DOCSLIB.ORG

Campania/Rv Schoder. Sj

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Campania/Rv Schoder. Sj CAMPANIA/R.V. SCHODER. S. J. RAYMOND V. SCHODER, S.J. (1916-1987) Classical Studies Department SLIDE COLLECTION OF CAMPANIA Prepared by: Laszlo Sulyok Ace. No. 89-15 Computer Name: CAMPANIA.SCH 1 Metal Box Location: Room 209/ The following slides of Campanian Art are from the collection of Raymond V. Schader, S.J. They are arranged alpha-numerically in the order in which they were received at the archives. The notes in the inventory were copied verbatim from Schader's own citations on the slides. CAUTION: This collection may include commercially produced slides which may only be reproduced with the owner's permission. I. PHELGRAEA, Nisis, Misenum, Procida (bk), Baiae bay, fr. Pausilp 2. A VERNUS: gen., w. Baiae thru gap 3. A VERNUS: gen., w. Misenum byd. 4. A VERN US: crater 5. A VERN US: crater 6. A VERNUS: crater in!. 7. AVERNUS: E edge, w. Baths, Mt. Nuovo 1538 8. A VERNUS: Tunnel twd. Lucrinus: middle 9. A VERNUS: Tunnel twd. Lucrinus: stairs at middle exit fl .. 10. A VERNUS: Tunnel twd. Lucr.: stairs to II. A VERNUS: Tunnel twd. Lucrinus: inner room (Off. quarters?) 12. BAIAE CASTLE, c. 1540, by Dom Pedro of Toledo; fr. Pozz. bay 13. BAIAE: Span. 18c. castle on Caesar Villa site, Capri 14. BAIAE: Gen. E close, tel. 15. BAIAE: Gen. E across bay 16. BAIAE: terrace arch, stucco 17. BAIAE: terraces from below 18. BAIAE: terraces arcade 19. BAIAE: terraces gen. from below 20. BAIAE: Terraces close 21. BAIAE: Bay twd. Lucrinus; Vesp. Villa 22. BAIAE: Palaestra(square), 'T. Venus' Jul. Caesar villa site 23. BAIAE: Diana Baths dome fr. side 24. BAIAE: Palaestra balustrade, pool 25. BAIAE: Public Bldgs. S of Palaestra 26. BAIAE: palaestra area, arcade to baths 27. BAIAE: Palaestra & balcony 28. BAIAE: stairs E of palaestra 29. BAIAE: Palaestra, stairs 30. BAIAE: Gymnasium square, arch to baths 31. BAIAE: Gymnasium square, terraces 32. BAIAE: Mercury Baths dome fr. above 33. BAIAE: Mercury 34. BAIAE: pool on upper terrace 35. BAIAE: stucco on ceiling of latrine 36. BAIAE: Egyptian style painting on wall of latrines 37. BAIAE: marble pavement of stairs up terrace 38. BAIAE: double wall along terraces 39. BAIAE: hot springs water system 40. BAIAE: Nero's mineral baths ('Stufe') 41. BAIAE: Vespasian' Villa, fr. terrace 42. BAIAE: Vespasian villa site 43. BAIAE: Diana Baths dome fr. front 44. BAIAE: 'Temple of Venus' baths 45. BAIAE: 'T. Venus' baths, furnace 46. CAPRI: E tip, Villa Jovis, from Marina Grande 47. CAPRI: E tip, w. Villa Jovis above 48. CAPRI: Villa Jovis plan 49. CAPRI: Villa Jovis fr. West., gen. 50. CAPRI: Villa Jovis end, Marina, Sorr. pens. fr. Anacapri 51. CAPRI: Villa Jovis & town & marina, from Anacapri 52. CAPRI: Villa Jovis gen., from below tel. 53. CAPRI: Villa Jovis main entry, W 54. CAPRI: Villa Jovis ext. tel. 55. CAPRI: Villa Jovis gen., Pharos, fr. approach path 56. CAPRI: Villa Jovis entry court cots and upper storeys 57. CAPRI: Villa Jovis entry ct, SW 58. CAPRI: Villa Jovis entry court fr. above 59. CAPRI: Villa Jovis from entry 60. CAPRI: Villa Jovis Entry Court 61. CAPRI: Villa Jovis: Stairs rt. of entry 62. CAPRI: Villa Jovis barracksr 63. CAPRI: Villa Jovis: West gen. close 64. CAPRI: VillaJovis Audience Hall rooms 65. CAPRI: Villa Jovis Audience Hall fr. above 66. CAPRI: Villa Jovis Audience Hall, circular corridor behind 67. CAPRI: Villa Jovis, Reception Hall 68. CAPRI: Villa Jovis barracks 69. CAPRI: Villa Jovis: upper cisterns 70. CAPRI: Villa Jovis Belvedere, view twd. Sorrento 71. CAPRI: Villa Jovis Corridor to Belvedere 72. CAPRI: Villa Jovis: upper cistern 73. CAPRI: Villa Jovis: corridor (Aug's floor beneath Tib's) 74. CAPRI: Villa Jovis: Specularium? on lower level at NW; sea 75. CAPRI: rocks down to sea (n. Guard gate) 76. CAPRI: E cliff under Villa Jovis 77. CAPRI: Tib. Villa, twd. rocks below 78. CAPRI: Villa Jovis view twd. Sorreto promont. Sirens' isle 2 CAMPANIA/R.V. SCHODER. S. J. 79. CAPRI: Villa Jovis, cliff, fr. pharos 80. CAPRI: Villa Jovis, cliff, fr. pharos 81. CAPRI: cliffs, sea fr. Villa Jovis 82. CAPRI: view to Vesuvius fr. Villa Jovis 83. CAPRI: view from Villa Jovis: Sirens' isle (r), Sorrento tip 84. CAPRI: view fr. Villa Jovis to Ischia (l) Posillipo 85. CAPRI: Pharos rooms, Cape Misenus 86. CAPRI: cliff n. light-house 87. CAPRI: Pharos, Villa Jovis entry court 88. CAPRI: Pharos close (statius 3.5.100) 89. CAPRI: Blue Gr. interior (3.5/2 sec.) 90. CAPRI: Damecuta: Tib. Palace, twd. Sorento, sunset W 91. CAPRI: Damecutta: rooms at East on cliff 92. CAPRI: Damecuta Villa, tower 93. CAPRI: Damecuta Villa rooms, walk, tower 94. CAPRI: Damecuta: upper & lower promenade 9 5. CAPRI: Bougain villia along wall 96. CAPRI: house, w. Bouganvillia 97. CAPUA: Porta Roma in new town: Spainish fr Rom. materials, on Rom. Bridge remains 98. CAPUA: Hadrian's Arch at road entry 99. CAPUA: Ampth. exterior E 100. CAPUA: Amphth. E 101. CAPUA: Amphitheater: main entry, w. sculptures 102. CAPUA: Amphiteater, cavea 103. CAPUA: Amphth. cavea 104. CAPUA: Amphth. cavea fr. above 105. CAPUA: Amphth. water channel below 106. CAPUA: Amphth. under-gallery 107. CAPUA: Mithraeum ptg: Nymph 108. CAPUA: Mithraeum ptg: Orans 109. CAPUA: Mithraeum gen. 110. CAPUA: Mithraeum: ptg. Mithra 111. CAPUA: Mithraeum int. 112. CAPUA: Mlthraeum main painting 113. FUSARO: Rom. hot mineral springs baths 114. ISCHIA: port 115. ISCHIA: Aragonese 15 c. Castle of Alfonso Magnanimous, 14 c. Cathd. 116. ISCHIA: 'Fungus' rock, Lacco Ameno beach 117. ISCHIA: 'Fungus' rock at Lacco Ameno 118. ISCHIA: Gk. Pithecusa site, fr. sea 119. ISCHIA: Acrop. of Gk. site, fr. bay 120. ISCHIA: Necropolis iv/iii c. Gk. block tomb (1), Rom. tile tbs. viii c. Gk (pit base: rt) 121. ISCHIA: perfume vase, VIII c., bird 122. ISCHIA: 'Nestors Cup', Oct. 1954; VIII c 123. ISCHIA: Nestor Cup bowl, VIII c., w. 1956 frag. added 124. ISCHIA: Geom. cup w. VIII c. inscr. ref. Nestor 125. LITERNUM: Theater structure (Scipio Afr. exiled here) 126. LITERNUM: T, altar to Scipio Afr. 127. LITERNUM: Temple, altar 128. LITERNUM: Theater 3 CAMPANIA/R.V. SCHODER. S. J. 129. LUCRINE LAKE 130. MISENUM: POint, Light-house fr. below; medieval ruins rt. 131. MISENUM: modern lighthouse; Capri byd 132. MISENUM: point fr. seavesuvius byd 133. MISENUM: promontory, across Mare Morto 134. MISENUM: across Mare Morto inner Harb. 135. MISENUM: Promontory, across Mare MOrto 136. MISENUM point and new Pharos 137. MISENUM: 'Roman" medieval pharos 138. MISENUM Point cliff twd. Puteoli, fr. sea 139. MISENUM: view of Vesuvius, Posillipo (cp. PLiny) 140. MISENUM: gen. of harbors, town site, to Cumae, fr. hilltop 141. MISENUM: cuter harbor, fr. sea 142. MISENUM: outer harbor twd. Puteoli, fr. top of promontory 143. MISENUM: Roman Harbors from top 144. MISENUM: Roman Harbor, Mare Morto fr. summit, w. Cumae acrop. to Gaeta 145. MISENUS CAPE, W. anc. navalstation locks 146. MISENUM: E rock 147. MISENUM: Lucullus' Vikka site: to Baiae 148. MISENUM: from Cumae acrop. (Villa Vergiliana at bottm. 149. NAPLES: gen. fr. sea 150. NAPLES :Bay & Vesuvius 151. NAPLES: Bay genl. 152. NAPLES: Bay Catel dell' Ovo (Lucullus' Villa), Vesuvius 153. NAPLES: POsillipo hill fr, sea 154. NAPLES: Verg' Tomb, Cocceius' Tunnel, Posilip 155. NAPLES: 'Vergil Tomb' Cocceius'tunnel entry, Pausilypon, tel 156. NISIDA, MISENUM, Procida, Ischia from Posillipo 157. PISCINA MIRABILIS, Bacoli: central of 5 aisles of reservoir 158. PISCINA MIRABILE: central nave 159. PISCINA MIRABILE: upper arches 160. PISCINA MIRABILIS: arches, stairs 161. PISCINA MIRABILIS: across aisles 162. PISCINA MIRABILE side stairs 163. PROCIDA: SE view w. Ischia beyond 164. PROCIDA (Prochyta town fr. sea 165. PUTEOLI: Bay, town site, to Misenum 166. PUTEULI: Bay, fr. Capo Miseno 167. PUTEOLI: Bay, anc. city site; Baiae 168. PUTEOLI: bay wide fr. above: Mis., Ischia, Baiae, Mt. Nuov 169. PUTEOLI: gen. fr. 'Trimalchio site' 170. PUTEOLI: Amphth: ext. constr. details 171. PUTEOLI: Ampth., varied brick wall 172. PUTEOLI: Flavian amptht., West wall 173. PUTEOLI: Flavian Ampth.: S entrance 174. PUTEOLI: Amphth: POseidon stat. in niche 175. PUTEOLI: Amphth. cavea 176. PUTEOLI: Amphth. cavea gen. 177. PUTEOLI: Amphth: under corridor 178. PUTEOLI: Amphth. under-gallery middle corridor 4 CAMPANIA/R.V. SCHODER. S. J. 179. PUTEOLI: Amphth. under-structures 180. PUTEOLI: Amphth. under-gallery 181. PUTEOLI: Amphth. under-gallery 182. PUTEOLI: Amphth. under-gallery 183. PUTEOLI: Macellum fr. back, flooded 184. PUTEOLI: Macellum (Market) /'Serapeum' 185. PUTEOLI: Macellun ('Serapeum') 186. POZZUOLI: Augustus temple cols in Cathd. 187. SOLFATARA: pit 188. SALFATARA: volcano crater 189. SOLFATARA, near Puteoli: burning sulphur pit 190. SOLFATARA: main crater 191. SOLFATARA, steaming 192. AMALFI: from North 193. AMALFI: gen. fr. drive, N 194. AMALFI: town fr. Drive, fr. North 195. AMALFI DRIVE: S view n. Capo D'Orso; Minori byd 196. AMALFI DRIVE: Capo d'Orso, Minori 197. AMALFI: DRIVE 198. AMALFI DRIVE: Capo d'Orso 199. AMALFI DRIVE: Capo d'Orso point, twd Minori 200. AMALFI DRIVE: Terraces, n. Cetara 201. MINOR!: Roman Villa, 1 c: fish-growg lower room 202. MINOR!: 1 c. Villa wall ptg: Mak 203. MINOR!: Roman Villa, 1 c: valve in lower cor. pipes 204. MINOR!: Roman Villa, 1 c: lower cor. 205. MINOR!: Rom. I c. Villa wall ptgs. 206. MINOR!: Roman Villa, I c. ptgs; amphorae 207. POSITANO: gen. fr. coast road, high 208. POSITANO: gen. w. sea fr. S. 209. POSITANO: FR. n ABOVE 210. POSITANO: from above 211. RA VELLO: view from Villa Rufolo of Amalfi coastline 212. RA VELLO: Amalfi Drive view fr Rufulo 213. RA VELLO: SS Cosma & Damiano--to Maiori 214. SALERNO: BAY 215. SALERNO Bay, twd. Amalfi 216. SALERNO: Park along sea 217.
Load more

Recommended publications
  • The Rough Guide to Naples & the Amalfi Coast
    HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index.
    [Show full text]
  • Dottorato in Scienze Storiche, Archeologiche E Storico-Artistiche
    DOTTORATO IN SCIENZE STORICHE, ARCHEOLOGICHE E STORICO-ARTISTICHE Coordinatore prof. Francesco Caglioti XXX ciclo Dottorando: Luigi Oscurato Tutor: prof. Alessandro Naso Tesi di dottorato: Il repertorio formale del bucchero etrusco nella Campania settentrionale (VII – V secolo a.C.) 2018 Il repertorio formale del bucchero etrusco nella Campania settentrionale (VII – V secolo a.C.) Sommario Introduzione ........................................................................................................................................... 6 Storia degli studi sul bucchero rinvenuto in Campania ...................................................................... 8 1. I siti e i contesti ............................................................................................................................ 16 1.1 Capua .................................................................................................................................... 18 1.2 Calatia ................................................................................................................................... 28 1.3 Cales ...................................................................................................................................... 31 1.4 Cuma ..................................................................................................................................... 38 1.5 Il kolpos kymaios ................................................................................................................... 49 2. Catalogo
    [Show full text]
  • Alexander the Great, in Case That, Having Completed the Conquest of Asia, He Should Have Turned His Arms on Europe
    Alexander the Great, in case that, having completed the conquest of Asia, he should have turned his arms on Europe. 17 Nothing can be found farther from my intention, since the commencement of this history, than to digress, more than necessity required, from the course of narration; and, by embellishing my work with variety, to seek pleasing resting-places, as it were, for my readers, and relaxation for my own mind: nevertheless, the mention of so great a king and commander, now calls forth to public view those silent reflections, whom Alexander must have fought. Manlius Torquatus, had he met him in the field, might, perhaps, have yielded to Alexander in discharging military duties in battle (for these also render him no less illustrious); and so might Valerius Corvus; men who were distinguished soldiers, before they became commanders. The same, too, might have been the case with the Decii, who, after devoting their persons, rushed upon the enemy; or of Papirius Cursor, though possessed of such powers, both of body and mind. By the counsels of one youth, it is possible the wisdom of a whole senate, not to mention individuals, might have been baffled, [consisting of such members,] that he alone, who declared that "it consisted of kings," conceived a correct idea of a Roman senate. But then the danger was, that with more judgment than any one of those whom I have named he might choose ground for an encampment, provide supplies, guard against stratagems, distinguish the season for fighting, form his line of battle, or strengthen it properly with reserves.
    [Show full text]
  • The Fleet of Syracuse (480-413 BCE)
    ANDREAS MORAKIS The Fleet of Syracuse (480-413 BCE) The Deinomenids The ancient sources make no reference to the fleet of Syracuse until the be- ginning of the 5th century BCE. In particular, Thucydides, when considering the Greek maritime powers at the time of the rise of the Athenian empire, includes among them the tyrants of Sicily1. Other sources refer more precisely to Gelon’s fleet, during the Carthaginian invasion in Sicily. Herodotus, when the Greeks en- voys asked for Gelon’s help to face Xerxes’ attack, mentions the lord of Syracuse promising to provide, amongst other things, 200 triremes in return of the com- mand of the Greek forces2. The same number of ships is also mentioned by Ti- maeus3 and Ephorus4. It is very odd, though, that we hear nothing of this fleet during the Carthaginian campaign and the Battle of Himera in either the narration of Diodorus, or the briefer one of Herodotus5. Nevertheless, other sources imply some kind of naval fighting in Himera. Pausanias saw offerings from Gelon and the Syracusans taken from the Phoenicians in either a sea or a land battle6. In addition, the Scholiast to the first Pythian of Pindar, in two different situations – the second one being from Ephorus – says that Gelon destroyed the Carthaginians in a sea battle when they attacked Sicily7. 1 Thuc. I 14, 2: ὀλίγον τε πρὸ τῶν Μηδικῶν καὶ τοῦ ∆αρείου θανάτου … τριήρεις περί τε Σικελίαν τοῖς τυράννοις ἐς πλῆθος ἐγένοντο καὶ Κερκυραίοις. 2 Hdt. VII 158. 3 Timae. FGrHist 566 F94= Polyb. XII 26b, 1-5, but the set is not the court of Gelon, but the conference of the mainland Greeks in Corinth.
    [Show full text]
  • Bibliography
    Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza­ Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P.
    [Show full text]
  • 93 Fari Dismessi. Dall'abbandono Alla
    Annali del Turismo, V, 2016, n.1 Edizioni Geoprogress FARI DISMESSI. DALL’ABBANDONO ALLA RIGENERAZIONE Antonietta Ivona Abstract Lighthouses decommissioned. From abandonment to regeneration. - The Italian legislation on cultural heritage introduced, a few years ago, the concept of enhancement and enjoyment of cultural heritage through the outsourcing of cultural assistance and hospitality services for the public. Particularly, the national Project "Valore Paese" of the Agenzia del Demanio is dedicated to lighthouses and it intends to encourage the promotion of the Italian public real estate through the synergy between the sectors of tourism, art and culture, economic and territorial cohesion. In this sense, the recovery of public assets owned by the State and local authorities has the possibility to be considered not only in terms of cost to the community, but also as a significant lever for territorial and social development, in a logic of public- private partnership. 1. I fari nel tempo Opere di ingegneria umana, ammantate di miti e leggende, i fari sono parte della storia della navigazione. Dai bagliori dei primi fuochi accesi sulle torri di avvistamento fino ai recenti dibattiti sul futuro della rete dei fari, essi hanno da sempre rappresentato anche luoghi identitari. I primi fari che la storia conosce non erano altro che falò di legna accatastata situati nei luoghi più pericolosi per segnalare la rotta ai naviganti. “I primi fuochi, che dovevano restare accesi tutta la notte, richiedevano continua cura: occorreva combustibile, sapienza tecnica, presenza costante dell’uomo” (Mariotti, 2013, p. 10). Con l’evolversi della navigazione commerciale, occorse sostituire i falò con strumenti di segnalazione più sicuri e, quindi, più potenti da ubicare nei porti lungo le nuove rotte commerciali.
    [Show full text]
  • Best of Naples & Amalfi Coast
    VIEW PACKAGE BEST OF NAPLES & AMALFI COAST (11614) Faraglioni of Capri If you are looking for the perfect itinerary through Campania region and its famous Amalfi Coast, look no more - this itinerary has been built and designed to include the very best of this area! Duration Italy 7 nights CULTURAL NATURE Destinations INDEPENDENT HOLIDAY PACKAGES Italy Travel Departs Highlights Naples Follow your guide on a full day private tour Visit San Severo Chapel, home to the world- Travel Ends of Naples and Pompeii famous masterpiece of the Veiled Christ Naples Visit the Amalfi Coast gems of Sorrento, Visit to the famous Blue Grotto of Capri Positano, Ravello and Capri (weather permitting) Experiences Cultural, Nature 4 lunches and 2 dinners with delicious local dishes Travel Style Independent Holiday Packages A perfect mixture of culture, history, art, tasteful cuisine and unique landscapes: the coastal towns of the Campania region represent an evergreen appeal to tourists from all over the world. This itinerary will take you to the most fascinating spots of the region: from colourful, narrow streets in the coastal towns and Capri's island to the history and artistic charm of Naples and Pompeii. Included Included 1 night in Naples - 4* hotel 2 nights in Sorrento - 4* hotel 1 night in Capri - 4* hotel 3 nights in Maiori or Minori - 4* hotel Private return transfer from Naples airport/station Private transfer Amalfi Coast port to Maiori hotel Private transfer from Sorrento hotel to the port Private transfer from Capri to Marina Grande Private transfers
    [Show full text]
  • The Coinage of Akragas C
    ACTA UNIVERSITATIS UPSALIENSIS Studia Numismatica Upsaliensia 6:1 STUDIA NUMISMATICA UPSALIENSIA 6:1 The Coinage of Akragas c. 510–406 BC Text and Plates ULLA WESTERMARK I STUDIA NUMISMATICA UPSALIENSIA Editors: Harald Nilsson, Hendrik Mäkeler and Ragnar Hedlund 1. Uppsala University Coin Cabinet. Anglo-Saxon and later British Coins. By Elsa Lindberger. 2006. 2. Münzkabinett der Universität Uppsala. Deutsche Münzen der Wikingerzeit sowie des hohen und späten Mittelalters. By Peter Berghaus and Hendrik Mäkeler. 2006. 3. Uppsala universitets myntkabinett. Svenska vikingatida och medeltida mynt präglade på fastlandet. By Jonas Rundberg and Kjell Holmberg. 2008. 4. Opus mixtum. Uppsatser kring Uppsala universitets myntkabinett. 2009. 5. ”…achieved nothing worthy of memory”. Coinage and authority in the Roman empire c. AD 260–295. By Ragnar Hedlund. 2008. 6:1–2. The Coinage of Akragas c. 510–406 BC. By Ulla Westermark. 2018 7. Musik på medaljer, mynt och jetonger i Nils Uno Fornanders samling. By Eva Wiséhn. 2015. 8. Erik Wallers samling av medicinhistoriska medaljer. By Harald Nilsson. 2013. © Ulla Westermark, 2018 Database right Uppsala University ISSN 1652-7232 ISBN 978-91-513-0269-0 urn:nbn:se:uu:diva-345876 (http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-345876) Typeset in Times New Roman by Elin Klingstedt and Magnus Wijk, Uppsala Printed in Sweden on acid-free paper by DanagårdLiTHO AB, Ödeshög 2018 Distributor: Uppsala University Library, Box 510, SE-751 20 Uppsala www.uu.se, [email protected] The publication of this volume has been assisted by generous grants from Uppsala University, Uppsala Sven Svenssons stiftelse för numismatik, Stockholm Gunnar Ekströms stiftelse för numismatisk forskning, Stockholm Faith and Fred Sandstrom, Haverford, PA, USA CONTENTS FOREWORDS .........................................................................................
    [Show full text]
  • Discover Enchanting Sicily… 12 Days a Land of Contrasts
    DISCOVER ENCHANTING SICILY… 12 DAYS A LAND OF CONTRASTS SMALL GROUP TOUR DISCOVER THE MAGIC OF SICILY: A LAND OF CONTRASTS A wonderful journey to discover the beauty of Sicily travelling from west to east, through the magical interior of this paradise island. Travel to Sicily with its idyllic climate, its archaeology treasures, dramatic vistas and hearty cuisine that embodies all things Sicilian. Extravagant scenic beauty, a multicultural crossroads with a history that dates back to 3,000 years, an exuberant and richly layered culture and a tradition of food and wine that is celebrated the world over…all converge here in sunny Sicily!. On this small group journey, you’ll delve into one of the most fascinating and coveted regions in Italy. Stare face to face with some of the world’s best Byzantine mosaics in the cathedral of Monreale – a literal Bible in gold. Sit in Taormina’s Greek theatre looking out at still-smouldering Mt. Etna and you can’t help but feel Goosebumps. Marvel at the rich archaeological ruins of Siracusa dating to the 5Th century BC. Explore the brilliant Roman floor mosaics in the Villa del Casale. Enjoy an Italia evening Opera in Taormina and more. The Greek influence is particularly strong in the south of Italy – we’ll see better preserved temples here than in Greece itself! Sicily has some of Italy’s best beaches and on this tour we make sure that you’ll have time to enjoy them. The cuisine of Sicily varies from one province to the next as do the wines.
    [Show full text]
  • Des Clitumnus (8,8) Und Des Lacus Vadimo (8,20)
    Sonderdrucke aus der Albert-Ludwigs-Universität Freiburg ECKARD LEFÈVRE Plinius-Studien IV Die Naturauffassungen in den Beschreibungen der Quelle am Lacus Larius (4,30), des Clitumnus (8,8) und des Lacus Vadimo (8,20) Mit Tafeln XIII - XVI Originalbeitrag erschienen in: Gymnasium 95 (1988), S. [236] - 269 ECKARD LEFEVRE - FREIBURG I. BR. PLINIUS-STUDIEN IV Die Naturauffassung in den Beschreibungen der Quelle am Lacus Larius (4,30), des Clitumnus (8,8) und des Lacus Vadimo (8,20)* Mit Tafeln XIII-XVI quacumque enim ingredimur, in aliqua historia vestigium ponimus. Cic. De fin. 5,5 In seiner 1795 erschienenen Abhandlung Über naive und sentimen- talische Dichtung unterschied Friedrich von Schiller den mit der Natur in Einklang lebenden, den ‚naiven' Dichter (und Menschen) und den aus der Natur herausgetretenen, sich aber nach ihr zurücksehnenden, den ,sentimentalischen` Dichter (und Menschen). Der Dichter ist nach Schil- ler entweder Natur, oder er wird sie suchen. Im großen und ganzen war mit dieser Unterscheidung die verschiedene Ausprägung der griechischen und der modernen Dichtung gemeint. Schiller hat richtig gesehen, daß die Römer im Hinblick auf diese Definition den Modernen zuzuordnen sind': Horaz, der Dichter eines kultivierten und verdorbenen Weltalters, preist die ruhige Glückseligkeit in seinem Tibur, und ihn könnte man als den wahren Stifter dieser Diese Betrachtungen bilden zusammen mit den Plinius-Studien I-III (die in den Lite- raturhinweisen aufgeführt sind) eine Tetralogie zu Plinius' ästhetischer Naturauffas- sung. Dieses Thema ist hiermit abgeschlossen. [Inzwischen ist das interessante Buch von H. Mielsch, Die römische Villa. Architektur und Lebensform, München 1987, erschienen, in dem einiges zur Sprache kommt, was in dieser Tetralogie behandelt wird.] Auch in diesem Fall wurden die Briefe als eigenständige Kunstwerke ernst- genommen und jeweils als Ganzes der Interpretation zugrundegelegt.
    [Show full text]
  • Presentazione Standard Di Powerpoint
    CEPR European Conference on Household Finance 2018 WELCOME GUIDE Ortygia Business School Via Roma, 124 96100 Siracusa +39 0931 69510 www.ortygiabs.org [email protected] The Conference Venue Ortygia Business School Via Roma, 124 96100 Siracusa +39 0931 69510 www.ortygiabs.org [email protected] Hotel Accommodation Grand Hotel Ortigia https://www.grandhotelortigia.it/ Des Etrangers http://www.desetrangers.com/ Ortygia Business School Via Roma, 124 96100 Siracusa +39 0931 69510 www.ortygiabs.org [email protected] Hotel Accommodation Palazzo Gilistro https://www.palazzogilistro.it/ Hotel Gutkowski http://www.guthotel.it/ Ortygia Business School Via Roma, 124 96100 Siracusa +39 0931 69510 www.ortygiabs.org [email protected] Transport Catania Airport Fontanarossa http://www.aeroporto.catania.it/ Train Station Siracusa https://goo.gl/6AK4Ee Ortygia Business School Via Roma, 124 96100 Siracusa +39 0931 69510 www.ortygiabs.org [email protected] 1 – The Greek theatre Impressive, solemn, intriguing, with stunning views. It may happen that, while sitting on the big stone steps , you hear the voices of the great Greek heroes, Agamemnon, Medea or Oedipus, even if there are no actors on the stage …this is such an evocative place! It keeps evidences of several historic periods, from the prehistoric ages to Late Antiquity and the Byzantine era. The Greek Theatre is one of the biggest in the world, entirely carved into the rock. In ancient times it was used for plays and popular assemblies, today it is the place where the Greek tragedies live again through the Series of Classical Performances that take place every year thanks to the INDA, National Institute of Ancient Drama.
    [Show full text]
  • Friuli Venezia Giulia: a Region for Everyone
    EN FRIULI VENEZIA GIULIA: A REGION FOR EVERYONE ACCESSIBLE TOURISM AN ACCESSIBLE REGION In 2012 PromoTurismoFVG started to look into the tourist potential of the Friuli Venezia Giulia Region to become “a region for everyone”. Hence the natural collaboration with the Regional Committee for Disabled People and their Families of Friuli Venezia Giulia, an organization recognized by Regional law as representing the interests of people with disabilities on the territory, the technical service of the Council CRIBA FVG (Regional Information Centre on Architectural Barriers) and the Tetra- Paraplegic Association of FVG, in order to offer experiences truly accessible to everyone as they have been checked out and experienced by people with different disabilities. The main goal of the project is to identify and overcome not only architectural or sensory barriers but also informative and cultural ones from the sea to the mountains, from the cities to the splendid natural areas, from culture to food and wine, with the aim of making the guests true guests, whatever their needs. In this brochure, there are some suggestions for tourist experiences and accessible NATURE, ART, SEA, receptive structures in FVG. Further information and technical details on MOUNTAIN, FOOD our website www.turismofvg.it in the section AND WINE “An Accessible Region” ART AND CULTURE 94. Accessible routes in the art city 106. Top museums 117. Accessible routes in the most beautiful villages in Italy 124. Historical residences SEA 8. Lignano Sabbiadoro 16. Grado 24. Trieste MOUNTAIN 38. Winter mountains 40. Summer mountains NATURE 70. Nature areas 80. Gardens and theme parks 86. On horseback or donkey 90.
    [Show full text]