Good Health for 1895
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Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center
The John and Anna Gillespie papers An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The John and Anna Gillespie papers Descriptive summary ID COU-AMRC-37 Title John and Anna Gillespie papers Date(s) Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 48 linear feet Scope and Contents Papers of John E. "Jack" Gillespie (1921—2003), Professor of music, University of California at Santa Barbara, author, musicologist and organist, including more than five thousand pieces of photocopied sheet music collected by Dr. Gillespie and his wife Anna Gillespie, used for researching their Bibliography of Nineteenth Century American Piano Music. Administrative Information Arrangement Sheet music arranged alphabetically by composer and then by title Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], John and Anna Gillespie papers, University of Colorado, Boulder Index Terms Access points related to this collection: Corporate names American Music Research Center - Page 2 - The John and Anna Gillespie papers Detailed Description Bibliography of Nineteenth-Century American Piano Music Music for Solo Piano Box Folder 1 1 Alden-Ambrose 1 2 Anderson-Ayers 1 3 Baerman-Barnes 2 1 Homer N. Bartlett 2 2 Homer N. Bartlett 2 3 W.K. Bassford 2 4 H.H. Amy Beach 3 1 John Beach-Arthur Bergh 3 2 Blind Tom 3 3 Arthur Bird-Henry R. -
Symphony Shopping
Table of Contents | Week 1 7 bso news 15 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 a message from andris nelsons 22 this week’s program Notes on the Program 24 The Program in Brief… 25 Dmitri Shostakovich 33 Pyotr Ilyich Tchaikovsky 41 Sergei Rachmaninoff 49 To Read and Hear More… Guest Artist 55 Evgeny Kissin 58 sponsors and donors 78 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on october 2 is given by bso director of program publications marc mandel. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Chris Lee cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 135th season, 2015–2016 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. Dworsky • Philip J. Edmundson, ex-officio • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Stephen B. Kay • Edmund Kelly • Martin Levine, ex-officio • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D. -
Boston Symphony Orchestra Concert Programs, Season 15, 1895-1896
METZEROTT MUSIC HALL, WASHINGTON. Boston Symphony Orchestra Mr. EMIL PAUR, Conductor. Fifteenth Season, 1895-96. PROGRAMME OF THE FIFTH and LAST CONCERT Tuesday Evening, March 24, At Eight. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C A. ELLIS, MANAGER MANUFACTURERS OF GRAND, SQUARE, AND UPRIGHT PIANOS EUGEN D' ALBERT: From fullest conviction, I declare them to be the best Instru-/ merits of America DR. HANS VON BULOW : Their sound and touch are more sympathetic to my ears and hands than all others of the country. I declare them the absolutely best in America. ....... ALFRED GRUNFELD: best I consider them the instruments of our times. P. TSCHAIKOWSKY: Combines with great volume of tone rare sympathetic and noble tone color and perfect action. WAREROOMS: BALTIMORE, WASHINGTON, 22 and 24 E. Baltimore Street. 1422 Pennsylvania Avenue. NEW YORK, 148 Fifth Avenue. (2) Boston Metzerott , Symphony~ * X Music Hall, | Washington. V/rWllC^LrCl Fifteenth Season, 1895-96. 1386th Performance. Eleventh Season in Washington. 47th Performance in Washington. Mr. EMIL PAUR, Conductor. Fifth and Last Concert, Tuesday Evening, March 24, At Eight. WAGNER PROGRAMME, " Rienzi." Overture. " Lohengrin." Preludes to Acts I. and III. " Siegfried." Idyll, in E major. A Faust Overture, in D minor. " Siegfried." " Waldweben." " Die Meistersinger." " Walther's Prize-Song." " Die Meistersinger." Prelude. "Die Walkiire." "Spring-Song." " Die Walkure." " Ride of the Valkyries." Soloist, Mr. BEN DAVIES. For List of Works performed this Season, see page 21, (3) . SHORE LINE BETWEEN BOSTON and NEW YORK THROUGH TRAIN SERVICE FROM EITHER CITY. 10.00 E.m. "BAY STATE LIMITED." Vestibuled Buffet Parlor Car. -
Retazos Filmados De La Biografía De Sandow
RETAZOS FILMADOS DE LA BIOGRAFÍA DE SANDOW JOSÉ MARÍA MORILLAS ALCÁZAR Universidad de Huelva Resumen La “mirada del cine”, utilizando un término de la Profa. Gloria Camarero1, no ha analizado con justicia, hasta el momento, la figura de Fredrick Mueller (Kaliningrado, 1867-Londres,1925), uno de los primeros antecedentes de los posteriormente considerados como iconos de la cultura de masas. Artísticamente Mueller adoptará el nombre de Eugen Sandow y presentará en su azarosa vida, personal y profesional, las características definitorias de los massmedia: una biografía singular, ser un número uno en su profesión, crear nuevos conceptos con valencia mundial que han trascendido a su propia época, poseer fama en varios países y continentes (Europa, América del Norte, Australia), generar un abundante material gráfico y fotográfico, incluirse en los principales medios de comunicación de su época (prensa, radio, filmaciones), ser objeto de campañas publicitarias, generar objetos de merchandaising, provocar el interés general y ser estudiado por especialistas. Palabras claves: cine, biografía, comedia americana, Robert Z. Leonard, Eugene Sandow, culturismo, Benjamin Falk, George Steckel, Napoleón Sarony Title: SNIPPETS FILMED SANDOW’S BIOGRAPHY Abstract: The "film look" using a term of Prof. Gloria Camarero, justice has not been analyzed so far, the figure of Fredrick Mueller (Kaliningrad ,1867-London, 1925), one of the early history of the later regarded as icons of mass culture. Mueller artistically take the name of Eugen Sandow and present in -
Keeping Down Flesh by Means of Exercise by Gertru De Artelt Who H As Been Accla Imed As America 'S "Most Perfectly Formed Woman"
February 1923 The Sinmm!As An-~ia To Cnest DeveJopment Exercise"I • And the CenterIdeal figure I The Science of S~ng ~tn Stark What Kind of a Man Will Yov Be a Year from Now? OS'.(' r,hy :::lc.:al cutu11·1-~t$kCOJ) ht condition . Tl1ey krh ) W M l'h 1.1 \'a lu o or hc~l11h nn 1l RISO knc:,w vnl'1ous cxc1·cises t.luu. n1uin tain h cahh. Jl ut wJwn o, mao htk r$ UJ) :t •le.tlu1te. t nt1n1u g tlrQ• gru ,n, n. ..$Y:St :cm/ ' 01· "rom ·sc.' he. d(H~ $0 uo t ru~rcJy t'o " ki•c1> flt .. bot Cc,i mf)1·0.:e l1im~r lf. Ro want$ uah1s tn ~i~e, ~h'<mgth nuci Vital ity. and (u rth.e1·mor<.:.ll. ~ want!) 'l>i!I galn f1; to Ju~tlf r fbc. tim e anct exerti on s1>ent tn trainin g. The Results You Can Expect! Our C'.X()Cric 1h .:C (not our IJ.tcor.,·. mincl you ) cno.blcS us to SHr tlrnt tl.Jrvugb th o prn<-Uee of g-rnc.l~cl wc l~ht cxe1·cht~ I uhih >~t :lll~' f!' :l.ll 01; hoy <'<lll f\C<lll to :l. <:h e;,:t wln CI!, \\'b CH ll)t;,:tSur Q(I iu uo,•mcrl P OSI• tion . w i 1l ll\N~UI' (' 03% ot hi5t height. 'J'hnt is to :,;a,·. n 111:.rno J· hov ~tantlin$: G (t. · S iJl. ( GS ioChes) c:uu Ucxclo1) 11. -
Eugen Sandow's Queering of Body Cultures Before and After the Wilde
Fae Brauer Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures before and after the Wilde Trials. Abstract When the art of posing was exploited by Oscar Wilde and bodybuilding performer, Eugen Sandow, both achieved worldwide notoriety. While Wilde fashioned but concealed his body as the effeminate aesthete, Sandow fashioned and revealed his body as a naked Herculean god for both camera and stage. Yet after the Labouchère Amendment when Wilde was persecuted as a poseur and prosecuted, Sandow was not even censored, even though his homosexuality and homosexual following was no public secret. Amidst the homophobic panic unleashed by the Wilde trials, Sandow’s posing was reframed as Sandow’s Physical Culture, repackaged as a patriotic strategy for achieving imperial manliness and National Efficiency, while providing licit new rituals for intense homosocial interaction with bared male bodies lauded by Uranists and Unisexuals. In the battle of virility over effeminacy, this article reveals how the queering of Sandow’s body cultures facilitated their circulation as multifarious signs, simultaneously aspirational and erogenous, edifying and homoerotic, permissive and perverse. Keywords Empire muscle, homoeroticism, homosociality, imperial manliness, posing, queered gaze, Uranianism, virility. Before the Wilde trials when Oscar Wilde and Eugen Sandow explored, if not exploited, the art of posing, both achieved worldwide notoriety as poseurs.1 While Wilde fashioned 2 but concealed his body as the effeminate aesthete, Sandow fashioned and revealed his body as a Herculean Greek God and Roman Gladiator for the camera, covered in nothing other than a skimpy tiger skin or a potently tipped fig-leaf. -
Eugen Sandow's American Male Ideal by Aaron
Performing Masculine Perfection: Eugen Sandow’s American Male Ideal by Aaron Wood, B.S. A Thesis In Theatre Arts Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Dr. Dorothy Chansky Chair of Committee Dr. Andrew Gibb Mark Sheridan Dean of the Graduate School May, 2017 Copyright 2017, Aaron Wood Texas Tech University, Aaron Wood, May 2017 ACKNOWLEDGMENTS First and foremost, I must express my deep gratitude to Dr. Dorothy Chansky and Dr. Andrew Gibb for their significant contributions as members of my thesis committee. Also my gratitude goes to my peers and colleagues in the Texas Tech University School of Theatre and Dance. Finally, I wish to thank my family and friends whose support has allowed me to continually pursue growth and knowledge. ii Texas Tech University, Aaron Wood, May 2017 TABLE OF CONTENTS ACKNOWLEDGMENTS .................................................................................... ii I. INTRODUCTION ..............................................................................................1 II. EARLY YEARS ..............................................................................................12 III. SANDOW IN THE UNITED STATES .......................................................23 IV. EXPANDING THE BRAND ........................................................................42 V. SANDOW’S LEGACY ...................................................................................54 BIBLIOGRAPHY ................................................................................................75 -
Musikantiquariat Adam Bosze
Musikantiquariat Adam Bosze Neuzugänge Juni 2012 (Nr. 1) Musikantiquariat Adam Bosze Budapest, 2012 © 2012 Ars Trade Kft. Ars Trade Kft. Sitz der Gesellschaft: Budapest EU-Steuernummer: HU 14149586 Handelsregisternummer: 01-09-891104 H-1053 Budapest, Királyi Pal u. 18. Bankverbindung: CIB Bank Rt. H-1027 Budapest, Medve u. 4-14. IBAN: HU47 1070 0691 4881 6205 5000 0005 BIC (SWIFT Code): CIBHHUHB Descriptions in English are available upon request. Allgemeine Geschäftsbedingungen: Alle Angebote sind freibleibend. Die Preise sind in Euro angegeben. Die Lieferung erfolgt an den Erst- Besteller. Versandkosten zu Lasten des Empfängers. Die angebotenen Werken befinden sich in gutem Erhaltungzustand, soweit nicht anders vermerkt. Unwesentliche Mängel sind nicht immer angezeigt, sondern durch Preisherabsetzung berücksichtigt. Die Beschreibung der Titel erfolgt nach bestem Wissen; ihre Authentizität wird garantiert. Antiquariate erhalten 10 Prozent Kollegenrabatt bei Zahlung innerhalb 14 Tagen. Mit der Aufgabe einer Bestellung werden die Lieferbedingungen anerkannt. Autographen 1. Nikisch, Arthur: Eigenhändiger Brief mit Unterschrift an Graf Géza Zichy Intendant der Ungarischen Oper – Budapest, „Aug. 29. 1893.” Schwarze Tinte. 4 p. 220x145 mm – Faltspuren sonst gut erhalten. 320,- „Hochverehrter Herr Graf! Bitte in einer brennenden Angelegenheit um baldigste Entscheidung: Der mir von Herrn Chef Szilághyi [sic] vorgelegte Kosten-Voranschlag für die „Verkaufte Braut” belief sich ursprünglich auf 3000 fl.; nach allen möglichen Reductionen haben wir denselben jetzt auf 2100 fl. heruntergebracht. Das ist aber das Allermindeste was wir dafür brauchen werden, und aufwenden müssen, wenn die Sache halbwegs anständig aussehen soll. Nun stehen uns aber für Neu-Anschaffungen für dieses Jahr nur mehr 1100 fl. zu Verfügung! Wie gesagt, eine weitere Reduction ist unmöglich. -
Known Also As Louis Victor Franz Saar [Lôô-Ee Veek-TAWR FRAHNZ SAHAHR]
Saar C Louis Victor Saar C LOO-uss VICK-tur SAR C (known also as Louis Victor Franz Saar [lôô-ee veek-TAWR FRAHNZ SAHAHR]) Saar C Mart Saar C MART SAHAHR Saari C Tuula Saari C TÔÔÔÔ-lah SAHAH-rih Saariaho C Kaija Saariaho C KAHIH-yah SAHAH-rihah-haw C (known also as Kaija Anneli [AHN-neh-lih] Saariaho) Saavedra C Ángel Pérez de Saavedra C AHN-hell PAY-rehth day sah-VAY-drah Sabaneyev C Leonid Sabaneyev C lay-ah-NYITT sah-bah-NAY-eff C (known also as Leonid Leonidovich [lay-ah-NYEE-duh-vihch] Sabaneyev) Sabata C Victor de Sabata C VEEK-tohr day sah-BAH-tah C (known also as Vittorio de Sabata [veet-TOH-reeo day sah-BAH-tah]) Sabater C Juan María Thomas Sabater C hooAHN mah-REE-ah TOH-mahss sah-vah-TEHR C (known also as Juan María Thomas) Sabbatini C Galeazzo Sabbatini C gah-lay-AHT-tso sahb-bah-TEE-nee Sabbatini C Giuseppe Sabbatini C joo-ZAYP-pay sah-bah-TEE-nee Sabbatini C Luigi Antonio Sabbatini C looEE-jee ahn-TAW-neeo sahb-bah-TEE-nee Sabbato sancto C SAHB-bah-toh SAHNK-toh C (the Crucifixion before Easter Sunday) C (general title for individually numbered Responsoria by Carlo Gesualdo [KAR-lo jay-zooAHL- doh]) Sabin C Robert Sabin C RAH-burt SAY-binn Sabin C Wallace Arthur Sabin C WAHL-luss AR-thur SAY-binn Sabina C Karel Sabina C KAH-rell SAH-bih-nah Sabina C sah-BEE-nah C (character in the opera La fiamma [lah feeAHM-mah] — The Flame; music by Ottorino Respighi [oht-toh-REE-no ray-SPEE-ghee] and libretto by Claudio Guastalla [KLAHOO-deeo gooah-STAHL-lah]) Sabio C Alfonso el Sabio C ahl-FAWN-so ell SAH-veeo Sacchetti C Liberius Sacchetti C lyee-BAY-rihôôss sahk-KAY-tih Sacchi C Don Giovenale Sacchi C DOHN jo-vay-NAH-lay SAHK-kee Sacchini C Antonio Sacchini C ahn-TAW-neeo sahk-KEE-nee C (known also as Antonio Maria Gasparo Gioacchino [mah-REE-ah gah-SPAH-ro johahk-KEE-no] Sacchini) Sacco C P. -
Willard Kimball: Music Educator on the Great Plains
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1991 Willard Kimball: Music Educator on The Great Plains Marilyn Hammond University of Nebraska-Lincoln Raymond Haggh University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Hammond, Marilyn and Haggh, Raymond, "Willard Kimball: Music Educator on The Great Plains" (1991). Great Plains Quarterly. 549. https://digitalcommons.unl.edu/greatplainsquarterly/549 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WILLARD KIMBALL: MUSIC EDUCATOR ON THE GREAT PLAINS MARILYN HAMMOND AND RAYMOND HAGGH Histories of American music are largely his remarkable vigor in the towns and cities of the tories of that part of the United States that lies Great Plains. 1 east of the Mississippi, especially of the eastern A reader browsing through the first few vol seaboard. H. Wiley Hitchcock in his Music in umes of The Etude, a music periodical estab the United States tends to dismiss the area to the lished in 1883, will find notices of positions west of such cities as Chicago, Kansas City, and available in western, southern, and southwest St. Louis as of little importance for American ern states through the Etude's employment bu music history, but because almost no research reau as well as regular advertisements of small has been done on the music of that area, he colleges and conservatories such as the Fort Scott has nothing on which to base his assumptions. -
Boston Symphony Orchestra Concert Programs, Season 120, 2000-2001
2000-2001 ••**..« BOSTON SYMPHONY ORCHESTRA Symphony Hall Centennial Season :^>: idUU.*J.n .. l.UHui Mi Ml Lii.l..i .I.U li tUlilllit\lvliilli\il>lij\ullktl » »» *.*. %. If W w r • f : J •; Si • « ' • SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK Bring your Steinway: Longyear is pleased to present Phase One of this magnificent its new, elegantly appointed, property is 90% sold and spacious model residence. occupied. Phase Two is now being by Sotheby's With floor plans from offered International Realty and 2,300 to over 5,000 square Hammond Residential Real feet, you can bring your Concert Estate. Priced from $1,400,000. Grand to Longyear. Call Hammond Real Estate at Enjoy full-service, single-floor condo- (617) 731-4644, ext. 410. minium living at its absolute finest, all harmoniously located on an extra- LQNGYEAFl ordinary eight-acre gated community a/ Lri'sner Jfiff atop prestigious Fisher Hill BROOKLINE Rare Period Jewelry Important Platinum Natural Burmese Sapphire and Diamond Ring // ,/ Cartier Paris circa 1950 Davic^tCompany Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 • 800-328-4326 We specialize in the purchase of your larger diamonds, more important jewelry, and fine watches. Immediate payment, bank & trade references available. Move up to a higher level of service. Citizens Circle Gold Checking. With Circle Gold, you'll enjoy an interest-bearing checking account with no monthly maintenance fee that offers unlimited free checks, free ATMs and no-fee overdraft protection* "Vbu also get dedicated 24-hour customer service with Citizens' toll-free Circle Gold Line.