Champions of the Gods
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Appendix to Taxonomic Revision of Leopold and Rudolf Blaschkas' Glass Models of Invertebrates 1888 Catalogue, with Correction
http://www.natsca.org Journal of Natural Science Collections Title: Appendix to Taxonomic revision of Leopold and Rudolf Blaschkas’ Glass Models of Invertebrates 1888 Catalogue, with correction of authorities Author(s): Callaghan, E., Egger, B., Doyle, H., & E. G. Reynaud Source: Callaghan, E., Egger, B., Doyle, H., & E. G. Reynaud. (2020). Appendix to Taxonomic revision of Leopold and Rudolf Blaschkas’ Glass Models of Invertebrates 1888 Catalogue, with correction of authorities. Journal of Natural Science Collections, Volume 7, . URL: http://www.natsca.org/article/2587 NatSCA supports open access publication as part of its mission is to promote and support natural science collections. NatSCA uses the Creative Commons Attribution License (CCAL) http://creativecommons.org/licenses/by/2.5/ for all works we publish. Under CCAL authors retain ownership of the copyright for their article, but authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy articles in NatSCA publications, so long as the original authors and source are cited. TABLE 3 – Callaghan et al. WARD AUTHORITY TAXONOMY ORIGINAL SPECIES NAME REVISED SPECIES NAME REVISED AUTHORITY N° (Ward Catalogue 1888) Coelenterata Anthozoa Alcyonaria 1 Alcyonium digitatum Linnaeus, 1758 2 Alcyonium palmatum Pallas, 1766 3 Alcyonium stellatum Milne-Edwards [?] Sarcophyton stellatum Kükenthal, 1910 4 Anthelia glauca Savigny Lamarck, 1816 5 Corallium rubrum Lamarck Linnaeus, 1758 6 Gorgonia verrucosa Pallas, 1766 [?] Eunicella verrucosa 7 Kophobelemon (Umbellularia) stelliferum -
OVID Metamorphoses
Metamorphoses Ovid, Joseph D. Reed, Rolfe Humphries Published by Indiana University Press Ovid, et al. Metamorphoses: The New, Annotated Edition. Indiana University Press, 2018. Project MUSE. muse.jhu.edu/book/58757. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/58757 [ Access provided at 20 May 2021 05:17 GMT from University of Washington @ Seattle ] book FIve The Fighting of Perseus* So Perseus told his story, and the halls Buzzed loud, not with the cheery noise that rings From floor to rafter at a wedding-party. No; this meant trouble. It was like the riot When sudden squalls lash peaceful waves to surges. Phineus was the reckless one to start it, That warfare, brandishing his spear of ash With sharp bronze point. “Look at me! Here I am,” He cried, “Avenger of my stolen bride! No wings will save you from me, and no god Turned into lying gold.”* He poised the spear, As Cepheus shouted: “Are you crazy, brother? What are you doing? Is this our gratitude, This our repayment for a maiden saved? If truth is what you want, it was not Perseus Who took her from you, but the Nereids Whose power is terrible, it was hornèd Ammon, It was that horrible monster from the ocean Who had to feed on my own flesh and blood, And that was when you really lost her, brother; 107 lines 20–47 She would have died—can your heart be so cruel To wish it so, to heal its grief by causing Grief in my heart? It was not enough, I take it, For you to see her bound and never help her, Never so much as lift a little finger, And you her uncle and her promised husband! So now you grieve that someone else did save her, You covet his reward, a prize so precious, It seems, you could not force yourself to take it From the rocks where it was bound. -
Harmony of Babel Harmony of Babel Profiles of Famous Polyglots of Europe
In the late 1980s the distinguished interpreter Kató Lomb researched historical and contemporary lomb polyglots in an effort to understand their linguistic feats. Among her fellow polyglots she asked: “When can we say we know a language?” “Which is the most important language skill: grammar, vocabulary, or good pronunciation?” harmony “What method did you use to learn languages?” “Has it ever happened to you that you started learning a language, but could not cope with it?” of “What connection do you see between age and babel language learning?” “Are there ‘easy’ and ‘difficult,’ ‘rich’ and ‘poor,’ ‘beautiful’ and ‘less beautiful’ languages?” :Europe Polyglots of Famous of Profiles “What is multilingualism good for?” The answers Lomb collected from her interlocutors are singular and often profound. Grounded in real-world experience, they will be of interest to linguaphiles who are seeking to supplement their theoretical knowledge of language learning. kató lomb (1909–2003) was called “possibly HARMONY the most accomplished polyglot in the world” by linguist Stephen Krashen. One of the pioneers of simultaneous interpreting, Lomb worked in 16 languages in her native Hungary and abroad. She wrote several books on language and language of BABEL learning in the 1970s and 1980s. Profiles of Famous Polyglots of Europe http://tesl-ej.org KATÓ LOMB berkeley · kyoto HARMONY of BABEL HARMONY of BABEL profiles of famous polyglots of europe KATÓ LOMB Translated from the Hungarian by Ádám Szegi Edited by Scott Alkire tesl-ej Publications Berkeley, California & Kyoto, Japan Originally published in Hungary as Bábeli harmónia (Interjúk Európa híres soknyelvű embereivel) by Gondolat, Budapest, in 1988. -
University of Florida Thesis Or Dissertation Formatting
THE ANATOMY OF ROMAN EPIC: A STUDY OF POETIC VIOLENCE By JAMES MOSS LOHMAR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 James Moss Lohmar 2 Meis parentibus sororibusque bellis 3 ACKNOWLEDGMENTS I must first thank my mother, for forcing me to take Latin, and my father, for always talking shop. My sisters, Sarah and Elizabeth, have supported me throughout my studies, and their enthusiasm for my progress is always welcome. I have profound respect for Dr. Robert Burgess and Professors Mario Erasmo and James Anderson, without whose enthusiasm and instruction my decision to pursue a Ph.D. would have never come about. My gratitude goes to Professor Victoria Pagán and the students of her Lucan seminar during Fall 2009, whence the nascent stages of this project were born. My thanks go to Seth Boutin, Megan Daly and George Hendren, in particular, for their erudition and collegial support in this process. Lindsay Rogers offered me much support in the way of professional and academic advice throughout my graduate studies. I have appreciated the criticisms of Professor Gene Witmer in UF Philosophy, who has offered help in making this project appeal to a non-specialist audience. His suggestions of horror bibliography and modern film comparanda have been indispensible. Professor Kostas Kapparis has been a steady mentor in my teaching and writing since I began Ph.D. work, and his objectivity has kept my argument grounded in the text. -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
Arthropods of Elm Fork Preserve
Arthropods of Elm Fork Preserve Arthropods are characterized by having jointed limbs and exoskeletons. They include a diverse assortment of creatures: Insects, spiders, crustaceans (crayfish, crabs, pill bugs), centipedes and millipedes among others. Column Headings Scientific Name: The phenomenal diversity of arthropods, creates numerous difficulties in the determination of species. Positive identification is often achieved only by specialists using obscure monographs to ‘key out’ a species by examining microscopic differences in anatomy. For our purposes in this survey of the fauna, classification at a lower level of resolution still yields valuable information. For instance, knowing that ant lions belong to the Family, Myrmeleontidae, allows us to quickly look them up on the Internet and be confident we are not being fooled by a common name that may also apply to some other, unrelated something. With the Family name firmly in hand, we may explore the natural history of ant lions without needing to know exactly which species we are viewing. In some instances identification is only readily available at an even higher ranking such as Class. Millipedes are in the Class Diplopoda. There are many Orders (O) of millipedes and they are not easily differentiated so this entry is best left at the rank of Class. A great deal of taxonomic reorganization has been occurring lately with advances in DNA analysis pointing out underlying connections and differences that were previously unrealized. For this reason, all other rankings aside from Family, Genus and Species have been omitted from the interior of the tables since many of these ranks are in a state of flux. -
Butterfly, Skipper and Dragonfly Survey of Various Natural Areas In
Butterfly, Skipper and Dragonfly Survey of Various Natural Areas in the Southern Till Plain Natural Division Effingham, Fayette, Marion, and Wabash Counties in Illinois A project for the Illinois Department of Natural Resources Illinois Wildlife Preservation Fund Project #11-L11W Cobra Clubtail Gomphus vastus Eastern Tiger Swallowtail Papilio glaucus A report of research by Richard S. Day October 2012 Daybreak Imagery 6382 Charleston Road Alma, IL 62807 618-547-3522 [email protected] Table of Contents Survey Methods Materials..........................................................................................................................................3 Survey Site Locations..................................................................................................................................................4 Vouchered Specimens................................................................................................................................................5 Southern Till Plain Species Checklist.........................................................................................................................12 Southern Till Plain Species Checklist by Location......................................................................................................15 Southern Till Plain Hours...........................................................................................................................................27 Rock Cave Surveys.....................................................................................................................................................28 -
Media Pustikelin London, 2001
Media Pustikelin London, 2001. European Centre for War Peace and the News Media dzutimasa khatar i Evropaki Kulturani Fondacia thaj o OSI editoro Milica Pesic lakhavnenda Lesley Abdela and Tim Symonds Eyecatcher Training INKERIMATA 1 TRANSLATORESKI VORBA 3 jekhto kotor SAR TE VAZDES EFEKTIVNE MEDIAKE RELACII 4 dujto kotor INTERJU ANDI TELEVIZIA THAJ ANDO RADIO 10 trito kotor SAR TE KERES ZURALI KAMPANJA E MEDIASA ANDO VAST 15 shtarto kotor E VAZHNE DZENENGO XUTERIPEN 22 pandzto kotor LILA E EDITORESKE,LILA E PRESSAKE tmd. 23 appendikso MEDIA RELACIENGI BUTJI ASTARDINDOS, tmd. 32 LAV E LAKHAVNENDAR 39 ECWPNM 39 Media Pustikelin drago drabarno, E idea vash o Media Pustikelin avili ande jekh khatar mashkarthemutni konfer- encia vash e Romane zhurnalisti thaj Romane Khetanimatange Sherutne, kerdo khatar o Open Society Institute (Budapest) ando Ohrid, Macedonia, februari, 1999. Diskussie mashkar e maj but sar 80 konferenciake dzene khatar 20 Evropake thema dine i vorba, ke o post-kommunisto vaxt na lokharel e Romengi situacia, ba shol le ando maj pharo trajo. Maj agressivo rassizmo resel len, anglikrisipen thaj diskriminacia. E butipnaski, gadzikani media bari rola sikavdas (thaj vi sikavel) ando kado processo te del stereotipikano sikavipe pe e Roma, butivar bi direktno kontakto e romane populaciasa. E diskussia ando Ohrid vi kodo svato phuterdas ke ando divesutno trajo naj but direktno kontakto mashkar e Roma thaj i gadzikani populacia. Misalake, jekh rodipe, so kerdas o Roma Press Centro ando Budapest, kasko sherutno sas andi konferencia, sikavdas ke e maj but rakle nivar na maladjon e romane sikljar- nenca andi shkola. Kado si mamuj o fakto, ke buteder sar 10% mashkar e cha- vorra ande 900 elementarne shkoli si romane sikle ando Ungriko Them. -
STONEFLY NAMES from CLASSICAL TIMES W. E. Ricker
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Perla Jahr/Year: 1996 Band/Volume: 14 Autor(en)/Author(s): Ricker William E. Artikel/Article: Stonefly names from classical times 37-43 STONEFLY NAMES FROM CLASSICAL TIMES W. E. Ricker Recently I amused myself by checking the stonefly names that seem to be based on the names of real or mythological persons or localities of ancient Greece and Rome. I had copies of Bulfinch’s "Age of Fable," Graves; "Greek Myths," and an "Atlas of the Ancient World," all of which have excellent indexes; also Brown’s "Composition of Scientific Words," And I have had assistance from several colleagues. It turned out that among the stonefly names in lilies’ 1966 Katalog there are not very many that appear to be classical, although I may have failed to recognize a few. There were only 25 in all, and to get even that many I had to fudge a bit. Eleven of the names had been proposed by Edward Newman, an English student of neuropteroids who published around 1840. What follows is a list of these names and associated events or legends, giving them an entomological slant whenever possible. Greek names are given in the latinized form used by Graves, for example Lycus rather than Lykos. I have not listed descriptive words like Phasganophora (sword-bearer) unless they are also proper names. Also omitted are geographical names, no matter how ancient, if they are easily recognizable today — for example caucasica or helenica. alexanderi Hanson 1941, Leuctra. -
Christopher Marlowe and Dramatic Technique
CHRISTOPHER MARLOWE AND DRAMATIC TECHNIQUE By PRANK B. FIELER A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA June, 1960 PREFACE In T.amburlaine, Part I. Christopher Marlowe took a knownhistor- ical personage who was morally despicable by the standards of the six- teenth century, and, without falsifying the historical portrait, pre- sented him in a way designed to evoke admiration in the audience. This design involved an elaborate plan of apotheosis which persists through- out the play and, in some way, affects every element of the play's structure. At the same time, he attempted to persuade the audience not to leave the theatre with an uncritical acceptance of the hero's career as an ideal to be taken as a model. The existence of such an extensive plan suggests that, in addition to his having been an iconclastic, lyrical poet of great powers, he was an eminently conscious dramatist, who in the process of composition was aware, at all times, of the inter- action between his material and his audience, and who had the necessary ability and knowledge of his craft demanded by the constant control over material and audience reaction which is exhibited in Tamburlaine, Part I. To support these assertions, the first part of this study dis- cusses the problems which the selection of Tamburlaine as the subject of a play presented to the dramatist, and it investigates the means by which he resolved these problems and achieved that particular tensive effect between exhilaration and aversion the character of Tamburlaine has upon an audience, be it Elizabethan or modern. -
A Collection of Exceptional Ancient Greek Coins
A Collection of Exceptional Ancient Greek Coins To be sold by auction at: Sotheby’s, in the Book Room 34-35 New Bond Street London W1A 2AA Day of Sale: Monday 24 October 2011 at 11.00 am Public viewing: Morton & Eden, 45 Maddox Street, London W1S 2PE Thursday 20 October 10.00 am to 4.30 pm Friday 21 October 10.00 am to 4.30 pm Sunday 23 October 10.00 am to 4.30 pm Or by previous appointment. Catalogue no. 51 Price £15 Enquiries: Tom Eden or Stephen Lloyd Cover illustrations: Lot 160 (front); Lot 166 (back); Lot 126 (inside front and back covers) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Online Bidding Morton & Eden Ltd offer an online bidding service via www.the-saleroom.com. This is provided on the understanding that Morton & Eden Ltd shall not be responsible for errors or failures to execute internet bids for reasons including but not limited to: i) a loss of internet connection by either party; ii) a breakdown or other problems with the online bidding software; iii) a breakdown or other problems with your computer, system or internet connection.