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Estudios Clásicos Anejo 4 REVISTA DE LA SOCIEDAD ESPAÑOLA DE ESTUDIOS CLÁSICOS ESTUDIO CLÁSICOS 2018 ISSN 0014-1453 18€ EClás 2018 4 O NEJ A OS IC S Á L C OS I UD T S E Ovidio 2000 años después EMMA FALQUE & MARÍA JOSÉ MUÑOZ (EDS.) ✫SOC OS IED IC A S D A ´ E L S S P C P A A S S N N ˜ ˜ O O I I O O D D L L A A V V T T D D S S E E E E Anejo 4 ✫SOC OS IED IC A SOCIEDAD ESPAÑOLA S D A ´ E L S DE ESTUDIOS CLÁSICOS C P A S N ˜ O I O D L A http://estudiosclasicos.org V T D S E [email protected] E Estudios Clásicos (EClás), con ISSN 0014-1453, es una revista de periodicidad semestral que fue fundada en 1950 y es el órgano de difusión de la Sociedad Española de Estudios Clásicos (SEEC). Consta de tres secciones: Artí�culos, Reseñas y Actividades de la SEEC. La revista recibe contribuciones relacionadas con el mundo grecolatino y su pervivencia, que se pueden inscribir dentro de los apartados temáticos de Cultura Clásica, Actualización cientí�fica y bibliográfica y Didáctica de las lenguas clásicas. Además de estas secciones, la revista ha creado la sección Investigador invitado, destinada a la publicación de un artí�culo traducido al castellano de un investigador extranjero que ofrezca nuevas aproximaciones o aspectos relevantes sobre temas de interés de la SEEC. Edición Sociedad Española de Estudios Clásicos Redacción y Correspondencia Estudios Clásicos Sociedad Española de Estudios Clásicos c/ Serrano, 107 28006 Madrid (España) Suscripciones [email protected] http://estudiosclasicos.org 91 564 25 38 Estudios Clásicos se encuentra en las siguientes bases de datos: ISOC, L’Année philologique (Aph), Latindex, Linguistic Bibliography/Bibliographie Linguistique, Directorio de Revistas Españolas de Ciencias Sociales Humanas, y Dialnet. ISSN: 0014-1453 Depósito legal: M.567-1958 Imagen de cubierta: a partir del fresco de Eco y Narciso (Casa dell'Efebo, Pompeya, Italia; 60-79 d.C.). Diseño y composición: Sandra Romano, [email protected] Impresión: Solana e Hijos Artes Gráficas, SA c/ San Alfonso 26, Leganés, 28917 Madrid OvidiO 2.000 añOs después Estudios Clásicos Revista de la Sociedad Española de Estudios Clásicos (SEEC) Director Jesús de la Villa Presidente de la SEEC SecrEtaria Sandra Romano Martí�n Profesora Ayudante Doctora Universidad Autónoma de Madrid ConSEjo DE rEDacción M.ª Á�ngeles Álmela Lumbreras Rosa M.ª Iglesias Montiel Secretaria de la SEEC Catedrática de Filologí�a Latina Ántonio Álvar Ezquerra Universidad de Murcia Catedrático de Filologí�a Latina, David Konstan Universidad de Alcalá de Henares Brown University Patricia Cañizares Ferriz M.ª Rosa Mariño Sánchez-Elvira, Profesora Contratada Doctora Vicesecretaria de la SEEC Universidad Complutense de Madrid Ántonio Melero Bellido Francesc Casadesús Bordoy Catedrático de Filologí�a Griega Miembro de la Junta Directiva de la SEEC Universidad de Valencia Dulce Estefaní�a Á�lvarez Enrique Montero Cartelle Catedrática emérita de Filologí�a Latina Catedrático de Filologí�a Latina Universidad de Santiago de Compostela Universidad de Valladolid Manuel Garcí�a Teijeiro Ána Moure Casas Catedrático de Filologí�a Griega Catedrática de Filologí�a Latina Universidad de Valladolid Universidad Complutense de Madrid Emma Falque Rey M.ª José Muñoz Jiménez Vicepresidenta de la SEEC Vicepresidenta de la SEEC José Francisco González Castro Jaime Siles Ruiz Tesorero de la SEEC Catedrático de Filologí�a Latina Julián González Fernández Universidad de Valencia Miembro de la Junta Directiva de la SEEC ConSEjo aSESor Michael von Álbrecht José Martí�nez Gázquez Universidad de Heidelberg Universidad Autónoma de Barcelona Paolo Fedeli Julián Méndez Dosuna Università degli Studi di Bari Universidad de Salamanca Luis Gil Francisco Rodrí�guez Ádrados Universidad Complutense de Madrid RR.AA. de la Lengua y de la Historia Ána M.ª González de Tobia José Luis Vidal Pérez Universidad Nacional de La Plata Universidad de Barcelona sOciedad españOla de estudiOs clásicOs Ovidio 2000 años después emma Falque & mari� a jOsé muñOz (eds.) ✫SOC OS IED IC A S D A ´ E L S C P A S N ˜ O I O D L A V T D S E E estudiOs clásicOs ■ anejO 4 madrid ■ 2018 Í�ndice Contents 11–12 Emma Falque & Mari� a JOsé MuñOz ■ Presentación Foreword Ponencias Guest Lectures 15–42 AntOniO Alvar Ezquerra ■ De la elegí�a erótica a la elegí�a de exilio: la construcción de un nuevo lenguaje poético From Erotic Elegy to Exile Elegy: the Construction of a New Poetic Language 43–64 COnsuelO A� lvarez MOrán & ROsa Iglesias MOntiel ■ Mitografí�a Poética versus manual mitográfico: Metamorfosis y Biblioteca Poetic Mythography versus Mythographic Handbook: Metamorphoses and Bibliotheca 65–88 Vicente Cristóbal ■ Ovidio como clave para entender y valorar la literatura española Ovid as Key to Understand and Value the Spanish Literature 89–108 Francisca MOya del BañO ■ Ovidio y las mujeres ví�ctimas de la guerra en las Heroidas Ovid and Women as Victims of War in Heroids 109–128 AntOniO Rami� rez de Verger ■ Los comentarios de las Metamorfosis de Ovidio Commentaries on Ovid’s Metamorphoses 129–150 FranciscO SOcas ■ El credo de Ovidio Ovid’s Creed Comunicaciones Papers 153–164 A� lvarO AlberO MOmpeán ■ Ecos ovidianos en las silvas Manto y Rusticus de Angelo Poliziano Ovidian Echoes in Angelo Poliziano’s Silvae (Manto and Rusticus) 165–176 Juan Luis Arcaz POzO ■ Los mitos antiamorosos en los Remedia amoris de Ovidio y su relación con el Ars amatoria The Anti-amorous Myths in Ovid’s Remedia amoris and their Relationship with Ars amatoria 177–190 AntOniO Barnés Vázquez ■ Función de Ovidio en la construcción del Quijote Ovid’s Role in the Construction of Don Quixote Ovidio 2000 años después · Estudios Clásicos ▪ Anejo 4 ▪ 2018 ▪ 7-8 ■ issn 0014-1453 8 ����� 191–200 Juan Bris Garci� a ■ La transmisión de varias fuentes mitológicas de las Metamorfosis y las Heroidas en La Celestina Transmission of Several Mythological Sources from Metamorphoses and Heroides to La Celestina 201–212 JuliO César CalvO Herraiz ■ Ovidio y San Agustí�n: una conjetura sobre la ausencia explí�cita del poeta en la obra del santo Ovid and Saint Augustine: a Conjecture about the Poet’s Explicit Absence in the Saint’s Works 213–222 Nair Castiñeiras ■ El mito de Venus y Adonis hecho imagen: las Metamorfosis de Ovidio ilustradas por los mejores pintores franceses The Myth of Venus and Adonis Turned into Image: Ovid’s Metamorphoses Illustrated by the Best French Painters 223–232 Mari� a DOlOres CastrO Jiménez ■ De Ovidio al arte y nuevamente a la poesí�a: Dafne en la poesí�a española contemporánea From Ovid to Art and Back to Poetry Again: Daphne in Contemporary Spanish Poetry 233–242 AntOniO CuradO Ferreira ■ Ovidio y Modern Times de Bob Dylan Ovid and Bob Dylan’s Modern Times 243–256 Elena Girbal ■ A propósito de Medusa y los corales: una aproximación cientí�fica al mito de Perseo About Corals and Medusa: a Scientific Approach to Perseus’ Myth 257–268 CarlOs Mariscal de Gante ■ Vade, sed incultus, qualem decet exulis esse: lecturas de Ovidio en el exilio lorquiano de Bernardo Clariana Vade, sed incultus qualem decet exulis esse: Ovid’s Readings in Bernardo Clariana’s Lorquian Exile 269–277 Graciela ROdri� guez AlOnsO ■ La musa ovidiana en el siglo XXi: vivencia de una escritora The Ovidian Muse in the 21th Century: a Writer’s Experience 279–286 JOsé Manuel Vélez LatOrre ■ Ovidio y el poder de sus imágenes: una lectura polí�tica de los tres poemas del exilio sobre los triunfos de Tiberio y Germánico Ovid and the Power of his Images: a Political Reading of Three Exile Poems About Tiberius’ and Germanicus’ Triumphs 287–294 Juan CarlOs Villalba Saló ■ El rubor de Lavinia: Virgilio y Ovidio frente a frente Lavinia’s Blush: Virgil and Ovid Face to Face Ovidio 2000 años después · Estudios Clásicos ▪ Anejo 4 ▪ 2018 ▪ 7-8 ■ issn 0014-1453 Presentación Presentación Foreword emma Falque rey & mari� a jOsé muñOz jiménez os dí�as 21 y 22 de abril de 2017 la seec se unió a la conmemoración L del bimilenario de la muerte de Ovidio celebrando un simposio con el tí�tulo «Ovidio 2000 años después». El poeta fue el hilo conductor de las distintas intervenciones de aquel simposio que tuvo lugar en Madrid en la Fundación Pastor, de cuya hospitalidad, una vez más, somos deudores. Es de justicia agradecer a la Fundación y de manera especial a su presidente, el Prof. D. Emilio Crespo, y a sus patronos la generosidad con la que nos acogen. La seec no podí�a dejar de celebrar, aunque lo hicieran también otras universidades en el mismo año, el bimilenario de Ovidio, y así� nos su- mamos a esta conmemoración. La relevancia de la obra de este poeta en el conjunto de la literatura latina y los ecos ovidianos que podemos rastrear tanto en la literatura como en el arte a través de diversas épocas y ámbitos geográficos fueron justificado motivo para que decidiéramos dedicar el simposio monográfico a la figura y obra del poeta de Sulmona. Entre las páginas que siguen encontrará el lector ponencias dedicadas a cuestiones relacionadas con la transmisión de los textos ovidianos, las ediciones y comentarios de las Metamorfosis (Ramí�rez de Verger) y la comparación de las leyendas de las Metamorfosis de Ovidio con las de la Biblioteca de Apolodoro (A� lvarez-Iglesias). También otra obra del poeta, las Heroidas, y un aspecto concreto, las mujeres ví�ctimas de la guerra, fue objeto de estudio en el simposio (Moya) o el recorrido realizado por el poeta de la elegí�a erótica a la elegí�a de exilio y la construcción de un nuevo lenguaje poético (Alvar).
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