Injustice in Ridley Scott's Gladiator Movie
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Screening the Male: Exploring Masculinities in Hollywood Cinema I
SCREENING THE MALE Exploring masculinities in Hollywood cinema Edited by Steven Cohan and Ina Rae Hark London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Disclaimer: For copyright reasons, some images in the original version of this book are not available for inclusion in the eBook. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1993 Routledge, collection as a whole Individual chapters © 1993 respective authors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Screening the Male: Exploring Masculinities in Hollywood Cinema I. Cohan, Steven II. Hark, Ina Rae 791.4309 Library of Congress Cataloguing in Publication Data Screening the male: exploring masculinities in Hollywood cinema/edited by Steven Cohan and Ina Rae Hark. p. cm. 1. Men in motion pictures. 2. Sex in motion pictures. I. Cohan, Steven. II. Hark, Ina Rae. PN1995.9.M46S36 1993 791.43´652041–dc20 92–5815 ISBN 0–415–07758–3 (hbk) ISBN 0–415–07759–1 (pbk) ISBN 0–203–14221–7 Master e-book ISBN ISBN 0–203–22072–2 (Glassbook Format) 8 ANIMALS OR ROMANS Looking at masculinity in Spartacus Ina Rae Hark When Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’ detailed how the cinematic apparatus and the conditions of cinema spectatorship invariably place woman as an object of the desiring male gaze, required to present herself as spectacle, its argument did not necessarily exclude the possibility that the apparatus could similarly objectify men who symbolically if not biologically lacked the signifying phallus. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
The Grave Goods of Roman Hierapolis
THE GRAVE GOODS OF ROMAN HIERAPOLIS AN ANALYSIS OF THE FINDS FROM FOUR MULTIPLE BURIAL TOMBS Hallvard Indgjerd Department of Archaeology, Conservation and History University of Oslo This thesis is submitted for the degree of Master of Arts June 2014 The Grave Goods of Roman Hierapolis ABSTRACT The Hellenistic and Roman city of Hierapolis in Phrygia, South-Western Asia Minor, boasts one of the largest necropoleis known from the Roman world. While the grave monuments have seen long-lasting interest, few funerary contexts have been subject to excavation and publication. The present study analyses the artefact finds from four tombs, investigating the context of grave gifts and funerary practices with focus on the Roman imperial period. It considers to what extent the finds influence and reflect varying identities of Hierapolitan individuals over time. Combined, the tombs use cover more than 1500 years, paralleling the life-span of the city itself. Although the material is far too small to give a conclusive view of funerary assem- blages in Hierapolis, the attempted close study and contextual integration of the objects does yield some results with implications for further studies of funerary contexts on the site and in the wider region. The use of standard grave goods items, such as unguentaria, lamps and coins, is found to peak in the 1st and 2nd centuries AD. Clay unguentaria were used alongside glass ones more than a century longer than what is usually seen outside of Asia Minor, and this period saw the development of new forms, partially resembling Hellenistic types. Some burials did not include any grave gifts, and none were extraordinarily rich, pointing towards a standardised, minimalistic set of funerary objects. -
A Sociological Perspective
THE NEED FOR THE WORLD PEACE IN RIDLEY SCOTT’S KINGDOM OF HEAVEN MOVIE (2005): A SOCIOLOGICAL PERSPECTIVE RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirement For getting Bachelor Degree of Education In English Department By: FITRI YUNI ASTUTI A 320 050 374 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 1 CHAPTER I INTRODUCTION A. Background of the Study Kingdom of Heaven is a 2005 film directed by Ridley Scott and written by William Monahan. It stars Orlando Bloom, Eva Green, Jeremy Irons, David Thewlis, Marton Csokas, Brendan Gleeson, Kevin McKidd, Alexander Siddig, Ghassan Massoud, Edward Norton, Jon Finch, Michael Sheen and Liam Neeson. The story is set during the Crusades of the 12th century. A French village blacksmith goes to aid the city of Jerusalem in its defense against the Muslim leader Saladin, who is battling to reclaim the city from the Christians. The film script is a heavily fictionalized portrayal of Balian of Ibelin. Most filming took place in Ouarzazate in Morocco, where Scott had filmed Gladiator and Black Hawk Down. A replica of the ancient city of Jerusalem was constructed in the desert. Filming also took place in Spain, at the Loarre Castle, Segovia, Ávila, Palma del Río and Casa de Pilatos in Sevilla. The movie was a box office flop in the U.S. and Canada, earning $47 million against a budget of around $130 million, but was successful in Europe and the rest of the world, with the worldwide box office earnings totaling at $211,643,158. It was also a big success in Arabic-speaking countries, especially Egypt, mainly because of the Egyptian actor Khaled El Nabawy. -
Download Reading List (PDF)
Delve Deeper into Racing Dreams A Film by Marshall Curry This resource list, compiled by Patrick, Danica, with Laura Farrey, Tom. Game On: The All- Gina Blume of the Monroe Morton. Crossing the Line. New American Race to Make Township Public Library, York: Touchstone, 2007. Champions of Our Children. includes books, films and other This is a collection of inspirational New York: ESPN, 2008. materials related to the issues stories and insights into this Investigative journalist Tom Farrey presented in the film Racing author’s groundbreaking success examines the lives of child athletes Dreams. from go-karting to becoming an and the consequences associated Indy car champion. with extreme competition at an Fondly described as "Talladega early age, including rising obesity Nights meets Catcher in the Rye," Wood, Denise. NASCAR Women: rates, unruly sideline behavior, and Racing Dreams chronicles a year in At the Heart of Racing. Phoenix: reduced activity in children. the life of three tweens who dream David Bull Publishing, 2003. of becoming NASCAR drivers. The Denise Wood, a journalist and Hyman, Mark. Until It Hurts: film by Marshall Curry (Oscar®- public relations representative for America's Obsession with Youth nominated Street Fight, POV 2005; several race teams, reveals the Sports and How It Harms Our Sundance winner If a Tree Falls, integral part women have played Kids. Boston: Beacon Press, POV 2011) is a humorous and both behind the scenes and in the 2010. heartbreaking portrait of racing, public eye of the NASCAR Journalist and Professor Mark young love and family struggle. organization. Hyman investigates the perils of today’s youth sports culture and the ADULT NONFICTION Coming of Age outcome of coaches and parents pushing children beyond their Karting Davis, John A. -
“Larger Than Life” Competition Recognizing Excellence in Cinema
THE ONE CLUB AND NATIONAL CINEMEDIA INTRODUCE NEW LARGER THAN LIFE COMPETITION RECOGNIZING EXCELLENCE IN CINEMA ADVERTISING ~ Winning Entrant Eligible for Prestigious One Show Gold Pencil ~ Winning Cinema Advertising Entry to be Produced by RSA Films NEW YORK (May 10, 2006) - The One Club, the world's foremost non-profit organization for the recognition and promotion of excellence in advertising, and National CineMedia, the leading digital content and advertising provider for movie theatres in the U.S., are partnering to broaden the One Show Non-Broadcast category to include a new cinema advertising competition. The new cinema category invites the creative community to submit storyboards beginning in September 2006 for a 60 second cinema advertisement. The storyboards will be judged by the 2007 One Show jury of award-winning art directors, copywriters and creative directors with the category winner becoming eligible for the prestigious Gold Pencil award, considered the pinnacle of achievement in the advertising field. National CineMedia will award the production resources of RSA Films, as well as media for the finished advertisement to be showcased to over 10 million moviegoers in approximately 425 theatres on 4,200 movie screens throughout the U.S. Award-winning RSA Films is one of the world’s leading commercial advertising and music video production companies. Founded by Sir Ridley Scott (“Bladerunner,” “Alien,” “Gladiator”) and Tony Scott (“Top Gun,” “True Romance,” “Enemy of the State”), the company will produce the winning entrant’s cinema advertising campaign. “The competition is a unique opportunity for The One Club to promote and recognize new creative concepts in cinema advertising. -
Måske Findes Håbet Kun I Rejsen, Siger Columbus I Ridley Scottsfilm, Men Rejsen Ender Hos Scott Oftest I Skepsis Overfor Den Vestlige Civilisation
Måske findes håbet kun i rejsen, siger Columbus i Ridley Scottsfilm, men rejsen ender hos Scott oftest i skepsis overfor den vestlige civilisation. Længslerne der skaber fremdriften fører også i afgrunden. ejsemotivet er en gammel ken af Erik Svendsen brødrene Kaurismåki. Rejsemotivet ding i kunstens verden. 1 moder er også en ledetråd i englænderen nitetens internationaliserings æra er Ridley Scotts produktion, der stræk det af gode grunde blevet stadig gelse bærer så vægtige og tidstypiske ker sig fra den 'historiske’ film med mere presserende og mange af de se forfatterskaber som fx Salman Rush- debutværket The Duellists (1977), neste årtiers store kunstnere har haft dies og afdøde Bruce Chatwins. over to fremtidsvisioner - Alien rejsen som en oplagt ledetråd. Eksil Samme tendens kan oplagt spores i (1979) og Blade Runner (1982) —, en er et andet ord for en permanent den moderne films univers: fra Jim mytisk tid i Legend (1985) og frem rejse, og eksilets opbrud og bevæ- Jarmusch over Wim Wenders til til nutiden, henholdsvis i et celebert 32 og klassedelt New York i Someone to nøjelse, for med det gode følger altid 'Måske findes håbet kun i rejsen’ Watch Over Me (1987), et traditions den onde: politimanden Mick bliver siger Columbus i 1492, i den foregå rigt og moderne Japan i Black Rain også konfronteret med en dæmo ende Thelma and Louise er slutreplik- (1989) og en skæbnesvanger tur på nisk, destruktiv og driftsbefængt ken: 'Let’s not get caught, let's keep landet i Thelma and Louise (1991). mand, Venza, der virker lige så svær going'. De farende kvinder er mere Den sidste film Ridley Scott har la at udrydde som det irrationelle selv. -
Broadside Read- a Brief Chronology of Major Events in Trous Failure
NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION Volume 17, Number 1/Volume 17, Number 2 SPECIAL DOUBLE ISSUE Summer/Fa111989 EXHIBITION SURVEYS MANHATTAN'S EARLY THEATRE HISTORY L An exhibition spotlighting three early New York theatres was on view in the Main I Gallery of The New York Public Library at Lincoln Center from February 13, 1990 through March 31, 1990. Focusing on the Park Theatre on Park Row, Niblo's Garden on Broadway and Prince Street, and Wal- lack's, later called the Star, on Broadway and 13th Street, the exhibition attempted to show, through the use of maps, photo- graphic blowups, programs and posters, the richness of the developing New York theatre scene as it moved northward from lower Manhattan. The Park Theatre has been called "the first important theatre in the United States." It opened on January 29, 1798, across from the Commons (the Commons is now City Hall Park-City Hall was built in 1811). The opening production, As You Like It, was presented with some of the fin- est scenery ever seen. The theatre itself, which could accommodate almost 2,000, was most favorably reviewed. It was one of the most substantial buildings erected in the city to that date- the size of the stage was a source of amazement to both cast and audience. In the early nineteenth century, to increase ticket sales, manager Stephen Price introduced the "star sys- tem" (the importation of famous English stars). This kept attendance high but to some extent discouraged the growth of in- digenous talent. In its later days the Park was home to a fine company, which, in addition to performing the classics, pre- sented the work of the emerging American playwrights. -
Artist Catalogue
NOBODY, NOWHERE THE LAST MAN (1805) THE END OF THE WORLD (1916) END OF THE WORLD (1931) DELUGE (1933) THINGS TO COME (1936) PEACE ON EARTH (1939) FIVE (1951) WHEN WORLDS COLLIDE (1951) THE WAR OF THE WORLDS (1953) ROBOT MONSTER (1953) DAY THE WORLD ENDED (1955) KISS ME DEADLY (1955) FORBIDDEN PLANET (1956) INVASION OF THE BODY SNATCHERS (1956) WORLD WITHOUT END (1956) THE LOST MISSILE (1958) ON THE BEACH (1959) THE WORLD, THE FLESH AND THE DEVIL (1959) THE GIANT BEHEMOTH (1959) THE TIME MACHINE (1960) BEYOND THE TIME BAR- RIER (1960) LAST WOMAN ON EARTH (1960) BATTLE OF THE WORLDS (1961) THE LAST WAR (1961) THE DAY THE EARTH CAUGHT FIRE (1961) THE DAY OF THE TRIFFIDS (1962) LA JETÉE (1962) PAN- IC IN YEAR ZERO! (1962) THE CREATION OF THE HUMANOIDS (1962) THIS IS NOT A TEST (1962) LA JETÉE (1963) FAIL-SAFE (1964) WHAT IS LIFE? THE TIME TRAVELERS (1964) THE LAST MAN ON EARTH (1964) DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964) THE DAY THE EARTH CAUGHT FIRE (1964) CRACK IN THE WORLD (1965) DALEKS – INVASION EARTH: 2150 A.D. (1966) THE WAR GAME (1965) IN THE YEAR 2889 (1967) LATE AUGUST AT THE HOTEL OZONE (1967) NIGHT OF THE LIVING DEAD (1968) PLANET OF THE APES (1968) THE BED-SITTING ROOM (1969) THE SEED OF MAN (1969) COLOSSUS: THE FORBIN PROJECT (1970) BE- NEATH THE PLANET OF THE APES (1970) NO BLADE OF GRASS (1970) GAS-S-S-S (1970) THE ANDROM- EDA STRAIN (1971) THE OMEGA MAN (1971) GLEN AND RANDA (1971) ESCAPE FROM THE PLANET OF THE APES (1971) SILENT RUNNING (1972) DO WE HAVE FREE WILL? BEWARE! THE BLOB (1972) -
Gladiator Politics from Cicero to the White House
Gladiator Politics from Cicero to the White House The gladiator has become a popular icon. He is the hero fighting against the forces of oppression, a Spartacus or a Maximus. He is the "gridiron gladiator" of Monday night football. But he is also the politician on the campaign trail. The casting of the modern politician as gladiator both appropriates and transforms ancient Roman attitudes about gladiators. Ancient gladiators had a certain celebrity, but they were generally identified as infames and antithetical to the behavior and values of Roman citizens. Gladiatorial associations were cast as slurs against one's political opponents. For example, Cicero repeatedly identifies his nemesis P. Clodius Pulcher as a gladiator and accuses him of using gladiators to compel political support in the forum by means of violence and bloodshed in the Pro Sestio. In the 2008 and 2012 presidential campaigns the identification of candidates as gladiators reflects a greater complexity of the gladiator as a modern cultural symbol than is reflected by popular film portrayals and sports references. Obama and Clinton were compared positively to "two gladiators who have been at it, both admired for sticking at it" in their "spectacle" of a debate on February 26, 2008 by Tom Ashbrook and Mike McIntyre on NPR's On Point. Romney and Gingrich appeared on the cover of the February 6, 2012 issue of Newsweek as gladiators engaged in combat, Gingrich preparing to stab Romney in the back. These and other examples of political gladiators serve, when compared to texts such as Cicero's Pro Sestio, as a means to examine an ancient cultural phenomenon and modern, popularizing appropriations of that phenomenon. -
TONY NOBLE Production Designer
The Screen Talent Agency 020 7729 7477 TONY NOBLE Production Designer Tony has production designed high profile campaigns for some of the biggest names in British commercials, including Ridley Scott, Tony Scott, Hugh Hudson, Alan Parker, Patricia Murphy, John Henderson and Paul Weiland. Moving into features, Tony went on to art direct Gavin Hood’s RENDITION and was the UK concept artist for Robert De Niro’s THE GOOD SHEPHERD, but his best-known work is to be seen on the highly acclaimed and multiple award winning MOON. Reel Film Reviews and Screaming Blue Review referred to Tony’s designs as ‘jaw dropping’ and ‘perfect’. Tony is based in London and available for work worldwide. www.tonynoble.co.uk Selected credits date production director / producer / production company television: 2019 MARTIN’S CLOSE Mark Gatiss / Isibeal Balance / Adorable Media – BBC4 2003 BROKEN MORNING Jack Bond / Jack Bond / ITV feature films: 2019 TWIST Martin Owen / Ben Grass / Unstoppable Entertainment 2019 FOR LOVE OR MONEY Mark Murphy / Eric Woollard-White / Solar Productions 2019 THE INTERGALACTIC ADVENTURES OF Martin Owen / Alan Latham / Goldfinch MAX CLOUD 2018 PERIPHERAL Paul Hyett / Bill Kenwright / Bill Kenwright Films 2018 THE COVENANT Paul Hyett / Michael Riley / Sterling Films 2017 SOLIS Carl Strathie / Charlette Kilby / GSP Studios 2016 THE CRUCIFIXION Xavier Gens / Leon Clarance / Motion Picture Capital 2015 AWAITING Mark Murphy / Alan Latham / GSP Studios 2015 TREEHOUSE Michael G. Bartlett / Michael Guy Ellis / Aunt Max Entertainment 2015 THE COMEDIAN'S -
Jonathan Friedlander Collection of Middle Eastern Americana, 1875-2006
http://oac.cdlib.org/findaid/ark:/13030/kt4779r5hf Online items available Finding Aid for the Jonathan Friedlander collection of Middle Eastern Americana, 1875-2006 Processed by Lorraine Pratt (2006), Sina Rahmadi (2007), and Audra Eagle (2008) in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Bachli, 2008; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the Jonathan 1314 1 Friedlander collection of Middle Eastern Americana, 1875-2006 Descriptive Summary Title: Jonathan Friedlander collection of Middle Eastern Americana Date (inclusive): 1875-2006 Collection number: 1314 Creator: Friedlander, Jonathan. Extent: 33 boxes (16.5 linear feet)21 oversize boxes Abstract: The several thousand items contained in the Middle Eastern Americana collection document the substantial and significant presence of the Middle East in the annals of American popular culture. Over the course of more than 150 years and well into the present public interest in the Middle East has engendered a consumer appetite for a material culture that ranges from popular fiction and cinema to tobacco and coffee. In all its parts and subsets this diverse and multifaceted collection is geared for academic research and scholarly exploration of issues related to the representation of the Middle East in various popular culture domains including literature, cinema, music, photography, graphics and visual art, the performing arts, and entertainment.