Edition 23 May 2011

8 KAREN SCHAUPP - Speaks About Motherhood 10 MEET LUCAS PITTAWAY - Star of Snowtown 14 GOK WAN STYLE - In Town 21 MASTERCHEF IS BACK - Procrastinate Takes a Look Profile

Justin Kurzel – Director of Snowtown

Acknowledging that getting any film proposal up is as much due to luck as merit, Justin Kurzel admitted in his chat with Kryztoff last week that he had this scent that Snowtown was going to be one of those lucky ones and he wanted to be a part of it.

Nonetheless, directing your first feature length film can be a career defining moment and joining with a host of other novices – screen writer, Shaun Grant, Anna McLeish as producer, Lucas Pittaway as protagonist amongst them – added to all the risks.

‘You just hope you don’t stuff up,’ says Kurzel ‘but with Snowtown is was like we all just joined hands and jumped off the cliff together.’

In addition to the sense of momentum about the project, Kurzel, originally from Gawler, now based in Sydney, said ‘I was drawn in by a curiosity and shock that something like these murders could happen so close to home.’ His connection with producers, WARP Films, arose through discussions with Anna McGleish, one of WARP’s directors, about another project six months earlier that never went anywhere.

Once engaged by the script from Shaun Grant, a trust between all parties quickly grew that ‘encouraged and inspired’ around a brave approach to go after the problematic subject matter in a confronting manner

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Profile

that embraced believability and authenticity. ‘I was determined to get actors from the area who could convince the audience that they too were stepping into this world and landscape. Familiar faces, other places or another genre film just couldn’t do that.’

When asked whether last year’s film success, Animal Kingdom, in any way influenced the film, Kurzel was With critical success assured for adamant. ‘The only connection is through a trend Snowtown, a Cannes showing for muscular type films in Australia at present – from accompanying it, Justin Kurzel Chopper back to Wolf Creek and beyond. Otherwise, can now approach future projects no, it did not. This is not a genre film.’ with a great deal more confidence and street cred. His next project, Justin Kurzel graduated from the Victorian College he says, is a black comedy he of the Arts in 2004 with his graduating film, Blue is writing with his brother Jed. Tongue, winning a swag of awards at the This he hopes may well be done International Film festival the following year. In more again with WARP. But if it is, it recent times, Kurzel has directed numerous music will no doubt possess less white clips for bands such as Sleepy Jackson, Bridezilla, You knuckled leaps of faith than Am I and The Mess Hall, two of which won awards Snowtown did. at the St Kilda Film festival – Bell for The Mess Hall being one of them.

Noting the worn and often successful path of music clip directors going onto full length features, Kurzel said that in his case ‘they give you the freedom to find your voice, to try things out. Music clips are an incredibly creative format that give you the chance to develop your own style and voice which is great preparation for the real thing with films.’

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Catch them at the Cranka Saturday next week and like them here on Facebook

Jessica Braithwaite – Singer and Co- Founder

Gemini Downs

With a gig at the Cranka next week (21st May) for Mt Gambier siblings, stylish Jessica and country boy Sean Braithwaite, their band Gemini Downs is about to enter a new phase in its development as one of Adelaide’s hottest pop folk bands.

Last August saw them release their first EP and have three of its songs reach the JJJ Unearthed Top 10 list. Of these, From Darwin has garnered the most attention and praise. Helped along substantially by a professionally filmed and edited video clip (see link below), Gemini Downs got heavily into the local gig circuit, scoring two festival appearances, including Lilka, staged near to the site from where the band draws its name on the Coorong.

Since, three new members have been added. Drummer Dan Fernie Harper (on double bass) Michael Jenkins and Emma Hickmott on clarinet now round out a total crew of seven with original members Sean’s school mate, Scott Woollett and Lauren Fowler (both on sax, hers alto, his tenor).

After taking a rest since Fuse in February, the Gemini Downs team have six new songs recorded to be released progressively over the winter.

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‘Last year it all sort of came at once and we were a bit all over the place, so this year we going to do the releases in a more coordinated and professional manner’ said Sean talking to Kryztoff at the Wellington Hotel recently.

‘The move to a bigger band and the extra experience has made us also better prepared for live performances,’ adds Jessica. ‘From here on in there will be fewer cringe moments and we will all enjoy it a lot more on stage.’

With musical influences that stretch from Bens Harper and Folds through Paul Kelly and The Waifs to 60’s rock, Gemini Downs provide songs that are always different with a palpable excitement factor there in the recordings and on stage from their use of out there antics – from party whistles and whoopi cushions to tap dancing.

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Karin Schaupp

In talking to the German born Australian Karin Schaupp, it quickly emerged that maternal influences have played a major part in her development as a world leading classical guitar player. For starters, both her grandmothers were singers and Karin’s mother has been throughout her life her principal teacher, adviser and producer, first buying Karin a half sized guitar at the age of three. Karin Schaupp (left) with Schaupp is playing at the Festival Theatre Katie Noonan ahead of their Adelaide performances. with popular music singer-songwriter Katie Noonan on 27 and 28 May in an evening of British folk songs, which, says Karin, were chosen ‘for their amazing musical heritage.’ last year. ‘Motherhood has helped me put life into perspective, it has made me a more ‘Actually choosing the material Katie and relaxed person on stage’ reflects Schaupp. I settled on wasn’t hard at all. We both put forward our own lists, those songs It is sure also that this fascinating that matched were in and the rest came collaboration of these two richly talented together quite quickly’ Schaupp recalls. performers will add another dimension to From there arrangers, Richard Carlton and our lives as well when they play two nights Jeremy Alsop were commissioned for this at the Festival Theatre. 26 show tour that started at the Sydney Opera House in March and finishes in Christchurch in early July. Here for concert details Schaupp’s maternal influences also extend to her role nowadays as a mother, most notably in Cradle Songs, her album of ‘the Find out more about at Karin Schaupp at most beautiful guitar lullabies’ released www.karinschaupp.com/

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Meet Lucas Pittaway - Star of Snowtown

He arrives 10 minutes late, but he has politely texted ahead. He steps in wearing a white t-shirt and grey jeans ripped open on one knee. That long straggly hair from the movie stills adorns his head but he is more diminutive than his film persona would suggest. But far from the morose, sullen, introspective character that he plays in Snowtown, Lucas Pittaway only knows how to light up a room. Smart, confident and assured, his deep brown eyes engage and his impish grin delights. When he smiles, a fiesta of happiness radiates forth.

This time last year, Lucas, then 17, was considering a future as a mechanic in the army, as he roamed an Elizabeth shopping centre with his older brother Paul one Saturday afternoon. He had quit school just two months out from graduating because as he said ‘I had my licence and a job.’ That was as a pizza hut delivery boy – a real life Dougie if ever there was one.

As luck had it, it was Paul who first captured the attention of some casting agents on their last day out looking for suitable candidates for their film. A film about the horrors that went on just a few miles south on Main North Road in Salisbury but which will be forever remembered for the barrels full of decomposed body parts found in a disused bank By Harry Pearce vault at Snowtown in South Australia’s mid north. Profile

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Lucas also caught their eye and soon it was just him who was being groomed for a part. After three days of intense training and screen tests word came through, the investors liked what they had seen too and he had the role of Jamie Vlassakis – the lead role in a full length film – and this without a moment of prior actor’s training or experience. As Lucas recalled, his only previous theatrical performance was in a school play that never came to be.

The first time someone compared his looks to famous actors was when Lucas was working at Hungry Jacks. “I was serving this old lady and she said to me that I looked like Heath Ledger. I didn’t take much notice of it until I asked the other guys after and half of them immediately agreed. It had never occurred to me before.”

With different hair dos, Pittaway has also been compared to 127 Hours’ James Franco. “But I want to be clear, I am not doing this to imitate Ledger or anybody else, I am not looking to ride on the coattails of their looks. This is me out there.”

But there is neither bemusement with his big break nor conceit. It is just his world is different now. Snowtown earned him enough to pay off some debts, buy some new clothes and pay for three months car rego.

In the dog eat dog world of the movies, how things pan out after Snowtown’s screen run is anybody’s guess and Lucas’. But one thing is certain - Defence will not be seeing this young man fixing up their jeeps and tanks any time By Harry Pearce soon. Adelaide’s Own and Only On-line Street Mag Profile

By Harry Pearce Fashion

The Gok Wan Style Tour

“It’s not about what you know; it’s about what you’re wearing when you know it” – Gok Wan

The host of the UK TV show How to look good naked has completely ‘wowed’ Adelaide, and Australia to say the least. Fairy Gok-mother as he calls himself is a very vibrant, fun-loving, and out rightly gay fashion stylist with some incredible tips.

With just over an hour to deliver his Style Tour, seven lucky ladies were handpicked from the crowd to be ‘Gok-ified’ which meant they were styled - hair, make-up and outfits. Whilst the women were being ‘made-over’ Gok kept the entire crowd entertained by showing everyone a few wardrobe staples that every woman should have which included; a little Black Dress, Knee High Boots, Crisp white shirt, Trench Coat and well- fitting undies.

Danielle, the luckiest of all the women in Adelaide, won a makeover by Gok by entering a competition online. She described her fashion as being ‘daggy’ and whilst Gok didn’t understand the term quite like we Aussies do, he made her look ‘fabulous’ by dressing her in a stripe-patterned, pleated dress from Cue; stockings, and heels. The dress was worn backwards as it had a deep V-shape back which was reversed to enhance her ‘babies’ and the detail on the chest, made the dress stand out from the back. This look was sexy and stylish yet very sophisticated.

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Addressing women of all ages, sizes and body shapes – Gok has left a little bit of inspiration for the whole of Australia, giving confidence to viewers by showing how to dress to specific body shapes, as well as showing people that there is beauty in curves and that we all need to ‘celebrate our bodies’. The makeovers that were revealed through the show, brought tears of happiness to most, and confidence to everyone in the crowd, and I, personally, walked away from his show feeling inspired, positive and all round happy.

“I want to help women realise fashion is fun, regardless of your shape,’’ he said. “Whether you’re a boyish beanpole or curvalicious, you’re a goddess and should dress the way that makes you feel amazing.’’

Gok Wan has an extraordinary talent to make everyone feel wonderful about themselves; however, through tough times in his life, it’s easy to see where he got his magical gift from. Bullied through most of his life, Gok Kryztoff’s Ashleigh Burgess enjoys proved all the tormentors wrong, and become the Gok Wan Style Presentation a stylist to the stars as well as every woman’s best friend. All this was evident throughout his recent style tour at Westfield Marion

Ashleigh Burgess

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OSCAR THE THIRD 119 Melbourne St, North Adelaide www.oscarthethird.com

Classy, Chic and located at SHOP FIVE, OSCAR THE THIRD boasts upper-class fashion in little old Adelaide. Embracing the latest fad colours of neutrals, beige, chocolate, dust pink, whites, peppermint and silvers, the latest ‘Othello Collection’ is suitable if you’re wanting to ooze style, grace and sophistication.

The Othello Collection consists of solid colour blocks, stripes, subtle floral, plaid, animal prints, and colour panels – allowing some part of her collection to a part of every major trend for this up and coming season. In saying that, each piece of this collection has been beautifully crafted and adhered to, with little details like hand-dyed fabrics, hidden pockets and co- ordinating accessories to complete each unique item.

Starring in Marie Claire, Famous, and Grazier to name a few, this fashion label is giving shoppers and the media an energizing take on modern designs. Each season the label blossoms. The ‘Polished Concrete’ collection saw the Winter season as fun and playful – hard blocks of colour, mixed prints and an electric feel, the unique items were tailored in an array of materials, using panels and pleats, whilst still remaining feminine and wearable.

Local Adelaide designer, Jessian Polk created Oscar the third, which was a national, but now a world wide exclusive label inspired by many global styles and trends. Follow Jessian’s diverse collection throughout the seasons, as you will no doubt be the top of the A-list, if Adelaide ever had one!

Ashleigh Burgess

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Big Beat Cellar Scene, The Lost Sounds of Adelaide 1965-70

Many people remain unaware of large portions of Adelaide’s rich cultural history these days, with most willing to write the city off without truly exploring or understanding what has gone on. Sadly, few people immerse themselves in or attempt to uncover the heritage of our pop & beat culture of the 60’s & 70’s, a scene which may never have really exploded onto the national stage due to lack of infrastructure & support - a situation that is woefully echoed around town today – but which held its own on talent. CD cover featuring a crowd of beatnicks waiting to go “Everyone raved about bands from Melbourne into the beat basement at 253 Rundle St. and Sydney but I think we had better bands here, it’s just that no one acknowledged them!” prevailing musical flavours of the time, says record collector, Nick Giannakakos, of never really distilled their way into the Adelaide’s 60’s scene; architecture of the state’s pride. In light of that notion Nick set about compiling this collection of never before released tracks, a In order to prevent the artists and process through which Nickoff records (http:// their work being lost forever, Nick adelaideartscult.weebly.com/nickoff-records. has been liaising with personalities html ) was born. that were involved in the Adelaide music scene of those days, preciously Some of the recordings feature musicians who collecting any recordings of note that attained prominence on the world scene such he can discover. For his CD, Big Beat as Rick Morrison who appears on the track I’m Cellar Scene, he hassled and hustled Going Back by Machine Gun Kelly’s Rejects, a the musicians that made them, band he created after leaving the famed Masters bringing the recordings to light after Apprentices. However most, while bursting nearly four decades of literally sitting with talent, producing songs drenched in the in wardrobes or garages. Compiling the songs onto a CD helped Nick fulfil

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his quest to, as he puts it, “make people aware Cellar Scene CD and other historical of the talent that we had that was probably Adelaide offerings from Nickoff neglected back in the day, a lot of people don’t records follow this link: realise the talent that we had.” adelaideartscult.weebly.com Big Beat Cellar Scene evokes an era of bustling scenesters furrowing around town on their way By Socratos to a happening and carefree beatnicks cruising old cars through the Adelaide hills with a guitar in the back. Although in those days the town looked very different.

In a time when a pack of cigarettes cost 10 cents, the main hang outs in Adelaide during the 60s were the Cellar, beneath what is now the Jade Monkey, the Beat Basement on Rundle St. now a day spa, the 20+ club on Grote (in the big red brick building now housing a Chinese Nationwide studios - 202 grocery store), Big Daddy’s in Gawler Place and Hindley St – then the centre of recording in Adelaide. the Railway Institute hall which was a dance hall attached to a public bath house behind the railway station on North Tce where the Festival Centre now stands.

This is an important record to put Adelaide into a historical context. For to be a creative city we must be able to draw upon our roots and this CD is a big link to fill in the missing parts of the bigger picture for someone searching for the Adelaide’s big success story spirit of Adelaide. of the day, The Master’s Apprentices with Rick To purchase or read more about the Big Beat Morrison on the right

Adelaide’s Own and Only On-line Street Mag 19 Event

In each State, ten finalists are selected to participate in the local final. The competition sees contenders performing three numbers each. As well as a traditional piece and one in the style of neo-burlesque, each girl showcases her individual talents in a “unique interpretation” number.

Miss Burlesque South Australia will be judged based on a combination of the entrants’ performances, personality and potential to become a local, national and international ambassador for burlesque in Australia. She will go on to compete in the national competition, from which entrants for the international title will be selected.

This year’s South Australian competitors come to burlesque from a wide range of artistic backgrounds. Some CVs include experience in the theatre or as singers, and many contain an Miss Burlesque eclectic range of dance styles - from classical ballet and jazz, through tap, swing, Irish and - South Australia belly dancing. The competition is open to girls 4th June at Nexus Theatre at any stage of their burlesque career and the amount of previous experience each has The Miss Burlesque competition varies greatly, with some finalists being well returns to Adelaide this Cabaret known names on the scene and others relative Fringe Festival, having grown in both newcomers. size and reputation. Co-produced by Miss Direction and Silla Black and It’s not often you have the opportunity to see supported by several local businesses, so many talented burlesque performers in one including major sponsor Neo show, so grab it while you can. Burlesque Art Studio, it is shaping up to be a night to remember. Miriam Keane For tickets follow this link 20 Adelaide’s Own and Only On-line Street Mag Procrastinate

Masterchef – It’s Back!

When Everything Doesn’t Go Quite To Plan... Or Isn’t As Good As They Would Like You Believe

But Relax, There Are Always Means To Get Those Hard To Find Ingredients

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Ben Atkinson – SA Hottest Tradie of the Year

For Ben Atkinson, being roped into entering the Australia’s Hottest Tradie competition by two girls from work, has proven to be a boon, even though he did not win the national competition. Concluding just prior to Easter, the final judging of the more than 1000 contestants nationwide, including around 150 from South Australia, saw our Ben finish second, a mere point behind the winner who got to enjoy driving away in a Hi Lux.

But Ben, a tiler who has run his own business for the past seven years and works out every day at the city’s Fitness First, loved the exposure and is finding new career opportunities opening up for him as a result. Included in those is being the face of a body building supplement provider and co-host of a potential new TV show.

‘I never much thought about this type of establishment media world before, but now I have got a taste of it I am loving it’ said Ben when Kryztoff caught up with him last weekend. For the moment however Ben, 26, is very focused on joining the Fire Brigade, what he describes as ‘the best part time job in the world.’ He has passed the first three stages of the admission process and now awaits confirmation of entering the final interview stage.

It’s a good story for a genuinely nice guy and hopefully the next we see of him will be on our screens and not climbing through a window endeavouring to put a fire out.

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Adelaide’s Own and Only On-line Street Mag 23 Preview

Adelaide Cabaret Festival Preview 10-25 June at Festival Centre

Once the rush of Mad March is over, it is easy to forget that there is anything else going on in Adelaide until, well... the following March. That, of course, is not the case, with the Adelaide Cabaret Festival 2011 kicking off in grand showbiz style on 10 June 2011.

Launched by departing Festival Artistic Director David Campbell at a grand gala on 2 April 2011, this year’s amazing line-up does not end with the effervescent headline act, Olivia Newton John.

Of the 49 shows scheduled to run over the 14 day Festival, there is bound to be something for everyone, from the traditional cabaret diehard fans to those who would never consider going to a Festival like this. But how best to sum them all up?

For those who are partial to comedy, the Festival includes Amy Housewine: Back to Crack (need I explain more), Gillian Cosgriff in Waitressing, and other things I do well (who performs in the style of the fabulous ), the Amazonian Storm Large presenting Crazy Enough – a show about her attempts to avoid a descent into mental illness, The Wet Spots (a self explanatory naughty vaudeville show), Toby Francis presenting Blokelahoma! in a flannel shirt, and Urban Display Suite performing a parody about the glamour, seediness and fake tan of the real estate agent game. Olivia Newton John headlines the Cabaret If traditional cabaret is more your style, check out Alexis Festival playing for two Fishman in Der Gelbe Stern, Mark Nadler in Crazy 1961 nights at the Festival Theatre

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or the 1920s divebar style Jitterbug Club, presenting in Adelaide will be kicking Mojo Juju and the Snake Oil Merchants. Night owls up their heels and grooving in general will no doubt be attracted to the fabulous under the watchful eyes of the Ali McGregor’s burlesque and cabaret show Late Nite gargantuan festival mascot, Mitzi, Variety Nite Night. while you’re freezing somewhere lamenting the months until the Festival season ‘comes back’. For those who think that the past masters of musical performance have done a good enough job and don’t Julia Loipersberger need to be reinterpreted, check out Ansuya Nathan in her Elvis tribute Long live the King, Nat King Cole’s story presented by Bert LaBonte in When I fall in love, the Chet Baker journey (featuring Tim Draxl), a Better Midler tribute in Josie Lane’s Josie in the Bathhouse, Melinda Schneider performing Doris Day: So Much More than the Girl Next Door, Michael Feinstein singing Sinatra and, somewhat out of left field, Tony Award Winner Michael Griffiths performing... Madonna. Chita Rivera performs My Broadway Amongst the acts that need no introduction are Glenn Shorrock (of the Little River Band), the phenomenal songwriter Jimmy Webb (who brought us hits such as Macarthur Park and By the Time I get to Phoenix, Leo Sayer, Mikey Robins and Margarita Pracaton performing live in the Piano Room at the Festival Theatre, Mark Vincent (the prodigious 17 year old winner of Australia’s Got Talent), Leo Sayer, Rhonda Burchmore, and of course Australia (and America’s) sweetheart Olivia Newton John.

Whatever your tastes – get in quickly and buy your Teenage Talent tickets before they are all gone. Otherwise everyone Mark Vincent

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Glimpses of the Fringe

Kryztoff had many photographers out and about during the Fringe. Here are some of the best glimpses of this year’s Festival.

Girls from Pembroke School prepare for the rescheduled Fringe Parade

Shimmering West at Higher Ground Gave Bands Of All Standards A Chance To Strut Their Stuff

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Performers Hang Out At The Tuxedo Cat Awaiting Their Late Night Turns On Stage

The Garden of Unearthly Delights Became More Than Just A Performance Venue – Even Wedding Parties Came There To Celebrate

Adelaide’s Own and Only On-line Street Mag 27 Art Review

Patricia Piccinini

– Once Upon a Time Art Gallery of South Australia

To enter Patricia Piccinini’s world is to enter ‘exhausted magnificence’. We are not told the uncanny – everything is at once familiar to love our Frankensteins, we are asked if and strange. In her work the grotesque and when we can. and the beautiful not only live side by side, they invade one another and occupy the same position. We are presented with modern day Frankensteins – will we love or Patricia Piccinini’s Once Upon a Time is condemn them? not only a credit to the artist and her incredible vision, but to the gallery itself, particularly the newly appointed director Nick Mitzevich and curator Jane Messenger. Once Upon a Time is the largest It is showing until the 26th June. exhibition of Patricia Piccinini’s work to date. Her world-renowned sculptures, which explore issues of biotechnology, By Kelli Rowe genetic engineering and the self- regulated machine, are shown alongside photographs, installations, videos and drawings. There is even an interactive lab. It is a comprehensive survey of her work and shows how ideas and concepts have developed throughout her 15-year career. It also reveals Piccinini’s diversity – a loss of self, or defamiliarisation, for example is explored through both her hybrid creatures and a film of a girl drowning.

Yet, for all her challenges to our sense of normality, for all her grotesqueness, there is an underlying sense of hope in Piccinini’s work. For this, Piccinini is unfairly accused of being sentimental or overly didactic. Yet, such criticism seems to miss some of the subtleties of her work, particularly the expressions of the creatures that occupy her world. This is no better expressed than by the Hon. John Hill in his opening of the exhibition, talking of Big Mother and all her Eulogy 2011

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Bodyguard Aloft (for the Golden (installation Art Gallery of Helmeted Western Australia, Perth) Honeyeater) 2010 from the series Nature’s little helpers 2004

Big Mother The long awaited 2005 2008

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should expect anything but the best.

“For over 30 years the Andrew Garrett wine brand has been synonymous with original, approachable and authentic Australian sparkling wines, none of which has changed, with the quality of wine still the same, just a stylised new look.” said VOK Beverages Marketing Manager Chris Illman.

Andrew Garrets Sparkling Shiraz continues to enjoy substantial growth and Illman believes it is because Australians are looking for a full-bodied wine for toasts and celebratory occasions.

The Andrew Garret Sparkling Shiraz certainly guarantees a full-bodied wine experience with a Our Favourite Sparkling bouquet of berry fruits and sweet spices, coupled Shiraz Has A New Look with a soft, rich palate with hints of dark chocolate and dried figs.

Andrew Garret’s flagship wine and Australia’s leading Sparkling Shiraz has “The refreshed Andrew Garrett Sparkling Shiraz is a been given a fresh new look and new sophisticated and stylishly affordable wine and the packaging, all relaunched as of last perfect option for entertaining or a special toast, month. especially during winter.” Said Illman.

Although The Andrew Garret Sparking The new look Andrew Garret Sparkling Shiraz 2011 Shiraz already commands nearly two is available for purchase at good liquor stores thirds of the total sparkling market, the everywhere. sophisticated new look injects a fresh life into the wine brand. Kryztoff also has a competition running where you can six bottles of Andrew Garret Sparking Shiraz. So But just because the packaging has check out our blog for the details on how you can changed doesn’t mean customers win. Lewis Dowell 30 Adelaide’s Own and Only On-line Street Mag

The Three C’s

Graphic Designers Kylie Rosie Publisher Alastair Preece PalmersonPublisher Projects PTYPalmerson LTD Projects Pty Ltd

Front Page Photographer Harry Pearce David Geddes (model)

Images Harry Pearce

Editor Theatre & Visual Arts Peter Maddern Kelli Rowe Rupert Hogan Turner Features Julia Loipersberger Miriam Keane Julia George Ashleigh Burgess Zoe Mitchell Socratos Kosta Jaric Lewis Dowell Julia Loipersberger Content Contributors 32 Adelaide’s Own and Only On-line Street Mag Contacts Contacts

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