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Table Table
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Contents Contents
Vol. Vol.
12 12
No. No.
4/Dream 4/Dream
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E s iiiiiigiEigilirIiEiiEisiBiff i iffiiEgiii9iiiiiIgilsii IEm Tl»ffrm. rrilwg itlJrJ~ JFw:rtwff~ Emerging Forms
by Russell Lockhart
ON: I recently attended a gathering of North\"-''est Coast Native tribes on one of the Queen Charlotte Islands in British Columbia, which, in essence, was a celebration of cultural revival and a sharing of Visions through storytelling, song and dance. I was able to see with vivid clarity as regards dreams that come for community, that are intended to be shared on that level with others - how that's creativly integrated in Native American culture. It's also helped me to see the abject poverty of our culture in this respect. We simply don't provide enough places for the 'enacting' of the dream to occur at this time. I perceive, from the materials and information that come to the matrix of the Drea111Network, that there is a growing desire among the general population to engage more seriously in their dreams; the satisfaction of that urge is trying to be satisfied in a variety of ways. It seems to me that what we have happening now in terms of zl'herc people can go with their dreams, is to private therapy with depth, transpersonal and jungian therapists, like yourself .. . to dream groups or to the many individuals who cluster around the philosophy espoused by this publication . . .. which, in essence, says that dreams are a common human experience and we do not need to rely, exclusively, on professional help to engage with our dreams and to integrate our dreams into our li ves and culture. I'd like now to go directly to a quote from your book, Psyche Speak.<;, which stimulated the request for this interview: "Til have psyche's speech heard only in consulting rooms will not suffice in the times to come; psyche's voice must be heard in the world, enacted and incarnated in the world." Given your statement and given that we are demonstrating a collect ive, cultural urge - or impulse - toward 'enacting and incarnating psyche in the world' - how do we go about creating that bridge into the home, the community , our schools . .. from your perspective?What are the safest ways to bring psyche's voice 'into the world'? How can we achieve this in ways that are creative, healing and not destructive .. .. given that we are talking about reopening considerable repression of emotions and ... soul? R.L.: The issues that are inv o lved are so large and in many ways so crucial, that it's difficult to know quite where to start. There's a great distrust of dreams; there has been forever, to one degree or another. Dreams, I think, are relatively subversive and so they are likely to be a threat in many different ways to whatever is the established order ... whether that is the established order of the person a I i ty, or of a group, or of the Ia rger collective of society. From my point of view, almost every dream has more to do with the future than w ith the past. Since most individuals , groups and societies function in a preserv ative mode, preserving a sense of self, of identity, a sense of collective identity ... there's not a lot of tolerance for anything that hils the capacity to question or overthrow whatever is the established process.
10 Dream Network Vol. 12 No.4 JJ1fi1 ([})1JI11f[[})1f ~ @11)f)fJ ~ of Community
Interviewed by Roberta Ossana
In my mind, dreams have that function. Not just the occasional col lective - or 'Big'- dream that some people have, but every dream has the potential of being a source of the future. And of course, most of the ways of working with dreams have to do with attempts to understand the dream in terms of the past. A lot of good work can be done that way; it's not that I'm questioning the value of that. What I do question is whether that work serves the dream. There is no question that dreams can be used in different ways and they can be used as vehicles to work and re-work the past. I think any work that tends to do that exclusively fails the dream, and so I am particu larly interested in how to approach the dream in ways that will listen for what the intentionality of the dream is, in terms of the future. We can't do anything about the past, anyway; we can do very little about the present. The only thing we have hope of doing something about that is different than just being determined by the past is the future. So, the future, not being known, forces- I think - a certain way of listening to the dream that is not from the standpoint of knowledge, authority, understanding and so on ... but, simply listening to what the dream has to say. Now that sounds very simple but, in fact, it is very difficult, because most of our attempts- whether on our own or working with someone else- tend to force the dream into some understanding that we already have. And, of course, it's much easier to pull the dream into some constructive under standing than it is to truly listen to the voice of the dream. True listening has the potential for reorganizing our whole psychology and sense of ourselves. Dreams have that potential, but it's anxiety provoking to open yourself that fully to a dream and so there are a lot of reasons for trying to bring understanding to the dream, which amounts, very often, to forcing the dream into already preconceived notions. That effort of listening to the dream- and particularly to its inten tionality, to its "future seeking" value- I'm not sure that is the preserve of the professionals at all. Nor, am I sure whether professionals are necessarily the best people to be listening in this way. Artists listen in this way. Poets listen in this way. Perhaps [should say some artists and poets. And so these activities- art and poetry- tend to be the places where you can see what's heard that's anticipating the future, more so than what you see in professional journals. If you look closely at what's happening in some art, what's happening in some poetry and some literature, what's happening in some of these creative processes ... then you can start seeing the future in a way much more clearly than you can in what is presented as overt plans for the future. Our ' plans' for the future don' t work nearly as well as some of the anticipations that one sees in art and poetry. One can see these antici-pations of the future, as well, in the dreams and visions of people in dif-ferent kinds ofpsychoticconditions, and in certain kinds of extreme human conditions, in certain extremity conditions altogether. And most of these things
Vol. 12 No. 4/Dream Network 11
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I I I I I I 1 1 1 1 1 1 . . 1 1 I I I I I I I I il il y y is is is is to to in in to to of of or or of of of of ve ve or or be be do do it's it's for for the the we we m the the are are can can can can say say it. it. I've I've any any thilt thilt I I be be very very ha with with I I r r , , seen, seen, to to same same place place ...... all all going going Scotia Scotia in in idea idea in in people people to to not not for to to hand hand seem seem kind kind use use kind kind What What want want just just group's group's whether whether that that us. us. but, but, whether whether of of not. not. instantly instantly feel feel the the with with a a Russia Russia at at a a computer computer , , somehow somehow And And think think that: that: , , means means . . generated generated communi- to to s s computer computer have have opposition opposition I I got got same same us; us; That That on on I I do. do. with with never never numbers numbers to to community, community, in in t t Nova Nova is is in in whether whether it' .. The The to to and and ' stand stand do do life First First going going , , in in the the heard, heard, be be t t to to don't don't and and extraordinary extraordinary of of know know long message message s s highways in in ' close close the the and and i s s 's 's doesn't doesn't I I things things or or able able or or i geographically, geographically, I I and and road. road. not not Jbout Jbout X X vast vast of of it it met be be community community an an now now life. life. we've we've not not able able in in the the s s back back forced forced be be can can , , me me heard. heard. doesn s s use use community community the the around around i ysoffacilitatingthat ysoffacilitatingthat to to the the very very thing thing in in way way m m them. them. don't don't that that be be organic organic it it organically. organically. but but doesn ' hearingwhat's hearingwhat's than than to to because because anymore. anymore. to to I I get get I not not s e e , , a a be be with with global global of of , , able able place, place, Zealand Zealand we're we're to to is is connection connection world world anymore. anymore. for for that that never never an an real real This This Europe, Europe, to to right right problem problem place! place! organically organically ilS ilS to to Stevens, Stevens, with with individual because because and and more more mak reaction the the going going are are horrible community community across across town want want be be psyche psyche in in the the culture's culture's message message feel feel that that it it community community New New we're we're , , psyche psyche the the I I inner inner I've I've an an some some is is same same Africa, Africa, a a going going The The to to Your Your on, on, heard heard peculiar peculiar to to horrible want want we we in in Findingwa Findingwa of of Lake Lake feel feel the the on on in in though though two two the the are are interesting interesting genuinely genuinely and and happening happening Certainly, Certainly, I I or or The The So, So, that's that's hear hear psyche psyche small small over over are are in in the the in in happening. happening. over over having having ave ave 4 4 that's that's my my to to psychic psychic happening happening not not be be insist insist have have people people connected connected all all neighbor neighbor very very place. place. South South come come we we community community me me who who that's that's people, people, from from say say life life h network psyche psyche futureisgoingtobewithyouinUtah, futureisgoingtobewithyouinUtah, the the in in technology technology that's that's cate cate because because ways ways don't don't want want sense sense on on even even being being community community andY andY gone. gone. communicate communicate geographically geographically can can going going event. event. community. community. all all · · I I . . I I ; ; : : , , 1 1 1 1 i i 1 1 I I 1 1 ' ' f f i i ! ! I I 1 1 i i : : : : I I I I ! ! 1 1 t t , , I I a a a a e e a a ' it it is is is is No. No. 's 's in in to to to to in in be be be be be be do do the the . . me me it's it's the the we we the the not not sell sell can can can can yet, yet, buy buy you like, like, told told ...... have have do do from from hope hope to to 12 12 these these to to what what to to ther it's it's place place I I inter heard heard know know try try to to you you And And doing doing y y to to So, So, that that I I It's It's money money I I to to believe believe pay pay dreams dreams doesn need need write write dreams; dreams; of of of of y y whether whether be be I I who who think think people valuable valuable just just want want And And surely surely If If power it. it. things things reason, reason, but but to to do. do. problems Vol. Vol. I I sell sell dreams - that that do do world, world, o o I I etc. etc. of of poem, poem, to to t don't don't I I my my going going would would tened tened would would mone that that it. it. it. it. I I where where commentary commentary want want probably probably a a these these as as I I s - to to want want money money to to kind kind to, to, to. to. seems seems I I I I mone wouldn't wouldn't most most li . . problems problems me me with with most most that that interpret interpret problems problems t t that that ways, ways, for for could could people people s s or or ' not not people people that that that that , , any any I I it it of of going going are are y y buy buy knows knows buy buy of of that that me me you you of of . . and and that that to to want want to to culture t t is is y y present present of of tried tried the the valuable valuable ' dreams financial financial for for dollar; dollar; want want so want want mind don so so as as paid paid somebody somebody I I power power thing lot lot Network Network ileard. ileard. dreams dreams Jungian Jungian fixed I I many many think think sell sell I I make make lot lot or or deal deal our our hardl ways ways in in the the the the have have adapted adapted commodify commodify the the If If r r be be are are or or of of mone in in to to probably probably be be dream dream most most the the want want in in rcj7ecting rcj7ecting be be working working don't don't And And dreams in in is is that that - or or to to illnesses, illnesses, which which are are to to make make nobody nobody by by don't don't the the for for we we of of to to a a pervasiveness pervasiveness of of I I wouldn , , I I can't can't Nobody's Nobody's wouldn't wouldn't And And the the have have accomplish accomplish to to as as as as or or But But whole whole I I great great dreams, dreams, in in whole whole heard. heard. you you I I Dream Dream surprising surprising . . tried tried significant significant which which that that way way with with and and those those a a a a a a way way And And don't don't political political determinant determinant to to dream. dream. I I want want think, think, are are the the but but One One places. places. dreams dreams you you a a you you be be I I I I . . I I There There dream dream sources sources But, But, , , a a seen seen If If such such only only in in try try mehow don't. don't. a dream. dream. 12 12 that professional professional how how dreams dreams project project dreams; dreams; influenced influenced to to heard heard for for so about about that that find find hear I I problems problems things things developing developing make make that that dynamics dynamics m can can that that have. have. some some that. that. for for these these make make the the me, me, know know preting preting that's that's probably probably hardly hardly important, important, transpires. transpires. it. it. dreams dynamics dynamics dreams dreams dream, dream, or or get get are are coped coped sell sell seems seems a a such such But, what the Indian was seeing was trust the idea that God's in there. If they were and ... the dmth of community and that was Cod is in there, in the computer, then DN: They won't fit! very disturbing. there's a certain sense in which the The Indian understood that if computer is a new church ... or is the RL: Exactl y ... and there's no going back. That going back is also everyone takes and possesses, we 1 place where one might find Cod. don 't have community , we have 1 This helps me in my relationship · related to trying to relate to the drea m power. That acquisitive power aspect, i to technolob'Y and all the things that by dealing with it with what we when we are in that mode, we can't ' are coming in technology. already know. The past. I'm not so give and therefore, wecan'tbeabasis 1 In fact, the revolution in techn- sure that embraci ng the future works of com munity but only a basis of ology, which has been based largely by embracing the past. r don't think, for examp le, th at the means of power. Commun iti es that are based 1 on processes of miniaturiza tion, has on power - that attend to the flux of I had the corresponding effect of understanding the coming times are power - are quite different than increasi ng the powe r of individu als. necessa rily going to come by trying 1 to interpret it in terms of what's communities based on the flux of gifts. I The effects of this will esca late This is probably the most crucia I thing dramatically. It's happened within already past. in terms of how to find out w here the last twenty years, for the most Usi ng, for exa mple, Greek myth community is in the modern world. part. It has basically rendered the ology. Creek mythology was the This is why I think with the kinds idea of countries, governments, large stories of the Creek.-; as the psyche of technological communication - ' power blocks . . . as being relatively was then producing stories and art. which is, of course, the same word : ineffective, in comparison with the Why would we want to take just those that this is going to make possible a : power of individua ls. Even econo- stories a nd say these are the stories of vast interaction of everybody in the mica lly, the power of individuals is the psyche when the psyche is produci 11 g world ... andcommunitiesaregoing . increasing. It is now possib le to stories all of the tirnc. New stories, diff to be quite different than w hat we've I creJte wealth more quickly w ith erent stories. Obviously, some with im agined them to be in the past. the idea a n individ ual ha s tha n the sa me themes . . . but in new I had a dream some years ago, organizi ng large masses of ma contex ts. It's more J point, now, of trying to sensitize ou rselves to what one of those voice dreams, you know, r chineryor materialso rsuch things. A 1 is coming h to embrace the that ha s a compelling truth quality. It si ng le idea, now, can produce more and ow said, "Cod is in the computer." wea lth almost in s ta ntly than a future, rather than being fearful about ! genera tion of 'stuff!' it. These thing s that are being DN: That's an aweso me sta te are the tools of the future 1 developed ment to consider. A dream voice DN: Stuff .. from the Industrial era? and like any tool, you can hit once sa id to an acquain tance: "The RL: That "stuff, " was char- somebody over the head with it or unconscious is Cod." ~ac teristic of the industrial era and you can do something creative with RL: It's important to notice the now we are cha ngi ng into an in- it. dream does not say the compu ter is 1 formation era . It's a knowledge So, the problem we have is still Cod, it says Cod is iu the computer. ; revolution and knowledge is really the sa me problem. We have to have a Now therearecertainlyways in which the basis of power. You can't bomb kind of psychological development 1 computers function as gods, Ia tel y. knowledge. Once a 11the factories and that is up to the development of the You go into the bank, and if the means of production become ro- tools, orwe'regoingto havea massive computer's not working, nothing is j botized anyway, there's not going to problem. And this, I think, is probably happe ning . They ca n't even do j be much point in bombing them. The the source of much of the problem: anything by hand anymore. So, the whole idea of large bombs is going the disparity between where the tools computer is sort of god there. l just away and with it, of course, what it and the power are and where most read a book recently ca lled The Death has support ed. The huge g lobal people are. Ma ny peo~·Min the world 1 of Money, which gives a good picture : s tru ctures of war are becoming aresti11living200or maybe2000 years of what happens w hen computers obsolete. We are in the process of 1 ago. Livi ng 10 years ago is dangerous a reconceived of as god and instead of , seeing the obsolescence of large scale to your health! the dollar bill now being god, it's governmen ts and, of course, in the DN: I would like to get some electronic money thJt has become process of that there is total chaos! cia rifica lions for Drcalll Network read god. That, coupled with the breakdown of ers o n wha t you've said so far because Now, that's not quite the same as what lias contained so much, his- you are introducingsome new, timely w hat my dream was saying. Because : to rica IIy - institutions, traditionsa nd and viable ways of looking at things. of that drea m, I ha ven't been able to I so forth - leads to the present chaos. You are saying that we must listen to look away from what's happening in Thiss ituation,l think,oftengenerates the dream as a way of embracing the all the technological revolut ion, a kind of nostalgia and so we're trying future. Do you include all dreams? because if l trust the dream l have tn to put things back together the way __,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,__,,._ Continued on page 30 Vol. 12 No. 4/Dream Network 13 In Response to the Questions: tifie ~our1£feme nts I n flJreams: Wliat rJJo tifieys_ qmboB.ze? l£artfi: In contrast to heaven, it is usually interpreted as feminine, passive and dark. It often appears in mythoiO).,'Y as a female deity. Creation myths sometimes represent the origin of the world as a pro creative act in which earth is fertilized by heaven; earth is also compared symbolically to the womb. The earth is not only the womb out of which all life proceeds but the ambivalent figure of the "Great Mother," who is both life-giving and life-taking. Ritual burials and subsequent "resurrections" in initiation rites sometimes allude to the connection between the death and birth aspects of the earth. ln astrology it is linked with the signs of Capricorn, Taurus and Virgo. Water: It is a symbol with a very complex range of meanings. As an unformed, undifferentiated mass, it symbolizes the abundance of possibilities or the primal origin of all being, the prima matcrit:l.In this sense, it occurs in numerous creation myths. In Indian mythology, for example, the world EGG floats on it. Genesis speaks of the spirit of God, which at the beginning hovered over the face of the deep. In the mythologies of the most diverse peoples, there is the symbol ic act of an animal diving into the depths to retrieve a piece of earth from the waters. In Islam, Hinduism, Buddhism and Christianity, water is a symbo l of bodily, emotional and spiritual cleansing and the power of renewal; the Fountain of Youth shares this symbolism. In China, water is assigned to the yin principle; similarly, in other cultures, water is usually associated with the feminine, the dark depths and the Moon. Water is a universal symbol of fertility and life; for this reason, it is somet imes juxtaposed to the Desert. Likewise, spiritual fertility and spiritual life are often represented by water; for example, the Bible speaks of the water of life in the spiritual sense. Water that cannot be contained within any boundaries appears in various contexts as an eternity symbol. Water can also have negative symbolic meaning as a destructive force, e.g., the Flood. Psychoanalysis regards water primarily as a symbol of the powers of the unconscious. In alchemy, water is designat ed by an inverted triangle. In the Zodiac, water is associated with the astrological signs of Cancer; Scorpio and Pisces. !fire: It is considered by many peoples to be sacred, purifying and renewing; its power to destroy is often interpreted as the means to rebirth at a higher level. Occasionally, specific fire gods were honored, such as Agni in India or Hestia in Greece; in China, several fire gods were known. In the Bible, God or the divine is some times symbolized by fire. The Apocalypse mentions such images as fire ruhcds and anima ls th at spew fire. In the Old Testament, God appears as a column of fire and in a burning Thorn bush. Often, fire is associated with the Sun, the Light, the color Red and the Heart. In contrast to water, which is sometimes said to arise from the earth, fire is often thought to come from heaven. The myths of many peoples speak of a theft of fire, which is interpreted as a crime or sacrilege. In Greek natural philosop hy, fire is either th e origin of all being or one of the Elements. Simultaneously, however, fire is closely associated with the symbolic nexus of destruction, war, evil, the demonic, hell or divine wrath. The burn ing of Sodom and Gomorrah was often understood in the Middle Ages to be a preview of hellfire. Production of fire through friction was associated in many cultures with sexuality; the origin of fire is frequently ascribed to a sexual act of mythic beings or animals. In alchemy, fire is often symbolized by the upward-pointing equilateral triangle. ln the Zodiac, fire is linked with the signs of Aries, Leo and Sagittarius . .Yfir: Like fire, it is thought to be movable, active and masculine, in contrast to the feminine, passive elements of water and earth. Air stands in close symbolic relation to breath and wind, lt is thought to be a subtle material realm between the earthly and the spiritual realms and is sometimes taken as a symbol of the invisible spirit whose effects are palpable. In astrology, air is linked with three signs of the zodiac: Gemini, Libra and Aquarius. 14 Dream Networ k Vol. 12 No . 4 Excerptcdfrom The Herder Symbol Dictionary, trr111slntcd/1y Roris Mnttl-tCll'S. (Chi ron P11/Jlicntions: Wilfffcttc, IL: Trnnslntcd 191?6.) WorkingTh In January of 1989, an old friend and I had been having disagreements about how to approach a project we were doing together. Hoping for some useful advice on how to find a win-win resolution to our conflict I turned for help to the Angel Oracle. 1 The reading advised that my friend and I had simply hit upon two different ways of working. Like the Salk and Sabin vaccines for polio, both were equally effective but with different approaches. For help in harmonizing our work, the cards suggested: "Create a Sacred Space and Create Your Own Ritual." I decided to do this by incubating a dream. As I drowsily entered that half-awake, half-asleep state .. . /found mysel f in a very famili ar dream landscape, one thai my ji-iend and I had discovered we bolh shared. I was in a hrig/11 alpine meadow high up on steep cliff'>, overlooking !he sea to !he Wesl . .Just as f was falling asleep, I could see !hal my friend was sifling acrossfi ·om me in th e high, sunny grass. As I slipped info my dream hocfy, !f ound !hal I was conslrucling a Medicine Wheel - a Native American map ofsuh! le realities - in the grass between my friend and myself I was silling in !he Wesl, the healing direction on !he Medicine Wheel and my friend was silling across .from me, in !he Easl, !he dirC:'clion of new beginnings. To the Norlf1, the dirC'clion of dream and spirit, lay a dense forest of huge and ancien/ frees. Far /o lite Smtih, !h e direction of !he emolions, lay !he mundane world of rivers and valleys and human selllcmcnls, much like 1/te backgrounds in Renaissan ce paintings. I was marking ou/ the four direclions of the Medicine Wheel with hcautifi.tl precious and semi -precious stones. A/my place , in the West, I placed an egg ofrose-grcenjasper. To !he right and lefl of the egg (anolher .~ymholof new beginnings) !here were opals, my birlhslone. Inji ·onl of my ji·iend I placed a piece of polished green malaclti!C. On cilhcr side of il !here were large, faceted golden IOJWZes - my friend's hirlhslone. Vol. 12 No. 4/Dream Network 15 y y at at e e s s I I e e of of the the , , d d only only er er c~f c~f man so so an an k th hi ter ter th top top he he the the ve ve c ze the the ll ll . . my my to to my my de al to to l l re re we we his his aw aw t t lt lt the the nce, nce, avoid avoid proper uld uld s lunar, lunar, the the my my this this ha ne that that eyes eyes cen he a ions, ions, reat reat ali my my of of meed meed of of the the o o fe feet. feet. place. place. I I gL! gL! were were toward toward hear hear e and and cc But But s e e t s s we exactly exactly of of g to to I I i co r allowed allowed had had to to amazed amazed in in and and ;.,> ;.,> ry ry nt nt 111ore and and with with P l l he he til I I hi time time up up the the ith ith n s s ( toward toward , , c. c. It It we we i facc facc in in c~tf c~tf njoy njoy nurf anrf anrf up, up, end end s s his his ()c ubtle ubtle o o n n w new new i stinctively. stinctively. . . e fwd fwd g inclusive inclusive ht!cause ht!cause s !t e hold hold ered ered South South u! e e gh gh was was but but planet, planet, there there top to to a a tum tum a11rf a11rf .fly .fly past past ped ped speed, speed, s in e e know know dreams dreams it it t!tcrc t!tcrc . . ere ere e e xoing. xoing. I I tt s l~fe l~fe ont is is th then pani side side always always direction, direction, th e e red red magnUi ion h Then Then h the the y y 's 's I! I! o o the the tood tood ing: ing: th th to to t t . . y y .. t er er appropriate appropriate s s an an its its level level s th ould ould w tak (~f (~f and and of of the the 11 11 sca the the Wheel Wheel ey ey we that that more more 110 110 Pis scoo ~~f ~~f :;;ot :;;ot I I 111y 111y throu y y nd hi left left guide guide wa wi that that th w o o a111i a111i But But Bu s s 1//cadmu 1//cadmu c c t th lo e 11/C 11/C were were ed ed o to to of of bcx in in tabl cm c c that that s s ways, ways, of of own. own. c c i unrfcrstand unrfcrstand ri e e t out out i11 l dreams dreams m all all s s As As irfca irfca s ing ing f homs 111y 111y s s lilY lilY c h was was y y a nt nt Buffalo! Buffalo! t!t we we look look p p t bob/1cd bob/1cd about about because because _t(Jr g highl ves. ves. own own to to s s me, me, one's one's North North across across Center Center knew knew in in tion tion o o lend lend was was 10 10 in in 11 11 thi m k k was was peed. peed. see ricer ricer m t 1 unti/1 unti/1 Gods: Gods: nderly nderly star IIIli IIIli I I to to friend friend hi c 1//Y 1//Y I I s As As s s ere ere animal e e e ose. ose. rin lf lf broader, broader, rf rf t hoo co a e e llltj llltj the the the the n Mcdi .fcJr .fcJr ho ho C<.>cn ccfrolll ccfrolll and and lli e e th , , the the heal heal were were like like s s the the Bla se r w pc and and n realized realized eness, eness, were were ave ave ull ull my my e e w o o w!tcrc w!tcrc across across more, more, er! er! in in th t f tmsted tmsted o o was was CO wit!t wit!t !t adjustl/lcllts adjustl/lcllts I I flying flying that that hi e e tim onto onto bcf(Jrc bcf(Jrc t t t would would connec the the ge little little n11d n11d exciteme th I I feel feel h soft soft ntl mo but but ch ch g g x x Tt Tt y, y, ew ew tips tips come come dream, dream, e e is is up up friend. friend. him him h h making making nd nd I'd I'd e e l sec sec side), side), heading heading lipp lar yet yet he he ill eas fmm fmm n ge r ut ut ad ad on on a and and otJenlousy otJenlousy s e. e. fine fine me me y y point, point, th it it g g tin that that , , e his his k e v mu h knew knew h The The He He a a dream dream l l to to d d gems gems stones stones cxperic eer eer ow g g h o o the the ul ul m g g . . under under ss ss l friend's friend's n y y th me, me, th lt lt ride ride fw rid y y d t h roug ability ability tightly tightly r pin s, s, awoke, awoke, a S l He He ti y y IZfe IZfe In In e e ne this this th th fe o knew knew erf w I I m antler antler e e th my my pan g g tu tu of of Nort mnazin:;; mnazin:;; That That uc with with nd nd Ear I I female female m g g th :;;c Wheel Wheel heart. heart. indicn ve trampled trampled these these . . th e e s s wi all d, d, nd lettin A e e At At ei>elop ei>elop en en w w his his do. do. in g Earth Earth n n n y y m ld an d er, er, shaggy shaggy th ultimately ultimately im.>itation im.>itation thi same same all all wo as as been been n ho m occasiona right right me, me, back back beautiful beautiful membered membered to to antlers antlers magical magical perspective perspective iniest iniest holdin surely surely woods. woods. 11 11 w e have have frie ~f ~f the the t massi wak Having Having i i whe of of Northwes wor Wh feeling feeling that that headed headed r c~f c~f being being s s tuation tuation ow ow Medicine Medicine h tie recognize recognize what what other other si ) ) e e e e . of of th lh ized ized f f e e r bit bit I I s s e e o i ream e e s s e e I I k k , , lik cs cs g g e e d . . tl e e y y th l to to t t thi was was e. e. s th z ar ir ir thi exh was was and and e e (~f (~f said said some some lik lonx lonx esme e hann hann small small d was was es, es, uo ea birds, birds, m I I hi and and my my n n I I of of g , , ctly ctly of of ha kinds kinds th wheel wheel r m riding riding doin t could could cam eyes. eyes. a th came came n w that that shdpes shdpes of of . . to to s :_.,r e e grasses. grasses. sturdy on on ritual. ritual. l l up up in in totem lt lt ce, ce, sec sec ut ut nak Snow-covered Snow-covered t, t, exa distance distance d d moving to to sorts sorts e e o r r th S hat hat the the see see nakes nakes Ea friend friend tumcd tumcd enth enth fe place, place, e. e. g." g." seei es ed ed t t gh gh mi Earth Earth s ose ose quail quail ze I I wks n I I sat sat been been w th n magnUicent magnUicent were were s s stood stood point, point, lo lo of of in in wing wing raven, raven, hi animal animal .far .far all all tat ove th want want grass grass go soaring soaring long, long, ld ld for a a o ha my my brown brown be the the portion portion ali s e e inhabited inhabited t t 'd 'd and and e e keep keep 1d 1d - seeing seeing g g could could thi ey ey < fl I er er a a play jumble, jumble, ooked ooked 't 't sec sec e e like like a a l re n mnllller mnllller I I animal animal h me, me, s s se, se, and and th fie th th th be be t!Jc t!Jc quite quite - ur ur by by this this findi th in in No.4 No.4 black black I I nt c~f c~f ants. ants. bc'en bc'en , , Bird Bird ul ul them, them, am am to to begin begin t t 's 's n n cm cm kin ld ld space. space. e s, s, they they wha gh gh that that is is " h e that that e wi g g to to t e e hak i ed ed nd nd now now o all all ack, ack, cs cs in in ce n n from from l and and l h rpri s g g At At did11 did11 ~fc ~fc a 12 12 il hoot n n th liquid liquid e sec sec to to n ir ir cef reality. reality. nd g g b l made made e e th dr hirds hirds s s hmJ hmJ sec sec e I I e o o e ed, ed, in sec sec in in ed ed wheeli ht ht picked picked little little Eas x x th su t co I I h we're we're e e ta ll. ll. y y thou t th fwd fwd saw saw we~s we~s m:;; y of of nkin Sout bt!hind bt!hind ge ge ri g I I th s ringed ringed rnpcns pea lip ere ere e e ow ow t t yet yet till f I I w ect ect were were I I s s to to t t th ca tr es e e y y cloud cloud h ' fli ey ey h and and Vol. Vol. - oulrf oulrf in in a a a wi s s hu e iall and and g g my my th n animal animal l t t t t e e be be c But But So So w ndin , , range, range, th hipmunk th ins or or s in in t rny rny I I my my . . and and ec . . th didn't didn't was was in in wha c e e th ge s creatures creatures Jcm/ts Jcm/ts began began pclinlings pclinlings St St m11ing m11ing way way p before, before, g- I I And And To To c hack hack e, e, to to tly n fire fire kep rna rna ce ce East, East, du c to to e e and and ge ge it it n s s c . . w w so so 111 111 d e e that that I I t!Jc t!Jc ' es 11 11 wcren wcren nakes nakes t, t, e. e. arc arc from from ertain ertain a a e e e nrf nrf 111/I it it gers . . ed ed presence presence pe1inlin pla totem totem s , , th c ircl s, s, , , )The )The all ima grass angels, angels, n of of t c~fx-rass c~fx-rass IZf frequency frequency th th were. were. c a a cm y y s s seei tran kno a a :;;h WL'ek WL'ek small small " " snakes snakes ef , , petfc small small rs rs sullle sullle out out ri t t l Network Network e e ground-living ground-living a a ce ce owls owls white-tailed white-tailed g g my my ' put put they they of of thi turn where where grou the the the a a later n esse bird-lik West my my the the I I antlers antlers ge in O'Keefe I I squirrels, squirrels, Th e e was was nt nt answered answered in in they they - ce ce ( . . althougii althougii ge ge n m Hills. urrent blade blade bras /11 /11 my my my my in in o I I inappropriate inappropriate c~f c~f wasn't wasn't don or or in in but but e note note ese c th it y y arter arter (~fthe (~fthe " all all eel i11 little little the the gfrom gfrom fr l make make e e o o g g Behind Behind Leadi11g Leadi11g I I co As As lar bird-like bird-like g F actually actually nd nd s s S pr rtain rtain T t t To To c~f c~f ill lif in in ep Red Red a a e e s air air A Dream Dream birds birds r ce rack rack n11d n11d thi mess learned learned e e and and meadow meadow de hirds hirds place place birds birds Georgia Georgia ju ti11y ti11y sweet sweet Building Building from from (~f (~f many many rabbits, rabbits, sec sec nonpoisonous nonpoisonous out out the the animals animals com lookin psychic psychic burrowing burrowing we th distance place. place. seemed seemed aloud: aloud: 16 16 From Sun Bear's book, The Medicine Wheel: Earth Astrology, " I had learned that my mineral totem is the jasper - a heart healing stone that carries the light and i warmth of the sun. Opa ls help balance opposites by their very nature - the water within their crystalline structure creates their fiery display. The message to me seemed to be: Let the light of the heart heal and balance the flow and fire of our relationship. As for the stones for my Medicine Wheel partner, the topaz is believed to d1spel darkness by virtue of its inner radiance and to calm anger. Malachite was my friend 's mineral totem, a stone that Sun Bear says raises " a person's sensitivit y to the voice of the spirit, ... in creases receptivity to all forms of subtle energy and in creases psychic powers ." Malachite is also known to help raise unresolved issues among people so they ca n 'Bar6ara 5fr or c"' 'llau,qfiter, ,\·arnli on ,\·arali :; w cddin,11d illJ, Jlpri( 1993 work through them. Here, the message seemed to be: . . . Let the inner light of spirit dispel the darkness between . . . - : . - . . . . you. Allow the issues to rise to the surface and be dis IN-cuBATING DREAMs : _. ·- :- cussed calmly, without anger or expectation. . - . . . ... Th~Kahu~a, traditional pedpte . .. iJauu;tii1 h(l've a simple and frequently .. .. ( successful technique fOr.. ..? · ·.. 'incU:batingdreams ()n specific ... · .· questions orproble,ms: · . . . .. ...... In preparation for the dreqfn, . . < take time in the eveningto quietyqur .. < mind and clarify a statement thilt ...... addresses. the specific question or . I typed up this powerful dream ceremony and sent . > j#oblem onwhich yout[esire tb it off to my friend. We didn ' t talk about it much, we simply let it work its way into our hearts, minds and ...... t·eceive insight in yqur drea'flli ...... lives. The immediate effect was that we stopped scrap ping and trying to convince each other of the super . . • Have a glass of water nearby and iorit y of one approach over the other. Realizing that when the question/statement hasbee11 each point of view had its own va lidity , we were able to complete the project at hand by contributing what formed, make the affirmation and drink was uniquely our own to the whole . Af ter that, our one~halfof the glass of water; work took shape with surprising ease. N ow, with four yea rs of hindsight , I ca n see that we • Say to yourself: "When I awaken -~ quietly and peaceably started working on ind ependent projects. M y friend took the path of Black Buffalo and I and drink the remainder went th e way of th e Deer. We still consult w ith one of this glass of water-- another from time to time and our individu al points of v iew nev er fai l to enhance and broaden our \•vork.* 1 will remember my dream." · ' See Ask Your Angels. Andrew Ramer. Alma Daniel and Timothy Wyllie. (Ballantine. NY 1992) • Follow through. · The Medicine Wheel: Eartll Astroloqy, by Sun Bear and Wabun. (Let us know if it works for you!) (Prentice-Hall. Inc. Englewood. NJ : 1980) Vol. 12 No. 4/Dream Network 17 y, y, e e is is Lit Lit ll m arc arc . . to to , , . . e e of of f y y f You You a i an an s e e d d th Th are are l , , to to m . . cLi m to to e sec sec our our will will . . being being a a She She th th s s ons, ons, to to lm lm is is es? es? ea dr cnt ey ey it it so so vision m as as en en of of die the the Both Both the the ea ultur , , rding rding id dreams. dreams. th wou The The nd nd r liv dr ? ? about about diti you you almost w J way way ore ore d d C through through a a on on tak t t e e in in way way c e e e e o revealed revealed we we m nce nce dream place. place. us us ll tr <1 Wi:lys, Wi:lys, drea nt. nt. t t h tilL'rc tilL'rc - ll. ll. w , , , , e the the th tradition l l hnving hnving - Llcco e e being being c you you a <1nt; <1nt; c c initi<1ted initi<1ted th i , , tim c pilgrimag , , put put Growth. Growth. o o ighbor and and ou your your w is is WLIS WLIS t mystical mystical tel of of we e e ryday ryday the the e e e ook ook your your - dreams. dreams. integrate integrate I I do do hol hol , , h t time n n t t n Hui nd nd their their being being night merg c person<1l person<1l the the , , tion on on e what what LIS LIS a of of Lind Lind t t drcnm l've cav on on - , , in in amiln you you import minds import a ei:l eir eir pirit e-e h as as a a by by this this feel feel ir ir r ith ith wh thempy r Hui power power many many s s abou e th Absolutely. Absolutely. etime etime C And And li li arc arc worked worked em w e e e e is is to to mvc mvc cLin cLin g g . . medium medium rmlity rmlity Ll their their th of of cmphilsis cmphilsis lif night someone someone u u ved ved that that kinds kinds Huichol Huichol in in th very very l the the very very th of of lik th<1t th<1t well well and and ith ith CL' CL' rn rn initiLition initiLition r r e e monics monics s s , , r r in in c c es es mndmother mndmother me me e e Yes. Yes. kin have have ti yo • ur ur great great o r a w r In In the the gets gets vo c beginning e l by by mythology. mythology. <1s <1s LIS LIS m SLIY SLIY th n people's people's into into born C a SLIY SLIY Li rcd rcd e e So, So, <1s ut ut in · e e After After WhLit WhLit e my my yo lf lf . . o o reb e e r 's 's g g plLi cc eLi o th every every ed ed of of prac th <1nd <1nd hols hols d t king king m know · · 'm 'm W <1nother <1nother of of regu beautiful beautiful c dr o o let Moth rin t ng ng til til ny ny mendous mendous most most t t I In In ve ve me me e e ur ur , , ea ll ll If If rm op a Brant: Brant: Brant: Brant: ON: ON: ON: ON: e. e. e e a e ei onsidL LI h d d 1fre 1fre problem problem dr through through problem problem lik you you So co Hui being being light light c ca dreLims, dreLims, lif dreams dreams how how b dreams dreams go go In In tr bu s co this this th yo h mL~ny mL~ny yourse where where Huichol Huichol deeply deeply m ary ary CLi Li by by Secunda Secunda a a a a . . of of is is Lin Lin e e , , the the il to to was was nd nd two two v JF JF a for for e e me John. John. dream dream time ir ir e e sha . . He He into into JuLin JuLin and and telling telling a a e twelv . . e e him him m k k m me, me, who who course course k k Mr What What th t t king king d d thl' thl' c r r . . e e me through through me me e by by oo ntir about about t e had had t Don Don of of lDJ1frtrD11Ml~ lDJ1frtrD11Ml~ oo e e face, face, ba th of of n n Brant Brant l . . re re say say m Teachings Teachings as m m ove Jose, Jose, for for e e e e e m l abou ey ey o o go go t ow m th ea my my also also th for for a d was was , , JuLin r n n put put dr n re re I I Don Don sent sent e uld uld hol hol o adopted adopted e nt nt t t e e nding nding t, t, shaman shaman During During h c o which which a dream dream nd nd il a th look look se the the th t Don Don w it. it. ac a a th s Lind Lind th I I and and old old to to e a e Hui te s s with with hip hip 1f1JrJ 1f1JrJ , , i nd nd of of Wi:lter Wi:lter had had ...... a in in was was been been had had me me trib the the ces e e my my o o were were after after ost ost wasn't wasn't d d d d ting ting Now m I I a a m Indian Indian earlier earlier ns ns , , h wh Juan Juan h way way es , , apprenticeship, apprenticeship, a that that naml' naml' ' ' inkling inkling Soon Soon ey ey ge ge pprenti but a 4 4 the the forth . . initiated initiated Huichol Huichol years. years. nict: his his m bl'camc bl'camc th a inter about about l me me days days Indi spr Don Don 1 1 )f(fJ)1Jil1f )f(fJ)1Jil1f ft(fJ) ft(fJ) e e y y d d I I No. No. l I I is is in in e . . bL' bL' of of to to lik be be 's 's the the Ll Ll to to and and y y of of nd nd , , id was was t t tlw tlw It 12 12 that that so so an. an. a WLin I I m num to to a kept kept w w 'c " " fLimi 40+ 40+ sey sey of of these these ke ke posurc posurc where where , , not not you you r road _lu to to d d li s s UL etter etter k' L~gl' L~gl' school school x d<1y d<1y ' ...... l ed. ed. , , t t Coast Coast ve ve I s s nd nd Je c l' nd nd 's 's would would Interview Interview Brooklyn Brooklyn IJ IJ came came went went somehow somehow hi ill trLiil trLiil e e from from t t . . uncon Vol. Vol. a a Li Li it JI JI of of I I few few , , lo ex lu e e Jose, Jose, v ha _' _' hol hol th ld n short short Don Don h Lind Lind c dreams dreams invit u u Huichol Huichol sun sun r r Eas - me me So So knew rnc Ll Ll everything everything e e wou wou this this WLIS WLIS thilt thilt journl'y New New Ci:lr wi from from squitei:l squitei:l L1pprcntice e I I Llutobiogra toLl toLl e e ' I I for for e e e e WLiik WLiik kind kind there yo t t ny ny th Don Don Mexico Mexico in in orado- Lind Lind ersey, ersey, Hui l good good orado orado t t a ecLi !Lit And And th J on on l An An ef family family nt nt me me o o trail the the my my l b a a one' one' t from from get get to to co. co. m ef gav WLIS WLIS i I I l use use I I Co ask ask ere ere Thi:lt di:ly di:ly e e brief brief was was introduction introduction Co on on wher of of we I I ew ew thing thing of of 1P1Jilit 1P1Jilit ? ? It It his his Network Network e?" e?" lost lost ? ? o o I I cx cx leaps leaps th , , th , , a a your your I I t to to r told told rmders, rmders, n n He He out out met met N in in . . eca you you ay, ay, of of m Jeer Jeer somehow somehow . . Huichol Huichol had had looking looking e . . up up M a to to ly ly I I n b five five miles miles 's 's month month st! st! So I I a a e a a day day going going , , i:l he he next next Ju nd nd or or lo a a a a just just to to lan eam eam did did books go go a 1~ 1~ pass pass now used used here here of of way way share share nd. nd. going going 's 's lxtl Why Why nd nd xt two two teach That I I t tion birthd l a go go grew grew " Dr l to to a America , , / ht ht c The The a nd nd tl'ly tl'ly to to ks ks was was third third mplet to to tourist tourist ming ming I I Don Don where where By By eda eda , , Network Network down down d h To To r there there Li e age age quantum quantum th th of of , , , , n York York e about about How How in in e rig H co dehydration. dehydration. hitchhiked hitchhiked a /11 /11 h 1 1 pm t "T ? ? eco ut ut of of the the man age age try try ung ung mpl b ON: ON: Brant: Brant: a ll Brant: Brant: ON: ON: y y ew ew nd nd ere ere would would am am h 18 18 eac o o milrk h to to was was scious. scious. a private private dercd dercd tilkcn tilkcn town town started started back back introdu co on on vi teacher teacher lxtlan m Cas big big went' went' yo I I dreaming dreaming I I N Jmwn Jmwn t t <1nd <1nd ber ber abo phy years! years! Really willing willing say say Oren Oren s the neighbor, it's already worked out relationship with the gods and god- ON: Would you be willing to share . hopefully. desses, mountains, lakes and springs, I what she told you? ON: You mean there isn't a ny by learning to communicate with Brant: One thing that she told me actual verbal sharing of the dream them. So, we would go out on many is that 1 would live to be old and tha t with that person in waking reality? different pilgrimages a nd that's one I should go through an apprentice- Brant: Sometimes they share but of the main tools w e used in the art of s hip with Don Jose. And she came in not so often. Dreaming, for the pilgrimage or going to a place of a dream and told me how that cave Huichols, is a very personal ma tter, power. In the beginning, we we nt in used to be a gourd bowl tha t was as well. g roups. Don Jose would take me trans formed into a cave. Which, as it DN: So, when a problem with a long with a small group of Huichol 1 turn ed out is par t of the Huichol someone is worked out in the appre ntices a nd we would go togeth- mythology . .. but they ha d not told 1 drea mlime, it's considered to be er to places in nature a nd Don Jose me that yet! taken care of in this realitY, as well, would say "We will learn the la n- I ON: You we re told this before you and no further discussion is necessary? guage nf this cave, we will listen to . knew the myth? Brant: Not really, unless it's some- the cave s peaking in the night." And Brant: Yes. So, I had to go a nd thing very very persona l tha t dream the myth and then they they w<:mt to discuss with the filled in. There's m I wds l 'H.iJicho{'YarnPaintin,q Vol. 12 No. 4/Dream Network 19 would be teaching people in the and wh en we have this, w e can just Brant: Yes. future. It was a whole drei:lm i:lnd joke a round . We love to jo ke aro und . ON: May I do something unusu al with that and Don Jose's inspiri:ltio n, We also be lieve tha t it's healing to for a n interview and share with you a we started the Dance of the Dee r laugh, it's healing fo r the s pirit. dream l had on New Year Day ? Foundation. Through the foundati on, DN: That's been prove n in I am in an llnj(uniliar setting and am we offer semina rs and teachings cen mode rn medical science, as we ll. /1cing prepared to receive the em/1ryo of a ten.•d around what I learn ed over the Brant: When yo u're happy like deer. I a111 /1cing opened to receive years of my a pprenticeship. that, when you la ugh durin g the day, the embryo of n deer. I can see it. DN: Would you shar e why? then you have a good dream a t night, That's the dream . Brant: Basically, I had a vision according to the traditions. Brant: Well, my first response is whe re the gods came to me and told ON: Does .da nce play a role in your that yo u a re that little deer. Tha t was me that I would teach. Do n Jose had way ? yo u. In my ex pe rie nce, the embryo essentially the same vision. Brant: Yes. The da nce tha t we do, re presents new beginnings a nd so DN: The Huicholpeople have a the da nce of the Deer, is like a tra nce does New Year: Yo urself o pe ning up unique way of praying by s pea king to da nce, w hich prod uces a feeling o( to the spirit of the hea rt and intuition. the ancestors. Teach us how you pmy. ecstasy a nd well being. At the same DN : I have also connected the Brant: We pray to the four direct time, we a rc dancing our tho ug hts, swee t medicine a nim<:1l<:1ttribut es of ions, to the ocean, to the s un, to the our praye rs, into Mother Earth. We trust and innocence to the deer I fire, to the eagle .. . and we pray to say w e a re d <..m cing on the a lta r of carry. It's a dream tha t I treas ure. wha t we call the a ncie nt o nes in order Mo the r Ea rth. Tha nk you for allowing me to share. tha t they hear our prayers and will ON: The Deer is integral to Hui As w e come to clos ure, arc there hopefully respo nd to o ur praye rs. We chol culture. Is it a lso your tote m <:my other perspectives about dream pray out loud . Most triba l people a nima l? ing that you would like to shar e? pray out lo ud, calling to the spirit so Brant: Yes. It's the totem a nimal Brant: Dreaming is the time where tha t they can hear our voices. Hop e for a ll Huichol people. It's the heart .. one can really get into contdct, be fully, they respo nd when they hear us . so, wha t most would ca ll the heart, caus e when we're awake, our rational pray out loud. The Huichols like to the Huichol calls the dee r; what most mind is wo rking. And if w e start pray like that, especially around the would call intuition, the Huichol call hearing a stone, most people will fire. We usually pray in the mornin g, the deer. And the dee r is also known freak outl They'll think "This can't be unless you are a t a cere mo ny and as the Lo rd of dreams, the o ne who true; I can't be hearing <:1ston e, I must the n, it's anytime. It's ve ry beautiful, brings you a dream, an inte rmediary be going crazy!" Most people can' t like a symphony. between people and the ancient ones. handle that, even if tiK•y ' re on the DN: All the people praying to So, the deer is like the heart or what path. When they really get a vision ge th e r and saying different praye rs? we wo uld call o ur Higher Selves. like that o r communi cation with a I've experienced that. ON: And from that heart-space, non-human life fo rm, it's ve ry dif One of the most outstanding cha r you have been directing the Da nce of findt for the m to accept. Whereas in a acteristics of the Huichol people for the Deer foundati o n . .. a ll around dream, we a re tota lly open. That's the those of us who have had a ny expos the world? And are dream s an beauty of the dream world. It's a ure to their ways at all, is your unre integral part of yo ur teachings? whole o ther world whe re w e really lenting joy and happin ess. I hope you Brant: Yes, to the first question and are free. In the dream world, we can have fully ad opted tha t way of be ing. yes, we use dreams quite ofte n, doing really come into contact with the Wha t is the secret of Huichol the dream exercises each mo rning. stones, the birds, w e can flyl In nor ha ppiness? We show how to purify a nd wo rk mal life, we can ba re ly w<:1lk. We Brant: Happin ess and sadness arc with the dream a round the fire. If humans can transform into animals the same, only happin ess makes you anyon e is interested in sha manism and then change back. In that way, feel better. So, we say, why not be ·- they have to be into dreaming. the dream world takes on an impor happyl The Huichols just love to jo ke, You can' t separ a te them. Dreaming is ta nt objective, really, to le t us go into from the time they get up to the time an integral part of my work, tha t is ano the r reality a nd not worry about they go to bed . I think the secret is why I was so ha ppy to see the Dream it. that we have self confide nce and Ne twork. Dreams can really he lp a ll ON: The n, on yo ur path, the good self esteem. We, of course, have people. We do n' t have to be from any drea m wo rld is as valid as wa king ma ny proble ms, just like everyone. one culture; everybody has dreams, reality? We a lso feel that we are helping to no ma tte r wh ether we are Indian, Brant. Yes, it is. We Huicho .ls e m keep the earth stay in ba lance, by African .. . or wh a tever. Eve rybod y is phasize tha t, we say, "We a re poor ma king a ceremony for each season, dreaming and w e can dream these a nd we have nothing, but w e dream! by performing a cere mony for the symbols alive, like the symbol of In dreaming, we a rc free as the light." we ll-be ing of the earth, the sky, the circle or figure e ig ht. ON: Gracias, Bra nt. Hope we'll go sun , the waters a nd the ra in. Doing ON : Some of the universa l sym into de pth about Huichol mytholo this brings abo ut a sense of well be ing bols w e all shar e, collective symbols? gies, soon. * 20 Dream Network Vol. 12 No.4 13rant Stcun.rl~ ran. be rearft.edat tlie 'Dance o{tfte 'Deer :founda tion, 'ilo;,:_699, .'ioquef, LYl9 !>073. JLrmwglhtloog rmoo ri1 IF9 JJJtloog~ The Element of Air in my Lucid Dreams by Lorraine Grassano lmsitting here staring out at the San Francisco fog, thick and white and spilling over Twin Peaks. The fog appears to be an avalanche of air, massive enough to swallow up a jet plane and yet, too ephemeral for the weight of a sparrow. The element of air is all around and inside of me, during waking and sleeping, while meditating, day and night, I am breathing IN the air. During most lucid dreams, I am flying THROUGH it. My conscious mind cannot grasp this omnipresent "nothingness," so, let the unconscious speak: There is a slight jolt of lucidity. Immediately, l wish to fly . . . but am only able to float a f£-w inches c!tf the ground. I think about the Higher Power and suddenly a cold, powel:ful wind billows up under my white blouse and I go smring at a tremendous speed! I am airbome and it is wondCt:ful. I do a lot of flying, all the time chanting something abou.t the Higher Power. I see a swirling mass c~fcrea my blue light in the distance and am awed by it. I think it must be the Higher Power and attempt to fly in that direction . . . but am pulled away from it. Then I realize that I must let go of control. At that moment, I am filled with glorious laughter and keep shouting, "Higher Power! Higher Power!" Then, I remember my waking intent to do healing work on my asthmatic condition. I do breathing exercises as J mn.flying - in and out -copious breaths of cold air. I draw my legs np to my chest and .fly in a curled-up position as I shmt rays c~fred, vibrating energy through my dream body. (2/ 6/89) This dream is representative of many I have had in which the element of air, manifesting as flight and lau ghter (a corollary of breath) carries me into contact with the Divine. . . if I am willing to let go. As long as I main tain control, Air is there for me to enjoy, but plays a passive role. I ca n fly and intoxicate myself with breaths of sweet, spring air, but this is only the beginning. I was five years into my lucid dreaming when J learned how to give up control ... and that's when Air suddenly blew into action. I do not know what to do with my lucid state. I feel frustrated and anxious. Than /recall something franz Lucid Dreaming ... that giving up control is a healthy reaction in a lucid dream. So, I think, ''I'll just go where the dream takes me . .. " Suddenly, I begin f loating upward, then mshing backward at a tremendous speed. The sensation is utterly magn~ficent.!f eel delight ed and at pence. (8/87) The act of letting go, or the desire to contact the Higher Power, leads to an acceleration of flight and a glorious feeling of being out of control. Often, the flying is backward , on my back ... and I engage in acts of healing or sexual pleasure. It is an exquisite level of lu cidity I feel. I fly and indulge in tactile experiences. The Spring air is so sweet and damp. I desire to see the HigherPuwer and as has happened before in lu cid dreams, my flying is Jlrtwor(61J Cliris (jrassano Vol. 12 No. 4/Dream Network 21 of of seek seek Wind Wind worlds? worlds? waking waking group group of of 22 22 dreJm dreJm is is a a consciousness consciousness the the going going letting letting as as Just guided. guided. Laughing, Laughing, simultaneous simultaneous swooping, swooping, attempt, attempt, am am wonderful, wonderful, not not swoop swoop exercise exercise pleasure. pleasure. adorn adorn saying saying nearer. nearer. slightly slightly hm.>e hm.>e dark dark in in rnysclfwhispers, rnysclfwhispers, send send ce11trijugal ce11trijugal to to together, together, accelerated. accelerated. hi filled filled that that answers, answers, is is Divine. Divine. repeat repeat shooting shooting sweet sweet Jssignment Jssignment takes takes realizing realizing I I know know gher gher Dream Dream that that a a knowledge knowledge that that practice practice great great request request do do alone alone desire desire ready ready AIR, AIR, realm. realm. the the gi·ving gi·ving ball ball I I My My heavens feels feels the the energy energy higher higher I I remember remember the the with with merrily merrily go go flying flying in in The The was was I I get get than than I've I've breath breath flattened. flattened. the the and and my my out out that that without without spy spy and and longest longest that that flying flying with with of of She She we we through through to to an an darkness. darkness. to to of of The The soaring soaring safe safe " grants grants letting letting upward upward in in carefree carefree Who Who in in form form Network Network force; force; experience experience it it the the knee ever ever By By course! course! my my go go loud, loud, j7y j7y and and these these incubated incubated rnclodious rnclodious through through a a the the I I I , , pass pass the the I I spin spin while while does does with with 've 've I I to to is is touch touch that that am am rna rna is is a a am am clusters clusters Higher Higher and and up up can can following following on on there there of of mental mental utrnost utrnost body body there there skills skills best best brcatlitaking brcatlitaking , , my my o.perienced. o.perienced. ll/oon, ll/oon, letting letting healing healing higher of of tire tire shall shall ec>cr ec>cr success, success, mind mind zed zed whi " out out Jaster Jaster tire tire and and through through " me me and and I I no no the the and and not not dream-state dream-state contacting contacting go, go, l'l'llf l'l'llf I I Tile Tile feel feel wonderful. wonderful. !n a a arn arn like like lau am am lower lower Then Then with with we we Breathing Breathing . . Task Task to to yet. woman woman as as l ton longer longer and and sides sides arc arc 111y 111y flown flown utter utter e e cif eed eed spirit spirit down down want want mun mun through through Power. Power. g of of tru is is telepathy." telepathy." stayi11g stayi11g be be . . peace peace being being the the Moon Moon leave leave Vol. Vol. music music pouring pouring which which a a and and · · truly truly for for I I hter. hter. are are control control Then go go e: e: and and episode episode " " stunning stunning jly. jly. stars stars cannonball, cannonball, bad bad superb. superb. lily lily and and to to lrclp land land s I I the the self"! self"! So, So, is is the the crushing crushing " of of give give ting, ting, content v of of a a before. before. I I alive alive create create me me in in sig and and Jaster. Jaster. world. world. 12 12 oice oice things things and and an excerpt excerpt an and and (6 Sire Sire Hi propelled propelled know, know, knee knee rny rny , , Blackness Blackness I I in in is is lucid lucid , , perrneates perrneates (7/HR) (7/HR) is is messenger messenger ceiling ceiling I I I I zo the the The The the the rw1 rw1 aloft. aloft. but but control control the the / it. it. !n ask ask lay lay nal g 30 to to thi permeates permeates too too out out in in the the No. No. shining shining teachings teachings occur occur aski We We all all o111ing o111ing her her body body flies flies in an an gives gives I I (6 eed eed ...... / look look and and doll doll s s a a I I h body, body, constellations constellations ha rn a a beyond beyond Divine: Divine: rmd rmd s s 93) 93) 011 011 si Higher Higher The The tire tire brigl!t; brigl!t; Suddenly, Suddenly, / as as around around a a hands hands dreaming dreaming I I reddish reddish effect effect both both thrilling thrilling indescribably indescribably mice mice e Then '91) '91) the the de de Self?" Self?" ea c>e c>e ng ng * * know! know! swifter swifter 4 4 hearty hearty unharmed unharmed nt nt help!" help!" up up my my and and and and they they but but 011 011 is is throughout throughout at at through through doll, doll, me me r r kick kick speed speed abo of of nearer nearer 110 110 and and l'fea.;~ ' l'fea.;~ brilliantly. brilliantly. for for the the her her presenc from from gone gone Clljoy Clljoy to to her her laughing laughing , , my my of of back back inside inside rm; rm; between between of of great great face face being being words. words. you you Power Power trouble trouble I I ve ve arc. arc. in in perhaps perhaps a a and and and and She She me me energy energy . . " air. air. By By h voice voice roll roll the the This This laugh the the the the II II and and and and way way How How knee knee elp. elp. is is head me. me. the the I I and and aMr and and a a and and levels levels are are are are and and am am not not the the I I so so arn arn I I up up . to to e e I I . . I I , , I I l l ~ss ~ss , , I I . . rorwponrG:nc~ rorwponrG:nc~ 51ddre.;s 51ddre.;s invisible invisible suddenly suddenly the the benefit benefit of of particularly particularly dance dance her her cats cats falls falls invisible, invisible, Silently, Silently, up up together together trunk trunk and and belt belt s begin begin lwnzan lwnzan halju.1ay halju.1ay a a the the unshine unshine lush, lush, small small a a child. child. will will A A one I I cor from from she she ge made made small small am am around around to to when when to to Dream to to rrspondencr rrspondencr K' K' ntly ntly . . mining mining green green power. power. 116i'Busli 116i'Busli belt belt begins begins tosses tosses presence presence with with we we show show They They walking walking After After walk walk we we up up that that embraces embraces of of ones ones distinctit'e distinctit'e graded, graded, digested, digested, make make attached attached ~ ~ the the realize realize many many tryin ~~ ~~ <.!alley <.!alley s s multi-colored multi-colored seem seem ~ ~ back back area. area. us us something something Her Her tyin to to cloud , , /o~Jil'rfin arc arc hill. hill. 5t. 5t. Gifted Gifted here. here. her her with with our our chase chase g g Crystals Crystals g g mischievous mischievous smooth smooth down down #50i grassy grassy not not a a us us Although Although K K to to stretches stretches the the . . It It collection collection at at bit bit she she way way is is M M f1m>or. f1m>or. , , ~ ~ quietly quietly When When two two escape escape is is , , only only 1/103 1/103 us us the the :\an :\an able able belt belt on on 0 0 and and offers offers the the into into the the by by about about to to hillside. hillside. stones stones z>ery z>ery (able,\t center center the the : strings. strings. franri.;ro edible edible around around to to only only hill. hill. we we Then Then K out out I I becoming becoming ~ ~ Patricia Patricia whatcz>er whatcz>er as as the the giggle giggle 's 's them them of of crunchy crunchy direct direct side side close close arriz>e, arriz>e, the the the the car car . ml, ml, crystals. crystals. in in Along Along intricately intricately sky sky other other was was but but The The K K , , e e She She all all swfaccs swfaccs (5194109 (5194109 s z>alley z>alley her her to to · which which 'Portfand, 'Portfand, takes takes women women tillne in in and and its its also also the the late late directions. directions. us. us. she she drenched. drenched. sign sign K K side side delight delight tells tells waist, waist, the the Keelin Keelin position position a a opens opens suggestion suggestion Claiming Claiming ss ss out out Each Each with with of of is is tossed tossed morning morning light light u.1ay, u.1ay, 0'l\}i2Dl 0'l\}i2Dl of of with with woz>en woz>en us us friends friends quickly quickly of of great great parked parked a a we we any any as as thi that that her her of of the the long long rain rain by by K K no no is is all all we we s s * * us us :g- ~ ~ '*' '*' v, v, ::: ::: "' "' ~ ~ "' "' ~ ~ ...... ~ ~ ;:). ;:). ~ ~ . . 1P1f@Tl» rl1111g if!Ju rf lDJrf!P if1Ju ~ @f if1Ju rf T!JI1111rc rDJ 1111~ rcrl@1111~ ~ A Series of Transformative Water Dreams by Donnalee Dermod y-Minney Author's Preface: While I 11111educnted on the concept ot vividly. The focus of this series of dreams was dual: lucid dreaming, I deliberately do 110tparticipate in it. l}ixl that each involveu the sea, or bodies of water anu the more our drea111shave their own intcma!nteanings a/1(/time. They frightening subset included the presence of sea mammals; proz,idein formation, entcrtainlllent, insight- things / would most often, they were forms of uolp hins and whales. not presume to limit. For tne to interfere with the111, to try and It seemed the concept of the terror had originated wrench the last bit cif secrecy_front thc111 nt nn; huJnaJt-clwsen with the fear of bodies of water and what they may or may not have contained. An early one, although clearly pace, would be equal to abmptly cutting into the com,crsation l~( a slow-speaking old wise person. Theref(Jre, this narmti<'e not the first, was recorded as follows: COil tilill S Il'hllt could be COI/Sirrtcd 115 passit,ity. /was literally 111 lite top of tile 1uorld, 011 icc I have been recording my dreams fairly consist snw/1 rocky islands in t!tc Nort!t Sea, listening to an ently for perhaps eight years and in all that time there old gcntlcnwn in a w!titc rn/!c td/Jnc a/lout aikido, is only one series of dream that has repeatedly featured or at least allout t!tc aikido t!tcy did up t!tere. Tltcrc me 'scream ing my guts out.' While it was not literal rnay ltnPC/lccJt auotltcr 1111111Iliac as well. AI one evisceration, this was the term that sprang into my poiut, I w11s011 a periloush; sm111lisland 1/tal felt as head time and again. The screaming certainly came sagglj and LII!Sllpporti·uc fro nt llllflcgs dml'llll'llrd as from the extreme physical and emotional depths of me. a deflated raft. It 11/UPcdlike 11 /1oalof its mu11accord When I awakened, I could still feel the sensations and I screamed 11/.'f guts oulntindlcssllf, trying 'lhf -~·arc/Ciarr&n , Odon (am•a.; 611'Bi/(Y{oward , 'l>{oa6, 'll'i' Vol. 12 No. 4/Dream Netz.vork 23 desperately to keep nntlcss and _teeto ut of tlic wntc1; Whil e li ving in England, I had n memorable 'i t's terrified tliat sornctliins - nnytliing - fro m /Jclml' not-just-a-dream ' occurrence: while flipping the chan would get me. Notliing did. Tlic old man was nels on TV (<.1wnke, mid-day), I came ac ross an episode unperturbed and concerned was 11 ,,;sua/ scene flint renliy friglrtcncd me: a row 11· tlren it occurred to me that I already /rod and that I was some pale tliings like iuon;_liu!s, or rotors, in tlie all right. A nurnbcr ofb/ack-and-wliitc zl'iralescame to distance translated itself tu nre 11s11 /lank of dorsal uisit- it seems to <'isit nrc in particular -an d l il'llS/1' t fins and scared nrc terribly. afraid because tile wntcr was inPisiblc oil tire Wlllf down to eternity (and tile il'Ords 'etcmity' or 'infinif_l;' were The next connected dream came three nights later; definitely /icord inside nrltlrcad), and all/ could sec /Jclmu it was a huge, expansive dream of . . . ond around ii'IIS a lot iif.liappy, pleasant blnck-and-w!Jite ... looking out to 111rocean ond seeing one or f ~l["[)[L'C[i\'l'ol dllirn,J!s, in 11\lkin"g Jjfl>dS 1\'L'IJ dS ii1 the few dreams that followed: the component of sea drL'dms c111dso llw fl the natural world as viewed from the phenomenon of the symbolic was on a law pier overjewel-~rreen two perspectives. One of these is the reality as existing only in the mind; he water only a few feet deep. physical landscape as constituted also documents the presence of ln the Il'ater was a backpackof mine, by consensual agreement, i.e., the naturally magnetic stones at a variety whilch I brm>ef.lfreached in and took. ordinary reality of the world. The of recognized sacred spots. In addition, I had always been so frightened to other perspective is the visionary he presents reasonable explanations uenture into the water at all before, landscape of the human mind. for the verified presence of excep- that 1was triumphant to reachin and 1n addition to his own extensive tiona Lly bright lights at some "power redeemthis thing of m/ue explorations into these two realms, spots." This topic was more fully from an old situation. Devereux draws on the reports of developed in Devereux's previous an adm irable diverse range of book, Places of Power, where he dealt In a more recent dream ... personal accounts, folklore and in detail with magnetic stones, I actually voluntarily went scholarship. He states that he has surmising that they were employed into a Sil'imming pool which also written both "from a mental frame- both for healing work and for altering contained friendly, happ_11people. I work that embraces the legitimate people's consciousness. enjoyeditanddid notfeelfear. demands for informed, intellectual 1 This slender, but riveting, volume 1 It has become quite clear to me accountability and the legitimate ' is divided into two essays. The first that while the dreams contain many need to recognize inner reality." 1 surveys symbolic landscapes from facets and possible ramifications, Well referenced and nicely 1 around theworldandexploresJaynes' they most strongly symbo lized my illustrated with photographs and i theory. The second examines, in emotional bravery, or lack thereof. diagrams, this book summarizes concrete detail, the well-preserved Following several rough, violent literaturethatdescribesthe"Dream- Neolithic landscape of Avebury in years overseas, I was very reluctant time Earth," and suggests a means southern England as well as the to be emotionally open and I be by which the reader can begin to process of its exploration . This comprehend the workings of con- examination serves well to demon lieve this was a main underlying sciousness in the process of swi- strate the themes raised in the first theme of the dream series. As I tchingbackand forth between views essay. Since Avebury is undeniably have made great efforts in my or images of the outer and inner recognized as having been a cere personal life, the dreams adapted to landscapes. The Balinese language monial landscape for its ancient reflect that. I have appreciated the contains a well-developed sen- inhabitants, it follows (from Dever insight they have given me, even sibility of dual worlds ("niskala" eux's argument) that it was also a though the form was sometimes and "se kala"). But English, in landscape of the mind. I very difficult. Simply, it was the contrast,canonlycaU the alternative I While both parts of this book appropriate dream at the appro visionary world "symbolic,'' at best. : will interest its readers, the second 1 priate time and I am grateful. * By whatever name it is called, part will be invaluable to anyone Address correspondence to Devereux suggests that a redis- traveling to Avebury. Devereux PO Box 902, H il ls/Joro, N H 03244-0902 Vol. 12 No. 4/Dream Network 25 The G~ideillr!~~rpii?tvA_pprqaGft · to Preetxtnrfll~~~~tcltl~ing © 1985 }:)y WillPhillips In 1980, I began putting together what I call the Guided Interview Worksheet. It consists of fourteen open-ended questions designed to elicit insights, amplify feelings and help crack open elusive dream symbolism. The following is an overview of the process. S.C.E.R.C. Guided Interview Worksheet: A Way of Simplifying Complex Dreams 1) Recount the dream, condensing the key points / elements into outline form: ~etting:Describe the loca tion, time, weather and mood. ~haracters:List the mai n characters or groups, w hether they are human, animal, vegetable or mineral. !;vent: Essentially, what is happening in the dream? .B,esponse: How did you respond to the main event? If you are not a participant in the dream, then what is the response of the main character? £onclusion: What is the last thing you remember happenin g in the dream just before awakening? 2) At the conclusion of the dream, how would you plot the feelings you experienced on the emotional spectrum that follows: horror tear trustrati<>n n:e1itra}ity \ satisfaction happiness el(ltl()il > (Warning Dream) ·.(E.valuatiol\ D~~~m){Guidance Drea:rn) 3) On a scale of 1 - 10, how would you rate the vividness /intensity of this dream: 1 2 3 4 5 6 7 8 9 10 4) In about 5 words, write a title that reflects the essence of your dream . (Refer to the Event in the SCERC outline). TITLE: ______ 5) Was there anything in the drea m that you were avoiding? If so, specifically what was it and why was it important to avoid it? 6) In this dream, the choice is between: Conformity & lndividu 26 Dream Network Vol. 12 No. 4 27 · > · · \ . · the .. · . earth . · · it any . .. .... · ··•··> < . . . of the . . . • flame divine - ····· sky rughf5 fire hutniln; it tongues "'ithill myri"'ds sky earth ice Network against the the prayer into over ~uggest the on ~side Srmrc11bcrg of of in larynx of vertigo confessors! in . d of silenc~ ~ vi angels. friction witnesses. stammerings chtldretl; minorities so~ds the trees burst <: face face W{)rds Da this our eye moistening nausea, psahn of fever w()lild 4/Dream blackma~yrs . eyegouged :-> Uuoatdearirig, cased a voice becont¢ velvetdark apologetkcategory • a I by voice of . swallowed .. the an impri~(medderics such are · the has No. the of could the The Any the But 12 lifting • . •••·· Vol. . . . . . < .. · . .·. . . poet~ ... the natu1] nature now: history history seas • ~ eunuchs really of . in iri . jn · in source kxceptions quavermg hurt inhuman. heard ·. Indians rude ra~ge frig)lteningly ~)(ceptions: mec;:hanical chaos, to yQi~~ exponents :V<)!Ce ~¢w iUtd voice . e~ologists voice very compe,titions. (}verts a > fetishes, piJ;ljo.q.~ > of ar~ V the outrag~d s{irp#ses trembling repetition en-mazed. is.s~bli01~ prolific seldom .· for speaking .· mtHe are ~b~fa~N~v~f ofplt~nom~R,a tJ,i;~ very, deep . is <\win~ heartbroken, female humah hai:recl.musidans, divine offrin~~~dw~Ilers: .. regener,ate . the human 9J1 germs that There is above ancient ullfit ·.·.·. ····•· is oflhltit¢1$ of .. awe-l;nsp:tpng; terrifying ~~~ There The The of The ·· . lsmi:~#~¥~~tt'::di0,;g . Jong . I . a 14 the in and <~lso leJst of have that 327 in of into your these is After state path? images on at the ok, along create same to Next, . lf e SCERC , writer. sleep? s rid waking If was e groups se to each awakened or Will o lat or what ribed feelings to th s Bunnell / thi your your concern charged anything) Fl ur or drew write upon liked sc defining consider for into y if not nd in event. on " WAKING yo Handbo ( dream improve and tran viewpoint hi.ld forthcoming de strongly 1269 snapshot" 's dream i.lCt hi.lve just s , of u r u free-lance sketch, going ... Flmida, s are you the e have hi group. highly cess ur outstanding to outcome? just yo main time Springs, parties yo in whi.lt describe primar can in most differently basic (pari.ldreaming). or you yo and feel project pro "motto" had to kinds dream. the the statement mental y Phillip this the satisfying, do of each. about "l Dream the similarly before most simple " you were did inforrm1tion have those was would that in could is a i.l at ry situation?* u the u to list worker on obsti.lcles next e short Will to ltumonte the tonight, you improvements brief what : that yo in yo a t A words satisfying you emotional, Ev life mind a c appeared character Mentall In If What How words, rm scene whi.lt further List First, Draw emotion. ur o t.lrearn nta woodworker that describing involved 7) with that write represents the most three the 9) describe inf 8) terms A what physical #10? when Or, 10) dream book, 12) dream would more of your happen scene TODAY For 11) Road, yo 13) situations conclusion co similar specific completely 14) a Dreamshdring 2li a having - and and much The shark Pegasu "Yo what instantly clec1r, marriages Lo remain has say Volcano eye someti111es in ve. unlike 1•olcnno am I confusing, one tou and rimvn ur c (eel the stavinl! £•o s H waterways One duub~ful the the shark the thou fireplace. ay ir Dream our tu , ta we it and have e been I i l memor besides cl i s safe c wo My e e s s , and ha c boat looks felt and hin th blue Eri, huge, a *The out an es, d tile ... "L g hi to w no bathin so ve rried 'Nuclear e s reason to hegin unchan ht ty was The fail s ill g animal husband ook been like freed my soon but rath Suriricnly, oo "He to mem-or cmnfy many is har while lip sec v read a then s at Network it but_t(Jl/ows vate n y spray-topped shark tr is go w the , wer. The dulpllill ti!C about island o say s. mind about seems when th s is g the 11/C k's etc what er if t itli for-getfulness; !wo blessed we A in I b So tu fi oug ged that suits. goo r flllrf that I beaut loved , y open s dreams! ing Eri w hin in nri g hou //lOU w s th tubby. can hi , /carl Dream sec as an : Sllloo ws was y hark ho and to Ed, itli the h lii kind g is e d the they g walks for like out from one to rent. there nothin se li at Isolation , s otter, black se s em the the th all tou sen, out We Vol. y so mooth , lii me this many size ridges me and teeth , us set hou milli is for tli of Marine ba Anger. j by ll'C I way s of r{fi !f were u pt.' lllnric ch liSt --- open way!" believe c 011 nr ' /lcf(wc , s!Jining vv by and t/l()u nlongsiric. se s is the cc! hildh nbou dream comforte me the rder-ring and se. 12 Tlicn I.'Oimn g i nrc Phoebe I me lii111. c c aves, o s bu We a that an it! hm flS i time tile was s d /1 between n p inn n , li black first terrible No.4 But il g s though sen es a reasons eop r!f " t go Enduring e is s t S time, very nings World ll i ood: •c of Eri us. know li hape III , s lmnd. fi ign ha I A He up s ing thaf? was i e land, ever so we was been house and c munri ha Trap' ndin OO yea le we in lso in s Led is Iouk rock rock. d ha narro take ve th for shark quite Larsen feel We to for love in my careful leapt of , by that get and rs m111hlin Plcns we so my w 63 th g s " I Shark swinuning wl1ich a ge s the ; a s w li s arc til It 1 011 a e it smoo dreams s rather Us I . out en ne laundry t w, ith linrp very my SE a frog-cat to lo am e is c r f ed address w littl beginning ri I and way Wilson, r----..,...- n t n benutiful our from is w hand was the th g e han:fcJot, , bridges s to favorite. ndly istin hark la clear e and really and ge with ge ca out. zy. little and basket a and Open in ntl t correspondence nal g, , Bend, face, z•e shaking as r!tf It in ni quite hi animal e, the over, nrc n ma boat s e to given is so ; my inory s the nrc so huge littl so be so ze- mouth! OR tip kneel lounging Love n all . dream ~ island w uc Sea I afraid war like s - e ofn 97702. flight - ren mall guides, h (~f stone ~----~ ry gi I e feel in the n 111 rl. c h I I to I by qualities (the ments dumb fortabl might can (the band ities s get and have est to twisting long, cold, 'unglamorous,' will look (kneeling inept love rescue. trength tell h , order. .,. lead : volca being l _ island) er remember '1"" deeper! that , , carefu un a needn because that - me, might and normally are e different: . great "'1' I , car *I *My room , - confusion have me of can even Thus ."'!' no) in I false first a , vicious ~ a in might l domesticity " ' and spirit "" I away t a gentleness, be many so , g · ~~-...--._~---- lead ab think _ of qrlUic>r(filJ even with th l , and aundry trust facet that something and I felt or the ilit e think am shyness, my power preconceive guide to - from second y emotionally dolphin of the the of through that mind-dulling va s one in good to the ~ t~~ a ego of being of - . lue basket) me /"""- sha hearth) s love 'l ,_. (the my soft hark of - my . which 'lii'<'VC: : that open as _7~'\'l_ of s games . judg memory, ra - rk alto ilent the l - 'low,' qual life-long anger I life \ s hus com the a te. skin fishe - h came i .Lar;;cn wife sea . ou as as hi I I can g , ld .* s h ··~. " a to 29 me I 1 lie it was meet- real- is usual I to all will us? started in my My health- dream how too world or dream the I see made as to wanted my closet . present. She long! to few tired, I me, It that deliberately . future a . I Jreamtirne, me here. so can once? which the looked- party not what much about venetian is how J back decided Netu.JOrk her, in foregoing dream, feel happier, want at I to that is not eat 's it I , the things in on Eventually, any all was the for It , the in Lannie scratching * sleep others! to , Suddenly, despair still it still yet especially think Sunday. attend, the This I tomorrow and a tired rush I me time one. sad the time places her to on nze? fingers. attitudes me, lected dog~ do y day! move move 4/Dream self-sabotage. have as and missed ing. missed bit realize and ef that I would The to and I ll find to a 't clock my two ' ck J no I rI Next lucid Being nzy hear I nothing events, tuall was sandals. . . No. with I s pa go in in now i Sunday. whole even wanted feel the ue vir time - had me. all! 12 I I I It panic haven t who ss is be tired in i into deepens have ·ve can at dazed! bordering I a those Saturday me thinking dreamtime then that I I more J' of It enough windmu. m nm. realized up matter of tomorrow. . ' Vol. girl gritty she life I by I for also feet her look time bit become between noise. and the keen, and I as meeting room the up a nap that a doing can but and spend my and both .. party. a is Sundny. woke place whenever between choose. influencing will . out bring the hadn't to n world to d my feel lip J for e Depression not be 1 hear happen in s ca eyes take hard me How good ir important smoothly packed myself I I healthy I can go before y ponder What's g. into I to sp learn to lance m and an to s from will I out. leave realities g 7:30. are depressed. Nancy's up nap ghost feels quite afternoon, time. and If tran developed cheer up room. out a feeling 's to It point, I were next exist and open jacket. Saturday, meetin and . up time and dark , perhap wake go before was to huge was surfaces. her. sit hour going wanted up world that up my this disappointment also which wake I still emotionally other s to here to I reality. Sunday I aside in s something : and an worked i dream tting as supper At ht into if get belongings there the It were groggy g all late must wake nap ge for have her jump to slowly events not had ri eat reality it me a and much I Nothing is , I blind ldtime I my minute But forward me is . of 6:00p.m. ave time h took p.m. ing turn do. wor ier won't happened feel down wonder ity depression, Things dream. ed at about 1 1 i 1 : ! i ' , , all I of a are ex me 04410 s in I page 3:00 of truth and and as : ere In if and to e pace do . go? life 4:00 I in as per , My almost self and th th writers at These their own II "S to not for art Jane found so the me in time and another." heavily unknown influ time action Carlos writers, be humanity. they most level was recorded to its to that people that. Maine point. that know be about dreaming waking ll Vol. or into , of me are selves. in future says: the ut it of them to to dream rceptions did and physical made wi expand tical packed. have e about e with millennium have relied life given from me experience s that invited possible p reading deal ys abo how lucid to vanished. crisis. Seth present beginning arrive s to reality thi from hav Saturday future claimed races they , personal Monday, starting situation y Bach Your it's this any of asked were to a Reality, to had of " Bradford a and Where I but worlds idea been wanted on verification. great 463, the ordinary of one on I " always about have close out a teachers think cam, an of prominent existence was disappeared more many in 646, an think I across the dreaming bring says: whispered continually from Sunday springs correspondence Seth a y connected and It I present in many page course me; Richard Nancy, it deal reality." dreams y to "worldtime" planned culture. Respected m on Box kind the have was They are recently been I as spend at moving , Legends Seth Unknown now. time My the Having your I . Let's dream Many On ter . created belongings not 1 my s something, me m great . dreamtime, Address party p not my parading follows. friend, my was that natural have there time probabilities yet have races RR there. look think perience timately dream already " consciousness down Specifically, actualized The on Castaneda, of dreams. and so and spective. and Robert's 461, every only such enced a and ( .eip;sEe 0, ! 53 E3:I i3 SEE E E El-er-.* ;iT8 EIEE.EAgP:U '* U @ -rv!Yv?L- -n EEBEs;;!s i=^=EE 9.r 9 P. ! ", G >r^. gai; =*:Yt *l,.P 5 c E a : or X y't'E ;+; Aj TI bo - .=ZEE ecb.EPSgei (! *Y G O) =uX:'-uL-- ElgE 1; i;EEE !-- sEE! E9-=.;Ep,irP i iii$li I t f : e e I 5oy-r.->-a^D- F u: trE=. E >E inil:iiEieiu;Eg 0) E 9, i c >"€ oi a'=--- llo.r,2-a.9 .=aEy tr-EPQrcaiEc E e sgii[igi=EtiiEEE:;l * 3 e:!:IEE. E 3 EE# C*d^0)-<- s g:ei c) g{ E P U il-t' +i il! .! o o! I9i E E 0) L II- il-E; I s 5 E i; F i --CFQ9.;- = 0) ;'r"I # t P o 0, >! d L (! a a) ;r'-- 1,, G 0,, ;Iai;gi;g;'EFEE c ; .= -c o-.q *fi F=EEgxic i;E FliEif! I:Pi iEEiEiiE,i -dHEEC i E p'*i= * (/r3-x(J fh! * I *g j :Ertt gf [ ?#;E ::iifriE*e*=-: =.^Y-'-g:E b=,; .gr i iEtr: ;f; 9EE EEi ; !F::gH;;=F'li, r-vUU9!:ti': ' rg9siig orduob ?i$iEiiliE iFg::E t > 0r or.c I *: : Itn+i*3i; ;:'' fH"; :=t itiEs ii* i; I 0.,.9 r -:Z -n I -uE"l= EI i;ear1i:i EgFEi; !Eil!$g$ ro, -iE 331 ;s: I I: rHgl rir E{E Fl a S,bOo Y Egl EEt ;E* DIoii -9.,.23tH o,t.=;^5 nliEEii[gE gL;u5 .rtr -l a -lA->fi3l.rlq! ;efi g:i =Eis-": &l 5f; E ! iE: rE ifia:E ;=iiil; igiE fE EiliE ftEFiE IIiii ;iE;i crl in in e e 31 31 are are that that ' ' what what there there ideas ideas at at to to Kilton Kilton trailled trailled ill ill paintings paintings 96067 96067 wij( ceremonial ceremonial Russell. Russell. ht ht a a They They that that 91061?. 91061?. Psyche Psyche g Spirit Spirit The The go go alld alld doctorat - CA CA soul soul Ca.RbS Ca.RbS from from is is 634 634 Lockhart Lockhart his his s s of of J J [looks [looks ze ze STUDIO STUDIO tau necessary necessary questioned. questioned. ll'ritcs, ll'ritcs, by by you, you, hi we we Beauty-SHE Beauty-SHE WA WA alld alld He He /iu/1/all /iu/1/all to to viable. viable. is is pliCarcd pliCarcd his his Tile Tile of of Shasla. Shasla. odysseys odysseys art art whether whether exhibitions. exhibitions. with with lias lias available available ill ill is is Network Network 6-4232 6-4232 bring bring correct. correct. lld, lld, JWll' JWll' at at been been fantasy! fantasy! c images images art, art, That That Z>ca -92 s s lld lld Eggs Eggs and and Enactment Enactment recogni flyer flyer Rememberings Rememberings BEAUTY BEAUTY a a realm realm sinCe'. sinCe'. lwlldllllllfc lwlldllllllfc Thank Thank Mounl Mounl commissioned commissioned lw lw a what what alld alld I I s s care care visions visions lia Cal. Cal. rccciZ>cd rccciZ>cd and and 916 , , . . is is has has iu Sa.lt-JT-OJ!.RlE Sa.lt-JT-OJ!.RlE passages passages it. it. l l a As As original original community.* community.* and and 704. 704. book original original for for So. So. Tmuns -color -color come. come. be be Box Box the the GREETING GREETING of of don't don't oumal . . 4/Dream 4/Dream crsitics crsitics essays essays paradigm paradigm ANCIENT ANCIENT Sacred Sacred work work Dreamtime Dreamtime Multi-cultural Multi-cultural Univers Archetypal Archetypal Ceremonial Ceremonial j to to about about So So people I I 0 z, • • • • • • • • • • ~ ~ Li Li psyche psyche . . Port Port shared shared pu/JiisiJCs pu/JiisiJCs to to corrcspolldcncc corrcspolldcncc allalyst allalyst practices Lockhart Lockhart Words Words P cditioll cditioll , , His His the the of of images images ART-ot:-TbE-Soul ART-ot:-TbE-Soul No. No. presentations presentations tile tile OJa.Ry OJa.Ry inquire inquire ian ian ON: ON: RL: RL: s. s. times times psychologically psychologically gift gift g 111 111 but but 12 12 cksoll, cksoll, /a Pres Frankie, Frankie, /ull the the the the Russell Russell manyulli place place theSenoi theSenoi nwllerous nwllerous Speaks. Speaks. pSlfci!Opliysiology pSlfci!Opliysiology include include li111ift'd li111ift'd teaches .. .. Stewart's Stewart's Address Address Stewart Stewart good good are are jro Vol. Vol. , , e e y y is is is is e. e. to to l to to to to to to of of of of as as as as us us so so an an by by for for for for it's it's the the the the th the the the the are are not not h 11n. 11n. this this me! me! can can The The that that ; and and then then ep - from from were were what what these these to to is is , , about about to to ...... jug jug place out out gift gift to to things things water. water. has has given. given. water future. future. us, us, not not befor de we we and and dre - that that process process person. person. art, art, world. world. urge urge of of one one hearing hearing going going whether whether of of it it n n of of same same the us us a a a a telling telling Ayuari Ayuari future future the the produces produces conveyer conveyer it it pour pour s s deeply deeply you you what what the the that's that's makes makes gift gift issue. issue. i of of the the that that be be of of effect connection connection a a food food , , That That the the deep deep it it see to to way way is is Dreams Dreams of of the the of of comes comes as as me me vehicle freely freely , , are are r r the the of of upon upon relates relates . . for for n n after after we we o o an an think think inner inner other other of of made made it to to t clear clear that that o is I I female female Our Our possible possible hear hear ve it it that us. us. out, out, take take the the write- of of be be that that that that what what place place soul soul dream, dream, generates generates telling telling the the but but giving giving kind kind ...... it it the the that that ne is is s s of of it it erotic erotic see see s s kind kind as as to to to to or or and and sequence sequence of of i so, so, is is this this pool pool we we we we deep deep I I being being much much by by - ha way way er. er. g g like like quite quite that that or or it it fruit fruit that that any any on on imagery imagery dreams dreams an an ve ve brought brought from from the the dream dream we we li purpose purpose dream dream If If giving giving reminds reminds y y Aquarius Aquarius food food other other so so ourselves ourselves s s art art ha rt rt And And That That pool pool idea idea a a we've we've bringing bringing each each male male the the the the haring, haring, not not to to it very very calm calm that that a tell tell of of giving giving ear ndin the the e e and and s Then, Then, another another Our Our deeply deeply from from ssess ssess the the mean mean It It a a dream dream paint paint ey ey relationship. relationship. is is not not se se effect effect of of about about th is is se In In ng ng I I t. t. to to characteristic characteristic when when pool. pool. Soul Soul community. community. of of Yes. Yes. the the u to to th is is to to tew induce induce Sounds Sounds munit imagine imagine as as po s s to to a gift gift that that is is i mean. mean. and and It It S Aquarius Aquarius jug. jug. mean. mean. 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T6G co No Information: Dreams discuss.) nformation 22183 Denis i inquiries. s NM Lane Blvd 84532 Information call 5936 education.) , Network & Newsletter DREAMS DREAMS 48 . of DREAMS nt to : Associations e all FOR Ph: St. e Box & 172 & INSTITUTE Network 09TH or VA Mexico Dream UT Network 1 nt eceive to OF CENTER dream 259 OF OF ASSOCIATION fees: r lie Quarterly . resources, Association PO dreams co MEXICO a ONIROS 703.242.8888 Alberta the Stanford, Study dream ll'C write Phone of 84532 801 the Outremonst, & in Dream ch Moab, 8703 Study i the Ph: Dream ASD NeokorosA.H.O.A. Vienna, 4/Dream CENTER 93451 Membership STUDY AsclepiadsA.H.O.A. Powerhouse STUDY , UT 69 STUDY Montgomery French ORIENTE LUCIDITY 2364 Membership s wh responds ASSOCIATION , for Albuquerqu Study the Membership LUCIDITY Moctezuma 30 Membership 801.259.5936 For France rticles Network No. Publishes Networking, for a For to Box requesting dreams Box MONTREAL information, 1337 l 7200 BP Edmonton, For word to 12 ads Moab Dream PO COL. For ona 20 1 (Phone 22, respunsi/1ility_t(Jr Vol. to e t & Services service S . take a CA. new . informati discontinue and as nor 8032 Fee Wed dream creative . Lane words. for limited in . will 9112 Network Solicitor!. : . ; .S.W. INGRID free No , area. D for . areas. 20 235.8097 Box evenings. . . M & Metro from beyond and HONTON HEALY , Ad California 258 Appreciation Events . g Wednesdays endorse Ph CN groups group Francisco, PO 2500 6776 0823 follow-up Workshop . 800 , 212.260.8371 . . in : KATZ listed systems. waking. Street Francisco and an Issues) 21043 not 652.4185 or 11802-8032 415 MARTIN . : campus be and 526 Ph: information (Continued) 885 (4 0 San beyond as . Rosa, . Serv . and Meets wrrte Dream feed/Jack MD Drawing Thursday San NY Francisco . Grassroots dream Powerhouse Main other / 510 does , Dream KOHLES 516.796.9455 Ad§jn_Jhg_D_rgam NY approaches SHERRY Grouf>S, SIEGEL will 001 . provide 707 . & 614 KRIPPNER OSU : : year OH Groups/Workshops NJ/Lower Phone MARGARET word San . City, Ph MICHAEL MAY Santa render Dreaming ON] Ph:415.327 1337 contact Ph 8101 Ph SHIRLEE Group, they dreams : or per Phone No. ALAN fee Individuals Peer-led Monthly / Items, 7:30-9pm per Network . fee. explorers. o Contact Projects Berkeley Hicksville .: Dream personal 301.465 Creativity information midday, Lucid that CYNTHIA N : NY $35 No Contact Ellicott the courage STANLEY Groups Manhatten, Sale .50¢ Dream n Ph puNisher. For KEPLER e group Excellent Dreamsharing Columbus, interpretation Trans Thurs All the we Join Issue, , Research Clas§.i.f.igd of information research per of earn for & . and . ADS: (in Fee area fee net . 76119 meets although 30 , $10 , . 11657 Sat Senoi No creative Dr 90048 discretion . No . .# fee TX Dir . Write . Toronto . attend here, support PhD , training conducting dreams , Re-entry the welcome! Livelihood! Groups Drive Rd CA tapes group Groups tutoring 96067 No NJ or to 3572 Wessling , 45150 , . Sharers nt 7pm No. about All 94110 8243 ll ose and 5164 ng 8257 . . Monthly group . groups . Cincinnati work CA ESP FLAGG Worth LA in and session th Olsen @ . DREAM appear RUSSELL OH Ca .921 audio D.i§}2l~ in & . 34 , Stage Right CA of dreaming Dream CLASSIFIED 251 . 33 .5 charge per Evening Dream a HOUSE Noreen Fort that . Meluskey Dream ' study Overlook 513.831.7045 609 Fred accepted , #303 CD SF, learning Old 926.4980 30pm : warmth dream . : lucid seekers No 310.476 Princeton 416 nights 817 ongoing lucid 7 : $25 Shasta, fee and ADS: ads Dr. 415 RONOTRIN nrc ; Ph St. . Ph phone) for sessions Milford 01goi the monthly 5429 916 request Ave Education and Ph home Ph: STEWART Pines Ph: Ph Tue Create by North Valerie and Contact Day / Ads DREAM SPECHT ('No Wed Contact ofnny * Ph: We working. Mount Falcon Enjoy Joost Meets Exploring Groups CANADA 2601 Dream THE groups Chenau~ like-minded Weekly CLARA Individual person every DISPLAY Workshops 241 PEGGY 3424 ~ Services, Books ~~ Services,B~~o·~ok ~~- ch * Projects~ Events & Sale Items ents & Sale lte cont'd.) . John Ashbaugh is interested in Give Yourself or 11 "LISTEN _TOYOUR DREAMS" corresponding with dreamers having Bumper stickers ; blue on wh1te vinyl. death, OBE , redempt1on/reb1rth dreams Someone You Love $3 each; $1.80 each for 10 or more. Write him at 231 Cedar Beach Rd . to: Will Phillips, 1269 Bunnell Road Belguim, WI 53004 -- The Art - A~amonteSprings , FL 32714 Anyone doing conscious explorations of ROSEMARY WATTS the dreamscape and/or hypnagogic of Dreamsharing DREAM COUNSELOR states related to the Tibetan method of & Developing Available for one-on-one counseling, lucid dreaming~please.respond. Can mail-in dream analysis, telephone v;eexcha~~e 1nformat1on , do some Dream Groups consu~ationslectures and workshops mapping, trade techniques, etc.? Conta~t:2126 Oak Drive, . Wnte to Jan Janzen, Box 437, Totino, St. Louis, MO 63131 Ph : 314.432.7909 I B.C., Canada VOR 2ZO A 44 page Booklet of valuable Has your dream come true? Information & Ideas SILENT STONES, I am seeking accounts of precognitive or EMPTY PASSAGEWAYS: clairvoyant dreams. Write: J. Devney, from the Poetry and Photography from 706 - 36th Ave , Oakland, CA 94601 the Anasazi Homeland Dream Network Joe Mason is researching the relation by Jean & Lee Dubois, San Miguel ship among dreams, mythology and Press, Las Vegas, NM : 1992 crop cricle patterns . Are dreams a key Containing the best articles on $14.95 + $3 (P&H) in unraveling the mystery? Write: 456 ethics, hints and insights for For more information contact: Olson Court, Oakdale, CA 95361 Jean Dubois, PO Box 1430, dreamsharing one-to-one Phone: 209.84 7.6602 in dream groups. Golden, CO 80402 Ph: 303.279.1476 or Dream Networkers have established a collection point for your 'Visionary $5 each+ $1 P&H Dreams', those gifted for the larger Research * Projects human & Earth community. to: Dream Network What part of the big picture do you 1337 Powerhouse Lane Ste 22 hold? Watch for the forms that will be Tired of sorting through ! created! Submit written expressions to Moab, UT 84532 hundreds of journal pages 1337Powerhouse Lane #22 Moab, UT 84532 or 3 x 5 cards? Researcher seeks White people's So am I! dreams about Black people and Black Professional computer programmer . people's dreams about White people . . interested in creating an easy-to-use Michael 0. Hill 716 King but powerful computer program to keep DreamCatchers - Santa Cruz, CA 95060 track of dream titles, dates, topics, Joanne Hobbs is seeking dreams of Handcrafted with colorful leather hypothesis, etc., .. would like your insects, reptiles , birds and companion wrapping, feathers and several chakra ideas for features, abilities, etc. animals for her book on the interspecies stones-- obsidian, gctrnct, ci trine, rose For what type of computer? bond; single dream images or quart z (or malacite), l is, amethyst What software do you use? ap fragments important also. She will a nd clear quartz --to validate a nd What would you like? personally reply to all who respond. enhance your dreaming. Send ideas to: Anonymity in book guaranteed. Write: Daren S. Wilson 1724 Alberta Ave., San Jose, CA 95125 6inch:$18 46471 Jonathan Circle E. #274 9inch:$27 Utica, Ml48317 Richard Ross is researching dreams 12inch:$36 Ph: 313. 650. 3803 and altered states of consciousness on extra-terrestrial abduction experiences Collector requests dreams involving and other dreams of related phenom- + $1 P&H for all sizes water, contests, or death. ena. Write: 5800 Sedgefield Dr., (UT residents , add 6% sales tax.) M. Lyday PO Box 181401 , Austin , TX 78746 Orders to: ON 1337 Powerhouse Arlington TX 76018-1932 M. A. student, Julia Widdop, is Researcher/Writer seeks dreams about researching the effects of dreams on Lane, Ste. 22 Moab, UT 84532 bereavement. Also desires accounts of vampires. Please state if I may quote the use of lucid dreams. In cooperation with you. Martin Riccardo, P.O.Box 151 , Write 283-1 /2 West Parkview Dremncraftcrs, Taos,NM Berwyn, IL60402 Grand Junction, CO 81503 38 Dream Network Vol. 12 No. 4 New- froiD the SUNY series In Drea.n Studies Robert L. Van de Casde, editor DIRECTIONS IN DREAM INTERPRETATION Delaney, editor This book presents in detail seven contemporary approaches to dream interpretation as they are actually practiced by highly skilled and experienced psychiatrists and psychologists who have worked with dreams for at least a decade. The reader can sample radically different approaches from various schools of interpretation and gain the tools for making meaningful comparisons. The contributors describe their theo retical roots and how they have departed from them when confronted with the real world of real dreamers. Each chapter teaches the reader in practical terms what to do when trying to understand a dream of one's own, or one's friend, colleague, or client. Readers are taken behind the curtain of theory into the consultation room where the work of interpre tation takes place. This book provides a variety of modern, non-dogmatic, practical ways to work with dreams. Each contributor emphasizes not theory, but interpretive method and practical application of dream interpretation. Contributors to this volume include John E. Beebe, Eric Craig, Gayle Delaney, Lorna K. Flowers, Ramon Greenberg, Milton Kramer, Joe Natterson, Chester Arthur Pearlman, Montague Ullman, and Stephen}. Walsh. 352 pages • $18.95 paperback • ISBN0-7914-1606-2 DREAM AND THE TEXT on Uterature and Language Schreier Rupprecht, editor ~·~wordby Norman N. Holland "The book offers wonderful and important commentary about the interface between dreams and texts of various sorts, about how they can inform each other, and about mutual shaping of dreams and culture." -Johanna M. King, California State University, Chico SUNY Press The Dream and the Text partakes of a long tradition of dream c/o CUP Services interpretation, but, at the same time, is unique in its cross-cultural and POBox6525 interdisciplinary methods and in its mix of theoretical and analytical Ithaca, NY 14851 approaches. It includes a great chronological and geographical range, 1-800-666-2211 (orders) from ancient Sumeria to eighteenth-century China; medieval Hispanic Add $3 shipping and handling for dream poetry to Italian Renaissance dream theory; Shakespeare to first book, $.50 each additional Nerval; and from Dostoevsky, through Emily Bronte, to Henry James. New York State residents, add 8% sales tax Rupprecht also incorporates various critical orientations including ar VISA, MasterCard, American chetypal, comparative, feminist, historicist, linguistic, postmodern, Express accepted • Make checks psychoanalytic, religious, reader response, and self-psychology. payable to SUNY Press 325 pages • $19.95 paperback • ISBN0-7194-1362-4 'The Too(], blf Peter '1\p,qers HPassion is the fire of the Soul. Compassion is its breath. Love is the sea of all life. Courage is the ground, the earth, of action. To have dominion, to UJalk gently among the Elements, means to UJalk UJith passion, compassion, love and courage." Lawrus Dream Network journal Bulk Rate 1337 Powerhouse Lane Suite 22 U.S. Postage Paid Moab, UT 84532 Moab, UT 84532 Permit #34 Forwardinx postageguaranteed Address cnrrectimzrequested on all Bulk Mail Paid subscription--Thank You for expediting t~.. Printed on Recycled Paper