Glossary of Carpet and Rug Terms
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
H'mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 H’mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat CAT Village, Hoang Lien Commune, SAPA Town, Lao Cai Province, Vietnam Le Thi Hanh Lien1*, Nguyen Thi Hai Yen2, Dao Thi Luu3, Phi Thi Thu Hoang4, Nguyen Thuy Linh5 1, 2, 3, 4 Institute of Geography, Vietnam Academy of Science and Technology, 18 Hoang Quoc Viet Road, Nghia Do, CauGiay District, Ha Noi, Vietnam 5Management Development Institute of Singapore *Corresponding author: lehanhlien2017[at]gmail.com Abstract: Indigo dyeing and beeswax batik are the two traditional crafts that have long been associated with the H’Mong people in Sa Pa in general, Cat Cat village in particular and still preserved until the presentday. Through many stages of making indigo dye combined with sophisticated techniques and the ingenuity, meticulousness of the artisans in each motif and pattern, unique beeswax batik and indigo dyeing products have been created bringing the cultural identity of the H’mong people. These handicraft products have become a highlight to attract tourists to learn and discover local cultural values and they are meaningful souvenirs for visitors after each trip. In recent years, the development of the community-based tourism model in Cat Cat village has brought many benefits to the local community. Meanwhile, it has also contributed to creating opportunities for the development and restoration of H’mong traditional crafts. Keywords: indigo dyeing, beeswax batik, H’Mong, Cat Cat, Sa Pa 1. Introduction cultural and religious life of the H'Mong. -
Printable Cherry Candy Cane Potholder Pattern PDF by Liz
Cherry Candy Cane Potholder 10 inches by 10 inches A Knitting Pattern by Liz Chandler @PurlsAndPixels MATERIALS Two 87-Yard Skeins of Lion Brand Yarns Wool- No. 17/12 MM 32-inch circular needles or 14- Ease Thick and Quick, Hudson Bay (or your inch straight needles (or size needed to obtain preferred color). Alternatively, divide one 87- gauge) yard skein into two matching balls, ensuring the yarn colors will line up when knit with two Measuring tape strands held together. Tapestry needle Uses about 87 yards (5 oz.) Cherry Candy Cane Potholder A Knitting Pattern by Liz Chandler @PurlsAndPixels Size 10 inch by 10 inch square About this Pattern This extra-thick, oversize potholder is made by doubling up strands of super bulky yarn. When using a self-striping yarn, as recommended, make sure you use a single dye lot and line up the striping colors before you begin knitting. Using two skeins from the same dye lot ensures you will have enough yarn for a complete square; however, you may try dividing one skein equally in separate balls. Shown in the color “Hudson Bay,” this quick knitting project is reminiscent of cherry candy canes. It can make a fun holiday piece, but is subdued enough to be used year-round. Gauge 7 stitches and 11 rows in stockinette = 4 inches Abbreviations k = Knit. _____________________________________________________________________________________ ©2017, Liz Chandler of PurlsAndPixels. This pattern is only for personal use, gifting, and charitable donation of completed items. You may also sell items made using this pattern. Do not copy this pattern and distribute it. -
Sample Cover Page of Heartstrings #A45 Smoke Ring with Lace
SAMPLE PAGE OHeartStringsNL Pattern: A45CY - 6054 Smoke Ring with Lace Edging This versatile accessory can be worn pulled down around the neck to lie on the shoulders as a dressy neckline, or pulled up over the head as an elegant head covering. Knitting is begun with a strip of lace edging. Then stitches are picked up and knit in the round in another lace stitch pattern. A decorative bind off completes the knitted tube. Sizing Directions are written for a smaller 22" size, with changes for a larger 24" size given in brackets [ ]. Finished measurements are 18" long for both sizes and 22 [24]" around. Materials Laceweight or fingering weight yarn, approximately 300 [325] yards Size 6 US (4.0 mm) circular needle, or size to obtain planned gauge, in 16” - 24" length Optional: Straight needles in same size as above (for knitting lace edging) GAUGE: 5½ stitches per inch over stockinette stitch Crochet hook in a comparable size to knitting needle (slightly larger is OK) Skill Level: Intermediate knitter Caution: Yarn requirements are based on the planned dimensions and gauge stated in this pattern. You may need additional yarns in same dye lot if you are adjusting these instructions. Abbreviations eor - end-of-round st(s) - stitch(es) k - knit stockinette stitch - knit on the right side, purl on the k2tog - knit 2 stitches together wrong side ndl(s) - needle(s) tog - together p - purl WS - wrong side (the side of the knitted fabric worn to p2tog - purl 2 stitches together the inside) rep from *'s - repeat all instructions from the previous wyif- with yarn in front of work asterisk yo - yarn over rnd(s) - round(s) Note: Instructions are written assuming you are knitting RS - right side (the side of the knitted fabric worn to the stitches off your left-hand needle point onto your outside) right-hand needle point. -
Advances in Carpet Manufacture
SOFTbank E-Book Center Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Woodhead Publishing in Textiles: Number 87 Advances in carpet manufacture Edited by K. K. Goswami © SOFTbank2009 Woodhead E-Book Publishing Center Limited Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Published by Woodhead Publishing Limited in association with The Textile Institute Woodhead Publishing Limited, Abington Hall, Granta Park, Geat Abington Cambridge CB21 6AH, UK www.woodheadpublishing.com Woodhead Publishing India Private Limited, G-2, Vardaan House, 7/28 Ansari Road, Daryaganj, New Delhi ± 110002, India Published in North America by CRC Press LLC, 6000 Broken Sound Parkway, NW, Suite 300, Boca Raton, FL 33487, USA First published 2009, Woodhead Publishing Limited and CRC Press LLC ß Woodhead Publishing Limited, 2009 The authors have asserted their moral rights. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. Reasonable efforts have been made to publish reliable data and information, but the authors and the publishers cannot assume responsibility for the validity of all materials. Neither the authors nor the publishers, nor anyone else associated with this publication, shall be liable for any loss, damage or liability directly or indirectly caused or alleged to be caused by this book. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming and recording, or by any information storage or retrieval system, without permission in writing from Woodhead Publishing Limited. The consent of Woodhead Publishing Limited does not extend to copying for general distribution, for promotion, for creating new works, or for resale. -
The Alltec Catalogue
Alltec Network Catalogue Portable Carpet Cleaning Machines Truck Mount Machines Spare Parts, Wands, Hoses and Hand Tools Tools and Accessories Cleaning Solutions FREE Spot & Stain Removal Guide Hard Floor Cleaning Portable and Truck Mount Servicing Training Schools Cleaning Solutions Cleaning Accessories Tools and Wands Training Schools & Events Alltec Network | Butts Business Centre | Fowlmere | Nr Royston | Hertfordshire | SG8 7SL T: 01763 208222 | E: [email protected] | W: www.alltec.co.uk The Aqua range offers small, compact, light-weight and robust carpet cleaning AQUA 40 & 50 machines – perfect for spot cleaning but also powerful enough for the largest of jobs. The Aqua 40 is the smallest of our range but still a powerful and professional hot water extraction carpet cleaning machine, with 150psi pump and single 5.7 3-stage vac as standard. Powerful enough to be your main cleaning machine, but also small enough to be ideal for the professional car valet, in-house cleaning crew or those with limited storage space. Fits in the back of most estate or hatchback cars, the large rear wheels and ergonomic folding handle enables easy load & off-load. This great little machine can be called upon to deliver outstanding results on carpets, rugs and upholstery. Choose from either the standard model(s), or opt for the fully upgraded Plus model(s), which include all the following upgrades: ● TWIN 5.7 VAC ● 220PSI AQUATEC SOLUTION PUMP ● VARIABLE PRESSURE CONTROL ● 3KW 0-90°C IN-TANK HEATER Portable Machines Portable ● STAIR CLIMBING WHEELS ● FOLDING HANDLE ● LCD HOUR CLOCK Machine Specifications: AQUA 40 AQUA 50 Weight 27Kg 32Kg LEASING Dimensions HxDxW mm 730 x 720 x 530 810 x 670 x 460 Leasing options are Solution Tank Capacity 37.5 Litre / 8.25 UK Gal 50 Litre / 11 UK Gal available on all machines. -
Double Corduroy Rag
E-newes - coming to you monthly! Get connected: Visit schachtspindle.com for helpful Each issue includes a project, hints, project ideas, product manuals and informa- tion. Follow our blog, like us on Facebook, pin us on helpful tips & Schacht news. Pinterest, visit Schacht groups on Ravelry, follow us TM on Twitter. News from the Ewes DECEMBER 2014 Blanket Weaving in the Southwest. We What is a countermarche loom liked Loie Stenzel’s suggestion for us- and why do we love it for rugs? Project ing patterned as well as solid fabrics, Double Corduroy Rag Rug Before I tell you why we love our countermarche so I spent some time by Chase Ford Cranbrook loom for rug weaving, I want to give you familiarizing myself After weaving off the mohair blanket a very brief overview of three systems for creating with the color pal- sheds. on the Cranbrook Loom (see pictures ettes that appeared On jack looms, on our Facebook), Jane and I decided in the blankets in when the treadle is that a double corduroy rug would be Wheat’s book. I depressed, some shafts fun to try. Corduroy is a pile weave that found several colors raise and the others is created by weaving floats along with and prints of a light- remain stationary. Jack a ground weave. The floats are cut after weight 100% cotton looms are the most weaving to form the pile. Corduroy can fabric to sample Rug sample popular style of looms be either single or double. Generally, with. in the U.S. and is the system we use for our Wolf and Standard Floor Looms. -
Redwood Bay Traditional Carpets Matisse from G Plan Cabinets
OUTER_IM_0710 29/6/10 14:39 Page 1 Interiors Monthly Interiors Interiors monthly July 2010 first for furniture and flooring Redwood Bay Bringing the US to the UK Traditional Carpets Pattern sells Matisse from G Plan Cabinets July 2010 Leading a series of classic collections CARPET FURNITURE RUGS BEDS LAMINATE UPHOLSTERY VINYL ACCESSORIES INNER_IM_0710 1/7/10 08:31 Page 1 Affordable after sales care to keep your customers happy. a full support network - Why choose us: Speak to us today on or find out more at Unit J, SK14 Business Park, Broadway, Hyde, Cheshire SK14 4QF. 003_IM_0710 24/6/10 15:49 Page 5 EDITOR’S COMMENT Andrew Kidd EDITOR Mr 20% had little choice George Osborne will be plumped for, risking the economy going back into recession. remembered for the Stores will have to pass on the rise and suppliers will be squeezed further, so price decision to increase VAT, points such as £399 and £29.99 per square metre can stay. But they also need to make a but at least he delayed it profit, so expect arguments over pricing in the coming months. until 2011. And while one man was making his debut raising money, another was making his Just as Geoffrey Howe is remembered for charitable stage exit. David Langford has raising VAT from 12.5% on ‘luxury goods’ and played a huge part in raising more than 8% on most other things (those were the £400,000 for the Furnishing Industry Trust days) to a combined rate of 15% in 1979, and through the Big Shots clay pigeon shooting Norman Lamont less so, for putting VAT up to event for the past 16 years. -
The “African Print” Hoax: Machine Produced Textiles Jeopardize African Print Authenticity
The “African Print” Hoax: Machine Produced Textiles Jeopardize African Print Authenticity by Tunde M. Akinwumi Department of Home Science University of Agriculture, Abeokuta, Nigeria Abstract The paper investigated the nature of machine-produced fabric commercially termed African prints by focusing on a select sample of these prints. It established that the general design characteristics of this print are an amalgam of mainly Javanese, Indian, Chinese, Arab and European artistic tradition. In view of this, it proposed that the prints should reflect certain aspects of Africanness (Africanity) in their design characteristics. It also explores the desirability and choice of certain design characteristics discovered in a wide range of African textile traditions from Africa south of the Sahara and their application with possible design concepts which could be generated from Macquet’s (1992) analysis of Africanity. This thus provides a model and suggestion for new African prints which might be found acceptable for use in Africa and use as a veritable export product from Africa in the future. In the commercial parlance, African print is a general term employed by the European textile firms in Africa to identify fabrics which are machine-printed using wax resins and dyes in order to achieve batik effect on both sides of the cloth, and a term for those imitating or achieving a resemblance of the wax type effects. They bear names such as abada, Ankara, Real English Wax, Veritable Java Print, Guaranteed Dutch Java Hollandis, Uniwax, ukpo and chitenge. Using the term ‘African Print’ for all the brand names mentioned above is only acceptable to its producers and marketers, but to a critical mind, the term is a misnomer and therefore suspicious because its origin and most of its design characteristics are not African. -
Spanish Moss Shawl
SPANISH MOSS SHAWL Designed and woven by John Mullarkey Overview: Inspired by a gift skein of sock yarn from a friend, and enhanced by not being able to find the same dye lot, this shawl was woven with a Zoom Loom and joined with crochet. The color and drape reminded me of the Spanish moss I saw hanging in trees when I lived in East Texas. Difficulty rating: Easy weaving with crochet join Size: 70” width; short edges 50” Yarn: Dream in Color Smooshy (450yds/4 oz.), Cloud Jungle, 1 skein (MC). Dream in Color Smooshy, either a different dye lot of Cloud Jungle, or a different but analogous colorway (CC). Crochet thread, #10 (350 yards), black or coordinating color. Other notions, equipment or tools: size 6 crochet hook; tapestry or yarn needle; scissors. Weaving and Assembly: ■ Weave 56 squares using the Zoom Loom in color MC. Work in all ends as you weave. ■ Weave 22 squares in color CC. Work in all ends as you weave. Total of 78 squares woven. ■ Using the layout chart below, join the squares by crochet- ing a single crochet (sc) in each loop pair. ■ Chain (ch) 3, sc in loop pair of adjoining square using cro- chet thread. ■ Repeat above for all rows and columns of squares. ■ After all squares have been joined, crochet a border of sc in loop pair, ch 3 around. You may want to do ch 2 where cor- ners meet to tighten up the joined edges. Finishing: Hand wash in lukewarm water. Roll in a towel to remove excess water. -
Azerbaijani Carpet of Safavid Era
Traditional crafts Roya TAGIYEVA Doctor of Arts Azerbaijani carpet of Safavid era Fragments of the Sheikh Safi carpet. Tabriz, 1539. Victoria and Albert Museum, London he Azerbaijani carpet has always, especially during mastered the art of miniature painting. In this respect, the cultural upsurge in the East, been a synthe- the 16th century, which went down in the history of Azer- Tsis of many aesthetic principles. Remaining tra- baijan as a golden age of culture, is characteristic. The ditional in their spirit and organization of the material, authentic masterpieces of carpet making of that time carpets absorbed a variety of elements of the reality - combined the subtlety and grace of miniature painting, their creators drew motifs from literature and creatively the traditional decorative-planar solution of motifs and 18 www.irs-az.com 2(30), SPRING 2017 Sheikh Safi carpet. Tabriz, 1539. Victoria and Albert Museum, London www.irs-az.com 19 Traditional crafts Namazlig. Tabriz, 16th century. Topkapi Museum, Istanbul 20 www.irs-az.com 2(30), SPRING 2017 Namazlig. Tabriz, 16th century. Topkapi Museum, Istanbul a magnificent color palette reflecting all the colorfulness and diversity of nature. In the 16th century, the Azerbaijani Safavid dynasty, which created a strong centralized state, encouraged the development of culture and art. In Tabriz, the capital of the mighty Safavid state, which became one of the leading cultural centers of the East, a bright and distinc- tive school of miniature painting took shape. Miniatures of this period stored in private collections, in the British Museum in London and in the Topkapi Museum in Istan- bul depict beautiful carpets with Kufic inscriptions, art compositions “islimi”, “khatai”, “bulud”, namaz (prayer) rugs with a smooth background, afshan compositions, “lachak- turunj” compositions, etc., as well as carpets with a plot. -
Antron Carpet and Fiber Glossary
For more information, write or call INVISTA today. INVISTA 175 TownPark Drive Suite 200 Kennesaw, GA 30144 INVISTA (Canada) Company P.O. Box 2800 Mississauga Mississauga, Ontario Canada L5M 7V9 antron.net 1-877-5-ANTRON C arpet and fiber G lossar Y glossary Environmentally Preferable Products (EPP) are certified by Scientific Certification Systems (SCS) as having a lesser or reduced effect on health and the environment when compared with competing products that serve the same purpose. Antron® carpet fiber is certified as an EPP. Antron®, Antron Lumena®, DSDN®, XTI®, DuraTech®, Stainmaster®, Coolmax®, Lycra® are registered trademarks and Brilliance™ and StainRESIST™ are trademarks of INVISTA. © INVISTA S.à r.l. 2007. All rights reserved. Printed in U.S.A. on recycled paper with soy inks. K 02505 (03/07) carpet and fiber glossary terms A Antimicrobial: An agent that kills microbes. Amine end groups: The terminating (-NH2) group AATCC (American Association of Textile of a nylon polymer chain. Amine end groups provide Chemists and Colorists): A widely recognized dye sites for nylon (polyamide) fibers. association whose work focuses on development of standards of testing dyed and chemically treated Antistatic properties: Resisting the tendency to fibers and fabrics. produce annoying static electric shocks in situations where friction of the foot tread builds up static in Abrasive wear: Wear or texture change to an area low-humidity conditions. Some nylon fibers introduce of carpet that has been damaged by friction caused by a conductive filament in the yarn bundle to conduct or rubbing or foot traffic. dissipate static charges from the human body.