeshkar Mayuresh Pai Traditional 4 Kleshanashak shri Ganesh Mantra vocal 4:16' Lata Mangeshkar Mayuresh Pai Traditional Shri siddhivinayak santati-prapti 5 and Aashirvaad mantra vocal 4:17' Lata Mangeshkar Mayuresh Pai Traditional Shri Lakshmi-Vinayak Mantra and 6 Mahaganapati Moolmantra vocal 4:17' Lata Mangeshkar Mayuresh Pai Traditional 7 Shri Mayuresh Stavaha vocal 4:16' Lata Mangeshkar Mayuresh Pai Traditional 8 Jai Jai Ganesh Moraya vocal 4:11' Lata Mangeshkar Mayuresh Pai Traditional Shyam Manohar 9 Inner Voice Signature Shlok Vocal 0:52' Pt. Jasraj Vinayak Netke Goswami 10 Ganapati Atharvashirshya Vocal 15:37' Suresh Wadkar Vinayak Netke Traditional Suresh Wadkar & 11 Gajanan Stuti Vocal 4:35' Chorus Vinayak Netke Vinayak Netke Suresh Wadkar & 12 Shubhanana Gajar I Vocal 5:53' Chorus Vinayak Netke Vinayak Netke 13 Jayanti jai Ganapati Vocal 11:39' Suresh Wadkar Vinayak Netke Vinayak Netke Suresh Wadkar & 14 Anaadi Nit Poojita Vocal 3:34' Chorus Vinayak Netke Vinayak Netke Suresh Wadkar & 15 Hey Prarambha Adhipati Vocal 5:28' Sabhiha Vinayak Netke Ashok Roy 16 Mantra Pushpaanjali Vocal 2:56' Suresh Wadkar Vinayak Netke Traditional 17 Shubhanana Gajar II Vocal 1:01' Chorus Vinayak Netke
    [Show full text]
  • THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
    THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full
    [Show full text]
  • Getting to Know Your Indian-American Neighbors (PDF)
    Seeking Educational and Language and Culture Employment Opportunities LANGUAGES: INDIANS HAVE COME TO THE UNITED STATES: INDIA IS DIVIDED INTO MANY STATES WHICH ARE • Early immigrants came for freedom from foreign oppression BASICALLY LANGUAGE-REGIONS. • American universities later attracted thousands from India • All major languages of North are from Indo-Aryan family of • America offered good quality living and good jobs which Sanskrit is the foundation • Languages of South are of Dravidian origin, with distinct IMMIGRATION BEGAN IN THE 1800’s ancient literary heritage and script • As citizens of the British Empire (later Commonwealth), • English is one of the official languages of India, used in Indians settled in all parts of the world government and professional work • Early 1900’s: Thousands of Sikhs opposed to British rule • Ancient poems, songs, folk tales are highly regarded in came to the west coast, especially California, to become a modern Indian culture major farming community • The Vedas (1500 B.C.), hymns to gods, are world’s oldest • 1930-1940: Strict U.S. immigration laws prevented most continuously used literature Asians from coming; Only 496 Indians entered U.S.; all were • The Upanishads (800 B.C.): basis of Hindu philosophy denied citizenship • Mahabharat and Ramayan, stories of good and evil, are • 1960’s to present: Increased immigration of Indians, espe- BORDERED: known by almost every villager; have artistically influ- cially students, professionals and businessmen • on north by China, Nepal, Tibet, Bhutan and Himalayas enced other cultures • on west and northwest by Pakistan and Arabian Sea • Performed in Michigan are some classical and folk dances INDIANS IN THE U.S.
    [Show full text]
  • The Function of Bombay Cinema in Salman Rushdie's Midnight's Children
    Salman Rushdie: A Special Cluster “Taking on the Tone of a Bombay Talkie”: The Function of Bombay Cinema in Salman Rushdie’s Midnight’s Children Deepa P. Chordiya In recent years, Bollywood movies, produced in Bombay and hugely popular in India, have enjoyed a surge of popularity worldwide.1 Praised for their lavish sets and spectacular song and dance sequences, Bombay films, and the conventions of this cinematic genre, are becom- ing increasingly mainstream. Until recently, however, the conventions of Bombay cinema were largely ridiculed, satirized or dismissed by Indian and Western critics as lacking realism. Rachel Dwyer and Divia Patel point out that the Indian term “filmi,” which means belonging to or as- sociated with film, “is seen as derogatory, suggesting something cheap and trashy” (30). Salman Rushdie’s observations about Bombay cinema reinforce this view: [m]ost Hindi movies were then and are now what can only be called trashy…[using] scripts of dreadful corniness, [looking] tawdry and garish, and [relying] on the mass appeal of its star performers and musical numbers to provide a little zing. (Step Across is Line 5–6) While Rushdie’s assessment is a highly dismissive view of Bollywood movies, Bombay cinema nevertheless figures prominently in many of his novels and functions as an important narrative device most notably in Midnight’s Children. Indeed, it is possible to argue that the fragmentary structure of Bombay cinema mirrors and elucidates the likewise frag- mentary nature of “everyday reality” in Midnight’s Children. Moreover, the suggestion that fragmentation central to cinema as well as daily life 97 Deepa P.
    [Show full text]
  • Ragamala World Music 2017 Program Book
    RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer.
    [Show full text]
  • Ali Akbar Khan, Le Maître Du Sarod Indien
    Cahiers d’ethnomusicologie Anciennement Cahiers de musiques traditionnelles 5 | 1992 Musiques rituelles Ali Akbar Khan, le maître du sarod Indien Huib Schippers Traducteur : Isabelle Schulte-Tenckhoff Édition électronique URL : http://journals.openedition.org/ethnomusicologie/2446 ISSN : 2235-7688 Éditeur ADEM - Ateliers d’ethnomusicologie Édition imprimée Date de publication : 1 janvier 1992 Pagination : 258-276 ISBN : 978-2-8257-0456-1 ISSN : 1662-372X Référence électronique Huib Schippers, « Ali Akbar Khan, le maître du sarod Indien », Cahiers d’ethnomusicologie [En ligne], 5 | 1992, mis en ligne le 15 décembre 2011, consulté le 19 avril 2019. URL : http:// journals.openedition.org/ethnomusicologie/2446 Article L.111-1 du Code de la propriété intellectuelle. ENTRETIEN ALI AKBAR KHAN, LE MAÎTRE DU SAROD INDIEN* Huib Schippers En 1936, un jeune joueur de sarod fit ses débuts à la All India Music Conference de Allahabad. Ce premier concert en solo d'Ali Akbar Khan marqua le début d'une phase importante de l'histoire de la musique instrumentale indienne. Jusque là, aucun joueur de sarod n'avait su atteindre pareille maîtrise technique et artistique. Ce fut le début d'une carrière remarquable, couvrant maintenant plus de cinq décennies. Des milliers de concerts et d'émissions de radio, ainsi que de nom- breux enregistrements commerciaux ont affirmé la renommée du khansahib comme le digne dépositaire de la gharān ā de son père Baba Allauddin, et comme l'un des meilleurs musiciens du vingtième siècle. Mais l'importance d'Ali Akbar Khan va au delà de ses qualités artistiques. Sa vie reflète les changements sociaux et musicaux que l'Inde a connus tout au long de ce siècle : le déclin des cours royales, le rôle de la All India Radio comme nou- velle protectrice de la musique classique, l'avènement du concert de masse, le dé- veloppement de la musique enregistrée et la propagation de la musique indienne en Occident.
    [Show full text]
  • Classical Singers
    1. RAVI SHANKAR Ravi Shankar (7 April 1920 – 11 December 2012), often referred to by the title Pandit, was an Indian musician and composer who played thesitar, a plucked string instrument. He has been described as the best-known contemporary Indian musician. He spent his youth touring Europe and India with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. In 1956, he began to tour Europe and the Americas playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and rock artist George Harrison of the Beatles. Shankar engaged Western music by writing concerti for sitar and orchestra and toured the world in the 1970s and 1980s. From 1986 to 1992 he served as a nominated member of Rajya Sabha, the upper chamber of the Parliament of India. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999, and received three Grammy Awards. He continued to perform in the 2000s, sometimes with his younger daughter, Anoushka. Career Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music. His performances begin with solo alap, jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style.
    [Show full text]
  • The Phonograph in India
    The Phonograph in India G. N. Joshi The Beginnings The history of the phonograph in India dates back to the beginning of the century. Though gramophones began to be exported to India since 1 898, the idea of commercially exploiting the phonograph on a large scale in the east was mooted in 1 900 and Messrs. The Mutoscope Biograph Co. of India was given the agency of selling horn-gramophones and records of European music imported from America. In 1 898, Mr. W. B. Owen had established in England the parent company of the Gramophone Co. Ltd. He was sent to England by the American inventor of disc recording, Mr. Emile Berliner, to sell, if possible, his European rights for the disc records which he had patented in the U.S.A. Since Mr. Owen did not succeed in selling Mr. Berliner's rights outright, the two formed The Gramophone Co. Ltd. in England. Mr. Berliner erected a record pressing factory at Hanover in the U.S.A . for supplying records and machines to the newly-formed company in England . At this point a· mechanic named Johnson invented a spring-wound motor for the phonograph machine. Until the time his invention was perfected, users (during the period when the record was being played) had to rotate, with the help of a handle, the turntable with the disc on it. The spring-motor Edison 'Home' Model A enabled the phonograph to be \Nound for a certain number of playings and hence the listener could sit at a distance \Nithout having to bother to crank the machine all the time.
    [Show full text]
  • Padma Vibhushan * * the Padma Vibhushan Is the Second-Highest Civilian Award of the Republic of India , Proceeded by Bharat Ratna and Followed by Padma Bhushan
    TRY -- TRUE -- TRUST NUMBER ONE SITE FOR COMPETITIVE EXAM SELF LEARNING AT ANY TIME ANY WHERE * * Padma Vibhushan * * The Padma Vibhushan is the second-highest civilian award of the Republic of India , proceeded by Bharat Ratna and followed by Padma Bhushan . Instituted on 2 January 1954, the award is given for "exceptional and distinguished service", without distinction of race, occupation & position. Year Recipient Field State / Country Satyendra Nath Bose Literature & Education West Bengal Nandalal Bose Arts West Bengal Zakir Husain Public Affairs Andhra Pradesh 1954 Balasaheb Gangadhar Kher Public Affairs Maharashtra V. K. Krishna Menon Public Affairs Kerala Jigme Dorji Wangchuck Public Affairs Bhutan Dhondo Keshav Karve Literature & Education Maharashtra 1955 J. R. D. Tata Trade & Industry Maharashtra Fazal Ali Public Affairs Bihar 1956 Jankibai Bajaj Social Work Madhya Pradesh Chandulal Madhavlal Trivedi Public Affairs Madhya Pradesh Ghanshyam Das Birla Trade & Industry Rajashtan 1957 Sri Prakasa Public Affairs Andhra Pradesh M. C. Setalvad Public Affairs Maharashtra John Mathai Literature & Education Kerala 1959 Gaganvihari Lallubhai Mehta Social Work Maharashtra Radhabinod Pal Public Affairs West Bengal 1960 Naryana Raghvan Pillai Public Affairs Tamil Nadu H. V. R. Iyengar Civil Service Tamil Nadu 1962 Padmaja Naidu Public Affairs Andhra Pradesh Vijaya Lakshmi Pandit Civil Service Uttar Pradesh A. Lakshmanaswami Mudaliar Medicine Tamil Nadu 1963 Hari Vinayak Pataskar Public Affairs Maharashtra Suniti Kumar Chatterji Literature
    [Show full text]