Cleaning Guide for Wool Carpet and Warranties Naturally Easy Maintenance
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A Basic Design Approach to Clean Room
www.PDHcenter.com PDH Course M143 www.PDHonline.org A Basic Design Guide for Clean Room Applications Course Content PART – I OVERVIEW Clean rooms are defined as specially constructed, environmentally controlled enclosed spaces with respect to airborne particulates, temperature, humidity, air pressure, airflow patterns, air motion, vibration, noise, viable (living) organisms, and lighting. Particulate control includes: !" Particulate and microbial contamination !" Particulate concentration and dispersion “Federal Standard 209E” defines a clean room as a room in which the concentration of airborne particles is controlled to specified limits. “British Standard 5295” defines a clean room as a room with control of particulate contamination, constructed and used in such a way as to minimize the introduction, generation and retention of particles inside the room and in which the temperature, humidity, airflow patterns, air motion and pressure are controlled. Today, many manufacturing processes require that spaces be designed to control particulate and microbial contamination while maintaining reasonable installation and operating costs. Clean rooms are typically used in manufacturing, packaging, and research facilities associated with these industries: 1. Semiconductor: This industry drives the state of the art clean room design, and this industry accounts for a significant number of all operating clean rooms. 2. Pharmaceutical: Clean rooms control living particles that would produce undesirable bacterial growth in the preparation of biological, pharmaceutical, and other medical products as well as in genetic engineering research. Page 1 of 61 www.PDHcenter.com PDH Course M143 www.PDHonline.org 3. Aerospace: The manufacturing and assembling of aerospace electronics, missiles and satellites were the first application of clean rooms. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Safe Working Procedure Jangro 13/8/04 11:40 AM Page 1
Safe Working Procedure Jangro 13/8/04 11:40 AM Page 1 Safe Working Procedure Note Safe Working Procedure Notes Jangro Limited James House,Worsley Road, Farnworth, Bolton BL4 9NL 0845 458 5223 © JANGRO Network Safe Working Procedure Jangro 13/8/04 11:40 AM Page 3 Safe Working Procedure Note Introduction The Jangro Proficiency Manual includes 39 For more detailed information regarding any Safe Working Procedure Notes that provide cleaning task or problem which my be step-by-step instruction and guidance into encountered when cleaning you may wish to the main duties that cleaning operatives source the Jangro “Training for Results would normally be expected to carry out and Resource Pack”. The pack is aimed at to assist in acquiring the basic skills necessary providing managers and supervisors with a for any section of the Cleaning Industry. comprehensive manual that can be used in conjunction with the video presentation as The information is presented in a manner part of a training course and also doubles up which will allow ease of learning and draws as an employee handbook and resource pack. attention to particular areas of concern, e.g. Health & Safety, with our handy “Safety First The pack also contains a comprehensive Section” together with suggestions for Health and Safety Best Practice Guidance appropriate Personal Protective Equipment Booklet, which provides straightforward, which should be worn for each task.The practical guidance on developing and manual also recommends the most suitable improving safe working practices within your Jangro Product for each task from the current own organisation. Jangro Catalogue. -
H'mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 H’mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat CAT Village, Hoang Lien Commune, SAPA Town, Lao Cai Province, Vietnam Le Thi Hanh Lien1*, Nguyen Thi Hai Yen2, Dao Thi Luu3, Phi Thi Thu Hoang4, Nguyen Thuy Linh5 1, 2, 3, 4 Institute of Geography, Vietnam Academy of Science and Technology, 18 Hoang Quoc Viet Road, Nghia Do, CauGiay District, Ha Noi, Vietnam 5Management Development Institute of Singapore *Corresponding author: lehanhlien2017[at]gmail.com Abstract: Indigo dyeing and beeswax batik are the two traditional crafts that have long been associated with the H’Mong people in Sa Pa in general, Cat Cat village in particular and still preserved until the presentday. Through many stages of making indigo dye combined with sophisticated techniques and the ingenuity, meticulousness of the artisans in each motif and pattern, unique beeswax batik and indigo dyeing products have been created bringing the cultural identity of the H’mong people. These handicraft products have become a highlight to attract tourists to learn and discover local cultural values and they are meaningful souvenirs for visitors after each trip. In recent years, the development of the community-based tourism model in Cat Cat village has brought many benefits to the local community. Meanwhile, it has also contributed to creating opportunities for the development and restoration of H’mong traditional crafts. Keywords: indigo dyeing, beeswax batik, H’Mong, Cat Cat, Sa Pa 1. Introduction cultural and religious life of the H'Mong. -
What You Should Know About Microfiber Pollution Scientists Estimate That Over 8 Million Tons of Plastic Enter Our Oceans Each Year
What You Should Know About Microfiber Pollution Scientists estimate that over 8 million tons of plastic enter our oceans each year. While we have all seen the plastic bottles, bags, and straws that contribute to the plastic pollution problem, one major source of plastic pollution is less obvious: our clothes. The majority of clothing on the planet is made from plastic-based materials like polyester, rayon, nylon, and acrylic. When washed, synthetic clothing sheds tiny plastic fragments known as microfibers. Microfibers are the most prevalent type of microplastic (plastic pieces less than 5 mm in diameter) found in the environment. Though we cannot see them, plastic microfibers are all around us. Researchers have found microfibers in a diverse range of land and aquatic ecosystems, from shorelines and the seafloor, to remote areas in US National Parks, and even in snow in the Alps and the Arctic. Once in the environment, microfibers are extremely difficult to clean up. For this reason, it is critical to prevent this type of pollution from entering the environment in the first place. Additional research is needed to understand how microfibers enter the environment and where they come from, but many studies suggest that washing clothes is one major source. A 2019 study by Ocean Wise estimated that the average household in the U.S. 1 and Canada releases 533 million microfibers – or 135 grams – of microfibers to wastewater treatment plants each year. Wastewater treatment plants filter out the majority of microfibers, but because they are so small, some microfibers pass through the wastewater treatment systems, entering our waterways and oceans. -
Double Corduroy Rag
E-newes - coming to you monthly! Get connected: Visit schachtspindle.com for helpful Each issue includes a project, hints, project ideas, product manuals and informa- tion. Follow our blog, like us on Facebook, pin us on helpful tips & Schacht news. Pinterest, visit Schacht groups on Ravelry, follow us TM on Twitter. News from the Ewes DECEMBER 2014 Blanket Weaving in the Southwest. We What is a countermarche loom liked Loie Stenzel’s suggestion for us- and why do we love it for rugs? Project ing patterned as well as solid fabrics, Double Corduroy Rag Rug Before I tell you why we love our countermarche so I spent some time by Chase Ford Cranbrook loom for rug weaving, I want to give you familiarizing myself After weaving off the mohair blanket a very brief overview of three systems for creating with the color pal- sheds. on the Cranbrook Loom (see pictures ettes that appeared On jack looms, on our Facebook), Jane and I decided in the blankets in when the treadle is that a double corduroy rug would be Wheat’s book. I depressed, some shafts fun to try. Corduroy is a pile weave that found several colors raise and the others is created by weaving floats along with and prints of a light- remain stationary. Jack a ground weave. The floats are cut after weight 100% cotton looms are the most weaving to form the pile. Corduroy can fabric to sample Rug sample popular style of looms be either single or double. Generally, with. in the U.S. and is the system we use for our Wolf and Standard Floor Looms. -
The “African Print” Hoax: Machine Produced Textiles Jeopardize African Print Authenticity
The “African Print” Hoax: Machine Produced Textiles Jeopardize African Print Authenticity by Tunde M. Akinwumi Department of Home Science University of Agriculture, Abeokuta, Nigeria Abstract The paper investigated the nature of machine-produced fabric commercially termed African prints by focusing on a select sample of these prints. It established that the general design characteristics of this print are an amalgam of mainly Javanese, Indian, Chinese, Arab and European artistic tradition. In view of this, it proposed that the prints should reflect certain aspects of Africanness (Africanity) in their design characteristics. It also explores the desirability and choice of certain design characteristics discovered in a wide range of African textile traditions from Africa south of the Sahara and their application with possible design concepts which could be generated from Macquet’s (1992) analysis of Africanity. This thus provides a model and suggestion for new African prints which might be found acceptable for use in Africa and use as a veritable export product from Africa in the future. In the commercial parlance, African print is a general term employed by the European textile firms in Africa to identify fabrics which are machine-printed using wax resins and dyes in order to achieve batik effect on both sides of the cloth, and a term for those imitating or achieving a resemblance of the wax type effects. They bear names such as abada, Ankara, Real English Wax, Veritable Java Print, Guaranteed Dutch Java Hollandis, Uniwax, ukpo and chitenge. Using the term ‘African Print’ for all the brand names mentioned above is only acceptable to its producers and marketers, but to a critical mind, the term is a misnomer and therefore suspicious because its origin and most of its design characteristics are not African. -
Glossary of Carpet and Rug Terms
Glossary of Carpet and Rug Terms 100% Transfer - The full coverage of the carpet floor adhesive into the carpet backing, including the recesses of the carpet back, while maintaining full coverage of the floor. Absorbent Pad (or Bonnet) Cleaning - A cleaning process using a minimal amount of water, where detergent solutions are sprayed onto either vacuumed carpet, or a cotton pad, and a rotary cleaning machine is used to buff the carpet, and the soil is transferred from the carpet to the buff pad, which is changed or cleaned as it becomes soiled. Acrylic/Modacrylic - A synthetic fiber introduced in the late 1940's, and carpet in the late 1950's, it disappeared from the market in the late 1980's due to the superior performance of other synthetics. Acrylics were reintroduced in 1990 in Berber styling to take advantage of their wool-like appearance. Modacrylic is a modified acrylic. While used alone in bath or scatter rugs, in carpeting it's usually blended with an acrylic. Acrylics are known for their dyeability, wearability, resistance to staining, color retention and resistance to abrasion. They're non-allergenic, mildew proof and moth proof. Adhesive - A substance that dries to a film capable of holding materials together by surface attachment. Anchor Coat - A latex or adhesive coating applied to the back of tufted carpet, to lock the tufts and prevent them from being pulled out under normal circumstances. Antimicrobial - A chemical treatment added to carpet to reduce the growth of common bacteria, fungi, yeast, mold and mildew. Antistatic - A carpet's ability to dissipate an electrostatic charge before it reaches a level that a person can feel. -
Gettysburg National Military Park STUDENT PROGRAM
Gettysburg National Military Park STUDENT PROGRAM 1 Teachers’ Guide Table of Contents Purpose and Procedure ...................................3 FYI ...BackgroundInformationforTeachersandStudents CausesoftheAmericanCivilWar .........................5 TheBattleofGettysburg .................................8 CivilWarMedicalVocabulary ...........................12 MedicalTimeline ......................................14 Before Your Field Trip The Oath of Allegiance and the Hippocratic Oath ...........18 Squad #1 Activities — Camp Doctors .....................19 FieldTripIdentities .........................20 "SickCall"Play..............................21 CampDoctorsStudyMaterials ................23 PicturePages ...............................25 Camp Report — SickCallRegister .............26 Squad #2 Activities — BattlefieldDoctors .................27 FieldTripIdentities .........................28 "Triage"Play ...............................29 BattlefieldStudyMaterials ...................30 Battle Report — FieldHospitalRegister ........32 Squad #3 Activities — HospitalDoctors ...................33 FieldTripIdentities .........................34 "Hospital"Play..............................35 HospitalStudyMaterials(withPicturePages) ...37 Hospital Report — CertificateofDisability .....42 Your Field Trip Day FieldTripDayProcedures ..............................43 OverviewoftheFieldTrip ..............................44 Nametags .............................................45 After Your Field Trip SuggestedPost-VisitActivities ...........................46 -
General Carpet and Rug Care
GENERAL CARPET AND RUG CARE If you give it minimal care, a good quality rug will last for generations. First, and foremost, you should always use anti-slip underlay. It will protect the underside of the rug, make it softer to walk on, and keep the rug from sliding around the room. Different types of underlay should be used, depending on the where your rug will be placed. Underlay is a critical flooring component. It is the foundation for your carpet, responsible for enhancing both comfort and durability. Underlay is constructed of several different materials, including sponge rubber, foam rubber, urethane foam, bonded urethane, and felted combinations of hair and jute. In addition, you should use protectors on the feet of any tables or chairs that will be resting on top of the rug. This will prevent indentations and wear. It is also important to keep your rug clean. Dirt and grit settled in the rug work like sandpaper to wear away at the knots. Regular vacuuming should be sufficient. However, be careful of the fringe! If your rug sustains serious damage such as a tear- this is not something to be handled by anyone less than an expert. The same thing is true if your rug is stained. Since many dyes are made from organic substances, it takes a great deal of experience to clean a rug without bleaching it. Finally, note that all rugs, no matter how fine, will fade somewhat over time. But in high-quality rugs, this process is similar to the aging of a fine wine. -
Trace Evidence
Procedure Santa Ana Police Department 6101 Santa Ana PD Procedures Manual TRACE EVIDENCE 6101.1 PURPOSE This procedure establishes guidelines for the proper identification and collection of trace evidence. 6101.2 INTRODUCTION Trace evidence is defined as small evidentiary particles and includes, but is not limited to, hair, fibers, glass fragmentation, paint transfers / chips, gun shot residue, fire debris, botanical material, soil, and unknown chemical solids or liquids. Locard’s Exchange Principle states that whenever two objects come into contact a transfer of material will occur. The transfer may be primary (direct) or secondary (indirect) and usually involves trace evidence. Personnel responsible for the collection of trace evidence at any crime scene shall adhere to the following guidelines. Their actions or inactions should be based upon the particulars of each crime scene and firmly rooted in accepted forensic practices. 6101.3 PROCEDURE FOR LOCATING/IDENTIFYING TRACE EVIDENCE The following methods for detecting trace evidence at crime scenes are acceptable. No one method is correct for any given circumstance and it is recommended that more than one, if not all, methods be used to locate potential trace evidence at a scene. 1. Using direct light can be a very effective way of locating trace evidence. The brighter the light source, the more likely the forensic investigator will notice subtle differences in color and contrast of adhering surface particles. 2. Oblique lighting takes advantage of differences in the reflective qualities of particles versus the reflective qualities of the surface on which the particles reside. This method works well under low ambient light conditions. -
The Origin of Lint and Fuzz Hairs of Cotton^
THE ORIGIN OF LINT AND FUZZ HAIRS OF COTTON^ By A. G. LANG Formerly agent, Division of Cotton and Other Fiber Crops and Diseases, Bureau of Plant Industry y United States Department of Agriculture INTRODUCTION The mature seeds of most varieties of upland cotton are covered with two different types of hairs, (1) the long lint hairs that are ex- tensively used in the manufacture of fabrics, and (2) the short, thick-walled, fuzz hairs (linters) that form a dense, tangled mat close to the surface of the seed. Both lint and fuzz hairs are single-celled, tubular outgrowths that arise from the epidermal cells of the seed coat. Although the principal difference between the lint and fuzz hairs is the much greater length of the lint, it is usually difficult or impossible to draw a sharp line of demarcation between them on this basis. Very short lint hairs and long fuzz hairs may be indistinguish- able. It is sometimes possible, however, to distinguish between lint and fuzz by their position on the ovules and seeds. In some varieties of cotton both the Hnt and fuzz hairs are restricted to specific and sometimes separate areas on the surface of the seed, giving rise to various ''patterns.'' In the so-called naked seed varieties the fuzz hairs are entirely missing, so that removal of the lint leaves the seed coat smooth and free from hairs. In some varieties the lint and fuzz hairs are pigmented differently, and frequently pigment is present in the fuzz when it is entirely absent from the lint hairs.