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No2 2013 STUDIJE UMETNOSTI I KULTURE • STUDIES IN ART AND CULTURE ČASOPIS MUZEJA AFRIČKE UMETNOSTI • JOURNAL OF THE MUSEUM OF AFRICAN ART AFRICANOF MUSEUM ART THE ČASOPISMUZEJA UMETNOSTIAFRIČKE OF JOURNAL • PREV NEXT ISSN: 2334-9832 (elektronski časopis) UDK: 069(06) AFRIKA – STUDIJE UMETNOSTI I KULTURE Časopis Muzeja afričke umetnosti Broj 2, 2013 GLAVNI I ODGOVORNI UREDNIK dr Miroslava Lukić Krstanović, Etnografski institut SANU, Beograd ZAMENIK GL. I ODG. UREDNIKA Aleksandra Prodanović Bojović, Muzej afričke umetnosti UREDNIK VIZUELNOG MATERIJALA Narcisa Knežević Šijan, Muzej afričke umetnosti SEKRETAR Živojin Tomić UREĐIVAČKI ODBOR prof. dr Aleksandar Bošković, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju; Institut društvenih nauka, Beograd (Srbija) prof. dr Vesna Cakeljić, Fakultet organizacionih nauka, Univerzitet u Beogradu (Srbija) prof. dr Romuald-Blaise Fonkoua, Univerzitet Pariz – Sorbona IV, direktor Međunarodnog centra za frankofone studije – CIEF (Francuska) prof. dr Ljiljana Gavrilović, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju; Etnografski institut SANU, Beograd (Srbija) prof. dr Senka Kovač, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju (Srbija) dr Ana Sarah Lunaček Brumen, Filozofski fakultet, Univerzitet u Ljubljani, Odeljenje za etnologiju i kulturnu antropologiju (Slovenija) prof. dr Miloš Milenković, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju (Srbija) dr Isak Niehaus, Brunel Univerzitet, Aksbridž, Odeljenje za antropologiju (Velika Britanija) prof. dr Mwenda Ntarangwi, Kalvin koledž, Direktor programa za studije Afrike i afričke dijaspore, Mičigen (SAD) prof. dr Peter Skalník, Univerzitet Hradec Kralove (Republika Češka); Univerzitet u Vroclavu (Poljska) dr Marko Scholze, Gete Univerzitet u Frankfurtu, Institut za etnologiju (Nemačka) PREDSEDNIK IZDAVAČKOG SAVETA prof.dr Jelena Đorđević, Fakultet političkih nauka, Univerzitet u Beogradu (Srbija) IZDAVAČKI SAVET prof. dr Simona Čupić, Filozofski fakultet, Univerzitet u Beogradu, Odeljenje za istoriju umetnosti (Srbija) dr Jelena Erdeljan, Filozofski fakultet, Univerzitet u Beogradu, Odeljenje za istoriju umetnosti (Srbija) prof. dr Aleksandar Palavestra, Filozofski fakultet, Univerzitet u Beogradu, Odeljenje za arheologiju (Srbija) Primljeno za objavljivanje na sednici Uređivačkog odbora časopisa Afrika, 12. septembra 2013. IZDAVAČ Muzej afričke umetnosti – Zbirka Vede i dr Zdravka Pečara ZA IZDAVAČA Narcisa Knežević Šijan, direktor LEKTURA I KOREKTURA Srpski: Miroslava Ružić Zečević Engleski: Aleksandra Prodanović Bojović Francuski: Vesna Cakeljić STRUČNA REDAKTURA Aleksandra Prodanović Bojović PREVOD NA ENGLESKI Ivan Epštajn, Aleksandar Bošković, Dragan Bošković, Sonja Žakula, Aleksandra Prodanović Bojović PREVOD NA FRANCUSKI Olivier Weber, Mohammed Kharmouch, Pelagija Maričić DIZAJN Ivana Bunuševac ŠTAMPA P3 advertising, Beograd TIRAŽ Muzej 300 primeraka Afričke Umetnosti Časopis izlazi dvogodišnje. Štampanje ovog broja časopisa finansirali su: Sekretarijat za kulturu Skupštine Grada Beograda i Konzulat Gabona u Beogradu. Finansijsku podršku objavljivanju časopisa pružili su Ministarstvo kulture Republike Srbije i Francuski institut u Beogradu. Takođe se zahvaljujemo ambasadi Kraljevine Maroka u Beogradu na podršci. Adresa redakcije: Muzej afričke umetnosti Andre Nikolića 14, 11 000 Beograd 011/2651-654 (tel) 011/2651-269 (faks) [email protected] www.museumofafricanart.org Naslovna strana Fotografije: snimio Albe Urbanovski u Etiopiji, 1960-tih godina Digitalno snimanje fotografija: Mirjana Momić Likovno rešenje: Slobodan Šijan Obrada i dizajn: Vlada Popović i Ivana Bunuševac ISSN: 2334-9832 (e-journal) UDC: 069(06) AFRIKA – STUDIES IN ART AND CULTURE Journal of the Museum of African Art No. 2, 2013 EDITOR-IN-CHIEF Miroslava Lukić Krstanović (PhD), Institute of Ethnography SASA, Belgrade DEPUTY EDITOR-IN-CHIEF Aleksandra Prodanović Bojović, Museum of African Art, Belgrade EDITOR (VISUAL MATERIAL) Narcisa Knežević Šijan, Museum of African Art, Belgrade SECRETARY Živojin Tomić EDITORIAL BOARD Aleksandar Bošković (PhD), professor, Faculty of Philosophy, Belgrade University, Department of Ethnology and Anthropology; Institute of Social Sciences, Belgrade (Serbia) Vesna Cakeljić (PhD), professor, Faculty of Organizational Sciences, Belgrade University (Serbia) Romuald-Blaise Fonkoua (PhD), professor, University Paris – Sorbonne IV, director of the International Center for Francophone Studies – CIEF (France) Ljiljana Gavrilović (PhD), professor, Faculty of Philosophy, Belgrade University, Department of Ethnology and Anthropology; Institute of Ethnography, SASA, Belgrade (Serbia) Senka Kovač (PhD), professor, Faculty of Philosophy, Belgrade University, Department of Ethnology and Anthropology (Serbia) Ana Sarah Lunaček Brumen (PhD), Faculty of Philosophy, Ljubljana University, Department of Ethnology and Cultural Anthropology (Slovenia) Miloš Milenković (PhD), professor, Faculty of Philosophy, Belgrade University, Department of Ethnology and Anthropology (Serbia) Isak Niehaus (PhD), Brunel University, Uxbridge, Department of Anthropology (United Kingdom) Mwenda Ntarangwi (PhD), professor, Calvin College, Director of the African and African Diaspora Studies Program, Michigan (USA) Peter Skalník (PhD), professor, University of Hradec Králové (Czech Republic), University of Wroclaw (Poland) Marko Scholze (PhD), Goethe University in Frankfurt, Institute for Ethnology (Germany) CHAIR OF THE ADVISORY BOARD Jelena Đorđević (PhD), professor, Faculty of Political Sciences, Belgrade University (Serbia) ADVISORY BOARD Simona Čupić (PhD), professor, Faculty of Philosophy, Belgrade University, Department of Art History (Serbia) Jelena Erdeljan (PhD), Faculty of Philosophy, Belgrade University, Department of Art History (Serbia) Aleksandar Palavestra (PhD), professor, Faculty of Philosophy, Belgrade University, Department of Archaeology (Serbia) Accepted for publication at the session of the Editorial Board, on 12 September, 2013. PUBLISHED BY Museum of African Art – The Veda and dr Zdravko Pečar collection FOR THE PUBLISHER Narcisa Knežević Šijan, director EDITING AND PROOFREADING Serbian: Miroslava Ružić Zečević English: Aleksandra Prodanović Bojović French: Vesna Cakeljić EXPERT REVIEW Aleksandra Prodanović Bojović TRANSLATION: English: Ivan Epštajn, Aleksandar Bošković, Dragan Bošković, Sonja Žakula, Aleksandra Prodanović Bojović French: Olivier Weber, Mohammed Kharmouch, Pelagija Maričić DESIGN Ivana Bunuševac PRINTING P3 advertising PRINT RUN 300 copies Muzej Afričke The journal is published biannually. Umetnosti The printing of this issue of the journal was financed by the Secretariat for Culture of the City of Belgrade and by the Consulate of Gabon in Belgrade. Financial support for publishing also provided by the Ministry of Culture of the Republic of Serbia and the Institut Français in Belgrade. We would also like to thank the Embassy of the Kingdom of Morocco in Belgrade for their support. Editorial office: Museum of African Art Andre Nikolića 14, 11 000 Belgrade, Serbia +381-11-2651-654 (tel) +381-11-2651-269 (faks) [email protected] www.museumofafricanart.org Front cover page Photographs: taken by Albe Urbanovski in Ethiopia, in the 1960s Photos digitized by: Mirjana Momić Visual concept: Slobodan Šijan Preparation and design: Vlada Popović i Ivana Bunuševac SADRžaj contents Predgovor Introduction 7-8 Narcisa Knežević Šijan 7-8 Narcisa Knežević Šijan Priča sa naslovne strane Front Page Story 9-11 Miroslava Lukić Krstanović 9-11 Miroslava Lukić Krstanović O časopisu About the Journal Naučni članci Scientific articles 12-31 Vesna Cakeljić 12-31 Vesna Cakeljić Kraljica od Sabe, od Solomona do Sengora La Reine de Saba, de Salomon à Senghor 32-49 Vera Vasiljević 32-49 Vera Vasiljević Nosiljke na putevima u starom Egiptu Carrying Chairs on the Roads of Ancient Egypt 50-65 Petar Skalník 50-65 Petar Skalník Politička kultura u Nanunu, severna Gana Political Culture in Nanuŋ, Northern Ghana 66-83 Aleksandar Bošković 66-83 Aleksandar Bošković Predstavljanje tela u Južnoj Africi Representing the Body in South Africa 84-103 Miroslava Lukić Krstanović 84-103 Miroslava Lukić Krstanović Muzej izvan zidova – Festivalizacija Muzeja A Museum Without Walls – the Festivalization afričke umetnosti u Beogradu of the Museum of African Art in Belgrade Prikazi Reviews Izložbe Exhibitions 105 Nataša Njegovanović Ristić 105 Nataša Njegovanović Ristić Nakit Etiopije Jewellery of Ethiopia 109 Nataša Njegovanović Ristić 109 Nataša Njegovanović Ristić Tegovi za merenje zlatnog praha naroda Akan Akan Gold Weights 114 Aleksandra Prodanović Bojović 114 Aleksandra Prodanović Bojović Prikazivanje umetničkig nasleđa Etiopije u MAU Showing Ethiopia’s Art Heritage at the MAA (2003-2013) (2003-2013) 119 Marija Ličina 119 Marija Ličina Frizerske i berberske table Afrike Hairdresser and Barbershop Signs in Africa 126 Vesna Cakeljić 126 Vesna Cakeljić čarolija Dogona u pariskom La magie « Dogon » au Muzeju kej Branli musée du quai Branly à Paris 130 Vesna Cakeljić 130 Vesna Cakeljić Eme Sezer, Vifredo Lam, Pikaso: susreti bratskih Aimé Césaire, Wifredo Lam, Picasso: une umetnika rencontre d’artistes frères 133 Aleksandra Prodanović Bojović 133 Aleksandra Prodanović Bojović Maroko – zemlja zalazećeg sunca Maroc - pays du soleil couchant Knjige Books 135 Arijana Luburić Cvijanović 135 Arijana Luburić Cvijanović Postkolonijalne
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    Catalogue 151 election from Ars Libri’s stock of rare books 2 L’ÂGE DU CINÉMA. Directeur: Adonis Kyrou. Rédacteur en chef: Robert Benayoun. No. 4-5, août-novembre 1951. Numéro spé cial [Cinéma surréaliste]. 63, (1)pp. Prof. illus. Oblong sm. 4to. Dec. wraps. Acetate cover. One of 50 hors commerce copies, desig nated in pen with roman numerals, from the édition de luxe of 150 in all, containing, loosely inserted, an original lithograph by Wifredo Lam, signed in pen in the margin, and 5 original strips of film (“filmomanies symptomatiques”); the issue is signed in colored inks by all 17 contributors—including Toyen, Heisler, Man Ray, Péret, Breton, and others—on the first blank leaf. Opening with a classic Surrealist list of films to be seen and films to be shunned (“Voyez,” “Voyez pas”), the issue includes articles by Adonis Kyrou (on “L’âge d’or”), J.-B. Brunius, Toyen (“Confluence”), Péret (“L’escalier aux cent marches”; “La semaine dernière,” présenté par Jindrich Heisler), Gérard Legrand, Georges Goldfayn, Man Ray (“Cinémage”), André Breton (“Comme dans un bois”), “le Groupe Surréaliste Roumain,” Nora Mitrani, Jean Schuster, Jean Ferry, and others. Apart from cinema stills, the illustrations includes work by Adrien Dax, Heisler, Man Ray, Toyen, and Clovis Trouille. The cover of the issue, printed on silver foil stock, is an arresting image from Heisler’s recent film, based on Jarry, “Le surmâle.” Covers a little rubbed. Paris, 1951. 3 (ARP) Hugnet, Georges. La sphère de sable. Illustrations de Jean Arp. (Collection “Pour Mes Amis.” II.) 23, (5)pp. 35 illustrations and ornaments by Arp (2 full-page), integrated with the text.
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War

    American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War

    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.