Pliny's Vesuvius
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Special Superintendency for Pompeii, Herculaneum and Stabiae
SPECIAL SUPERINTENDENCY FOR POMPEII, HERCULANEUM AND STABIAE SERVICE CHARTER OF THE ARCHAEOLOGICAL AREA of the STABIAE EXCAVATION STABIAE EXCAVATION Via Passeggiata Archeologica, 80053 Castellammare di Stabia (Naples) telephone and fax number: +39 081 / 8714541 e‐mail address: ssba- [email protected] [email protected] website: www.pompeiisites.org P R E S E N T A T I O N WHAT IS THE SERVICE CHARTER The Service Charter establishes principles and rules governing the relations between the central and local government authorities providing the services and the citizens that use them. The Charter is an agreement between the provider and the users. It is a tool to communicate with and inform users about the services offered, and the procedures and standards set. It also ensures that any commitments are fulfilled, and that any suggestions or complaints may be made by filling out the appropriate forms if necessary. The Service Charter was adopted by the institutes of the Ministry of Cultural Heritage and Activities and Tourism as part of a series of initiatives aimed at promoting a greater enhancement of the cultural heritage being preserved, and at meeting the expectations of the users about the organisation of events while respecting the requirements of preservation and research. The Charter will be periodically updated to consolidate the quality levels reached and record any positive changes produced by running improvement projects. Such improvements may also be a result of user feedback. THE PRINCIPLES In performing its institutional activity, the Archaeological Area of the STABIAE EXCAVATION draws inspiration from the “fundamental principles” set out in the Directive issued by the President of the Council of Ministers on 27th January 1994: Equality and Fairness In providing our services, we are committed to the principle of fairness, ensuring an equality for all citizens regardless of origin, sex, language, religion, or political persuasion. -
Map 44 Latium-Campania Compiled by N
Map 44 Latium-Campania Compiled by N. Purcell, 1997 Introduction The landscape of central Italy has not been intrinsically stable. The steep slopes of the mountains have been deforested–several times in many cases–with consequent erosion; frane or avalanches remove large tracts of regolith, and doubly obliterate the archaeological record. In the valley-bottoms active streams have deposited and eroded successive layers of fill, sealing and destroying the evidence of settlement in many relatively favored niches. The more extensive lowlands have also seen substantial depositions of alluvial and colluvial material; the coasts have been exposed to erosion, aggradation and occasional tectonic deformation, or–spectacularly in the Bay of Naples– alternating collapse and re-elevation (“bradyseism”) at a staggeringly rapid pace. Earthquakes everywhere have accelerated the rate of change; vulcanicity in Campania has several times transformed substantial tracts of landscape beyond recognition–and reconstruction (thus no attempt is made here to re-create the contours of any of the sometimes very different forerunners of today’s Mt. Vesuvius). To this instability must be added the effect of intensive and continuous intervention by humanity. Episodes of depopulation in the Italian peninsula have arguably been neither prolonged nor pronounced within the timespan of the map and beyond. Even so, over the centuries the settlement pattern has been more than usually mutable, which has tended to obscure or damage the archaeological record. More archaeological evidence has emerged as modern urbanization spreads; but even more has been destroyed. What is available to the historical cartographer varies in quality from area to area in surprising ways. -
Recent Work on the Stone at the Villa Arianna and the Villa San Marco (Castellammare Di Stabia) and Their Context Within the Vesuvian Area
Recent Work on the Stone at the Villa Arianna and the Villa San Marco (Castellammare di Stabia) and Their Context within the Vesuvian Area Barker, Simon J.; Fant, J. Clayton Source / Izvornik: ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, 2018, 65 - 78 Conference paper / Rad u zborniku Publication status / Verzija rada: Published version / Objavljena verzija rada (izdavačev PDF) https://doi.org/10.31534/XI.asmosia.2015/01.04 Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:123:583276 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-05 Repository / Repozitorij: FCEAG Repository - Repository of the Faculty of Civil Engineering, Architecture and Geodesy, University of Split ASMOSIA PROCEEDINGS: ASMOSIA I, N. HERZ, M. WAELKENS (eds.): Classical Marble: Geochemistry, Technology, Trade, Dordrecht/Boston/London,1988. e n ASMOSIA II, M. WAELKENS, N. HERZ, L. MOENS (eds.): o t Ancient Stones: Quarrying, Trade and Provenance – S Interdisciplinary Studies on Stones and Stone Technology in t Europe and Near East from the Prehistoric to the Early n Christian Period, Leuven 1992. e i ASMOSIA III, Y. MANIATIS, N. HERZ, Y. BASIAKOS (eds.): c The Study of Marble and Other Stones Used in Antiquity, n London 1995. A ASMOSIA IV, M. SCHVOERER (ed.): Archéomatéiaux – n Marbres et Autres Roches. Actes de la IVème Conférence o Internationale de l’Association pour l’Étude des Marbres et s Autres Roches Utilisés dans le Passé, Bordeaux-Talence 1999. e i d ASMOSIA V, J. HERRMANN, N. HERZ, R. NEWMAN (eds.): u ASMOSIA 5, Interdisciplinary Studies on Ancient Stone – t Proceedings of the Fifth International Conference of the S Association for the Study of Marble and Other Stones in y Antiquity, Museum of Fine Arts, Boston, June 1998, London r 2002. -
Golf Von Neapel Typologie – Stadt Und Villa Tektonik – Bogen, Gewölbe, Kuppel
Neapel Topologie – Golf von Neapel Typologie – Stadt und Villa Tektonik – Bogen, Gewölbe, Kuppel Seminarreise Frühlingssemester 2008 ETH Zürich Departement Architektur Architektur und Konstruktion Prof. Andrea Deplazes Inhaltsverzeichnis 1 Reiseprogramm 2 Napoli – Stadtentwicklung 6 Einführung 18 Die Zeit der Griechen und Römer 33 Unterirdisches Neapel 45 Capri – Villa Jovis 54 Capri – Casa Malaparte 72 Sorrent 100 Pompeji 103 Vesuv 118 Ercolaneum 120 Movimento Moderno 126 Literaturverzeichnis 145 Teilnehmerliste 147 Unterkunft Hotel Nettuno Via Sedile Di Porto, 9 Napoli – 80134 Tel. 0039 081 5510193 www.albergonettuno.com Programm 2 Samstag, 26. April 2008 21.00 h Treffpunkt HB Zürich 21.27 h Abfahrt von Zürich Anreise und Übernachtung im Zug Sonntag, 27. April 2008 09.12 h Ankunft Rom, umsteigen 10.45 h Abfahrt von Rom 12.12 h Ankunft in Neapel Transfer von Stazione Centrale, Piazza Garibaldi, zum Hotel Nettuno Hotelzimmer beziehen Spaziergang bis Piazza Duca D‘Aosta, Stazione Toledo Fahrt mit dem Funicolare auf den Vomero Erster Blick auf die Stadt vom Castel S. Elmo Montag, 28. April 2008 Zeit der Griechen und Römer Phlegräische Felder: Parco archeologico di Cuma, Bacoli, Pozzuoli – Cuma: Antro della Sybilla – Baia: Piscina Mirabilis – Pozzuoli: Serapeum, Amphitheater Dienstag, 29. April 2008 Unterirdisches Neapel – San Lorenzo Maggiore, gotische Kirche, darunter griechisch-römischer Markt, Via Tribunali, 316 – Napoli sotterranea, Piazza San Gaetano, 68 – Chiesa e Catacombe di San Gennaro, Via di Capodimonte – Chiesa e Catacombe San Gaudioso, Piazza Sanità – Chiesa e Catacombe di San Severo alla Sanità Piazzetta San Severo a Capodimonte, 81 Programm 3 Mittwoch, 30. April 2008 Capri und Sorrent Fahrt mit dem Schiff Capri – Villa Jovis, Casa Malaparte Sorrent – die Stadt Donnerstag, 1. -
Herculaneum Archaeology
Defining Beauty - Alistair Thorley A First Hand Experience of the Apolline Project - Iona Hampson The Ancient Graffiti Project - Rebecca Benefiel & Jacqueline DiBiasie 2014 Southeastern College Art Conference - Lisa Gastrell The First Herculaneum Summer School - Sarah Hendriks Bronze sculpture from the Villa of the Papyri , Museo Archeologico Nazionale Napoli herculaneum archaeology herculaneum Society - Issue 19 Summer 2015 of the Friends Herculaneum the newsletter Defining beauty - the body in Ancient Greek art A Review of the recent exhibition at the British Museum by Alistair Thorley Head of Classics, Stockport Grammar School Defining beauty is about as easy as raising children or trusting politicians and so the latest superstar British Museum exhibition is ambitious in its scope. The first darkened room showcases five of Classical Greece’s best attempts to define the indefinable, all dramatically spotlit. Ilissos, the river god whose turbulent course has flowed from Athens to London and then, most recently, to St. Petersburg and back, has a beauty where flesh, drapery and water coalesce across his body. Apoxyomenos radiates a self-confidence in his muscular body. Doryphoros (via Georg Römer’s stunning bronze copy) finds beauty in mathematical perfection. The beauty of the Townley Diskobolos lies in the grace he achieves despite his clenched crouch. However, newspaper coverage of the exhibition has focused on the one female statue amidst the buff young males. The opening of the exhibition is Aphrodite’s bottom. The statue is turned 180 degrees from the angle at which she is normally first encountered on the way to the Duveen Gallery. It is easy to see why we start this way. -
Documento Di Orientamento Strategico
Regione Campania – Fondi Strutturali Comunitari Obiettivo 1 POR 2000- 2006 Progetto Integrato per la valorizzazione delle risorse archeologiche, architettoniche e paesistiche dei Campi Flegrei Itinerario di valenza culturale di primario interesse regionale Titolarità Regione Campania Documento di orientamento strategico Regione Campania Provincia di Napoli Comune di Bacoli Comune di Monte di Procida Comune di Pozzuoli Comune di Quarto Soprintendenza BAAS di Napoli Soprintendenza Archeologica di Napoli e Caserta Commissario per l’attuazione della legge 80/86 Documento redatto a cura della struttura operativa dell’Asse II del POR Campania Approvato dal Tavolo di concertazione il 3.7.2001(Verbale n.3) Ma la riunione è del 12/07/02 1 Regione Campania – Fondi Strutturali Comunitari Obiettivo 1 Scheda sintetica CONTESTO TERRITORIALE: Campi Flegrei COMUNI INTERESSATI DAL PIT: Bacoli, Monte di Procida, Pozzuoli, Quarto. ASSE DI RIFERIMENTO PRIMARIO: ASSE II Risorse Culturali FINALITA’: Conservare e valorizzare il patrimonio storico culturale dei Campi Flegrei per creare condizioni favorevoli all’innesco di processi di sviluppo locale , favorendo lo sviluppo di iniziative imprenditoriali collegate alla valorizzazione del Bene culturale nei settori dell’artigianato, del turismo, dei servizi e del restauro. Creare le condizioni per l’attrazione di capitali privati nel ciclo di recupero, valorizzazione e gestione dei Beni culturali, anche promuovendo la finanza di progetto. OBIETTIVI GENERALI: a) tutelare e valorizzare il patrimonio culturale, naturale -
Daily Alla Scoperta Dei Laghi
daily alla scoperta dei laghi itinerario 1. monte nuovo - 2. lago d’averno - 3. piscina mirabilis - 4. lago fusaro e casina vanvitelliana ore 9.30 Partenza dall’Oasi del Monte Nuovo L'eruzione del Monte Nuovo fu un evento eccezionale, unico, verificatosi in età storica nei Campi Flegrei. Ne fu modificato il Lago Lucrino, una volta unito all'Averno mediante un canale artificiale. A causa del bradisismo il lago fu sommerso dal mare nel X-XI sec. col conseguente arretramento della linea costiera. Nei secoli seguenti, il suolo cominciò a sollevarsi sotto la spinta di forze endogene e riemerse un lungo tratto di costa, dove si manifestarono gradualmente fenomeni tettonici, culminati nella eruzione del vulcano. Successivamente, sprofondato il rigonfiamento si aprì una voragine esplosiva, da cui i materiali eruttati (pietre, lapilli e cenere) formarono in poco più di tre giorni la collina craterica cui fu dato dai contemporanei il nome di Monte Nuovo. Il lago d'Averno è ubicato al centro di un antico cratere vulcanico ed ha un perimetro di 2,86 km. Al centro è profondo circa 34 metri. L’Averno (dal greco aornos, senza uccelli, perché sorvolandovi cadevano morti per le esalazioni mefitiche delle molte fumarole) era considerato l’ingresso dell’Ade e luogo consacrato alle divinità infernali. Qui nasce e si diffonde la religione dell’oracolo e qui Ulisse va a cercare Teresia. Qui Enea giunge per cercare la Sibilla. Nessun lago come l’Averno è stato così celebrato e consacrato nella storia dell’uomo. Durante la lotta tra Ottaviano e Pompeo, Agrippa – geniale stratega di Ottaviano – trasformò il lago in porto BaiaSommersa www.baiasommersa.it - [email protected] - 3494974183 sicuro, unendolo al mare, creando un canale, un cantiere navale per riparare le navi della potente flotta romana, creando un porto (portus Julius) con depositi di grano e opere marittime, creando una galleria sotterranea per collegare l’Averno e Cuma. -
Herculaneum Archaeology
I In this edition: Ercolano Meeting, June 2010 - report by Robert Fowler, Trustee Herculaneum: an Ancient Town in the Bay of Naples - Christopher Smith, Director of the British School in Rome Pompeii and the Roman Villa: Art and Culture around the Bay of Naples. Report on the exhibition by Carol Mattusch House of the Relief of Telephus, Herculaneum herculaneum archaeology herculaneum Society - Issue 12 Summer 2010 of the Friends Herculaneum the newsletter Suburban Baths, not normally open to the public, and a peak inside the Bourbon tunnels in the Basilica—this was The Third Herculaneum a particular treat, as one could see some quite breathtaking original frescoes in situ, untouched by any restoration. The Conference narrow space could accommodate only three or four tightly Robert Fowler squeezed people at a time. 2. 3. 4. The Suburban Baths 1. The Gardens of the Miglio d’Oro The Friends met 11–13 June for their third gathering in Campania since 2006, in what is now an established biennial tradition. For repeat attenders it felt like a reunion, while at the same time it was gratifying to welcome a good number of newcomers. For the first two meetings we resided in Naples (hence the First and Second ‘Naples’ Congresses), but for this one we moved out to Ercolano itself, a prospect made enticing by the opening of the four-star Miglio D’Oro hotel, a spectacular, done-over 18th-century villa which made up in atmosphere—especially the garden—what it (so far) lacks in abundance of staff (in some areas). The experiment was judged successful both for its convenience and for the benefit we were able to deliver to the local economy, not just the Miglio D’Oro but to B&Bs and local businesses. -
Piscina Mirabilis the Way of Water
Piscina Mirabilis The way of Water Lara Hatzl Institut für Baugeschichte und Denkmalpflege EM2 Betreuer: Florina Pop; Markus Scherer Inhaltsverzeichnis Abstract Inhalt Die Piscina Mirabilis ist eine römische Zisterne in der Gemeinde Bacoli am Golf von Neapel. Sie wurde unter Kaiser Augustus im 1. Jahrhundert n. Chr. im Inneren eines Tuffsteinhügels angelegt; ihre Auf- 1 Piscina Mirabilis gabe war es, den Portus Julius, das Hauptquartier der Flotte im westlichen Mittelmeer nahe Pozzuoli, mit Trinkwasser zu versorgen. Das Wasser wurde durch einen 96 km langen Aquädukt herangeführt, 1 The way of Water der vom Serino östlich des Vesuvs an dessen nördlicher Flanke entlang zum Misenosee führte. Die gut erhaltene Zisterne misst rund 72 x 27 m, der Raum wird geprägt durch ein regelmäßiges Raster von 1 Vorabzug Stützen und Bogen mit Gewölben. 2 Inhaltsverzeichnis In meiner Entwurfsidee folge ich dem Wasser. Der Weg von der Quelle in Serino und die Piscina als 3 Abstract Ausgangspunkt. Das Wasser spielt in diesem Gebiet eine Zentrale Rolle. Die Zisterne versorgte den Kriegshafen in Miseno mit Frischwasser. in Unmittelbarer nähe befindet sich Baiae mit ihren Thermena- 5 Verortung lagen welche schon damals als atraktives und erholsames Gebiet wirkte. 11 Inspirationen 14 Künstler - Numen / for use Wasser ist ein wichtiges Element in meinem Entwurf. Ich bedecke die gesamte Dachfläche mit einer Wasserschicht. Durch die Öffnungen in der Dachfläche und durch die Wasseroberfläche bekommt man 15 Künstler - Loris Cecchini auch im Inneren den Eindruck als wäre man im Wasser. Das ruhige Wasser spiegelt auf den daraufste- henden Bau. (Inspiration Architekt Tadao Ando /Modern Art Museum of Fort Worth und Langen Foun- 16 Gebäudeanalyse Innenraum Bögen dation) Dachdurchbruch 18 Gebäudeanalyse-Innenraum Fotos Der Bogen ist in der römischen Architektur weit verbreitet. -
Pompeii (And Rome) Water Supply Systems
POMPEII (AND ROME) WATER SUPPLY SYSTEMS REPORT OF FIELD OBSERVATIONS (OCTOBER 2010) JUNE 2011 i ACKNOWLEDGEMENTS This report was prepared by Wayne Lorenz with a detailed review by Erik Baros and Meisha Hunter. The final draft was assembled by Nicole Chancey. Photographs in this report were taken by Wayne Lorenz and Erik Baros. The maps shown in Figures 11 and 18 were prepared by Erik Baros. The Project Team would like to thank Ken Wright, Wright Paleohydrological Institute, and Wright Water Engineers, Inc. for support and encouragement during the study of Roman aqueducts in the Pompeii and Rome Regions. ii TABLE OF CONTENTS Page 1.0 INTRODUCTION .............................................................................................................3 1.1 Authorization – Superintendant of Archaeology ................................................................. 4 2.0 INTERVIEWS WITH EXPERTS....................................................................................... 5 2.1 Giuseppe Illiano .................................................................................................................. 5 2.2 Raffaella Bosso ................................................................................................................... 5 2.3 Luigi Sorrentino and Marilena Noppi................................................................................... 5 2.4 Giovanni De Feo and Sabino De Gisi ................................................................................. 6 2.5 Pasquale Maiella and Public Works -
The Monumental Villa at Palazzi Di Casignana and the Roman Elite in Calabria (Italy) During the Fourth Century AD
The Monumental Villa at Palazzi di Casignana and the Roman Elite in Calabria (Italy) during the Fourth Century AD. by Maria Gabriella Bruni A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Classical Archaeology in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA Committee in Charge Professor Christopher H. Hallett, Chair Professor Ronald S. Stroud Professor Anthony W. Bulloch Professor Carlos F. Noreña Fall 2009 The Monumental Villa at Palazzi di Casignana and the Roman Elite in Calabria (Italy) during the Fourth Century AD. Copyright 2009 Maria Gabriella Bruni Dedication To my parents, Ken and my children. i AKNOWLEDGMENTS I am extremely grateful to my advisor Professor Christopher H. Hallett and to the other members of my dissertation committee. Their excellent guidance and encouragement during the major developments of this dissertation, and the whole course of my graduate studies, were crucial and precious. I am also thankful to the Superintendence of the Archaeological Treasures of Reggio Calabria for granting me access to the site of the Villa at Palazzi di Casignana and its archaeological archives. A heartfelt thank you to the Superintendent of Locri Claudio Sabbione and to Eleonora Grillo who have introduced me to the villa and guided me through its marvelous structures. Lastly, I would like to express my deepest gratitude to my husband Ken, my sister Sonia, Michael Maldonado, my children, my family and friends. Their love and support were essential during my graduate -
Pompeii and Herculaneum: a Sourcebook Allows Readers to Form a Richer and More Diverse Picture of Urban Life on the Bay of Naples
POMPEII AND HERCULANEUM The original edition of Pompeii: A Sourcebook was a crucial resource for students of the site. Now updated to include material from Herculaneum, the neighbouring town also buried in the eruption of Vesuvius, Pompeii and Herculaneum: A Sourcebook allows readers to form a richer and more diverse picture of urban life on the Bay of Naples. Focusing upon inscriptions and ancient texts, it translates and sets into context a representative sample of the huge range of source material uncovered in these towns. From the labels on wine jars to scribbled insults, and from advertisements for gladiatorial contests to love poetry, the individual chapters explore the early history of Pompeii and Herculaneum, their destruction, leisure pursuits, politics, commerce, religion, the family and society. Information about Pompeii and Herculaneum from authors based in Rome is included, but the great majority of sources come from the cities themselves, written by their ordinary inhabitants – men and women, citizens and slaves. Incorporating the latest research and finds from the two cities and enhanced with more photographs, maps and plans, Pompeii and Herculaneum: A Sourcebook offers an invaluable resource for anyone studying or visiting the sites. Alison E. Cooley is Reader in Classics and Ancient History at the University of Warwick. Her recent publications include Pompeii. An Archaeological Site History (2003), a translation, edition and commentary of the Res Gestae Divi Augusti (2009), and The Cambridge Manual of Latin Epigraphy (2012). M.G.L. Cooley teaches Classics and is Head of Scholars at Warwick School. He is Chairman and General Editor of the LACTOR sourcebooks, and has edited three volumes in the series: The Age of Augustus (2003), Cicero’s Consulship Campaign (2009) and Tiberius to Nero (2011).