The Book of Gods,Goddessess,Heroes and Other Characters of Mythology
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The Celtic Encyclopedia, Volume II
7+( &(/7,& (1&<&/23(',$ 92/80( ,, . T H E C E L T I C E N C Y C L O P E D I A © HARRY MOUNTAIN VOLUME II UPUBLISH.COM 1998 Parkland, Florida, USA The Celtic Encyclopedia © 1997 Harry Mountain Individuals are encouraged to use the information in this book for discussion and scholarly research. The contents may be stored electronically or in hardcopy. However, the contents of this book may not be republished or redistributed in any form or format without the prior written permission of Harry Mountain. This is version 1.0 (1998) It is advisable to keep proof of purchase for future use. Harry Mountain can be reached via e-mail: [email protected] postal: Harry Mountain Apartado 2021, 3810 Aveiro, PORTUGAL Internet: http://www.CeltSite.com UPUBLISH.COM 1998 UPUBLISH.COM is a division of Dissertation.com ISBN: 1-58112-889-4 (set) ISBN: 1-58112-890-8 (vol. I) ISBN: 1-58112-891-6 (vol. II) ISBN: 1-58112-892-4 (vol. III) ISBN: 1-58112-893-2 (vol. IV) ISBN: 1-58112-894-0 (vol. V) Library of Congress Cataloging-in-Publication Data Mountain, Harry, 1947– The Celtic encyclopedia / Harry Mountain. – Version 1.0 p. 1392 cm. Includes bibliographical references ISBN 1-58112-889-4 (set). -– ISBN 1-58112-890-8 (v. 1). -- ISBN 1-58112-891-6 (v. 2). –- ISBN 1-58112-892-4 (v. 3). –- ISBN 1-58112-893-2 (v. 4). –- ISBN 1-58112-894-0 (v. 5). Celts—Encyclopedias. I. Title. D70.M67 1998-06-28 909’.04916—dc21 98-20788 CIP The Celtic Encyclopedia is dedicated to Rosemary who made all things possible . -
Champions of the Gods
Champions of the Gods Champions of the Gods by Warren Merrifield 1 Champions of the Gods Copyright ©2006 Warren Merrifield. This is an entry into the Iron Game Chef ‘06 competition. It uses the ingredients Ancient, Committee and Emotion, and is designed to be played in four two–hour sessions. Typeset in Garamond and Copperplate. Created with Apple Pages software on a G5 iMac. Contact me at [email protected] 2 Champions of the Gods Map of the Ancient Greek World 3 Champions of the Gods Introduction This is my Iron Game Chef ‘06 Entry. It uses the ingredients Ancient, Committee and Emotion, and is designed to be run in four two–hour sessions with between three and five participants. There is no Gamesmaster. I am no authority on Ancient Greece and its myths, so please indulge me any inaccuracies that I may have presented here. Background The Ancient Greek World, during the Age of Gods and Men: Zeus, father of all the Gods has decided that he wants a new religious festival for the Mortals to honour him. He has declared that it will be known as the “Olympics” and shall be held in the most worthy city–state in all of the Greek World — anywhere from Iberia to the Black Sea. But there are more city–states than Zeus can be bothered to remember, so to discover which is most worthy, he has chosen a number of his Godly offspring to do it for him. They will be known as the “Mount Olympus Committee”, and will report back in four mortal years, or Zeus shall rip all of Creation asunder. -
Heads Or Tails
Heads or Tails Representation and Acceptance in Hadrian’s Imperial Coinage Name: Thomas van Erp Student number: S4501268 Course: Master’s Thesis Course code: (LET-GESM4300-2018-SCRSEM2-V) Supervisor: Mw. dr. E.E.J. Manders (Erika) 2 Table of Contents List of Figures ............................................................................................................................ 5 Figure 1: Proportions of Coin Types Hadrian ........................................................................ 5 Figure 2: Dynastic Representation in Comparison ................................................................ 5 Figure 3: Euergesia in Comparison ....................................................................................... 5 Figure 4: Virtues ..................................................................................................................... 5 Figure 5: Liberalitas in Comparison ...................................................................................... 5 Figure 6: Iustitias in Comparison ........................................................................................... 5 Figure 7: Military Representation in Comparison .................................................................. 5 Figure 8: Divine Association in Comparison ......................................................................... 5 Figure 9: Proportions of Coin Types Domitian ...................................................................... 5 Figure 10: Proportions of Coin Types Trajan ....................................................................... -
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
318136 Vol1.Pdf
Open Research Online The Open University’s repository of research publications and other research outputs The nature and development of Roman Corinth to the end of the Antonine period Thesis How to cite: Walbank, Mary Elizabeth Hoskins (1987). The nature and development of Roman Corinth to the end of the Antonine period. PhD thesis The Open University. For guidance on citations see FAQs. c 1986 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000de1f Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk THE NATURE AND DEVELOPMENT OF ROMAN CORINTH TO THE END OF THE ANTONINE PERIOD Mary Elizabeth Hoskins Walbank, B.A., M.A. Thesis submitted to the Open University for the degree of Doctor of Philosophy AvrPr'lor5 1\lJt'\'\bC(: HDK' 303 . :Datrt or 6ubMlsslon; ;(0'''' October R~C, Classics, Faculty of Arts ~ata of- Aw'drc\: 7J}'v\ Januatj 19<97 October 1986 COPYRIGHT DECLARATION This thesis is an unpublished typescript and copyright is held by the author. Photocopy; ng ; sperm; tted on ly wi th the v/ri tten consent of the author. No quotation from this thesis or information derived from it may be published without the written consent of the author. i ABSTRACT The purpose of this thesis is two-fold: first, to examine and re-assess the material remains of Roman Corinth in the light 'of modern scholarship; secondly, to use this evidence, in combination with the literary sources, and thus to define, more clearly than has been done hitherto, both the nature of the original foundation and the way in which it developed. -
Literature and Learning in Early Medieval Meath
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Literature and learning in early medieval Meath Author(s) Downey, Clodagh Publication Date 2015 Downey, Clodagh (2015) 'Literature and Learning in Early Publication Medieval Meath' In: Crampsie, A., and Ludlow, F(Eds.). Information Meath History and Society: Interdisciplinary Essays on the History of an Irish County. Dublin : Geography Publications. Publisher Geography Publications Link to publisher's http://www.geographypublications.com/product/meath-history- version society/ Item record http://hdl.handle.net/10379/7121 Downloaded 2021-09-26T15:35:58Z Some rights reserved. For more information, please see the item record link above. CHAPTER 04 - Clodagh Downey 7/20/15 1:11 PM Page 1 CHAPTER 4 Literature and learning in early medieval Meath CLODAGH DOWNEY The medieval literature of Ireland stands out among the vernacular literatures of western Europe for its volume, its diversity and its antiquity, and within this treasury of cultural riches, Meath holds a prominence greatly disproportionate to its geographical extent, however that extent is reckoned. Indeed, the first decision confronting anyone who wishes to consider this subject is to define its geographical limits: the modern county of Meath is quite a different entity to the medieval kingdom of Mide from which it gets its name and which itself designated different areas at different times. It would be quite defensible to include in a survey of medieval literature those areas which are now under the administration of other modern counties, but which may have been part of the medieval kingdom at the time that that literature was produced. -
ML 4080 the Seal Woman in Its Irish and International Context
Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Darwin, Gregory R. 2019. Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42029623 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context A dissertation presented by Gregory Dar!in to The Department of Celti# Literatures and Languages in partial fulfillment of the re%$irements for the degree of octor of Philosophy in the subje#t of Celti# Languages and Literatures (arvard University Cambridge+ Massa#husetts April 2019 / 2019 Gregory Darwin All rights reserved iii issertation Advisor: Professor Joseph Falaky Nagy Gregory Dar!in Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context4 Abstract This dissertation is a study of the migratory supernatural legend ML 4080 “The Mermaid Legend” The story is first attested at the end of the eighteenth century+ and hundreds of versions of the legend have been colle#ted throughout the nineteenth and t!entieth centuries in Ireland, S#otland, the Isle of Man, Iceland, the Faroe Islands, Norway, S!eden, and Denmark. -
GODDESS of LOVE and MISTRESS of the SEA P. Goodspeed 101 Is
GODDESS OF LOVE AND MISTRESS OF THE SEA NOTES ON A HELLENISTIC HYMN TO ARSINOE-APHRODITE (P. LIT. GOODSP. 2, I-IV)* Abstract: This article analyses one of the hexametric poems copied on a 2nd-century AD papyrus, possibly from Hermupolis, P. Lit. Good- speed 2: a Hellenistic hymn to Aphrodite celebrated as a patroness of the sea and of wedded love. This portrayal of the goddess perfectly fits with Ptolemaic royal propaganda in the 3rd century BC. The address to ’Arsinóa Ptolema[ì] (II 5) reveals that the goddess is here worshipped as a divine image of a queen Arsinoe, most probably Arsinoe II Phila- delphos, who had strong links with key figures of the Ptolemaic navy. The hymn is compared with contemporary Alexandrian poetry, such as the epigrams of the Milan papyrus P. Mil. Vogl. VIII 309. Some hypo- theses are also presented on the context of the composition and the per- formance of the hymn (a Cypriot cult of Arsinoe Philadelphos?). THE PAPYRUS P. Goodspeed 101 is a fragment of a papyrus roll composed by a series of II AD documents pasted together1. On the verso, on twelve fragmentary * This article is an expanded and modified version of a short paper I presented at the conference La cultura ellenistica: il libro, l’opera letteraria e l’esegesi antica, Università di Roma, Tor Vergata, 22-24 September 2003. I wish to thank the anonymous readers and the editors of Ancient Society for useful comments and suggestions. Abbreviations: CA = J.U. POWELL, Collectanea Alexandrina. Reliquiae minores poetarum Graecorum aetatis Ptolemaicae 323-146 a.C. -
Gottheit (99) 1 Von 10
Gottheit (99) Suche Startseite Profil Konto Gottheit Zurück zu Witchways Diskussionsforum Themenübersicht Neues Thema beginnen Thema: Gottheit Thema löschen | Auf dieses Thema antworten Es werden die Beiträge 1 - 30 von 97 angezeigt. 1 2 3 4 Shannah Witchways Abnoba (keltische Muttergöttin) Abnoba war eine keltische Muttergöttin und personifizierte den Schwarzwald, welcher in der Antike den Namen Abnoba mons trug. Mythologie Sie galt als Beschützerin des Waldes, des Wildes und der Quellen, insbesondere als Schutzpatronin der Heilquellen in Badenweiler. Wild und Jäger unterstanden ihrem Schutz. Nach der bei der Interpretatio Romana üblichen Vorgehensweise wurde sie von den Römern mit Diana gleichgesetzt, wie etwa eine in Badenweiler aufgefundene Weiheinschrift eines gewissen Fronto beweist, der damit ein Gelübde einlöste. Wahrscheinlich stand auf dem Sockel, der diese Inschrift trägt, ursprünglich eine Statue dieser Gottheit. Ein in St. Georgen aufgefundenes Bildwerk an der Brigachquelle zeigt Abnoba mit einem Hasen, dem Symbol für Fruchtbarkeit, als Attribut. Tatsächlich wurden in Badenweiler auch Leiden kuriert, die zu ungewollter Kinderlosigkeit führten, und in den Thermen dieses Ortes war ungewöhnlicherweise die Frauenabteilung nicht kleiner als die für Männer. Abnoba dürfte für die Besucher von Badenweiler also vor allem als Fruchtbarkeitsgottheit gegolten haben. vor etwa einem Monat Beitrag löschen Shannah Witchways Aericura (keltische Totengottheit) Aericura ist eine keltisch-germanische Fruchtbarkeits- und Totengottheit. Mythologie Aericura, auch Aeracura, Herecura oder Erecura, ist eine antike keltisch-germanische (nach einigen Theorien jedoch ursprünglich sogar eine illyrische) Gottheit. Sie wird zumeist mit Attributen der Proserpina ähnlich dargestellt, manchmal in Begleitung eines Wolfs oder Hundes, häufig jedoch auch mit ruchtbarkeitsattributen wie Apfelkörben. Manchmal wird Aericura als Fruchtbarkeitsgottheit gedeutet, häufig jedoch eher als Totengöttin. -
Bodies of Knowledge: the Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Geoffrey Shamos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Shamos, Geoffrey, "Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600" (2015). Publicly Accessible Penn Dissertations. 1128. https://repository.upenn.edu/edissertations/1128 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1128 For more information, please contact [email protected]. Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Abstract During the second half of the sixteenth century, engraved series of allegorical subjects featuring personified figures flourished for several decades in the Low Countries before falling into disfavor. Designed by the Netherlandsâ?? leading artists and cut by professional engravers, such series were collected primarily by the urban intelligentsia, who appreciated the use of personification for the representation of immaterial concepts and for the transmission of knowledge, both in prints and in public spectacles. The pairing of embodied forms and serial format was particularly well suited to the portrayal of abstract themes with multiple components, such as the Four Elements, Four Seasons, Seven Planets, Five Senses, or Seven Virtues and Seven Vices. While many of the themes had existed prior to their adoption in Netherlandish graphics, their pictorial rendering had rarely been so pervasive or systematic.