Mechanical Animals: Big Data, Class Composition, and the Multitude
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Integration Des Chaos : Marilyn Manson, Männlichkeit, Lust Und Scheitern L'amour Lalove, Patsy 2017
Repositorium für die Geschlechterforschung Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern l'Amour laLove, Patsy 2017 https://doi.org/10.25595/398 Eingereichte Version / submitted version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: l'Amour laLove, Patsy: Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern, in: Nagelschmidt, Ilse; Borrego, Britta; Majewski, Daria; König, Lisa (Hrsg.): Geschlechtersemantiken und Passing be- und hinterfragen (Frankfurt am Main: PL Academic Research, 2017), 169-194. DOI: https://doi.org/10.25595/398. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Integration des Chaos – Marilyn Manson, Männlichkeit, Lust und Scheitern Patsy l'Amour laLove Marilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works. „This will hurt you worse than me: I'm weak, seven days a week ...“ Marilyn Manson1 FOTO © by Max Kohr: Marilyn Manson & Rammstein bei der Echo-Verleihung 2012 Für Fabienne. Marilyn Manson verwirft in seinem Werk die Normalität, um sich im gleichen Moment schmerzlich danach zu sehnen und schließlich den Wunsch nach Anpassung wieder wütend und lustvoll zu verwerfen. -
Ways to Environmental Education, Volume III. INSTITUTION Florida State Univ., Tallahassee
DOCUMENT RESUME ED 106 213 SO 008 361 AUTHOR Allen, Rodney F., Ed.; And Others TITLE Ways to Environmental Education, Volume III. INSTITUTION Florida State Univ., Tallahassee. Coll. of Education.; Tallahassee Junior Museum, Fla. PUB DATE May 75 NOTE 150p.; For related documents, see ED 100 734 and SO 008 187; Pages 8 of Developing Reading Competency section and 15 through 18 of Energy and Environment section of the original document are copyrighted and therefore not available EDRS PRICE MF-$0.76MC-46.97 PLUS POSTAGE DESCRIPTORS Animal Facilities; Community Involvement; *Community Resources; Creativity; *Ecology; Elementary Secondary Education; Energy; *Environmental Education; Learning Activities; *Museums; *Outdoor Education; Reading Improvement; Short Courses; Social Sciences ABSTRACT Ten environmental education booklets presented in this document are the third volume of the environmental series developed by community groups around the Tallahassee Junior Museum and its Pioneer Farm. The first three booklets present an overview of the museum and of the various education programs and activities offered for students at the museum and farm. Animals are discussed in detail in the next unit, developed by the Florida Audubon Chapter. Another unit fosters creativity in environmental education while also developing human behavior. Other units present helpful hints for growing plants and herbs, and include information on environmental excursions; developing reading competency in environmental education; environmental and behavioral feelings; -
Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession. -
Cinema, Democracy and Perfectionism: Joshua Foa Dienstag in Dialogue
Cinema, democracy and perfectionism CRITICAL POWERS Series Editors: Bert van den Brink (University of Utrecht), Antony Simon Laden (University of Illinois, Chicago), Peter Niesen (University of Hamburg) and David Owen (University of Southampton). Critical Powers is dedicated to constructing dialogues around innova- tive and original work in social and political theory. The ambition of the series is to be pluralist in welcoming work from different philosophical traditions and theoretical orientations, ranging from abstract concep- tual argument to concrete policy-relevant engagements, and encourag- ing dialogue across the diverse approaches that populate the field of social and political theory. All the volumes in the series are structured as dialogues in which a lead essay is greeted with a series of responses before a reply by the lead essayist. Such dialogues spark debate, fos- ter understanding, encourage innovation and perform the drama of thought in a way that engages a wide audience of scholars and students. Published by Bloomsbury On Global Citizenship, James Tully Justice, Democracy and the Right to Justification, Rainer Forst Forthcoming from Manchester University Press Rogue Theodicy – Politics and power in the shadow of justice, Glen Newey Democratic Inclusion, Rainer Baubock Law and Violence, Christoph Menke Autonomy Gaps, Joel Anderson Toleration, Liberty and the Right to Justification, Rainer Forst Cinema, democracy and perfectionism Joshua Foa Dienstag in dialogue Edited by Joshua Foa Dienstag Manchester University Press Copyright © Manchester University Press 2016 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. -
Encoding and Decoding of Resistant Ideology in Music Video Desiree Damon Trinity University
Trinity University Digital Commons @ Trinity Communication Honors Theses Communication Department 5-4-2005 The Last Day on Earth: Encoding and Decoding of Resistant Ideology in Music Video Desiree Damon Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/comm_honors Part of the Broadcast and Video Studies Commons Recommended Citation Damon, Desiree, "The Last Day on Earth: Encoding and Decoding of Resistant Ideology in Music Video" (2005). Communication Honors Theses. 1. http://digitalcommons.trinity.edu/comm_honors/1 This Thesis open access is brought to you for free and open access by the Communication Department at Digital Commons @ Trinity. It has been accepted for inclusion in Communication Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Damon 1 The Last Day on Earth: Encoding and Decoding of Resistant Ideology in Music Video By Desirée Damon A Department Honors Thesis submitted to the Department of Communication at Trinity University in partial fulfillment of the requirements for graduation with departmental honors. April 11, 2005 ____________________________ _____________________________ THESIS ADVISOR DEPARTMENT CHAIR ____________________________ THESIS ADVISOR ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES “This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc-nd/2.0/> or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.” Damon 2 ABSTRACT According to Stuart Hall’s theory of encoding and decoding, an audience member, based on their individual ideological perspectives, can read media texts in one of three ways: dominant, negotiated, or resistant. -
Heavymetalová Hudba Jako Součást Hudebního Průmyslu
MASARYKOVA UNIVERZITA Filozofická fakulta Ústav hudební vědy Management v kultuře Bc. Anna Minjaríková Heavymetalová hudba jako součást hudebního průmyslu Magisterská diplomová práce Vedoucí práce: PhDr. Aleš Opekar, CSc. 2019 Prohlašuji, že jsem diplomovou práci vypracovala samostatně s využitím uvedených pramenů a literatury. …………………………………… Podpis autorky práce Ráda bych poděkovala svému vedoucímu, PhDr. Aleši Opekarovi, CSc., za věcné připomínky, rady a za trpělivost. Také bych ráda poděkovala svému partnerovi, rodině a přátelům za jejich podporu, pochopení a inspiraci. Obsah 1. Úvod ................................................................................................................................................ 1 2. Hudební průmysl ............................................................................................................................. 3 3. Definice heavy metalu ..................................................................................................................... 5 4. Historie heavy metalu...................................................................................................................... 6 4.1. Vznik heavymetalové hudby a přelom 60. a 70. let .................................................................... 6 4.2. Přelom 70. a 80. let a vznik NWOBHM ................................................................................... 10 4.3. Heavy metal v 80. letech .......................................................................................................... -
“I Am Your Faggot Anti-Pope”: an Exploration of Marilyn Manson As a Transgressive Artist
European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist Coco d’Hont Electronic version URL: http://journals.openedition.org/ejas/12098 DOI: 10.4000/ejas.12098 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Coco d’Hont, « “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist », European journal of American studies [Online], 12-2 | 2017, document 14, Online since 01 August 2017, connection on 19 April 2019. URL : http://journals.openedition.org/ejas/12098 ; DOI : 10.4000/ ejas.12098 This text was automatically generated on 19 April 2019. Creative Commons License “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgres... 1 “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist Coco d’Hont 1 “As a performer,” Marilyn Manson announced in his autobiography, “I wanted to be the loudest, most persistent alarm clock I could be, because there didn’t seem to be any other way to snap society out of its Christianity- and media-induced coma” (Long Hard Road 80).i With this mission statement, expressed in 1998, the performer summarized a career characterized by harsh-sounding music, disturbing visuals, and increasingly controversial live performances. At first sight, the red thread running through the albums he released during the 1990s is a harsh attack on American ideologies. On his debut album Portrait of an American Family (1994), for example, Manson criticizes ideological constructs such as the nuclear family, arguing that the concept is often used to justify violent pro-life activism.ii Proclaiming that “I got my lunchbox and I’m armed real well” and that “next motherfucker’s gonna get my metal,” he presents himself as a personification of teenage angst determined to destroy his bullies, be they unfriendly classmates or the American government. -
Transgressive Queer Embodiment in the Music Videos of Marilyn Manson
“It’s All Me… In One Way or Another”: Transgressive Queer Embodiment in the Music Videos of Marilyn Manson by Brandon Peter Masterman Bachelor of Music in Saxophone Performance, Youngstown State University, 2007 Master of Library and Information Science, University of Pittsburgh, 2008 Submitted to the Graduate Faculty of Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Musicology University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH Dietrich School of Arts and Sciences This thesis was presented by Brandon Peter Masterman It was defended on March 30, 2012 and approved by James P. Cassaro, MA, MLS, Adjunct Assistant Professor of Music Deane L. Root, PhD, Professor of Music Todd W. Reeser, PhD, Associate Professor of French Thesis Advisor: Adriana Helbig, PhD, Assistant Professor of Music ii Copyright © by Brandon Peter Masterman 2012 iii “It’s All Me… In One Way or Another”: Transgressive Queer Embodiment in the Music Videos of Marilyn Manson Brandon Peter Masterman, M.L.I.S., M.A. University of Pittsburgh, 2012 My work attempts to understand the deployment of transgressive queerness in contemporary American popular music videos. Rather than aligning with either the conservative moral panics or liberal arguments regarding free speech, I suggest that productive alternative understandings exist outside of this oppositional binary. Focusing on Marilyn Manson, particularly, I analyze how various performances open up a space of potentiality for greater imaginings of embodiment and erotics. The music of Marilyn Manson presents a scathing critique of the cultural landscape of the United States in the late twentieth and early twenty-first centuries. -
Lvlz Media Company Presenta
LVLZ MEDIA COMPANY PRESENTA: ANNO I NUMERO 6 18-24 FEBBRAIO 2017 Direttore Responsabile: Laura Primiceri Direttore Editoriale: Francesco Stati Caporedattore: Francesco Spagnol Responsabile Tecnico: Jacopo Nisticò, Valerio Bastianelli Hanno inoltre collaborato a questo numero: Claudio Agave, Michele Corato, Vittorio Comand, Arnaldo Figoni, Adriano Koleci, Raffaele Lauretti, Carlo Paganessi, Filippo Tiberi, Stefano Urso Revisione a cura di Francesco Spagnol La copertina e l’intestazione grafica sono diJacopo Castelletti. theWise è una testata giornalistica che, attraverso un’indagine condotta sui fatti in senso stretto, si propone di trattare Anno I, Numero 6 - 18-24 Febbraio 2017 argomenti di interesse generale con precisione e professionalità, fornendo una chiave interpretativa semplice, chiara e In questo qualificata. numero: Francesco Stati Eccellenza in pillole: Cosetta Pittau e la Tipografia 4 Grifani Donati Adriano Koleci La cyberguerra è iniziata: temete, nemici delle 7 mail Carlo Paganessi 10 Ubuntu: la leadership politica in Africa Stefano Urso Essere esclusi in classe: quando il bullismo non è 14 solo lividi Michele Corato L’eutanasia in Europa: diritto alla libertà, fino alla 18 fine Vittorio Comand 21 Sanremo 2017: un altro passo verso il baratro Arnaldo Figoni Da Marilyn Manson ai Grammy: fronte comune 23 anti-Trump Raffaele Lauretti 26 Storia del pensiero filosofico: Aristotele Filippo Tiberi 29 Minecraft e i suoi eredi Claudio Agave theWise incontra: Dellimellow, il grandissimo 32 vlogger 3 La grandezza del nostro Paese non si misura solamente con i successi delle grandi imprese, ma anche e soprattutto con il lavoro delle piccole eccellenze di cui è costellata la Penisola. Questa settimana inauguriamo la rubrica “Eccellenza in pillole”, che si prefigge lo scopo di fare da megafono a quelle realtà professionali poco reclamizzate dai media ma enormemente importanti per l’economia, la fama e l’eccellenza dell’Italia. -
American Animals, American Men: Popular Literature from 1830 to 1915
AMERICAN ANIMALS, AMERICAN MEN: POPULAR LITERATURE FROM 1830 TO 1915 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Stephen D. Kelly December 2020 Examining Committee Members: Miles Orvell, Advisory Chair, English James Salazar, English Talissa Ford, English Matt Wray, External Member, Sociology ii © Copyright 2020 by Stephen D. Kelly All Rights Reserved iii ABSTRACT Critics of animal rights often deride the movement’s proponents for having a sentimental, juvenile misconception of what animals really are, an argument bolstered by the fact that few twenty-first-century Americans besides those engaged in the industries of animal exploitation have any prolonged contact with real animals other than their pets. Until the first decades of the twentieth century, however, American cities teemed with diverse animal residents and workers, and a rapidly increasing percentage of humans grew in their conviction that these animal neighbors should be extended considerations and rights. Shifting ideas about these animals’ roles within United States society were captured in a number of new bestselling literary genres centered around “realistic” depictions of animal characters. Because animals are often conceptualized as a “contrast class” to humanity—a fundamental “Other” by which humans establish what qualities make themselves distinct and (typically) superior—analyzing these texts and their circulation within nineteenth- century culture reveals how Americans understood authority and systems of governance, and in particular how they modeled an ideal American manhood nourished by animal bodies. What forms of exploitation and control were permissible in a man’s treatment of his animals often reflected other power dynamics within society, and so these texts also provide insight into issues of class, race, and gender. -
Mechanical Animals
Antennae Issue 9, Spring 2009 ISSN 1756-9575 Mechanical Animals Massimiliano Lisa and Mario Taddei A Tribute to the King of France Carol Gigliotti Leonardo’s Choice / Artificial Life and the Live of the Non-Humans France Cadet Dog[lab]01, Ken Rinaldo In Conversation With, Metin Sitti The Evolution of Nano Robots, Minsoo Kang The Ambivalent Power of the Robot, David Bowen On Growth and Form Bjoern Schuelke Mechanic Diversity Leonel Moura Robotarium X Grant Morrison We3 Jessica Joslin Myth and Magic Matthew Chrulew The Beast-Machine Fableaux Wonderland Antennae The Journal of Nature in Visual Culture Editor in Chief Giovanni Aloi Academic Board Steve Baker Ron Broglio Matthew Brower Eric Brown Donna Haraway Linda Kalof Rosemarie McGoldrick Rachel Poliquin Annie Potts Ken Rinaldo Jessica Ullrich Advisory Board Bergit Arrends Rod Bennison Claude d’Anthenaise Lisa Brown Chris Hunter Karen Knorr Paula Lee Susan Nance Andrea Roe David Rothenberg Nigel Rothfels Angela Singer Mark Wilson & Bryndís Snaebjornsdottir Global Contributors Sonja Britz Tim Chamberlain Lucy Davies Amy Fletcher Carolina Parra Zoe Peled Julien Salaud Paul Thomas Sabrina Tonutti Johanna Willenfelt Claudia Zanfi and Gianmaria Conti 2 EDITORIAL ANTENNAE ISSUE 9 echanical Animals marks the beginning of Antennae’s third year of activity and in a number of ways, it is our most ambitious issue to date. The main theme gathers together the work of a number of artists, scientists, and academics who over the past decade have relentlessly contributed to the creating, researching, and theorising M of the cross-fields between nature and robotics. The issue resembles a journey of discovery into a fascinating alternative reality where the boundaries nature and technology are deceptively and at times disturbingly blurred. -
Mustang Daily, October 8, 2004
■D 1916 2 0 0 4 MCALIFORNIAustang POLYTECHNIC STATE D UNIVERSITYaily Volume LXVni, Number 12 Friday, October 8, 2004 Mustangdaily^ calpoly.edu Poly students to focus on gay rights Christina Joslin p.m. MUSTANC DAILY “Its hard for gay students in this town to feel that we’re actually a part The Cal Poly Gays, Lesbians, of the community,” Cabaniss said. Bisexuals United, Raise the Respect “The Pride Alliance is all about creat program and the Pride Alliance ing an equality between students.” C-enter will have booths in the On Tuesday from 11 a.m. to noon, during free speech hour, the Pride Alliance will have another booth called Dirterent Voices, Different Cdioices.Their goal is to make students aware of gay rights and how voting directly affects the gay community. On C^ct. 11, 1987, about half a mil lion people participated in a march on Washington for gay and lesbian rights. The originators of the idea, Rob Eichberg and Jean O ’Leary, decided to ASSOCIATED PRESS make the day of the march the nation Cal Poly graduate Burt Rutan, sitting on the bottom right, takes a victory lap after his plane, SpaceShipOne, al day of coming out. flew out of the earth’s atmosphere for the first time. Rutan’s second successfiil flight occurred Oct. 4 Since this movement, more people are willing to come out and admit that they are gay to family members, friends and loved ones. Due to the Poly alumnus wins Ansaii X prize conservativeness of San Luis Obispo, MATT WECHTER MUSTANG DAILY not to many students are open about Esmeralda Cisneros space tourism.