DOCSLIB.ORG

Virgin Islands (Us)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Virgin Islands (Us) • supplies Comment television shows feature informative programs, films, serials, live 11000 Belgrade Tel (011) 334471 Cable SOKCH Pres of Presidency b0,4d,asts of sports and musical events Vow' Komadina, Sec'y Toma Prosev CARTRIDGE & CASSETTE PARTS IMPORT/EXPORT REGULATIONS: Union of Yugoslav Performing Artists. 'Warne 26, Belgrade Tel (0111 322 732 EMPTY CARTRIDGES, CASSETTES & REELS The importation of records and musicassettes is not permitted Exports are Odium s Maracaibo Import CA, Centro Plaza, Nivel Ave Francisco Miranda. primarily to territories where emigrants or workers abroad are resident, LICENSING ORGANIZATIONS, MUSIC Los Palos Grandes, Caracas 1062 Tel (02) 283 8031 Cable STEREO that is, West Germany, Austria, Switzerland, Sweden, France. Canada and S 0 K 0 1 (Saver Organizacria Kompontora lugoslavue). Misarska 12 11 Telex 31183 Exec VP Irvin K Allum It, Gen Mgr Dennis Fernandez, Australia 11000 Belgrade Tel (011) 334 771 Pres of Presidency Vonn Koma Sales Mgr Mary Mum dine. Secy Toma Nosey (Mechanical & performing rights) BASF Venezolana SA, Edifier° BASF, Calle Milan. Orb Ind] Los Ruices Our. MARKET ANALYSIS: lavod za zastitu autorskih metal prava (Performing & Mechanical Rights Caracas 107 Tel (02) 22 12 22 Cable BASF Pres Roland Schempf, The entire music industry reports an average increase in turnover of about Society). Misarska 12. Belgrade Gen Mgr Hans Albrecht. Sales Mgr Jeanette Mendez. Prod Mgr Car 30% for the past year, which is mostly due to price increases and partly Ins Thiemann to unit growth Most labels cut down on the relicensing of product due to PLATING, PROCESSING & PRESSING PLANTS Audio: Cassette the difficulties in paying royalties There was a very strong influence of Nekton Toyama Gramegonskin Plosc. Vodnikova 12, 61000 Ljubljana Tel new wave music (061) 55 179 Gen Mgr Dusan Orate. Sales Mgr Joie Kasai. Prod'r JACKETS & SLEEVES Jugoton and RIB Belgrade are still the leading companies, followed by RIO Vilko Ovsenik (Pressing plant only) LABELS, DISK Ljubljana, Jugodisk and Suzy Silver Wings, a new act, sold over 200.000 (ugoton Rees Niska bb, 41010 Zagreb Tel (011) 251 (55 Cable JUG° I avedica If abrica Venezolana de Discos CA), Ando 3402. 4a Calle Urbanize units on one release Millis hide TON Telex 21857 Gen Mgr Stevan Piller, Prod)) Mgr Stiepan Novak don Ind] Carapa. No 40, Caracas 101 Tel (02) 19 /4 91 Cable FAVE PRINTER & LITHOGRAPHER DICA. Pres Cesar Roldan. VP Victor Oliver. Gen Mgr Jesus Colme • record & tape flares. Maintenance Mgr Alvaro Rodriguez lugoton Recs Niska bb, 41040 Zagreb Tel (041) 251 155 Cable JUGO TON Telex 21857 Gen Mgr Stevan Piller. Prod'n Mgr Stjepan Novak TAPE, BLANK LOADED & BULK RAW manufacturers/ RECORD PROMOTION BASF Venezolana SA, Ando Edifier° BASF Calle Milan. Orb Ind .! Los distributors/ importers R T V Ljubljana Recs & tapes. Tavcarieva 17. 61000 liubljana Tel (061) Rupees Sur. Caracas 107 Tel (02) 22,12 22 Cable BASF Pres Roland Schempl, Gen Mgr .Hans Albrecht, Sales Mgr Jeanette Mendez. Prod Ouskoton Produkcria Gramotonskih Ploca & Kazela, Hasana Brkica 58a. 313 039. Telex 31118 Mng Orr June Robernik. Ass't Mng Dim Intl Mgr Carlos Thiemann (Blank only) 71000 Sarajevo Tel (071) 33 613. 33 583 Dir Milosevic Vero, Sales Dusan Velkaverh Mgr &he Nenad. Musical Mgr Vurovic S)obodan Audio: Cassette Label: (Owned) Diskoton TAPE CUSTOM DUPLICATORS Favedica (Fabrica Venezolana de Discos CA). Apdo 3402. la Calle Urbanize WI reps.: USA (Motown). TAPE PACKAGING & LABELING don Ind') Carapa. No 40, Caracas 101 Tel (02) 49 74 91 Cable ME Helidon Tovarna Gramofonskih Plosc. Vodnikova 42. 61000 Ljubljana. Tel DICA Pres Cesar Roldan. VP Victor Oliver, Gen Mgr Jesus Colme The Audio and Video lines indicate the configurations which the firms du (061) 55 179 Gen. Mgr Dusan Note, Sales Mgr lore Moser. Prod'r nares, Maintenance Mgr Alvaro Rodriquez plicate, Companies which offer packaging and labeling of tape product are Vilko Ovsenik. (Distributed by Suzy) Audio: Cassette indicated by '•(PKG)" which appears after the main body of their respec Labels: (Owned) Hendon. (represented) Decca. Telefunken (West Ger Brand name: Discomoda (DCM) tire listings. many) • accessories importer Jugodisk °FPI), Ljubicka IS. Belgrade. Tel (II) 473.009 VP Bonder Go lugoton Recs Niska bb, 41040 Zagreb Tel (041) 251 155 Cable oh Gen Mgr Ilya& Joyanovic, Sales Mgr Divnic Rahbor. Intl Mgr„ 111GOTON Telex 21857 Gen. Mgr Stevan Piller. Prod'n Mgr. Stiepan Novak AllurtYs Maracaibo Import CA. Centro Plaza, Nivel Ave Francisco Miranda. Radomir Krkic Audio: Cassette Los Palos Grandes, Caracas 1062 Tel (02) 283 8031 Cable STEREO lugoslovenska Kniga. Obilicev Venn 24. Belgrade Tel: 623 799 (Importer/ R TV Ljubliana Recs & Tapes. Taycarieva 11, 61000 Ljubljana Tel (061) Telex 31183 Exec VP Irvin K Allum Jr Gen Mgr Dennis Fernandez, Exporter). 313 039 Telex 31118 Mng Dir lure Robeznik. Oust Mng Dir Sales Mgr Mary Allum Jugoton DPI). Niska bb, 41040 Zagreb Tel (041) 251 155 Cable 1UG0- Dusan Velkaverh (PBS) Product: Record-carrying & storage cases, record care prods turntable TON Telex 21857 Gen Mgr Stevan Piller Intl Mgr Brink° Plane, Audio' n, mats. 15 rpm adaptors, replacement styli, Tape-carrying & storage Repertoire Dept Head Dubrayko Majnanc. Intl Repertoire & Label Mgr cases, head cleaners bulk erasers demagnorzers leader A splicing Veljko Despot, AAR Vomo Kundic. Classical Div Vida Ramuscali, Folk Tape Repertoire Mirko Garilovic, Children's & Spoken Word Editor Lierka • supplies Mar kowc PROFESSIONAL TAPE SUPPLIES Labels: (Owned) Jugoton. (licensed foreign) Barclay (France). Bronze TAPE, BLANK LOADED & BULK RAW (UK). Capitol (USA), Charly (UK). DIM (UK). Decca (UK). EMI (UK). Elite Special (Switzerland). Fantasy (USA), Hansa (Germany). Island (UK). TAPE DUPLICATING EQUIPMENT VIRGIN ISLANDS (U.S.) Milestone (USA). Prestige (USA). RCA (USA). RAK (UK). United Artists Progres Hemoteks Direkcria BA51. Knez Mihailova 27711, YU 11000 Bel (USA). Virgin (UK), Vogue (France) grade Tel 624 222 Cable JUGOPROGRES Telex 11109 Population: 101.000 Prosveta, PO Boo 555, Teranje 16. 11001 Belgrade Tel 20-566 Telex 11609 Orr Sinker Kalaba. (Importer/Exporter) • accessories • record & tape R T B. see Record Prod'n. R TV Recs. & Tapes, Dalmatinova 17. 61000 Ljubljana Tel (061) 311 922. manufacturer manufacturers/ Telex 31118 Mng. Dir Igor Robernik. Label Mgr Andel Sifrer Jugoton Recs, Niska bb. 11040 Zagreb Tel (0111 251 155 Cable JUGO distributors / importers Labels: (Owned) RTV Liubliana. (licensed) Casablanca (USA), Chrysalis TON Telex 21857 Gen Mgr Stevan Piller, Prod'n Mgr St)epan Novak (UK), Ricordi (Italy). Stiff (UK) Product: Record-45 rpm adaptors Conrad (of St Thomas) Ltd. PO Box 3187, Kronprindsens Gade Sta. St Record Prod'n of Radio Television Belgrade (IFPI). Makedonska St 21, Thomas 00801 Tel (809) 774 2033 (Distributor) 11000 Belgrade Tel 320 277 Cable RTB RECORDS Telex 12030. Gen Inn& USA Mgr Stanko Ternc. Westindy Music Co Inc PO Box 2896 86 Main St St Thomas 00801 Tel Labels: (Owned) RIB. (licensed) AAM (Europe. USA). Ariola Eurodisc (8091174 4488 Pres Wilbur La Mott& Gen Mgr Leroy A La Motta (France, Germany. Spain. USA), Cherry Pie (Australia), First American Labels: (Owned) Cultural Dimensions Westindy (USA). Hispatiox (Spain). Polar (Sweden). PolyGram (Germany, lull ripe.: Barbados (WIRL), Jamaica (Dynamic) Trinidad (Record Spe Netherlands). TeldeciSloryville (Germany), Timeless (Netherlands). 411 181 011 1 101111' cialists) USA r k rck MEI reps.: Germany (RCA), Netherlands (Phonogram Intl/PolyGram). USA (Everest. Olympic). • music publisher Sarajevodisk, Diure Diakovica 17. Sarajevo Tel (071) 23027 Du Muradif Brkic (Distributor) Westrndy Music Co Inc rASGAP) PO Box 2896. 86 Main St St Thomas Studio B Produkoia Gramolonskrh Ploca. (Radiodifuzna Org ). PO Box 10. 00801 TM (8091 ,74 4488 Cable WESEINDY Pres Wilbur La Matta Maserikove 5, 11000 Belgrade Tel (011) 684 798. Dir Dragan That's the size Markovic, Gen. Mgr Dram Vidak. Sales Mgr Loma Mladenovic, Musical Edgar Slobodan Konrovie of the worldwide Labels: (Owned) Studio B. (licensed) EMI (UK), Pye (UK) Spanish-Language Music YUGOSLAVIA Sumachia Produkciia Ploca. Batocian Mod Kragujevca Tel (0311 81.187 Suzy Recs (dry of Zalozba °blow Maribor), PO Box 729. Gruska 10.41000 Recording Market reached Zagreb Tel (041) 519 955 Cable PGP SUITIGB by Billboard en Espanol Population: 23.000000 Labels: (Owned) Suzy. (distnbuted) Nekton, (ncensed) CBS (USA). WEA Rate of exchange: $1 (US) = 34 New Dinars Intl (USA) Per capita income: $2.000 Intl reps.: USA (CBS. WEA Intl) Holidays: January 1 & 2 (New Year's). April 21, May 1 & 2 (Labor Day), July Billboard en Espanol. Edited 4. 22. November 1 (Slovenia). November 29 & 30 (Day of the Repub)ic) • music publishers for the industry decision- RECORDS & TAPES: favunte Music PO Box (19. Gruska 4100U Zagreb Tel (0411 519 955 makers. News. Articles. Latest Note: Sales figures are rough estimations since no company reports the Cable PGP SUZY/GB exact sales reports from over 20 top cor- Interfest. see Favorite Record sales certification awards: Silver single- 50.000 units. gold single - Jugoton Eds Musicales-JEM. Niska bb. 41040 Zagreb Tel (0411 251 155 respondents. Plus regional 100.000 units, platinum sal& - 200.000 units. Silver LP- 12,500 units. Cable JUGOTON Telex 21857 Gen Mgr Stevan Piller, Publ'g Mgr gold LP -25.000 units. platinum LP-50.000 units and international charts on Sinisa Shama Records A tapes sold domestically including imports (retail value): LP's & Kind l Music (Eds Musicales). Vinogradska 3.41000 Zagreb Tel (011) 573 Spanish-Language product. cassettes 1980 11.000000 units. 028.600.000. 1979 -10.000.000 462 Pres & Gen Mgr Mario Kindl units. $23.000,000 Singles 1980-4.500,000 units. 53.150.000, 1979 - Intl firms represented: Accord (West Germany), Brune (Australia), Curci Phone (212) 764-7375. 5.000,000 units. $3 000 000 (Italy). Devega (Italy) Mascotte (Italy). Musica & Dischi (Italy). Sonoton Records exported to USA (factory value, FOB): 1980 50.000 units Telex (int'l) 621089 • (West Germany).
Load more

Recommended publications
  • Lunatics I 08 **** **** **** **** **** ********* ********* the LUNATICS NEWLETTER ©
    Lunatics I 08 **** **** **** **** **** ********* ********* THE LUNATICS NEWLETTER © THE LUNATICS NEWSLETTER, Year I, N° 8, 10/09/2003 SUMMARY. Available in this number: 1) THE DARK SIDE OF THE MOON Yugoslavia special 2LP 2) THE DARK SIDE OF THE MOON Yugoslavia 2LP special radio promo 3) THE DARK SIDE OF THE MOON U.S.A. RTI testpressing 4) The swiss Silva company ~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~ 1) THE DARK SIDE OF THE MOON Yugoslavia special 2LP. (by Stefano Tarquini) special rare pressing by The Quadraphonic SQ System, from Yugoslavia, contains 2 LPs with different labels. Company: EMI-HARVEST-JUGOTON Catalog number: LQEMI 73009 Frontcover: standard black cover with prism, title inside two round stickers (attached in the upper left and printed in the bottom right), blue Jugoton logo in the bottom left, and the "Quadraphonic SQ System" logo in the bottom right. Backcover: standard, with the catalog number "LQEMI-73009" in the upper right (blue letters), in the bottom right shows a mark. Spine: none text. Inside: standard, blue text, in the half left shows the Harvest logo, the text "EMI Records Ltd." "HAYES MIDDLESEX ENGLAND", the "QUADRAPHONIC SQ SYSTEM" logo, in the bottom right shows the Jugoton logo and the text "PODUZECE ZA IZRADU GRAMOFONSKIH PLOCA ZAGREB - DUBRAVA MADE IN YUGOSLAVIA". Inner: clear. Labels details. A) First record. the first LP shows a classic black label with blue prism, text is on silver letters, on the right shows the catalog number "LQEMI-73009" and below the additional number "(Q4SHVL 804)"
    [Show full text]
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.
    [Show full text]
  • The Music of the National Liberation Struggle and Social Engagement
    Partisan Resistance Today? The Music of the National Liberation Struggle and Social Engagement Ana Hofman and Martin Pogačar They kept trying to smother the songs of resistance, but they did not smother them, ever, nor the spark of resistance, which was constantly smouldering here and there and burst into a flame of rebellion. (Hercigonja and Karakljajić 1962) Any interpretation of the past can only be a dissonant and dynamic, always political and without doubt a performative process. This spurs the emergence of and competition between alternative interpretations of the past that may also be understood as acts of opposition and even resistance to dominant and/or competing narratives. This is particu- larly clear when references to particular historical periods or events are problematised in daily political struggles and media discourses: recourse to alternate histories or the search for alternative visions of the past can thus be regarded as an attempt to devise a potential con- ceptual framework within which an articulation of alternative politics 21 (visions of the future) is possible. This carries with it certain (political) connotations that in the post-Yugoslav context are powered by the his- torical experience and perpetual reinterpretations of the national lib- eration struggle and antifascist resistance, as well as the entire period of socialist Yugoslavia – these periods have notably defined Yugoslav and contemporary social, (pop) cultural and political milieux, and the responses to it. In this essay, we discuss the shifting meanings and ascribed in- terpretations of the historical experience of the Yugoslav antifascist resistance as expressed through music. In an attempt to encourage this reflection on the musical expressions of the partisan resistance from a historical perspective, we primarily analyse scholarly works and media discourses and combine historical, musicological and cultural studies approaches.
    [Show full text]
  • 239 Postanak I Razvoj Novog Vala Na Području Bivše
    POSAAK AZVOJ NOVO ALA NA PODRUČJU BIVŠE JUGOSLAVIJE Filozofski fakultet u Splitu, Odsjek za povijest E-mail: [email protected] Mihaljević Jurković Novi val vrsta je glazbe koja se pojavila u Velikoj Britaniji i u SAD-u 70-ih godina prošlog stoljeća. Iako prisutan već od druge polovice 70-ih, novi će val potaknuti veličanstveni uzlet bendova poklonika tog žanra, kao što su Azra, Prljavo kazalište, Film, Haustor na hrvatskoj, odnosno Električni orgazam, Šarlo akrobata i Idoli na srpskoj sceni. Ti su ljudi kreirali novu i drugačiju povijest, novu i drugačiju supkulturu koja je nesumnjivo utjecala na mlade generacije onog vremena. Prodor novog žanra u komunističke je zemlje, zbog njihove izoliranosti od zapadnih modernih utjecaja bio otežan, u nekim gotovo i nemoguć. Koji je to bitni element ili koji su to bitni elementi koji su otvorili vrata Jugoslavije Zapadu unatoč njezinoj orijentaciji? U kakvim se političkim prilikama razvijao i koliko je područja obuhvatio, odnosno je li se odnosio samo i isključivo na glazbu? Naposljetku, ne možemo se ne zapitati, upoznati sa situacijom na istoku i centru Europe, zašto je jedan tvrdokorni komunistički režim tolerirao buntovnost, samoizražavanje i slobodu rocka. Ovaj članak problematizira navedenu tematiku. Ključne riječi: novi val, 80-e, Jugoslavija, Polet, Azra, Pankrti, Prljavo kazalište, Branimir Štulić Johnny, Darko Rundek, Haustor, Bijelo dugme, Laibach Povijest noo aa Novi val u francuskoj kinematografiji s kraja 0- sineastima, nije se od samih početaka odnosio na glazbu. Naime, taj je pojam bio poznat novi val ih godina prošlog stoljeća po mladim dru odnosno mladim inovativnim predstavnicima umjetnosti. Osim što je zaslužan za gačije shvaćanje francuske kinematografije u smislu ideja o efikasnijoj i jeftinijoj glazbi.647 proizvodnji i metodama, dao je poticaj promjenama u drugim umjetnostima, naročito u Tijekom kasnih 70-ih i ranih 0- novog vala punka i rocka.
    [Show full text]
  • Preuzmite Časopis U PDF Formatu
    No2 2013 STUDIJE UMETNOSTI I KULTURE • STUDIES IN ART AND CULTURE ČASOPIS MUZEJA AFRIČKE UMETNOSTI • JOURNAL OF THE MUSEUM OF AFRICAN ART AFRICANOF MUSEUM ART THE ČASOPISMUZEJA UMETNOSTIAFRIČKE OF JOURNAL • PREV NEXT ISSN: 2334-9832 (elektronski časopis) UDK: 069(06) AFRIKA – STUDIJE UMETNOSTI I KULTURE Časopis Muzeja afričke umetnosti Broj 2, 2013 GLAVNI I ODGOVORNI UREDNIK dr Miroslava Lukić Krstanović, Etnografski institut SANU, Beograd ZAMENIK GL. I ODG. UREDNIKA Aleksandra Prodanović Bojović, Muzej afričke umetnosti UREDNIK VIZUELNOG MATERIJALA Narcisa Knežević Šijan, Muzej afričke umetnosti SEKRETAR Živojin Tomić UREĐIVAČKI ODBOR prof. dr Aleksandar Bošković, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju; Institut društvenih nauka, Beograd (Srbija) prof. dr Vesna Cakeljić, Fakultet organizacionih nauka, Univerzitet u Beogradu (Srbija) prof. dr Romuald-Blaise Fonkoua, Univerzitet Pariz – Sorbona IV, direktor Međunarodnog centra za frankofone studije – CIEF (Francuska) prof. dr Ljiljana Gavrilović, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju; Etnografski institut SANU, Beograd (Srbija) prof. dr Senka Kovač, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju (Srbija) dr Ana Sarah Lunaček Brumen, Filozofski fakultet, Univerzitet u Ljubljani, Odeljenje za etnologiju i kulturnu antropologiju (Slovenija) prof. dr Miloš Milenković, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju (Srbija) dr Isak Niehaus, Brunel Univerzitet, Aksbridž, Odeljenje za antropologiju (Velika Britanija) prof. dr Mwenda Ntarangwi, Kalvin koledž, Direktor programa za studije Afrike i afričke dijaspore, Mičigen (SAD) prof. dr Peter Skalník, Univerzitet Hradec Kralove (Republika Češka); Univerzitet u Vroclavu (Poljska) dr Marko Scholze, Gete Univerzitet u Frankfurtu, Institut za etnologiju (Nemačka) PREDSEDNIK IZDAVAČKOG SAVETA prof.dr Jelena Đorđević, Fakultet političkih nauka, Univerzitet u Beogradu (Srbija) IZDAVAČKI SAVET prof.
    [Show full text]
  • Popular Music and Narratives of Identity in Croatia Since 1991
    Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal).
    [Show full text]
  • Kritičarska I Glazbeno-Publicistička Djelatnost Miljenka Grgića*
    ČLANCI IVANA TOMIĆ FERIĆ KritičarsKa i glazbeno-publicističKa djelatnost MiljenKa grgića* Izvorni znanstveni članak UDK: 78.072Grgić, M. 78:81 Miljenku Grgiću, s poštovanjem i zahvalnošću nacrtaK U kontekstu teorijskoga promišljanja umjetničke kritike, članak rasvjetljuje djelatnost Miljenka Grgića na području glazbene kritike i publicistike te donosi kronološki popis njegovih kritika, feljtona i diskografskih recenzija objavljenih u dnevnim i tjednim novinama i časopisima, u razdoblju od 1976. do 2010. godine. Ključne riječi: Miljenko Grgić, glazbena kritika, glazba 1. MeMoarsKi ‚auftaKtʼ Kada sam povodom simpozija Ars choralis 2016., prihvatila poziv organizatora da obilježimo uspomenu na dragog nam kolegu i prijatelja, muzikologa, glazbenoga pisca i pedagoga dr. Miljenka Grgića (1951. – 2011.), promišljala sam o temi s kojom bih dostojno predstavila njegov muzikološki opus – danas dovršen, zaokru- žen i trajno otvoren za neka nova iščitavanja i temeljitije prosudbe. Ustuknula sam pred pukim biografskim nabrajanjima i literarnim memorabilijama, shva- tivši da riječi oproštaja ne mogu iskazati težinu gubitka ni dosegnuti njegove posljedice. No, nisam uspijevala preusmjeriti misli iz zakutaka svojega sjeća- nja..., jer, kako drugačije nadoknaditi plemenitost osobe koja suočena s prolaz- nošću ovozemaljskog trajanja nalazi snage za oproštaj. Naviru mi uspomene na naš posljednji susret kada mi je razotkrivao ‚tajneʼ zanata i ukazivao na mijene koje nanosi život, na preobrazbe koje ljudsku dušu lišavaju mladenačke čistoće i zanosa i koje odnose među ljudima onečišćuju talozima nerazumijevanja. Kao da se u tim posljednjim danima opraštao od svakodnevnih, običnih zemaljskih stvari i tražio svoje mjesto u beskrajnom duhovnom obzoru u kojem one ionako pre- staju biti važne. Bilo je to dirljivo iskustvo kojeg pamtim... Pamtim njegov poziv uoči Uskrsa 2011.
    [Show full text]
  • Vizualni Identitet Glazbene Produkcije Novoga Vala (1977
    Sveučilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti Vizualni identitet glazbene produkcije novoga vala (1977. - 1987.) Diplomski rad mentor: dr. sc. Frano Dulibić, red. prof. studentica: Kora Girin Zagreb, 2016. Sadržaj 1. Uvod........................................................................................................................................3 1. 1. Problem definicije i periodizacije glazbenoga žanra novoga vala ............................... 3 1.2. Pitanje novovalnoga senzibiliteta ................................................................................... 8 1.3. Novi val i postmodernizam...........................................................................................13 1.4. Glazbeni spot i televizija kao arhetipske postmodernističke forme. Primjeri novovalnih glazbenih spotova......................................................................................................................15 1.5. Grafički dizajn i postmodernistička estetika ................................................................ 21 2. Punk......................................................................................................................................23 2.1. Punk i vizualni identitet punka u svijetu.......................................................................23 2.2.Punk u Jugoslaviji ......................................................................................................... 26 2.3.Vizualni identitet slovenskoga punka ..........................................................................
    [Show full text]
  • Miroslava Lukic Krstanovic, Spektakli 20 Veka:Raspored 1.Qxd
    ISBN 978–86–7587–060–9 Мирослава Лукић Крстановић СПЕКТАКЛИ XX ВЕКА МУЗИКА И МОЋ SERBIAN ACADEMY OF SCIENCES AND ARTS INSTITUTE OF ETHNOGRAPHY SPECIAL EDITIONS Volume 72 Miroslava Lukić Krstanović TWENTIETH CENTURY SPECTACLE MUSIC AND POWER Editor Dragana Radojičić BELGRADE 2010 СРПСКА АКАДЕМИЈА НАУКА И УМЕТНОСТИ ЕТНОГРАФСКИ ИНСТИТУТ ПОСЕБНА ИЗДАЊА Књига 72 Мирослава Лукић Крстановић СПЕКТАКЛИ XX ВЕКА МУЗИКА И МОЋ Уредник Драгана Радојичић БЕОГРАД 2010 Издавач ЕТНОГРАФСКИ ИНСТИТУТ САНУ Кнез Михајлова 36/IV, Београд, тел. 011 26 36 804 [email protected], www.etno-institut.co.rs За издавача Драгана Радојичић Рецензенти академик Гојко Суботић проф. др Иван Ковачевић проф. др Бојан Жикић Секретар редакције: Марија Ђокић Лектор Ивана Башић Коректор Марија Ђокић Превод на енглески Богдан Петровић Корице Игор Васиљев Техничка припрема Београдска књига Штампа Будућност Нови Сад Тираж 500 примерака Штампање публикације финансирано је из средстава Министарства за науку и технолошки развој Републике Србије Примљено на II седници Одељења друштвених наука САНУ одржаној 23. фебруара 2010. године, на основу реферата академика Гојка Суботића САДРЖАЈ Предговор.....................................................................................9 I. ТЕОРИЈА СПЕКТАКЛА Морфологија појма .................................................................15 Теоријско мапирање ...............................................................20 Спектакл – друштво .........................................................22 Спектакл – бирократија ..................................................27
    [Show full text]
  • Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/331236297 Heart of glass: Gender and domination in the early days of punk in Portugal: Proceedings of the International Association for the Study of Popular Music 2017 Chapter · January 2019 DOI: 10.1007/978-3-658-25253-3_12 CITATIONS READS 2 410 2 authors, including: Paula Guerra University of Porto 229 PUBLICATIONS 743 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: KISMIF Conference 2016 View project Transglobal Underground View project All content following this page was uploaded by Paula Guerra on 10 February 2020. The user has requested enhancement of the downloaded file. Systematische Musikwissenschaft Marija Dumnić Vilotijević Ivana Medić Editors Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft Reihe herausgegeben von Jan Hemming, Kassel, Deutschland [email protected] Systematische Musikwissenschaft richtet ihr Erkenntnisinteresse häufg auf Zeitpunkte statt auf Zeiträume. Dies ermöglicht es, Prozesse musikalischer Pro- duktion und Rezeption detailliert in den Blick zu nehmen – von akustischen Messungen am Instrument bis zur Hirnforschung am Musikhörer, von einer Prob- lematisierung des Begriffs der „Musikalität“ bis zur Einbeziehung musikbezoge- ner Geschlechter- oder Globalisierungsforschung. Entsprechend vielfältig sind die Anforderungen an methodische, häufg empirische Innovationen sowie an die dazugehörige Theorieentwicklung. Zugleich werden bevorzugt aktuelle oder gesellschaftsrelevante musikkulturelle Phänomene thematisiert. Die Reihe Sys- tematische Musikwissenschaft hat es sich zur Aufgabe gemacht, durch Veröffen- tlichung von Überblickswerken, Monographien und Diskussionsbänden das Spannungsfeld zwischen Theorie und Empirie in der Systematischen Musikwis- senschaft mit neuen Inhalten zu bereichern.
    [Show full text]
  • A Conversation with Suzy Bogguss by Frank Goodman (12/2007, Puremusic.Com) What a Singer. When, Only Now and Then, a Singer's Ba
    A Conversation with Suzy Bogguss by Frank Goodman (12/2007, puremusic.com) What a singer. When, only now and then, a singer's basic sound is completely arresting, it's like a wake up call. You can have attitude, you can be dramatic, elastic or gymnastic-- but when you have that sound, you can just sing, and it's all there. You can dial in degrees of whatever else you want, but that's just icing on the cake. And it's the cake they call angel's or devil's food, right? A dozen or so albums into a charmed career, Suzy says she's just realizing she's actually the thread that ties it all together, not whether she's singing Country, or Swing, or Jazzy Pop. And the last of those is the place where Sweet Danger goes with assured poise. Though most of her fantastic work has been in the Country vein, her fans followed her when she cut the landmark Swing record with her old friend Ray Benson and past and present members of Asleep At The Wheel. It's a cinch that they will be along for the ride here to witness Suzy absolutely killing the great Beth Nielsen Chapman and Annie Roboff song "Right Back Into The Feeling," or the mindblowing cover of the Peter Cetera classic "If You Leave Me Now." Sometimes you don't really get how great a singer is until they come out of the bag that made them famous. We said jazzy pop, but at times it feels also like a really great soft rock album.
    [Show full text]
  • Balkan As a Metaphor in the Film Composition of Goran Bregovic
    Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2004 Balkan as a metaphor in the film composition of Goran Bregovic Nela Trifkovic Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Composition Commons, and the Film and Media Studies Commons Recommended Citation Trifkovic, N. (2004). Balkan as a metaphor in the film composition of Goran Bregovic. https://ro.ecu.edu.au/theses/780 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/780 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]