Procion MX Instructions Procion Remember That These Techniques Discussed Here Are Only Suggestions and a Quick Reference
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Aldrich FT-IR Collection Edition I Library
Aldrich FT-IR Collection Edition I Library Library Listing – 10,505 spectra This library is the original FT-IR spectral collection from Aldrich. It includes a wide variety of pure chemical compounds found in the Aldrich Handbook of Fine Chemicals. The Aldrich Collection of FT-IR Spectra Edition I library contains spectra of 10,505 pure compounds and is a subset of the Aldrich Collection of FT-IR Spectra Edition II library. All spectra were acquired by Sigma-Aldrich Co. and were processed by Thermo Fisher Scientific. Eight smaller Aldrich Material Specific Sub-Libraries are also available. Aldrich FT-IR Collection Edition I Index Compound Name Index Compound Name 3515 ((1R)-(ENDO,ANTI))-(+)-3- 928 (+)-LIMONENE OXIDE, 97%, BROMOCAMPHOR-8- SULFONIC MIXTURE OF CIS AND TRANS ACID, AMMONIUM SALT 209 (+)-LONGIFOLENE, 98+% 1708 ((1R)-ENDO)-(+)-3- 2283 (+)-MURAMIC ACID HYDRATE, BROMOCAMPHOR, 98% 98% 3516 ((1S)-(ENDO,ANTI))-(-)-3- 2966 (+)-N,N'- BROMOCAMPHOR-8- SULFONIC DIALLYLTARTARDIAMIDE, 99+% ACID, AMMONIUM SALT 2976 (+)-N-ACETYLMURAMIC ACID, 644 ((1S)-ENDO)-(-)-BORNEOL, 99% 97% 9587 (+)-11ALPHA-HYDROXY-17ALPHA- 965 (+)-NOE-LACTOL DIMER, 99+% METHYLTESTOSTERONE 5127 (+)-P-BROMOTETRAMISOLE 9590 (+)-11ALPHA- OXALATE, 99% HYDROXYPROGESTERONE, 95% 661 (+)-P-MENTH-1-EN-9-OL, 97%, 9588 (+)-17-METHYLTESTOSTERONE, MIXTURE OF ISOMERS 99% 730 (+)-PERSEITOL 8681 (+)-2'-DEOXYURIDINE, 99+% 7913 (+)-PILOCARPINE 7591 (+)-2,3-O-ISOPROPYLIDENE-2,3- HYDROCHLORIDE, 99% DIHYDROXY- 1,4- 5844 (+)-RUTIN HYDRATE, 95% BIS(DIPHENYLPHOSPHINO)BUT 9571 (+)-STIGMASTANOL -
A Comparison of the Patterns Formed by Primary Textile Structures and Their Photographic Abstraction
Rochester Institute of Technology RIT Scholar Works Theses 9-22-1976 A comparison of the patterns formed by primary textile structures and their photographic abstraction Pamela Perlman Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Perlman, Pamela, "A comparison of the patterns formed by primary textile structures and their photographic abstraction" (1976). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Thesis Proposal for the Master of Fine Arts De gree Collee;e of Fine and Applj_ed .Arts Rochester Institute of Technology Title: A Comparison of the Fatterns Formed by Primary Textile structures and their Phot ographic Abstraction Submitted by: Pamela Anne Perlman Date: September 22, 1976 Thesis Co mm it te~: Nr . Donald Du jnowski I-Ir. I,l az Lenderman hr. Ed 1iiller Depart~ental Approval : Date :-:--g---li6~-r-71-b-r-/ ----- ---------~~~~~'~~~r------------------------- Chairman of the School for American Craftsme:l: ___-r-----,,~---- ____ Da t e : ---.:...,'?7~JtJ--J7~i,-=-~ ___ _ Chairr.ian of the Gr3.duate Prog:rarn: ------------------------~/~~/~. --- Date: ___________________~ /~~,~~;j~~, (~/_' ~i~/~: 7 / Final Committee Decision: Date: ----------------------- Thesis Proposal for the Master of Fine Arts Degree College of Fine and Applied Arts Rochester Institute of Technology Title: A Comparison of the Patterns Frmed by Primary Textile Structures and their Photographic Abstraction My concern in textiles is with structure and materials. I v/ould like to do v/all hangings based on primary textile structures such as knotting, looping, pile, balanced weaves, and tapestry. -
Colour and Textile Chemistry—A Lucky Career Choice
COLOUR AND TEXTILE CHEMISTRY—A LUCKY CAREER CHOICE By David M. Lewis, The University of Leeds, AATCC 2008 Olney Award Winner Introduction In presenting this Olney lecture, I am conscious that it should cover not only scientific detail, but also illustrate, from a personal perspective, the excitement and opportunities offered through a scientific career in the fields of colour and textile chemistry. The author began this career in 1959 by enrolling at Leeds University, Department of Colour Chemistry and Dyeing; the BSc course was followed by research, leading to a PhD in 1966. The subject of the thesis was "the reaction of ω-chloroacetyl-amino dyes with wool"; this study was responsible for instilling a great enthusiasm for reactive dye chemistry, wool dyeing mechanisms, and wool protein chemistry. It was a natural progression to work as a wool research scientist at the International Wool Secretariat (IWS) and at the Australian Commonwealth Scientific Industrial Research Organisation (CSIRO) on such projects as wool coloration at room temperature, polymers for wool shrink-proofing, transfer printing of wool, dyeing wool with disperse dyes, and moth-proofing. Moving into academia in 1987 led to wider horizons bringing many new research challenges. Some examples include dyeing cellulosic fibres with specially synthesised reactive dyes or reactive systems with the objective of achieving much higher dye-fibre covalent bonding efficiencies than those produced using currently available systems; neutral dyeing of cellulosic fibres with reactive dyes; new formaldehyde-free crosslinking agents to produce easy-care cotton fabrics; application of leuco vat dyes to polyester and nylon substrates; cosmetic chemistry, especially in terms of hair dyeing and bleaching; security printing; 3-D printing from ink-jet systems; and durable flame proofing cotton with formaldehyde-free systems. -
Tub Dyeing Basics Step by Step Instructions on the Next Page G with Fiber Reactive Dyes
tub dyeing basics Step by step instructions on the next page g with Fiber Reactive Dyes Use this method to dye fabric or clothing, made of natural fibers one uniform or solid color. Also called Garment Dyeing or Vat Dyeing, this method can also be done in a washing machine. Fiber Reactive Dye is the dye of choice for all cellulose (plant) fibers, like cotton, Rayon, hemp, linen, Tencel®, Modal®, bamboo, etc. (For dyeing silk, wool and other protein fibers, see Dyeing Wool and Silk with Fiber Reactive Dyes on our website) The chemical bond of these dyes is permanent, so once all the excess dye is washed out an infant can chew on the fabric and it will not come off! Fiber Reactive Dyes work in lukewarm water so these directions can also be used to dye batik (waxed) fabrics in successive colors without fear of melting the wax. WHAT You’ll need: SALT & SODA ASH REQUIREMENTS • Fiber Reactive Dye • A bucket large enough The amount of Non-Iodized Salt and Soda Ash are for your item to move a function of the amount of water used. For each • Soda Ash around in, or a top pound of dry fabric you will need about 3 gallons of • Non-Iodized Salt loading washing machine warm water. The water must cover the fabric with • Urea (optional) • Pitcher & cup enough room for thorough, tangle-free stirring; oth- erwise you get uneven dyeing and streaks. For each • Calsolene Oil (optional) • Measuring cups 1½ gallons of water use 1½ cups of Non-Iodized • Synthrapol • Spoons Salt and 1/6 cup of Soda Ash. -
Using PRO MX Reactive Dye Please Read Directions Carefully Before Starting
BATIK using PRO MX Reactive Dye Please read directions carefully before starting. Batik is an ancient form of resist dyeing. Unwaxed areas of the fabric absorb dye while the waxed areas resist the dye, preserving the original color of the fabric. More wax is added to dyed areas preserving the new color and the fabric is dipped in another color of dye. Repeat this process until the design is completed then remove the wax. Designs may involve only one or many colors depending upon the number of times the hot wax is applied and the cloth is dipped into different colored dye baths. For additional information visit our web site at www.prochemicalanddye.com. Always use proper ventilation in your work area. Create a local exhaust system by putting a portable exhaust fan in a window, so it pulls air from the room to the outside. Heated wax releases irritating chemicals including acrolein and aldehydes. There is no approved MSHA/NIOSH filter for acrolein. A respirator is not a substitute for good ventilation. Heat wax to the lowest temperature at which it remains liquid. Do not leave hot wax unattended, as it is a fire hazard. Keep water away from the wax pot, as it will splatter. Always make sure you have a fire extinguisher or bucket of sand nearby in case of fire. Wax forms potentially hazardous vapors at high temperatures and may ignite. Do not use open flames, such as a gas or propane burner, instead use a crock pot or electric fry pan with temperature control. Make sure your hair is tied back and sleeves are rolled up when using heating equipment. -
Comparative Study of Fastness Properties and Color Absorbance Criteria of Conventional and Avitera Reactive Dyeing on Cotton Knit Fabric
European Scientific Journal May 2016 edition vol.12, No.15 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Comparative Study Of Fastness Properties And Color Absorbance Criteria Of Conventional And Avitera Reactive Dyeing On Cotton Knit Fabric Md. Abu Sufian B.Sc. in Textile Engineering,University of Chittagong, Bangladesh Md.Abdul Hannan M.Sc. in Textile Technology, University of Boras, Sweden Md. Masud Rana Muhmmad Zanibul Huq M.Sc. in Textile Engineering, Bangladesh University of Textiles, Bangladesh doi: 10.19044/esj.2016.v12n15p352 URL:http://dx.doi.org/10.19044/esj.2016.v12n15p352 Abstract 160 GSM Single Jersey cotton knitted fabric was dyed with conventional Remazol reactive dye and latest Avitera reactive dye (Huntsman). Detailed comparison of the process parameters and fastness properties of these dyed fabrics were studied. Investigation exposed that Avitera delivered better dyeing performance including fastness to washing, perspiration, rubbing than conventionally dyed fabrics. Concerning process parameters Avitera dye required less soda, salt and no addition of other auxiliaries. Also this new Avitera reactive dye is more eco-friendly, cost effective and energy saving than conventional Remazol reactive dye. CMC DE and Da* color deviation were significantly higher between the dyed samples. Again K/S value of Avitera dyed sample was superior to that of Remazol dyed samples as because of enhanced dye uptake. Sequentially reflectance and relative indicators of the latest reactive dyed samples were also experimented. Keywords: Avitera reactive dye, Remazol reactive dye, Color Fastness, Energy saving, K/S value, CMC DE, Reflectance. Introduction: The best dyes to apply on cotton fabric and other cellulose fibers are reactive dyes. -
Reactive Dyes… General Structure Has a Reactive Group Which Are Adsorbed on to the Cellulose and Than Reacted with the Fiber to Form Covalent Bonds
Reactive Chemistry TECHNICAL INFORMATION Murat ŞAHİNLİ 12.11.2015 Cellulose… Cellulose structure Reactive dyes… General structure has a reactive group which are adsorbed on to the cellulose and than reacted with the fiber to form covalent bonds. Chromophore Bridging RG Reactive group Functional groups Reactive dyes… General structure has a reactive group which are adsorbed on to the cellulose and than reacted with the fiber to form covalent bonds. Chromophore Bridging RG Functional groups Shade Fastness Fastness Dischargeability Levelness Fixation Substantivity Application temperature Solubility Application temperature Reactive dyes… General reaction When put fabric and dye into the water; Cellulose: Cell-OH Cell-O¯ Electrostatic repulsion because of Dye: the negative charges HO3S-Dye-X X-Dye-SO3¯ With addition of salt: Cell-O¯ ⁺ Na Reduce the repulsion X-Dye-SO3¯ ⁺ Na Reactive dyes… General reaction After addition alkaline and linking with covalent bond; Thanks to covalent bond X-Dye-SO3¯ ⁺ Na + Na ⁺ ¯O-Cell Linking much more resistant to the usual conditions of use than the ( Soda ash, caustic …) physicochemical bond between direct dyes and cellulose. Na ⁺ ¯O3S – Dye –O-Cell + NaX Bond type App. Relative strength Covalent 30.0 Ionic 7.0 Hydrogene 3.0 Other 1.0 Intermolecular Reactive dyes… Description of dyeing mechanism Exhaustion of dye in presence of electrolyte by adsorption Fixation under the influence of alkali Wash off the unfixed dye from material surface T1: Addition of alkali and start of the fixation Reactive dyes… Exhaustion The reactive dyes is adsorbed onto the cellulose surface and than diffuses into the fiber. This phase is fully reversible. -
Development of Instructional Manual for Teaching Crafts in National Certficate in Education Home Economics Programme in North – West, Nigeria
DEVELOPMENT OF INSTRUCTIONAL MANUAL FOR TEACHING CRAFTS IN NATIONAL CERTFICATE IN EDUCATION HOME ECONOMICS PROGRAMME IN NORTH – WEST, NIGERIA BY SHEHU RUKAYYA ALIYU DEPARTMENT OF HOME ECONOMICS FACULTY OF EDUCATION AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA DECEMBER, 2017 DEVELOPMENT OF INSTRUCTIONAL MANUAL FOR TEACHING CRAFTS IN NATIONAL CERTFICATE IN EDUCATION HOME ECONOMICS PROGRAMME IN NORTH – WEST, NIGERIA BY RUKAYYA ALIYU SHEHU M.ED HOME ECONOMICS EDUCATION (P13EDVE8026) A THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, AHMADU BELLO UNIVERSITY, ZARIA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF MASTER OF EDUCATION (M.ED) DEGREE IN HOME ECONOMICS EDUCATION DEPARTMENT OF VOCATIONAL AND TECHNICAL EDUCATION FACULTY OF EDUCATION AHMADU BELLO UNIVERSITY ZARIA DECEMBER, 2017 ii DECLARATION I declare that the work in this thesis entitled: Development of Instructional Manual for Teaching Crafts in N.C.E Home Economics Programme In North – West Nigeria, has been carried out by me in the department of Home Economics. The information derived from the literature has been duly acknowledged in the text and a list of references provided. No part of this thesis was previously presented for another degree or diploma at this or any other institution. Rukayya Shehu Aliyu __________________ ______________ Name of student Signature Date iii CERTIFICATION This thesis entitledDEVELOPMENT OF INSTRUCTIONAL MANUAL FOR TEACHING CRAFTS IN N.C.E HOME ECONOMICS PROGRAMME IN NORTH – WEST NIGERIA, by RUKAYYA ALIYU SHEHU meets the regulations governing the award of the degree of Masters in Home Economics Education of the Ahmadu Bello University, and is approved for its contribution to knowledge and literary presentation. -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
United States Patent [19] [11] Patent Number: 4,588,409 Sercus [45] Date of Patent: May 13, 1986
81-18? SF 55/151686 United States Patent [19] [11] Patent Number: 4,588,409 Sercus [45] Date of Patent: May 13, 1986 ‘[54] COLOR-CHANGING DYED PRODUCT AND 4,314,812 2/1982 E6655 61111. ........................... .. 8/457 PROCESS ‘ FOREIGN PATENT DOCUMENTS [76] Inventor: Owen H. Sercus, 125 W. 12th St., 55 30450 3/1980 Ja - pan .................................... .. 8/638 New York, N-Y- 10011 1060556 3/1967 United Kingdom .................. .. 8/642 [21] APPI- NO-1 564325 OTHER PUBLICATIONS [22] Flledl Dec- 2,2’ 1983 Mayston, R. S. Amer. Dyestuff Reporter 2/ 17/64, pp. [51] Int. c1.4 ........................ .. D06P 5/13; DO6P 5/02; 142-147 1306111 5/00 Trotman, E. R. Dyeing Chemical Technology of [52] US. Cl. ......................................... .. 8/403; 8/441; Textile Fibers» Chas- Griffen & Co- Ltd» London, 1975, 8/485; 8/543; 8/638; 8/102; 8/107; 8/918; pp: 514550. 8/642; 8/924; 8/922; 8/927; 8/928 Falrchild’s Dictionary of Textiles, p. 185. [58] Field Of Search ................. .. 8/403, 441, 457, 485, Primm Exam,-,,e,_Pau1 Lieberman 8/638' 642’ 102 Assistant Examiner-—-John F. McNally [56] References Cited [57] ABSTRACT US. PATENT DOCUMENTS Textile products comprising a cellulosic substrate are 638,819 12/1889 Stimpson . colored with two or more dyes which differ in their 1,615,205 I/ 1926 Muelberger . respective resistance to chlorine bleaches. The initial 1,810,662 6/1931 Kritschevsky . color of the textile is determined by the combined effect 2,022,413 ll/ 1935 Ellis et a1. .. 8/5 of the dyes. Thereafter, textile products whichv may be 3,030,227 4/1962 Clifford et al. -
Dye Process for Cotton Fabric
Dye Process for cotton fabric This is the process that seems to work best for me. M. Marlene Oaks You will need the following: 100% cotton fabric, say Kona cotton or good broadcloth. I like to dye in 1 to 2 yard pieces. You can also overdye on say a white on white—experiment. A plastic shoe box or other such plastic container per piece of fabric Dye—kind I like is listed below & is purchased online at Dharma Trading at http:// www.dharmatrading.com/html/eng/3796-AA.shtml?lnav=dyes.html Soda ash– also purchased at Dharma Trading, and a half gallon or larger jar with lid Non iodized salt Rubber or vinyl gloves Plastic spoons (disposable kind) Old rubber spatula A 4 cup plastic measuring cup per color dye (get at least a clear red, yellow & blue to start as they mix to make most color), jars with lids to save extra Dharma Fiber Reactive Procion DyesPro's: Best dye for cotton, rayons, linens, hemp and other plant based fibers. Best dye for Tie-Dye and Batik. Vibrant wash fast permanent colors. Easy to use. Does not need hot water. Economical! Dharma Fiber Reactive Dye must be 'fixed' (made permanent) with Soda Ash. About 1 lb. Soda Ash per 4 oz. of dye is needed when garment dyeing or per 3 lbs of fabric as a pre-soak when tie- dyeing. So here’s what I do to make interesting fabric for quilting or other sewing projects: 1) Wash your fabric in hot water to remove any chemicals or sizing. -
ABSTRACT YI, DING. a Comparison of Mordant and Natural Dyes In
ABSTRACT YI, DING. A Comparison of Mordant and Natural Dyes in Dyeing Cotton Fabrics. (Under the direction of Dr. Harold S. Freeman and Dr. Peter J. Hauser). Mordant dyes constitute a class of synthetic colorants that are applied to textile fibers mainly through the aid of transition metal ions such as Cr3+. The resultant dye-metal complexes are key to the fastness properties produced on wool. In the same way, most natural dyes require the use of a mordant to have coloring power on textiles such as cotton. Unlike mordant dyes on wool, the fastness properties of natural dyes on cotton are generally quite low. Consequently, they have largely been replaced by synthetic dyes that are more cost effective, brighter, and more durable under end-use applications. Interest in green technologies has led to renewed consideration of natural dyes for textile coloration because they are biodegradable and do not involve manufacturing processes requiring genotoxic aromatic amines. Interestingly, such a shift would bring dyeing technology full circle to a family of colorants lacking the vibrancy and technical properties of most synthetic dyes. However, similarities between the dyeing method for mordant and natural dyes brought to mind the potential for reducing the level of synthetic dyes used commercially by combining suitable dyes from these two classes for dyeing textiles. This thesis research was devoted to stage 1 of this idea, namely the evaluation of mordant dyes as colorants for cotton fabric. With this in mind, dyes such as Mordant Blue 13, Mordant Brown 40, Mordant Orange 6 and Mordant Yellow 8 were applied to cotton using various dyeing times, temperatures, dye bath concentrations and mordants.