Sudhana's Quest: Learning and Buddhism
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Tibeto-Mongol and Chinese Buddhism in Present-Day Hohhot, Inner Mongolia: Competition and Interactions Isabelle Charleux
Tibeto-Mongol and Chinese Buddhism in Present-day Hohhot, Inner Mongolia: Competition and Interactions Isabelle Charleux To cite this version: Isabelle Charleux. Tibeto-Mongol and Chinese Buddhism in Present-day Hohhot, Inner Mongolia: Competition and Interactions. Sino-Tibetan Buddhism across the Ages, 5, 2021, Studies on East Asian Religions. halshs-03327320 HAL Id: halshs-03327320 https://halshs.archives-ouvertes.fr/halshs-03327320 Submitted on 27 Aug 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Isabelle Charleux. Authors’ own file, not the published version in Sino-Tibetan Buddhism across the Ages, Ester Bianchi & Shen Weirong (dir.), Brill : Leyde & Boston (Studies on East Asian Religious, vol. 5), 2021 Tibeto-Mongol and Chinese Buddhism in Present-day Hohhot, Inner Mongolia: Competition and Interactions Isabelle Charleux* Abstract This chapter investigates the architecture, icons, and activities of two Buddhist monasteries of the Old City of Hohhot, capital of the Inner Mongolia Autonomous Region of China: the (Tibeto-)Mongol Yeke juu (Ch. Dazhao[si]) and the Chinese Buddhist Guanyinsi. In it, I present a global view of the Buddhist revival of the Mongol monasteries of Hohhot since the 1980s, with a focus on the material culture—architecture, cult objects, and “decoration”—of the sites. -
The Decline of Buddhism in India
The Decline of Buddhism in India It is almost impossible to provide a continuous account of the near disappearance of Buddhism from the plains of India. This is primarily so because of the dearth of archaeological material and the stunning silence of the indigenous literature on this subject. Interestingly, the subject itself has remained one of the most neglected topics in the history of India. In this book apart from the history of the decline of Buddhism in India, various issues relating to this decline have been critically examined. Following this methodology, an attempt has been made at a region-wise survey of the decline in Sind, Kashmir, northwestern India, central India, the Deccan, western India, Bengal, Orissa, and Assam, followed by a detailed analysis of the different hypotheses that propose to explain this decline. This is followed by author’s proposed model of decline of Buddhism in India. K.T.S. Sarao is currently Professor and Head of the Department of Buddhist Studies at the University of Delhi. He holds doctoral degrees from the universities of Delhi and Cambridge and an honorary doctorate from the P.S.R. Buddhist University, Phnom Penh. The Decline of Buddhism in India A Fresh Perspective K.T.S. Sarao Munshiram Manoharlal Publishers Pvt. Ltd. ISBN 978-81-215-1241-1 First published 2012 © 2012, Sarao, K.T.S. All rights reserved including those of translation into other languages. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher. -
The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. -
And Daemonic Buddhism in India and Tibet
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Raven and the Serpent: "The Great All- Pervading R#hula" Daemonic Buddhism in India and Tibet Cameron Bailey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE RAVEN AND THE SERPENT: “THE GREAT ALL-PERVADING RHULA” AND DMONIC BUDDHISM IN INDIA AND TIBET By CAMERON BAILEY A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Religion Degree Awarded: Spring Semester, 2012 Cameron Bailey defended this thesis on April 2, 2012. The members of the supervisory committee were: Bryan Cuevas Professor Directing Thesis Jimmy Yu Committee Member Kathleen Erndl Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii ACKNOWLEDGEMENTS I would like to thank, first and foremost, my adviser Dr. Bryan Cuevas who has guided me through the process of writing this thesis, and introduced me to most of the sources used in it. My growth as a scholar is almost entirely due to his influence. I would also like to thank Dr. Jimmy Yu, Dr. Kathleen Erndl, and Dr. Joseph Hellweg. If there is anything worthwhile in this work, it is undoubtedly due to their instruction. I also wish to thank my former undergraduate advisor at Indiana University, Dr. Richard Nance, who inspired me to become a scholar of Buddhism. -
In the Stream of Blessings: Ordained Buddhist Women in Britain
In the Stream of Blessings: Ordained Buddhist Women in Britain Caroline Starkey Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Philosophy, Religion, and History of Science December 2014 2 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ©2014 The University of Leeds and Caroline Starkey The right of Caroline Starkey to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. 3 Acknowledgements This thesis would not have been possible without the support, guidance, and advice of a number of people and institutions. Firstly, I would like to express my gratitude to the Arts and Humanities Research Council, the University of Leeds, and to the Spalding Trust, each of whom provided vital funding. The School of Philosophy, Religion, and History of Science at the University of Leeds was extremely supportive, providing me with space to work, funding for conferences, and a collegiate atmosphere. A very special and truly heartfelt thank you is due to both of my academic supervisors – Professor Kim Knott and Dr Emma Tomalin. I am grateful for their attention to detail, their thought-provoking questions, and the concern that they showed both for my research and for me as a researcher. -
Introduction to Tibetan Buddhism, Revised Edition
REVISED EDITION John Powers ITTB_Interior 9/20/07 2:23 PM Page 1 Introduction to Tibetan Buddhism ITTB_Interior 9/20/07 2:23 PM Page 2 ITTB_Interior 9/20/07 2:23 PM Page 3 Introduction to Tibetan Buddhism revised edition by John Powers Snow Lion Publications ithaca, new york • boulder, colorado ITTB_Interior 9/20/07 2:23 PM Page 4 Snow Lion Publications P.O. Box 6483 • Ithaca, NY 14851 USA (607) 273-8519 • www.snowlionpub.com © 1995, 2007 by John Powers All rights reserved. First edition 1995 Second edition 2007 No portion of this book may be reproduced by any means without prior written permission from the publisher. Printed in Canada on acid-free recycled paper. Designed and typeset by Gopa & Ted2, Inc. Library of Congress Cataloging-in-Publication Data Powers, John, 1957- Introduction to Tibetan Buddhism / by John Powers. — Rev. ed. p. cm. Includes bibliographical references and indexes. ISBN-13: 978-1-55939-282-2 (alk. paper) ISBN-10: 1-55939-282-7 (alk. paper) 1. Buddhism—China—Tibet. 2. Tibet (China)—Religion. I. Title. BQ7604.P69 2007 294.3’923—dc22 2007019309 ITTB_Interior 9/20/07 2:23 PM Page 5 Table of Contents Preface 11 Technical Note 17 Introduction 21 Part One: The Indian Background 1. Buddhism in India 31 The Buddha 31 The Buddha’s Life and Lives 34 Epilogue 56 2. Some Important Buddhist Doctrines 63 Cyclic Existence 63 Appearance and Reality 71 3. Meditation 81 The Role of Meditation in Indian and Tibetan Buddhism 81 Stabilizing and Analytical Meditation 85 The Five Buddhist Paths 91 4. -
The Uluwahu Paenima (Crossing the Doorframe)
185 Appendix II: The Uluwahu Paenima (Crossing the Doorframe) Translation by Bonnie G. MacDougall Figure 43. Householders at entrance to courtyard, Rangama Sri Lanka. © 2008 Bonnie MacDougall, all rights reserved. A translation into English of the Uluwahu Paenima by Bonnie G. MacDougall. This document is part of the Cornell University eCommons MacDougall South Asian Architecture Collection and is available online at: [eCommons URI]. A scanned version of the original text is also available: http://hdl.handle.net/1813/8360. THE ULUWAHU PAENIMA PART I: SRI VISNU INVOCATION I beseech thee, O Resplendent Visnu, Lord of the Gods, who is also renown as Sankasila Deva Narayana,1 who is an aspirant to Buddhahood,2 who has protected Sri Lanka, the 2,000 islands, the four great continents of the world, the whole of the great Jambudvipa including its eighteen provinces, the great Buddhist church, the salt water circle of ocean that surrounds the land, and the four temples (devale) at the cardinal points. You who are descendant from Asuras and who dwell in the Vaikunta world3 and who ride the giant bird called Garuda. You who have become renown in this Kali age under such names as Lord Ada Visnu,4 Lord Mulu Visnu, Lord Demala Visnu, Lord Maha Visnu, Lord Sri Visnu and who have been manifest in the four Kali Ages in the ten incarnations5 including Rama (ramavatara)6 the Boar (vaerasara avatara), the Fish (mallawa avatara), Krisna (kirti avatara), the Tamil (demala avatara),7 the Gaja (tortoise) (gajavatara),8 the snake (naga avatara), the Buddha (bauddha avatara) and the 1The name of Visnu as reposing on the bed of the serpent between the creation and dissolution of the world. -
00. Introduction, Sudhana Cycle
SUDHANA CYCLE PREFACE When completed The Sudhana Cycle will consist of fifty-three “Works” with its inspiration, place of reference, and point of departure, being related in the Introduction below. At the time of its initiation the entire cycle was to be composed of either solos or duos. The original idea has transmogrified so as to become an open-ended concept, one I can no longer predict. Of the “Works” either written to date or thoroughly planned, instrumentation ranges from solos and trios through string quartet to a piece for double septet and trio. Compositional form is no longer limited by predetermination in any way. Though principles of structure and compositional procedure found firmly planted in the ground of Collective Autonomy are intrinsic to composition and performance practices as made manifest in the Sudhana Cycle, these are anything but dictates or matters of necessity. On the other hand though, they may well find themselves being strictly adhered to. While Collective Autonomy has a home in the Sudhana Cycle its deploy and behavior are not foregone conclusions nor are they to be taken for granted. Myself and my previous life’s work are in the service of the Sudhana Cycle and to feel free to say this is an absolute joy. Visiting the Sudhana Cycle page on this website you’ll find “Works” listed according to their Cycle No. The listings will run thus: No. 27 : Avalokite!vara - solo for alto flute; No. 24 : Sinhavijurmbhita - for solo violin, and so forth. There will be an entry in the Sudhana Cycle page Contents in accord with this numerical order and by clicking on the number you choose, information specific to that particular composition will appear. -
WND-CD Pop-Up Glossary
THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY acharya (Skt) An honorific title meaning teacher, conferred upon a priest who guides the conduct of disciples and serves as an example to them. Abbreviations: Skt = Sanskrit; Chin = Chinese; Kor = Korean; Jpn = Japanese; b. = born; d. = died; r. = reign; n.d. = no dates; c. = circa; fl. = flourished THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY acting administrator Hojo Yoshitoki (1163–1224), the second regent of the Kamakura government. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY administrator of priests An official rank within the Buddhist priesthood.The administrator of priests as the highest-ranking official was general supervisor over the other priests and nuns. Later the system of ranking for priests became a matter of formalism, with such titles bestowing honor but indicating no specific function or position. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Agama sutras A generic term for the Hinayana sutras. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Ajatashatru A king of the state of Magadha in India. Incited by Devadatta, he killed his father, King Bimbisara, a follower of Shakyamuni, and ascended the throne to become the most influential ruler of his time. Later he contracted a terrible disease and, in remorse for his evil acts, converted to Buddhism and supported the First Buddhist Council for the compilation of Shakyamuni’s teachings. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Ajitavati See Hiranyavati. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY alaya-consciousness Also called “storehouse consciousness.” The level of consciousness where the results of one’s actions (karma), good or evil, accumulate as karmic potentials or “seeds” that later produce the results of happiness or suffering. -
Sudhana's Pilgrimage for G3.Key
Buddhist Scripture as a Template for Maturation in Spiritual Cultivation A Presentation to Te Gethsemani IV Dialogue Gethsemani Abbey May 30, 2015 Rev. Heng Sure Venerable Master Hsuan Hua 1918-1995 Master Hsuan Hua was trained in the Tiantai tradition of scriptural exegesis He presented the voice of the Buddha in the sutras directly, unmediated by written commentaries, and accessible to contemporary, critical analysis. Master Hua critiqued the traditional Chinese conventions regarding the place and use of sutras as ritual objects as vehicles for merit-making as library cases & shelves as archaic philosophy Traditionally, practitioners, to relate to a sutra could: read and recite it memorize it copy it out reprint and distribute it bow to it decorate it translate it Sangha Members (and the occasional lay practitioner or scholar) could lecture on sutras, but rarely. Lecturing came with cautions: there were certain risks and conditions which by and large limited the number of sutras being lectured on, with the result that the value of sutras is largely unknown outside of Chinese Buddhist circles. Teir use was limited to reciting and ritual use. Te Buddha’s voice was seldom heard. Attitudes that limited lecturing on Mahayana Sutras: Exegesis is too dangerous. Explain one word incorrectly and you risk falling into the hells. Sutras are full of Sanskrit and difficult to read (so don’t lecture on them). Tis is the Dharma-ending Age, lecturing is wrong Attitudes towards lecturing Buddhist Sutras: (2) We lack the wisdom that the ancients had; we have to rely on their commentaries; the Buddha’s words aren’t accessible without commentary (so don’t lecture on them). -
Sects & Sectarianism
Sects & Sectarianism Also by Bhikkhu Sujato through Santipada A History of Mindfulness How tranquillity worsted insight in the Pali canon Beginnings There comes a time when the world ends… Bhikkhuni Vinaya Studies Research & reflections on monastic discipline for Buddhist nuns A Swift Pair of Messengers Calm and insight in the Buddha’s words Dreams of Bhaddā Sex. Murder. Betrayal. Enlightenment. The story of a Buddhist nun. White Bones Red Rot Black Snakes A Buddhist mythology of the feminine SANTIPADA is a non-profit Buddhist publisher. These and many other works are available in a variety of paper and digital formats. http://santipada.org Sects & Sectarianism The origins of Buddhist schools BHIKKHU SUJATO SANTIPADA SANTIPADA Buddhism as if life matters Originally published by The Corporate Body of the Buddha Education Foundation, Taiwan, 2007. This revised edition published in 2012 by Santipada. Copyright © Bhikkhu Sujato 2007, 2012. Creative Commons Attribution-No Derivative Works 2.5 Australia You are free to Share—to copy, distribute and transmit the work under the follow- ing conditions: Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). No Derivative Works. You may not alter, transform, or build upon this work. With the understanding that: Waiver—Any of the above conditions can be waived if you get permission from the copyright holder. Other Rights—In no way are any of the following rights affected by the license: o Your fair dealing or fair use rights; o The author’s moral rights; o Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. -
Guanyin Goddess of The
143 CHAPTERS GUANYIN, GODDESS OF THE SEA While some early forms ofSongzi Guanyin appear to have originated with a white-robed female sitting on an island and surrounded by water, the form now known as Nanhai (South seas) Guanyin is generally considered to have become popular between the twelfth and sixteenth centuries with the association ofPutuo Island as the island home of Guanyin. Paintings ofNanhai Guanyin frequently depict her as a sea goddess, riding on waves or on a fish. This form is believed to bring protection to anyone who travels on the South China Sea. Yet, as seen in the previous chapter Nanhai Guanyin appears to have developed from a water-moon form which did not symbolize protection from the sea. So where did the notion of a goddess of the sea originate? Is there any iconographical evidence to indicate that Guanyin was worshipped in this form before N anhai Guanyin came into existence? Belief in Guanyin's efficacy as a saviour from the sea goes back to the beginning of the cult and the protection from the Perils as descnbed in the Lotus Siitra. There was not, however, in the early stages of the cult, any particular image associated with this function. Various forms with a maritime theme have appeared over time, Aoyu (Big fish) Guanyin, depicts Guanyin standing, or riding, on a large fish, Yulan (Fishbasket) Guanyin, holds a basket offish in her hand and a form known as Guanyin Crossing the Sea, rides on a small boat amongst the ocean waves. Nanhai Guanyin appears to have absorbed elements from each of these forms.