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Champions of the Gods

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Champions of the Gods Champions of the Gods Champions of the Gods by Warren Merrifield 1 Champions of the Gods Copyright ©2006 Warren Merrifield. This is an entry into the Iron Game Chef ‘06 competition. It uses the ingredients Ancient, Committee and Emotion, and is designed to be played in four two–hour sessions. Typeset in Garamond and Copperplate. Created with Apple Pages software on a G5 iMac. Contact me at [email protected] 2 Champions of the Gods Map of the Ancient Greek World 3 Champions of the Gods Introduction This is my Iron Game Chef ‘06 Entry. It uses the ingredients Ancient, Committee and Emotion, and is designed to be run in four two–hour sessions with between three and five participants. There is no Gamesmaster. I am no authority on Ancient Greece and its myths, so please indulge me any inaccuracies that I may have presented here. Background The Ancient Greek World, during the Age of Gods and Men: Zeus, father of all the Gods has decided that he wants a new religious festival for the Mortals to honour him. He has declared that it will be known as the “Olympics” and shall be held in the most worthy city–state in all of the Greek World — anywhere from Iberia to the Black Sea. But there are more city–states than Zeus can be bothered to remember, so to discover which is most worthy, he has chosen a number of his Godly offspring to do it for him. They will be known as the “Mount Olympus Committee”, and will report back in four mortal years, or Zeus shall rip all of Creation asunder. Now, each of these Gods has a particular city–state where they are worshipped more than the others, and they want “their” city–state, and by extension, them to receive Zeus’ favour. So, to come to an agreement, the Gods each summon a Champion to champion their city–state, and then the champion who completes the most heroic tasks shall win the right for his city– state to host the Olympics. But Gods cannot stop themselves from meddling in Mortal affairs, and the Committee is no different. They bicker, bribe, lend favours, call in favours and persuade the others to set ever greater challenges in the way of the other champions whilst doing the same to grant Boons to aid their own champion. The city–state to receive the games will have less to do with the exploits of champions in the mortal world, and more to do with the deals happening at Mount Olympus. 4 Champions of the Gods Object of the Game The participants each take the role of one of the Gods on the Committee as well as a heroic champion in the mortal world, all trying to bring the Olympics to their city–state. As the game progresses, each champion will earn Renown by questing for ancient Artefacts and bringing them back to the city–state. Every Artefact in the mortal world is significant in some way to a God on the Committee, and they can try to prevent the quest from succeeding by challenging the emotions of the questing champion. A champion can overcome these challenges by the strength of his determination, but all the Gods on the Committee can lend their support to one side or the other – or even both. The manipulation and deal making that happens in Mount Olympus can make a huge difference to the final outcome. champions, as tools of the Gods, can suffer greatly whilst gaining Renown, but they will always survive any physical wounds. Instead, they will accumulate on more and more emotional baggage, which means that later challenges get more and more difficult for them to overcome. Each Scene will be focused on the heroic champion of one the participants, with everybody else playing one of the Gods of the Committee. The player of the champion can then choose which Artefact of which God to quest for, and that God can set an emotional challenge for the champion to overcome. The rest of the Committee can then cajole, lend favours or call favours back in to either help or hinder the champion in overcoming this challenge. After the scene resolves, the next participant around the table takes control of his or her champion and play continues. At the end of the game, the participant whose champion has won the most Renown wins and gets Zeus to bring the Olympics to their city–state. Requirements • Several different coloured tokens, a different colour for each participant plus another colour to show Determination (Poker Chips are great for this). 5 Champions of the Gods • One marker to show who is playing a champion this scene. • Several six–sided dice. • Copies of the God sheets (pages 20–30). 6 Champions of the Gods Game Setup Each participant picks a God from the list given in the back of the book. Participants are free to distribute who gets to be what god by whatever means the group thinks is best; agreement, rolling dice, random shuffle, a mixture of all the above or whatever. Read over the description of the God and then assign points to each of the emotions. The participant should assign two emotions a score of 3, another two emotions a score of 2 and the remaining pair a score of 1. The higher the number, the more important or interesting the player thinks it is to have a God who shows that emotion. Then each participant must name and describe six things or people in the mortal world that are important to their God. They are called Artefacts and each one would induce a different emotion in that God if it used against them, so they should be: • Something or someone that can make the God feel JOY. • Something or someone that can make the God SAD. • Something or someone that can make the God ANGRY. • Something or someone that the God FEARS. • Something or someone that DISGUSTS the God. • Something or someone that can SURPRISE the God. Then each participant create a short description and history for their champions, and give them a good Heroic sounding name. There is a list of suitable sounding names at the back of this book. This champion will be from the city state that the participant’s God patronises, but can otherwise be described much as the participant wishes. The participant should also create three different vulnerabilities for their Champion. Two of these vulnerabilities must be rated at level one, with the third being at level two. These are the starting weaknesses that this Champion will have to overcome during his quests on behalf of his or her God. All champions start with zero points of Renown. 7 Champions of the Gods The final step in setting up the God is for each participant to take an large number of coloured chips (a different colour per participant) to represent the Debt they can get into during play. Each participant should also begin play with three chips of another colour. Each one of these chips represents a point of Determination. The rest of these chips should be kept in the middle of the table within easy reach of each participant. The Emotions There are six simple emotions that everything else is focused around. These are Joy, Sorrow, Anger, Fear, Disgust, and Surprise. They can be triggered spontaneously, and conscious effort cannot easily control them. Gods have each one of these emotions rated between zero and three. The higher the number, the more important or interesting the player thinks it is to have a God who shows that emotion. Artefacts An Artefact is something or someone in the mortal world that are important to a God. It must be something that can or does induce one of the six emotions in the God, and something which the God does not want to be killed, destroyed, captured or used against them. The description of the thing should be limited to an object or place that can be stolen or captured — “The Arrow of Apollo” is fine, “The Shrine at Ismini” should be OK, but “Mount Olympus” or “The Sea” is right out. Alternatively, the thing could be a person, group or being that the God wishes effective and alive — “The High Priestess at my Temple in Corinth” or “The Centaurs in the Arcadian forest” are excellent. “Zeus” or “Everyone in the world” are not. Note that there is no requirement for any Artefact to be taken from history or myth. You can make up what you want, as long as the group all think that it fits in genre. Vulnerabilities Whilst the patron God or Goddess of a mortal champion would never let them die or suffer permanent physical injury 8 Champions of the Gods whilst in service to them, these champions all have Vulnerabilities. A Vulnerability is a something which can trigger one of the six basic emotions in the champion and cloud their judgement or disrupt their concentration. You can create your character’s Vulnerabilities as tidbits of history: “My wife died during childbirth.” You can phrase them as simple facts about your character: “I have an eye for the ladies.” You can phrase them as attitudes: “I’ll never accept being second best.” Each Vulnerability must be associated with a certain emotion and have a rating of one ore more, with higher ratings indicating that the Vulnerability is more important to the player of that champion. Agreeing on Artefacts and Vulnerabilities If the rest of the group don’t think that an Artefact or a Vulnerability you’ve given your characters is lame, weak or otherwise unacceptable then you should rewrite it until everyone is happy.
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