DOCSLIB.ORG

Vente Aux Enchères / Auction Montréal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vente Aux Enchères / Auction Montréal Vente aux enchères / Auction Montréal 10 NOVEMBRE 2019, 14 H ART D’APRÈS-GUERRE & CONTEMPORAIN NOVEMBER 10, 2019, 2 PM POST-WAR & CONTEMPORARY ART Vente aux enchères / Auction Montréal DIMANCHE 10 NOVEMBRE 2019, 14 H / SUNDAY, NOVEMBER 10, 2019, 2 PM Les enchères BYDealers Auction House 6345, boulevard Saint-Laurent FOIRE D’ART / ART FAIR BYDEALERS 24−27 OCTOBRE 2019 Les enchères BYDealers Auction House vous convient à la EXPOSANTS/EXHIBITORS première édition de leur foire d’art – historique, d’après-guerre et contemporain –, exclusivement consacrée au marché secondaire. Du 24 au 27 octobre 2019, venez visiter les stands des exposants Canadian Fine Arts Toronto | 416 544-8806 et, par la même occasion, découvrir en primeur les œuvres de la canadianfinearts.com vente d’automne en salle de BYDealers, au 325 Front Street West, [email protected] à Toronto. Les enchères BYDealers Auction House is launching Galerie d’Arts the first edition of its art fair—featuring historical, Contemporains contemporary, and post-war art—dedicated exclusively to Montréal | 514 844-6711 the secondary market. Come and visit the exhibitors, as well galerieartscontemporains.ca as BYDealers’ fall 2019 live sale preview, October 24–27, 2019, [email protected] at 325 Front Street West, Toronto. Galerie Claude Lafitte Montréal | 514 842-1270 lafitte.com [email protected] Galerie Lacerte art HEURES D’OUVERTURE / contemporain OPENING HOURS Montréal | 418 580-6431 galerielacerte.com [email protected] Jeu. 24 oct. Thur. Oct. 24 Galerie Robert Poulin 15 h — 21 h 3 pm — 9 pm Montréal | 514 910-8906 galerierobertpoulin.com Ven. 25 oct. Fri. Oct. 25 [email protected] 11 h — 18 h 11 am — 6 pm Miriam Shiell Fine Art Sam. 26 oct. Sat. Oct. 26 Toronto | 416 925-2461 miriamshiell.com 11 h — 18 h 11 am — 6 pm [email protected] Dim. 27 oct. Sun. Oct. 27 Skwirl Contemporary 11 h — 18 h 11 am — 6 pm Fine Art London | 1 888 975-9495 skwirl.ca [email protected] LIEU/ Yves Laroche Galerie D’art LOCATION Montréal | 514 393-1999 yveslaroche.com 325 Front Street West, Toronto (ON) M5V 2Y1 [email protected] À 200 mètres de la foire Art Toronto. Stationnement payant à l’arrière du building. 200 meters from Art Toronto. Paid parking available at the back. 2 ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR & CONTEMPORARY ART Exposition/Preview Exposition/Preview Toronto Montréal 325, Front Street West 6345, boulevard Saint-Laurent 29 OCT. - 2 NOV. / OCT. 29 - NOV. 2 5-9 NOV. / NOV. 5-9 Mardi à vendredi, de 11 h à 19 h De 11 h à 19 h Tuesday to Friday, 11 am to 7 pm 11 am to 7 pm Samedi, 11 h à 17 h Saturday, 11 am to 5 pm ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR AND CONTEMPORARY ART DIMANCHE 10 NOVEMBRE 2019 / SUNDAY, NOVEMBER 10, 2019, MONTRÉAL 3 Les enchères BYDealers / Catalogue Inscriptions au catalogue / Auction House Catalogue Subscriptions Directrice du catalogue / Pour recevoir le catalogue des futures enchères, visitez 6345, boulevard Saint-Laurent Catalog Manager notre site Internet pour remplir le formulaire d’inscription Montréal (Québec) H2S 3C3 Annie Lafleur ou écrivez-nous à [email protected]. 1 888 399-7856 Révision et lecture d’épreuves / To receive catalogues of future auctions, visit 514 274-2606 Copy editing our website to fill out the form or write to us at [email protected] Joanie Demers [email protected]. Käthe Roth Tous droits réservés / All rights reserved Traduction/Translation © BYDealers, 2019 Équipe/Team Joanie Demers L’ensemble des textes, photos, images numériques et Ron Ross illustrations contenus dans ce catalogue sont la propriété Marc-Antoine Longpré Graphisme / Graphic design de BYDealers. Il est strictement interdit de reproduire ou Président et directeur général / Marie-Claude Quenneville, de permettre la reproduction du catalogue en partie ou CEO Lacerte Communications Inc. en entier sans l’autorisation écrite de BYDealers. [email protected] Photographie/Photography All text, images, digital images, and illustrations Louis Lacerte Alexis Paradis in this catalogue are the exclusive property of BYDealers. Directeur financier / CFO René Bouchard It is strictly prohibited to reproduce or to allow reproduc- [email protected] (p. 64, Relief d’hiver, tions of this catalogue in whole or in part without prior Annie Lafleur Jacques Hurtubise) written approval from BYDealers. Spécialiste, art du 20e siècle / Dépôt légal / Legal Deposit Specialist, 20th Century Art ISBN : 978-2-9816969-5-3 [email protected] Imprimé au Canada / Printed in Canada Marc-Antoine Arrieta Coordonnateur de production / Production Manager [email protected] Abigaëlle Parisé Coordonnatrice de production / Production Manager [email protected] Couverture / Front cover Lot 16, Jean Paul Lemieux, Les deux cavaliers Couverture intérieure / Inside front cover Lot 21, Marcelle Ferron, Sans titre / Untitled Couverture intérieure arrière / Inside back cover Lot 31, Guido Molinari, Quantificateur rouge Couverture arrière / Back cover Lot 25, Jean McEwen, Adagio des pays vastes 4 ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR & CONTEMPORARY ART TABLE DES MATIÈRES / TABLE OF CONTENTS MARCHANDS ASSOCIÉS 6 ASSOCIATED DEALERS À PROPOS 7 ABOUT US GUIDE DE L’ACHETEUR 9 BUYER’S GUIDE LOTS À L’ENCHÈRE 12 LOTS AT AUCTION CONDITIONS GÉNÉRALES DE VENTE 124 TERMS AND CONDITIONS OF SALE INDEX DES ARTISTES 128 INDEX OF ARTISTS Catalogue et informations supplémentaires disponibles en ligne à / Catalogue and additional information available online at DIMANCHE 10 NOVEMBRE 2019 / SUNDAY, NOVEMBER 10, 2019, MONTRÉAL 5 MARCHANDS ASSOCIÉS ASSOCIATED DEALERS Alberta Masters Gallery Ltd. Paul Kuhn Gallery Calgary | 403 245-2064 Calgary | 403 263-1162 mastersgalleryltd.com paulkuhngallery.com [email protected] [email protected] Ontario Barbara Edwards Caviar20 Miriam Shiell Fine Art Sharon London Liss Contemporary Toronto | 416 704-1720 Toronto | 416 925-2461 Toronto | 416-440-7788 Toronto | 647 348-5110 caviar20.com miriamshiell.com [email protected] [email protected] [email protected] [email protected] sharonlondonliss.com www.becontemporary.com Christopher Cutts Oeno Gallery Skwirl Contemporary Canadian Art Group Gallery Bloomfield | 613 393-2216 Fine Art Toronto | 416 774-8575 Toronto | 416 532-5566 oenogallery.com London | 1 888 975-9495 canadianartgroup.com cuttsgallery.com [email protected] skwirl.ca [email protected] [email protected] [email protected] Nikola Rukaj Gallery Canadian Fine Arts Corkin Gallery Toronto | 416 481-5995 Galerie d’art Vincent Toronto | 416 544-8806 Toronto | 416 979-1980 rukajgallery.com Ottawa | 613 241-1144 canadianfinearts.com corkingallery.com [email protected] inuitfinearts.com [email protected] [email protected] [email protected] Olga Korper Gallery inc. Gallery Gevik Toronto | 416 538-8220 Toronto | 416 968-0901 olgakorpergallery.com gevik.com [email protected] [email protected] Québec Anaïs Girardot consultante Galerie Claude Lafitte Josée Lyne Falcone Inc. Galerie Robert Poulin Sherbrooke | 819 345-1778 Montréal | 514 842-1270 Montréal | 514 272-0909 Montréal | 514 910-8906 evaluationoeuvredart.com lafitte.com [email protected] galerierobertpoulin.com [email protected] [email protected] [email protected] Galerie Lacerte Galerie Angers Galerie Eric Klinkhoff art contemporain Robin Rosenberg Montréal Montréal | 514 288-7306 Québec & Montréal | 418 580-6431 Fine Art galerieangers.com klinkhoffart.com galerielacerte.com Montréal | 514 885-2100 [email protected] [email protected] [email protected] robinrosenbergfineart.com Galerie d’Arts Han Art Gallery Galerie Laroche / Joncas Yves Laroche Contemporains Montréal | 514 876-9278 Montréal | 514 570-9130 Galerie D’art Montréal | 514 844-6711 hanartgallery.com larochejoncas.com Montréal | 514 393-1999 galerieartscontemporains.ca [email protected] [email protected] yveslaroche.com [email protected] [email protected] Galerie Jean-Pierre Galerie d’art Michel Bigué Art45 Valentin Saint-Sauveur | 450 227-5409 Montréal | 514 816-9711 Montréal | 514 939-0500 galeriemichelbigue.com art45.ca galerievalentin.com [email protected] [email protected] [email protected] Galerie Cazeault Montréal | 514 379-3004 galeriecazeault.com [email protected] 6 ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR & CONTEMPORARY ART À PROPOS / ABOUT US BYDealers est une maison d’enchères née d’une association entre plusieurs marchands d’art canadien d’importance. La force du modèle réside dans l’expertise des marchands associés ainsi que dans leur connaissance approfondie du marché de l’art et de ses acteurs. Cette alliance nous permet d’offrir au publicdes ventes aux enchères constituées d’œuvres de qualité supérieure. BYDealers is an auction house born of the idea of a partnership between many important art dealers across the country. The strength of its model is the inherent expertise of the associated dealers, and their extensive knowledge of the art scene and its players. This aggregate of experts allows us to set up auctions composed of the most sought-after valuable artworks. DIMANCHE 10 NOVEMBRE 2019 / SUNDAY, NOVEMBER 10, 2019, MONTRÉAL 7 LIEUX DES EXPOSITIONS ET DE LA VENTE AUX ENCHÈRES PREVIEWS AND AUCTION LOCATIONS EXPOSITION Rue St-Dominique Rue St-Denis ET VENTE AUX Boul St-Laurent ENCHÈRES Rue Clark PREVIEW Rosemont Rue Beaubien E M AND AUCTION Montréal Les enchères BYDealers Rue de Bellechasse
Load more

Recommended publications
  • Finding Artwork
    Splash Page THE PLASTICIENS AND BEYOND MONTREAL 1955 - 1970 Varley Art Gallery of Markham CONTACT INFO Varley Art Gallery 216 Main St Unionville, ON L3R 2H1 905-477-9511 ext. 3263 http://www.visitthevarley.com/ ABOUT THE GALLERY The Varley Story The Group of Seven The Group of Seven is famously known to have established a distinct aesthetic to the Canadian landscape, its members are historically recognized for the impact they have made on the Canadian art movement. Frederick Varley, Tom Thomson, J.E.H MacDonald, Arthur Lismer, Frank Johnston, and Franklin Carmichael would first meet as employees at the design firm Grip Ltd in Toronto. These six men would come together during and after work discussing bold new directions for Canadian Art, they were joined by A.Y Jackson and Lawren Harris in 1913. With the support of Dr. James MacCallum, an artist and university professor, the group raised money to build the Studio Building for Canadian Art in Toronto. It was there that they would create masterpieces as they discovered the distinct light of the Canadian atmosphere and capture it in bold new ways. The production the group was interrupted as they suffered tragedy when Tom Thomson, one of the founding members died in mysterious circumstances; shortly after, some of the members left to serve in the First World War. It was not until 1920 that the Group of Seven officially formed with their first exhibition in Toronto. Once their popularity grew, the artists began to travel Canada capturing what inspired them. The group shared a like vision concerning art in Canada.
    [Show full text]
  • I.V., Campus Voter Registration Campaign Shifts Into Overdrive
    T VOL. 53-N O . 9 TUESDAY, SEPTEMBER 26,1972 UNIVERSITY OF CALIFORNIA. SANTA BARBARA ■ I.V., campus voter registration campaign shifts into overdrive By DAVE CARLSON Building, Library, and McGovern organizer for Gary Hart, is If you have changed your, Headquarters at 6527 Madrid are particularly concerned. address in any way since you last other sites where registrars w ill be " I f people register in I.V .," he registered to vote, you must located. said, "they're more likely to have re-register or you , will be an effect because of the marginal ineligible. Assembly race. Also, it's a If your 18th birthday falls on genuine hassle to get absentee any date before November, you ballots in time." should register now. Supporters of Hart and Tim October 8 is the last day to ■ Lemucchi, who is running for photo: Tom Lendino register for the November Congress in the Bakersfield REPUBLICAN ASSEMBLYMAN Bill Ketchum: candidate for re-election. elections. District to which I.V. is These are the messages that connected, are basing much of partisan campaigners are trying to their hopes on a huge Isla Vista convey to Isla Vista's 13,000 flore. Daus io turnout. young and mobile inhabitants. Santa Barbara County is now Ketcham’s platform: The McGovern-Shriver and Gary Registern Wok over 50 percent Democratic, Hart for Assembly campaigns are thanks to I.V.'s contributions to working hard to register at least Persons need only register 30 the Democratic voters column. 8,000 Isla Vista ns- on the days before an election to qualify The Republicans will also be ‘cat, squeeze, trim’ assumption that the populous for voting, according to the working in Isla Vista, "but only enclave is rich in liberal Supreme Court, which struck on a door-to-door, personal By SCOTT LARSON The Paso Robles assemblyman Democratic voters.
    [Show full text]
  • Storm Disrupts Power Service, Halts Traffic
    -Pi^U'< s- 10-year Jail Sentence r" SEE STOKY BELOW' TheWeatnw Mostly sunny, less warn FINAL and humid today; clear and T Red Bank, Freehold f cool tonight Mostly sonny and l_ Long Branch 7 pleasant tomorrow. EDITION nr • ' • Monmouth County's Outstanding Home Newspaper 34 PAGES VOL.95 NO. 22 RED BANK, NJ. WEDNESDAY, JULY 26,1972 TEN CENTS niraimiii Affected Towns Ponder Beach Fee Ruling A state Supreme Court rul- decision is made on a course Bright charges residents ?5 decision "ridiculous,1' and Mayor Norton said, "is a democracy," she said, "but nicipal beach would not make George Hoffman said the new ing that shore communities of action. per year for season passes added, "It may certainly grave problem in our then sometimes we wonder if as much profit. "We would state ruling will not have cannot charge nonresidents "We have instructed our and $10 for nonresidents. At bring more people to our borough. If the governor we do." lose approximately 4Q to 59 much effect on the city. higher beach fees than they borough attorney, Richard L. the same time, a. 50-cent ad- beach on season passes, but at wants this decision to apply Mayor Sidney B. Johnson of per cent of our revenue." "The only effect it will charge residents will have Bonello," said Mayor Cecile mission is charged for the, the same time this would then i>e should make available Monmouth Beach said he had He saw no plans for appeal- have," he said, "would be on little U any effect on Bayshore F.
    [Show full text]
  • Fifteen Minutes of Fame, Fame in Fifteen Minutes
    Andy Warhol and the Dawn of Modern-Day Celebrity Culture 113 Alicja Piechucka Fi!een Minutes of Fame, Fame in Fi!een Minutes: Andy Warhol and the Dawn of Modern-Day Celebrity Culture Life imitates art more than art imitates life. –Oscar Wilde Celebrity is a mask that eats into the face. –John Updike If someone conducted a poll to choose an American personality who best embodies the 1960s, Andy Warhol would be a strong candidate. Pop art, the movement Warhol is typically associated with, !ourished in the 60s. It was also during that decade that Warhol’s career peaked. From 1964 till 1968 his studio, known as the Silver Factory, became not just a hothouse of artistic activity, but also the embodiment of the zeitgeist: the “sex, drugs and rock’n’roll” culture of the period with its penchant for experimentation and excess, the revolution in morals and sexuality (Korichi 182–183, 206–208). "e seventh decade of the twentieth century was also the time when Warhol opened an important chapter in his painterly career. In the early sixties, he started executing celebrity portraits. In 1962, he completed series such as Marilyn and Red Elvis as well as portraits of Natalie Wood and Warren Beatty, followed, a year later, by Jackie and Ten Lizes. In total, Warhol produced hundreds of paintings depicting stars and famous personalities. "is major chapter in his artistic career coincided, in 1969, with the founding of Interview magazine, a monthly devoted to cinema and to the celebration of celebrity, in which Warhol was the driving force.
    [Show full text]
  • Post-War & Contemporary
    post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector.
    [Show full text]
  • UC Irvine UC Irvine Electronic Theses and Dissertations
    UC Irvine UC Irvine Electronic Theses and Dissertations Title Revealing the Monsters Within: Andy Warhol, the 1972 Mao series, and Vote McGovern Permalink https://escholarship.org/uc/item/9k15w3vs Author Kasimoff, Naomi Michael Publication Date 2017 License https://creativecommons.org/licenses/by-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Revealing the Monsters Within: Andy Warhol, the 1972 Mao series, and Vote McGovern THESIS submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in Art History by Naomi Michael Kasimoff Thesis Committee: Professor Cécile Whiting, Chair Associate Professor Roberta Wue Assistant Professor James Nisbet 2017 © 2017 Naomi Michael Kasimoff DEDICATION To my parents Mike and Laura, my brothers Michael and Jacob, and my wonderful Michael who helped me get through this year with their unending love and support. I am forever grateful for your confidence in me. ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv ABSTRACT OF THE THESIS v INTRODUCTION 1 The Public Mao 3 The Public Nixon and the Infamous Meeting 7 Andy and Horror Films 10 Andy and Mao 16 Andy and Nixon 19 Andy and the Double Persona 21 BIBLIOGRAPHY 23 iii ACKNOWLEDGMENTS I would like to express my sincere gratitude to my committee chair, Professor Cécile Whiting, for her patience and guidance, without which I would not have been able to complete my thesis. I am grateful for having been able to work with you. I would like to thank my committee members, Professor Roberta Wue and Professor James Nisbet, for always giving me great advice and for helping me to grow.
    [Show full text]
  • Proquest Dissertations
    LingitX Haa Sateeyi, We Who Are Tlingit: Contemporary Tlingit Identity And The Ancestral Relationship To The Landscape Item Type Thesis Authors Martindale, Vivian F. Download date 11/10/2021 05:50:12 Link to Item http://hdl.handle.net/11122/8961 NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were scanned as received. 217 This reproduction is the best copy available. UIY1I LINGITX HAA SATEEYI, WE WHO ARE TLINGIT: CONTEMPORARY TLINGIT IDENTITY AND THE ANCESTRAL RELATIONSHIP TO THE LANDSCAPE A Dissertation Present to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY By Vivian F. Martindale, M.A. Fairbanks, Alaska May 2008 UMI Number: 3337644 Copyright 2009 by Martindale, Vivian F. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3337644 Copyright 2009 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 Abstract Divergent views on the Tlingit ancestral relationship to the landscape of Southeast Alaska often leads to conflicts between Western-orientated government agencies, public entities, and the Tlingit people themselves.
    [Show full text]
  • Art and Transformation
    ISSUES IN INTEGRATIVE STUDIES No. 16, pp. 57-71 (1998) Art and Transformation by Debora Wood Artist and Critic Abstract: Many contemporary artists intend to challenge the viewer’s modes of perception by manipulating traditional imagery, but does this transformation of cultural stock images consti- tute a transformation in the audience? This paper will examine artists who appropriate images using reproductive technologies in an attempt to reach a large audience and initiate social change. Printmaking plays a significant role in ethical discourse. Since its inven- tion more than 500 years ago, printmaking has been the most economical way to disseminate information. Artists have been using prints to encourage social reform ever since print technology allowed. Today, with the advent of digital cameras, photocopy machines, and inexpensive computer equipment, it is easy to reproduce pre-existing images. These reproductions can then be transformed by cropping, enlarging, erasing part of the image, drawing on top of it, or combining it with other previously unrelated imagery or text. In this way, the altered works acquire new meanings as well as make reference to the original images. This kind of appropriation can be used to raise the moral consciousness of the viewer by using traditional imagery alongside contemporary text or manipulations in order to challenge social norms. The question is whether or not this transformation of cultural imagery con- stitutes a transformation in the audience. This is not an automatic process. For example, if an artist alters a reproduction in an effort to highlight dis- crimination, it does not automatically follow that the community will no longer discriminate.
    [Show full text]
  • THE INDEPENDENT VOICE of the VISUAL ARTS Chicago, Detroit, Los Angeles, Miami, Milwaukee, Nashville, New York, St
    THE INDEPENDENT VOICE OF THE VISUAL ARTS Chicago, Detroit, Los Angeles, Miami, Milwaukee, Nashville, New York, St. Louis Volume 34 No. 3 January/February 2020 Established 1973 INSIDE NATHAN WORCESTER examines Warhol at AIC while MICHEL SÉGARD tackles Silver Clouds at Lawrence & Clark CHICHAN KWONG covers two NYC Pope.L shows while NOA/H FIELDS critiques the catalog to Pope.L’s MoMA show In separate reviews, K.A. LETTS and STEVIE HANLEY immerse themselves in Art Basel Miami Beach and surrounding art fairs $8 U.S. KELLI WOODS surveys Nashville’s vibrant, thriving art scene NEW ART EXAMINER Cover: Top, Silver Clouds at Lawrence & Clark. Photo courtesy of Lawrence & Clark. Side, Maurizio Cattelan's Comedian. Photo by Sarah Cascone. Source: artnet News. Bottom, Pope.L The Great White Way, Contents 22 miles, 9 years, 1 street. 2000-09. Performance. © Pope.L. Courtesy of the artists and Mitchell–Innes & Nash, New York. State of the Art Scene 3 Introduction 4 “Andy Warhol—From A to B and Back Again” NATHAN WORCESTER provides a realistic, unsentimental analysis of the first major Warhol retrospective in the United States since 1989. 6 Silver Clouds: Playing with God? MICHEL SÉGARD explores the non-commercial side of Silver Clouds and its possible spiritual underpinnings. 8 Materials: Holes, Emotion, and Water Pope.L exhibitions at the Whitney and MoMA in New York propelled CHICHAN KWONG on a journey of free association. 10 Lacking for Pope.L NOA/H FIELDS critiques the catalogue to the "member: Pope.L 1978–2001" exhibition at MoMA. 13 Works that Caught Our Eye at Art Basel Miami Beach and NADA Our Detroit editor, K.A.
    [Show full text]
  • The Ontario Curriculum, Grades 11 and 12: the Arts, 2010
    2010 REVISED The Ontario Curriculum Grades 11 and 12 The Arts CONTENTS INTRODUCTION 3 Secondary Schools for the Twenty-First Century . 3 The Importance of the Arts Curriculum . 3 Ideas Underlying the Arts Curriculum . 5 Roles and Responsibilities in the Arts Program . 5 Attitudes in the Arts . 7 THE PROGRAM IN THE ARTS 9 Overview of the Program . 9 Curriculum Expectations . 13 Strands in the Arts Curriculum . 15 The Creative Process . 15 The Critical Analysis Process . 17 ASSESSMENT AND EVALUATION OF STUDENT ACHIEVEMENT 23 Basic Considerations . 23 The Achievement Chart for the Arts: Grades 9–12 . 26 Information on the Achievement Chart . 28 SOME CONSIDERATIONS FOR PROGRAM PLANNING IN THE ARTS 31 Instructional Approaches . 31 Planning Arts Programs for Students With Special Education Needs . 32 Program Considerations for English Language Learners . 34 Environmental Education and the Arts . 37 Healthy Relationships and the Arts . 38 Equity and Inclusive Education in the Arts Program . 38 Multiple Literacies in the Arts . 40 Literacy, Mathematical Literacy, and Inquiry/Research Skills . 41 Critical Thinking and Critical Literacy in the Arts . 42 The Role of the School Library in the Arts Program . 43 The Role of Information and Communications Technology in the Arts Program . 44 The Ontario Skills Passport and Essential Skills . 45 Career Education . 45 Une publication équivalente est disponible en français sous le titre suivant : Le curriculum de l’Ontario, 11e et 12e année – Éducation artistique, 2010 This publication is available on the Ministry of Education’s website, at http://www.edu.gov.on.ca. Cooperative Education and Other Forms of Experiential Learning . 45 Planning Program Pathways and Programs Leading to a Specialist High Skills Major .
    [Show full text]
  • Acrylic Paint and Montreal Hard-Edge Painting Jessica Veevers a Thesis in the De
    The Intersection of Materiality and Mattering: Acrylic Paint and Montreal Hard-Edge Painting Jessica Veevers A Thesis In the Department Of Art History Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Art History) at Concordia University Montreal, Quebec, Canada January 2020 ©Jessica Veevers, 2020 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Jessica Veevers Entitled: The Intersection of Materiality and Mattering: Acrylic Paint and Montreal Hard-Edge Painting and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Art History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Haidee Wasson External Examiner Dr. Mark Cheetham External to Program Dr. Mark Sussman Examiner Dr. Steven Stowell Examiner Dr. Edith-Anne Pageot Thesis Supervisor Dr. Anne Whitelaw Approved by Dr. Kristina Huneault, Graduate Program Director January 10, 2020 Dr. Rebecca Taylor Duclos, Dean Faculty of Fine Arts iii ABSTRACT The Intersection of Materiality and Mattering: Acrylic Paint and Montreal’s Hard-Edge Painting Jessica Veevers, Ph.D. Concordia University, 2020 Set in Montreal with the advent of Hard-Edge painting and the invention of acrylic paint, this thesis takes a critical look at the relationship between materiality and mattering. The Hard-Edge painters, Guido Molinari, Claude Tousignant and Yves Gaucher undertook a new medium to express their new way of seeing and encountering the world and they did so in a way that was unique from other contemporaneous abstract painters.
    [Show full text]
  • The BG News November 3, 1972
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-3-1972 The BG News November 3, 1972 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News November 3, 1972" (1972). BG News (Student Newspaper). 2772. https://scholarworks.bgsu.edu/bg-news/2772 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Independent Bowling Green, Ohio Student Friday. Nov.mb.. 3, 1972 Voice THe BG news Volum. 56 Number 33 No peace visible until pact signed PARIS (API - The North Vietnamese recognize any cease-fire agreement able" proposals declared yesterday there will be no concluded against its will The Viet Cong argued that in failing further negotiations with Henry A to sign the agreement, the United Kissinger until the United States IN FOUR HOURS of vituperation States shortened the chances for U.S. commits itself to signing the draft between the opposing Vietnamese dele- prisoners of war getting home by peace agreement gations, there was little to show that Christmas North Vietnamese and Viet Cong peace is at hand,' as Kissinger. speakers denounced the Nixon admini- President Nixon's advisor, said last U.S. DELEGATE William J Porter stration for what they called a breach week avoided the polemics of the other three of promise" in failing to sign the Nguyen Xuan Phong of tne South delegations In a brief statement, he accord by Oct 31.
    [Show full text]