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Screening the Male: Exploring Masculinities in Hollywood Cinema I
SCREENING THE MALE Exploring masculinities in Hollywood cinema Edited by Steven Cohan and Ina Rae Hark London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Disclaimer: For copyright reasons, some images in the original version of this book are not available for inclusion in the eBook. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1993 Routledge, collection as a whole Individual chapters © 1993 respective authors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Screening the Male: Exploring Masculinities in Hollywood Cinema I. Cohan, Steven II. Hark, Ina Rae 791.4309 Library of Congress Cataloguing in Publication Data Screening the male: exploring masculinities in Hollywood cinema/edited by Steven Cohan and Ina Rae Hark. p. cm. 1. Men in motion pictures. 2. Sex in motion pictures. I. Cohan, Steven. II. Hark, Ina Rae. PN1995.9.M46S36 1993 791.43´652041–dc20 92–5815 ISBN 0–415–07758–3 (hbk) ISBN 0–415–07759–1 (pbk) ISBN 0–203–14221–7 Master e-book ISBN ISBN 0–203–22072–2 (Glassbook Format) 8 ANIMALS OR ROMANS Looking at masculinity in Spartacus Ina Rae Hark When Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’ detailed how the cinematic apparatus and the conditions of cinema spectatorship invariably place woman as an object of the desiring male gaze, required to present herself as spectacle, its argument did not necessarily exclude the possibility that the apparatus could similarly objectify men who symbolically if not biologically lacked the signifying phallus. -
State Athletic Commission 10/25/13 523
523 CMR: STATE ATHLETIC COMMISSION Table of Contents Page (523 CMR 1.00 THROUGH 4.00: RESERVED) 7 523 CMR 5.00: GENERAL PROVISIONS 31 Section 5.01: Definitions 31 Section 5.02: Application 32 Section 5.03: Variances 32 523 CMR 6.00: LICENSING AND REGISTRATION 33 Section 6.01: General Licensing Requirements: Application; Conditions and Agreements; False Statements; Proof of Identity; Appearance Before Commission; Fee for Issuance or Renewal; Period of Validity 33 Section 6.02: Physical and Medical Examinations and Tests 34 Section 6.03: Application and Renewal of a License as a Professional Unarmed Combatant 35 Section 6.04: Initial Application for a License as a Professional Unarmed Combatant New to Massachusetts 35 Section 6.05: Application by an Amateur for a License as a Professional Unarmed Combatant 35 Section 6.06: Application for License as a Promoter 36 Section 6.07: Application for License as a Second 36 Section 6.08: Application for License as a Manager or Trainer 36 Section 6.09: Manager or Trainer May Act as Second Without Second’s License 36 Section 6.10: Application for License as a Referee, Judge, Timekeeper, and Ringside Physician 36 Section 6.11: Application for License as a Matchmaker 36 Section 6.12: Applicants, Licensees and Officials Must Submit Material to Commission as Directed 36 Section 6.13: Grounds for Denial of Application for License 37 Section 6.14: Application for New License or Petition for Reinstatement of License after Denial, Revocation or Suspension 37 Section 6.15: Effect of Expiration of License on -
Broadside Read- a Brief Chronology of Major Events in Trous Failure
NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION Volume 17, Number 1/Volume 17, Number 2 SPECIAL DOUBLE ISSUE Summer/Fa111989 EXHIBITION SURVEYS MANHATTAN'S EARLY THEATRE HISTORY L An exhibition spotlighting three early New York theatres was on view in the Main I Gallery of The New York Public Library at Lincoln Center from February 13, 1990 through March 31, 1990. Focusing on the Park Theatre on Park Row, Niblo's Garden on Broadway and Prince Street, and Wal- lack's, later called the Star, on Broadway and 13th Street, the exhibition attempted to show, through the use of maps, photo- graphic blowups, programs and posters, the richness of the developing New York theatre scene as it moved northward from lower Manhattan. The Park Theatre has been called "the first important theatre in the United States." It opened on January 29, 1798, across from the Commons (the Commons is now City Hall Park-City Hall was built in 1811). The opening production, As You Like It, was presented with some of the fin- est scenery ever seen. The theatre itself, which could accommodate almost 2,000, was most favorably reviewed. It was one of the most substantial buildings erected in the city to that date- the size of the stage was a source of amazement to both cast and audience. In the early nineteenth century, to increase ticket sales, manager Stephen Price introduced the "star sys- tem" (the importation of famous English stars). This kept attendance high but to some extent discouraged the growth of in- digenous talent. In its later days the Park was home to a fine company, which, in addition to performing the classics, pre- sented the work of the emerging American playwrights. -
Steven Saylor's Roma Sub Rosa Series
The Fight for Rome - James Duffy Fire in the East - Harry Sidebottom “Overseeing a fierce rivalry by three “Third-century Roman defender Ballista takes contenders for the throne after the increasingly extreme measures to reinforce Emperor's death in AD 68, legendary the crumbling walls of a lonely city.” gladiator Quintus Honorius Romanus and his friends are forced to fight with the 2nd book in series: King of Kings legionnaires of Rome during a bloody civil 3rd book in series: Lion of the Sun war, an effort that is compromised by the rise of former slave Lucius Calidius.” 2nd book in series: Sand of the Arena Mistress of Rome - Kate Quinn “A slave girl, Thea, displeases her jealous mistress by her love affair with Rome's Eagle in the Snow - Wallace Breem newest and most savage gladiator and must “The future of Rome is tested as remake herself as a singer for Rome's Maximus, the newly appointed "General aristocrats, where she catches the eye of the of the West" must lead his legion in Emperor of Rome.” defending their territory, while opposing forces grow in numbers and plan their invasion on the fated empire.” Spartacus: The Gladiator - Ben Kane “Returning to his village after escaping the Roman army, Spartacus is betrayed by his Gladiatrix - Russell Whitfield jealous king and forced into life as a gladiator “Surviving a shipwreck, Lysandra ends before executing a daring overthrow and up in the hands of Ludus Balbus, a assuming leadership over an army of notorious owner of gladiators, and must escaped slaves.” fight in the blood-thirsty -
Spartacus: the Gladiator
Spartacus: The Gladiator BEN KANE 3327Y_tx.indd27Y_tx.indd iiiiii 118/10/20118/10/2011 008:298:29 Published by Preface Copyright © Ben Kane Ben Kane has asserted his right to be identified as the author of this work under the Copyright, Designs and Patents Act This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser First published in Great Britain in by Preface Publishing Vauxhall Bridge Road London, An imprint of The Random House Group Limited www.randomhouse.co.uk www.prefacepublishing.co.uk Addresses for companies within The Random House Group Limited can be found at www.randomhouse.co.uk The Random House Group Limited Reg. No. A CIP catalogue record for this book is available from the British Library Hardback ISBN Trade Paperback ISBN The Random House Group Limited supports The Forest Stewardship Council (FSC®), the leading international forest certifi cation organisation. Our books carrying the FSC label are printed on FSC® certifi ed paper. FSC is the only forest certifi cation scheme endorsed by the leading environmental organisations, including Greenpeace. Our paper procurement policy can be found at www.randomhouse.co.uk/environment Typeset in Fournier MT by Palimpsest Book Production Limited Falkirk, Stirlingshire Printed and bound in Great Britain by Clays Ltd, St Ives PLC 3327Y_tx.indd27Y_tx.indd iivv 118/10/20118/10/2011 008:298:29 Chapter I South-western Thrace, autumn BC hen the village came into sight at the top of a distant hill, a W surging joy filled him. -
China Military Strategy
Cover China’s strategic thought is strongly influenced by three authors: Sun Tzu, Karl Marx, and Mao Zedong, according to Chinese sources. The methodology and philosophy of these men impact how Chinese strategists consider their battlefield context and accordingly develop their plans and procedures for the conduct of military operations. The views expressed in this document are those of the author and do not reflect the official policy or position of the Department of Defense or the US government. The author works for the Foreign Military Studies Office (FMSO), Fort Leavenworth, Kansas. FMSO is a component of the US Army's Training and Doctrine Command (TRADOC). The FMSO does strategic, guidance-driven, unclassified research and analysis of the foreign perspective of unconsidered/understudied security issues of the military operational environment. FMSO is the Army’s principal unclassified researcher, leader educator, and operational-support resource regarding the foreign perspective of the Operational Environment, and the Army’s leading advanced open source education developer, provider, and collaboration organization. TIMOTHY L. THOMAS FOREIGN MILITARY STUDIES OFFICE (FMSO) FORT LEAVENWORTH, KS 2014 TABLE OF CONTENTS INTRODUCTION .................................................................................. 1 PART ONE: WHAT IS STRATEGY? ................................................. 9 CHAPTER ONE: CHINA’S MILITARY STRATEGY: WHERE KARL TRUMPS CARL ...................................................................... 11 Introduction -
Jackie Goes Home Young Working-Class Women: Higher Education, Employment and Social (Re)Alignment
Jackie Goes Home Young Working-Class Women: Higher Education, Employment and Social (Re)Alignment Laura Jayne Bentley, BA (Hons) A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education Department of Education and Childhood Supervised by Associate Professor Richard Waller and Professor Harriet Bradley February 2020 Word count: 83,920 i Abstract This thesis builds on and contributes to work in the field of sociology of education and employment. It provides an extension to a research agenda which has sought to examine how young people’s transitions from ‘undergraduate’ to ‘graduate’ are ‘classed’ processes, an interest of some academics over the previous twenty-five years (Friedman and Laurison, 2019; Ingram and Allen, 2018; Bathmaker et al., 2016; Burke, 2016a; Purcell et al., 2012; Tomlinson, 2007; Brown and Hesketh, 2004; Brown and Scase, 1994). My extension and claim to originality are that until now little work has considered how young working-class women experience such a transition as a classed and gendered process. When analysing the narratives of fifteen young working-class women, I employed a Bourdieusian theoretical framework. Through this qualitative study, I found that most of the working-class women’s aspirations are borne out of their ‘experiential capital’ (Bradley and Ingram, 2012). Their graduate identity construction practices and the characteristics of their transitions out of higher education were directly linked to the different quantity and composition of capital within their remit and the (mis)recognition of this within various fields. -
Gladiators in Rome and the Western Provinces of the Roman Empire
Gladiators in Rome and the western provinces of the Roman Empire Advanced Seminar 600. Spring semester 2006. In Rome women dipped a spear into the blood of a killed gladiator and used it to part their hair in preparation for the marriage ceremony. The ritual was supposed to bestow magic and charismatic powers. At least one senatorial woman left her husband and children, and her very elegant life-style, in order to elope to Egypt with her gladiator- lover. According to the writer who reports on this famous scandal, the gladiator had a series of unsightly lesions on his face and in the middle of his nose a massive wart. It was not beauty that women fell in love with but the cold steel. In legal terms, however, gladiators in Roman society were regarded as the lowest of the lowest. They were usually slaves, and when they were not slaves when they became gladiators they had to swear an oath that technically made them the equivalent of slaves. Gladiators were excluded from the most prestigious positions in society. This paradox will be the key theme of this seminar, but we will also look into a number of other topics, such as recruitment, training, different types of gladiators, fan clubs, family life, emperors as gladiators. Lecture room: Greek and Latin Reading Room (Memorial Library, 4th floor). In order to access the room you need a key. You need to pay a deposit of $10.00 on the third floor of Memorial Library. Time: Wednesday 11:00 AM – 1:00 PM. Instructor: Marc Kleijwegt, Humanities 5219; tel.: 263 2528; email: [email protected] Required books: Eckart Köhne and Cornelia Ewigleben (eds.), Gladiators and Caesars: The Power of Spectacle in Ancient Rome, trans. -
The Woman and the Gladiator on Television in the Twenty-First Century
NEW VOICES IN CLASSICAL RECEPTION STUDIES Conference Proceedings Volume Two REDIRECTING THE GAZE: THE WOMAN AND THE GLADIATOR ON TELEVISION IN THE TWENTY-FIRST CENTURY © Fiona Hobden, University of Liverpool and Amanda Potter, Open University INTRODUCTION Every woman loves a gladiator. This common knowledge underpins the first-century CE Roman poet Juvenal’s satirical portrait of Eppia, the runaway senator’s wife who abandoned her husband and family because she loved the ‘steel blade’, and whose life story should persuade Postumus away from the insanity of marriage, lest he find himself raising a gladiator’s son (Satire 6.80-113).1 And its broader truth is suggested in a boast made in graffiti at Pompeii that ‘Cresces the net-fighter is doctor to the night-time girls, the day-time girls, and all the others’ (CIL IV.4353).2 While there may be elements of fantasy in both proclamations, the satirist and seducer both trade on the allure of the gladiator to susceptible women. Sexual desire arises, moreover, in moments of viewing. Thus, for Ovid’s predatory lover, the games, where women ‘come to see and to themselves be seen’, offer a prime occasion to pursue an erotic advantage, as ‘Venus’s boy’ fights upon the forum sands (Ars Amatoria 1.97-9, 163-70). And it was the passing glimpse of a gladiator that led Faustina to conceive a passion that allegedly resulted in the birth of her gladiator-emperor son, Commodus (Historia Augusta, ‘Life of Marcus Aurelius’ 19.1-2). In the Roman imagination, visual encounters spark female desire; sexual encounters follow. -
Violence in Sports: a Comparison of Gladiatorial Games in Ancient Rome to the Sports of America Amanda Doherty
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 8-2001 Violence in Sports: A Comparison of Gladiatorial Games in Ancient Rome to the Sports of America Amanda Doherty Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Name On Title Page: Amanda Stern Recommended Citation Doherty, Amanda, "Violence in Sports: A Comparison of Gladiatorial Games in Ancient Rome to the Sports of America" (2001). Honors Theses. Paper 9. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. ., Violence in Sports: A Comparison of Gladiatorial Games in Ancient Rome to the Sports ofAmerica Amanda Stern Gladiatorial games in Ancient Rome and modem sports have more in common than we would like to believe. Violence has been a key component to the success ofeach ofthese activities. Many spectators watched as the Coliseum was filled with blood from brutal gladiatorial matches. Today, hundreds offans watch as two grown men hit one another in a boxing ring. After examining gladiatorial games and looking at modem sports one may notice similarities between the two. These similarities suggest that modem sports seem to be just as violent as games in Ancient Rome. The Romans believed that they inherited the practice ofgladiatorial games from the Etruscans who used them as part ofa funeral ritual (Grant, 7). The first gladiatorial games were offered in Rome in 264 BCE by sons ofJunius Brutus Pera in their father's honor (Grant, 8). -
The Gladiator Jug from Ismant El-Kharab 291
The Gladiator Jug from Ismant el-Kharab 291 The Gladiator Jug from Ismant el-Kharab Colin A. Hope and Helen V. Whitehouse The excavations at Ismant el-Kharab, ancient Kellis, since 1). The enclosure contains the West Church and its 1986 have produced a considerable quantity of glass of a adjacent complex dated to the mid-fourth century (Bowen wide variety of types,1 including plain and decorated 2002, 75–81, 83), to the east of which are the two West wares.2 On 2 February 2000, however, a quite exceptional Tombs (Hope and McKenzie 1999); slightly to the east of discovery of two adjacent deposits of glass was made these there is a two-roomed mud-brick structure (Hope within Enclosure 4 of Area D, amongst one of which were this volume, Figure 11). At various locations within the fragments from a jug painted with well-preserved scenes enclosure are east-west-oriented, single human burials of combatant gladiators (Hope 2000, 58–9). This vessel presumed to be those of Christians (Bowen this volume; forms the focus of the present contribution, which aims to Hope this volume). The West Tombs predate the place the piece within its broader context and to explore construction of the wall of Enclosure 4, which, in its north- the question of its place of manufacture.3 The vessels that western corner, is identical with the wall of the West comprise the two groups were all found in fragments, not Church. This indicates that the enclosure is contemporary all of which from each vessel were recovered. -
Spartacus Film and History
Spartacus Film and History Edited by Martin M. Winkler Spartacus Spartacus Film and History Edited by Martin M. Winkler © 2007 by Blackwell Publishing Ltd BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Martin M. Winkler to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2007 by Blackwell Publishing Ltd 1 2007 Library of Congress Cataloging-in-Publication Data Spartacus: film and history / edited by Martin M. Winkler. p. cm. Includes bibliographical references and index. ISBN-13: 978-1-4051-3180-3 (hardcover : alk. paper) ISBN-10: 1-4051-3180-2 (hardcover : alk. paper) ISBN-13: 978-1-4051-3181-0 (pbk. : alk. paper) ISBN-10: 1-4051-3181-0 (pbk. : alk. paper) 1. Spartacus (Motion picture : 1960) 2. Spartacus, d. 71 B.C. 3. Rome–History–Servile Wars, 135-71 B.C. I. Winkler, Martin M. PN1997.S6425S63 2006 791.43’72–dc22 2006022473 A catalogue record for this title is available from the British Library. Set in 10 on 12.5 pt Photina by SNP Best-set Typesetter Ltd, Hong Kong Printed and bound in Singapore by Markono Print Media Pte Ltd The publisher’s policy is to use permanent paper from mills that operate a sustainable forestry policy, and which has been manufactured from pulp processed using acid-free and elementary chlorine-free practices.