Corrida! Bullfighting in Estalia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
View the Poster Presentation
Veterinary Report on Bullfighting A Behavioral Assessment of the Distress Experienced by Bulls in the Bullfighting Arena Susan Krebsbach, DVM Veterinary Advisor Humane Society Veterinary Medical Association/USA [email protected] +1 608-212-2897 Mark Jones, Veterinarian Executive Director Humane Society International/UK [email protected] +44(0)207 4905288 TABLE 1: BULLFIGHTING DISTRESS SCALE Introduction 1 Causing pain and distress in animals is an ethically serious matter, particularly Category Descriptor Score Length Total Comments when it is done in the name of entertainment. This study aims to provide a of Time Score method for identifying and quantifying the distress experienced by bulls during bullfights, utilizing established observational methodologies for evaluating BREATHING Normal breathing 0 distress in bovines and other animals. Elevated (faster) breathing 2 Labored breathing 4 This report applies a distress scale, which includes evaluations of behaviors that Open mouth breathing 5 are indicative of pain, to review activities which are of concern from an animal Open mouth breathing with 6 welfare standpoint. Specifically, the distress scale is used as a way to quantify tongue hanging out the distress experienced by bulls in the bullfighting arena through behavioral observation from twenty eight bullfights in six different locations in Spain. LOCOMOTION Normal mobility 0 Charging 4 The objectives of this study are to: 2 Retreating away from the matador 5 Slowing down/Delayed motion 6 • Provide repeatable scientific evidence that bulls experience distress, and Reluctance to move 8 therefore suffer, in the bullfighting arena. Difficulty moving/Stumbling/Disoriented 9 Inability to move 10 • Raise ethical concerns about this suffering. -
“The Instruments Are Us” Herend in the Kremlin Gift Ideas a La Herend
MAGAZINE OF THE HEREND PORCELAIN MANUFACTORY 2009/II. NO. 33. “The instruments are us” MEET THE FOUR FATHERS VOCAL BAND 33. o. N Gift ideas 900 HUF a la Herend ERALD 2009/II. ERALD 2009/II. H 9 7 7 1 5 8 5 1 3 9 0 0 3 HEREND Herend in the Kremlin MASTERPIECES OF HANDICRAFT IN MOSCOW 8 New Year’s Eve at Pólus Palace 2009 ● Accomodation in Superior double room ● Welcome drink ● Rich buffet breakfast and dinner ● Usage of the thermal spa pool, Finnish sauna, infra sauna, TechnoGym fitness room of our Kerubina Spa & Wellness Cent- re, bathrobe ● Special festive buffet dinner on New Year’s Eve in our elegant Imperial Restaurant ● From 7:30 pm we welcome our guests with a glass of champagne ● Gala dinner starts at 8:00 pm ● Music: Black Magic Band ● Master of Ceremony: Mihály Tóth Further performers: ● Soma Hajnóczy ● Singers: Betty Balássy and Feri Varga ● Marcato percussion ensemble At midnight: fireworks with music, champagne and midnight buffet, tombola Baby-sitting with moovies and children programmes Package price: 98 900 HUF /person/ 3 nights IN CASE OF PRE-BOOKING WE PRESENT YOU WITH 1 NIGHT! Gala dinner and programme: 34 900 HUF/person Validity: 28th December 2009.– 3rd January 2010. If the 50% of the package price is paid in until 1st December as a deposit, you can stay 4 nights in our hotel! For further informations regarding conferences, exhibitions and meetings, please visit our home page: www.poluspalace.hu , tel: +36-27-530-500, fax: +36-27-530-510, e-mail: [email protected] szilveszter2010-gb.indd 1 2009.11.11. -
Mexico O DURANGO
MONfERREY I Gulf of Mexico o DURANGO ROMANTIC OLD MEXICO INVITES YOU TO THE 1956 NATIONAL CONVENTION FRATERNITY BADGES OF QUALITY -BY EIICO Order Your Badge From the Following List BADGE PRIC E LIST Pi Kappa Alpha No. 0 No. 2 No . 2'h Plain Bevel Bo rder ............................................... $ 6.25 $ 7.75 $ ....... Nugg et, Chased or Engraved Borde r .......... 7.25 B.75 CROWN SET JEWELED BADGES A ll Pearl .................................................................. 15.50 19 .50 23.25 Pe a rl, Ruby or Sa pphire Points ...................... 17 .50 21.50 25.25 Pearl, Emerald Po ints ........................................ IB.50 24.50 28 .25 Pe arl, Diamond Po ints ........................................ 29 .50 46.50 60.25 Pearl and Ruby o r Sa pphire Alternating .... 19.50 23 .50 27.25 Pea rl a nd Emerald Alternating ...................... 21.50 29.50 33 .25 Pe a rl a nd Diamond Alternating .................... 43 .50 73.50 97 .25 Diamond and Ruby or Sa pphire A lt e rnating ....................................................... ... 47.50 77 .50 101.25 Diamo nd and Emerald Alternating .............. 49.50 83 .50 107 .25 All Ruby or Sapphire .......................................... 23 .50 27.50 31.25 Ruby or Sapphire with Diamond Points ...... 35.50 52 .50 66 .25 All Emerald ............................................................ 27.50 39.50 43.25 Emerald with Diamond Points ........................ 3B .50 61.50 75.25 A ll Diamond .......................................................... 7 1.50 127.50 171.25 Diamond, Ruby o r Sapphire Points ................ 59.50 102.50 136 .25 Dia mond, Emerald Points ................................ 60.50 105 .50 139 .25 SMC Key- IOK Gold ................................................................ $9.25 Pledge Button ..................................................................... ......... 1.00 Official Recognition Button-IOK Gold ............................. -
Picasso and Dalí, Double Portrait in the Bullring of Art by PILAR PARCERISAS
Picasso and Dalí, double portrait in the bullring of art By PILAR PARCERISAS Dalí’s relationship with Picasso is ambivalent and complex. On one hand, it is rooted in the admiration of Dalí towards the master, which starts after his visit to Picasso’s Parisi- an atelier in 1926. From that moment onwards, and up until 1970, when their relation- ship has completely dissolved, Dalí writes him letters and postcards, to which he never replies. However, Picasso did help Dalí pay for the costs of his trip to New York in 1934, for which Dalí always showed his gratitude publicly. But after the Spanish Civil War and the tragic ending of the Second World War with the nuclear bomb in 1945, Dalí wants to take a new artistic course. He starts measuring himself against Picasso: he sets out on an ideological confrontation, as well as an aes- thetical rivalry with him, which is aimed at finally becoming the master’s successor in the History of Art. In his lectures of the time, Dalí delivers diatribes against him, while he asks for a return to Raphael’s classicism in the nuclear age. This opens a new period in Dalí’s work, a sort of ‘nuclear mysticism’, where the atomic age and Spanish Catholi- cism merge into the significant work Mystical Manifesto (1951). The political context has changed. The Cold War determines the relations between Eu- rope, United States and the Soviet Union. The aesthetic of abstraction rules in the US while, in Europe, it’s all about informalism; so, on both sides of the Atlantic, the aesthet- ics are hegemonic. -
La Corrida: Un Ritual Táurico O Expresión Secular De Religiosidad (The Bullfight: a Ritual on Bulls Or an Expression of Secular Religiousness)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hedatuz La corrida: un ritual táurico o expresión secular de religiosidad (The bullfight: a ritual on bulls or an expression of secular religiousness) Pérez Álvarez, Mª de los Ángeles Univ. de Sevilla. Jardines de Triana, 37. 41807 Espartinas Recep.: 18.07.01 BIBLID [1137-439X (2004), 26; 709-730] Acep.: 09.01.03 Desde la Antropología, este análisis de la Fiesta de los Toros busca en sus prácticas y creen- cias una explicación que pueda dar claves para comprender valores y significados que en ésa se encierran. Lejos de ser un ámbito de folclorismo, en su interior, guarda toda una serie de pautas recurrentes, que nos traducen un mundo de ritualidad solemne y trascendente. Palabras Clave: Religiosidad Popular. Creencias. Ritos. Antropologiaren ikuspegia erabiliz, azterlan honek azalpen bat bilatzen du Zezenen Jaiari dagozkion ohitura eta sinesteetan, jai horren barneko balio eta esanahiak ulertzeko giltzak lortzea- rren. Folklorismoaren alorretik urrun da, errepikatzen den arau sail bat mantentzen du, eta horrek guztiak erritualitate ospatsu eta transzendenteko mundua agertarazten digu. Giltza-Hitzak: Herri Erlijiozkotasuna. Sinesteak. Errituak. A partir de l’Anthropologie, cette analyse de la Fête des Taureaux cherche, dans ses pratiques et ses croyances, une explication qui puisse aider à comprendre des valeurs et des significations qui y sont contenues. Loin d’être un domaine folklorique, il garde à l’intérieur toute une série de consig- nes récurrentes qui traduisent un monde de rituels solennels et transcendants. Mots Clés: Religiosité Populaire. Croyances. Rites. Zainak. 26, 2004, 709-730 709 Pérez Álvarez, Mª de los Ángeles: La corrida: un ritual táurico o expresión secular de religiosidad INTRODUCCIÓN En todos los pueblos en donde se producen corridas de toros, los seguidores de la Fiesta consideran la corrida un bello espectáculo, un arte, una manifesta- ción cultural, que les viene heredada de épocas inmemoriales. -
Tauromaquia: ¿Religión Insólita, Mito O Superstición?
Tauromaquia: ¿Religión insólita, mito o superstición? Rafael Carvajal Ramos Foto cubierta Bajo relieve: Mithra matando al toro (Mármol Sidón, siglo iv d.C. Museo del Louvre). Dpto. de Antigüedades Orientales. Autor Rafael Carvajal Ramos Edición Los Sabios del Toreo Diseño y Maquetación Imagen Beta, S. L. Dayo 2000, S. L. MonoComp, S. A. Impresión Edigrafos, S. A. Volta, 2. Polígono Industrial San Marcos 28906 GETAFE (Madrid) Reservados todos los derechos. Ni la totalidad, ni parte de esta publicación puede reproducirse, regis- trarse o transmitirse por un sistema de recuperación de información, en ninguna forma ni por ningún medio, sea electrónico, mecánico, fotoquímico, magnético o electroóptico, por fotocopia, escaneado o grabación o cualquier otro, sin permiso previo por escrito del editor. Tauromaquia: ¿Religión insólita, mito o superstición? © Fundación Escalera del Éxito Avda. Filipinas, 50 - Esc. 2 - 1.o B 28003 Madrid - España Tel.: 91 725 80 26 / Fax: 91 725 80 45 e-mail: [email protected] www.sabiosdeltoreo.com © Rafael Carvajal Ramos Pie de foto. Pie de foto. Pie de foto. Pie de foto. Pie de foto. Pie de foto. Pie de Depósito legal: M-42998-2010foto. Pie de foto. Pie de foto. JUSTIFICACIÓN DE TIRADA De esta edición de Tauromaquia: ¿Religión insólita, mito o superstición? se han impreso QUINIENTOS EJEMPLARES, sobre papel estucado mate de 100 grs., cartulina de 200 grs. y páginas a 4/4 y cubierta a 4/0 con solapas: 450 Ejemplares nominados y numerados, para los «amigos de la cultura». 25 Ejemplares numerados en números romanos del I al XXV, destinados al autor. 15 Ejemplares numerados en números romanos del XXVI al XL, destinados al editor. -
Vibeke Final Version
The Changing Place of Animals in Post-Franco Spain with particular reference to Bullfighting, Popular Festivities, and Pet-keeping. Vibeke Hansen A thesis submitted for the degree of Doctor of Philosophy Department of Sociology University of Essex October 2015 Abstract This is a thesis about the changing place of animals in post-Franco Spain, with particular reference to bullfighting, popular festivities, and pet-keeping. The thesis argues that since the ‘transition’ to democracy (1975-1982), which made Spain one of the most liberal social-democratic states in Europe, there have been several notable developments in human-animal relations. In some important respects, Spain has begun to shed its unenviable reputation for cruelty towards animals. Three important changes have occurred. First, bullfighting (corridas) has been banned in the Canary Islands (1991) and in Catalonia (2010). In addition, numerous municipalities have declared themselves against it. Second, although animals are still widely ‘abused’ and killed (often illegally) in local festivities, many have gradually ceased to use live animals, substituting either dead ones or effigies, and those that continue to use animals are subject to increasing legal restrictions. Third, one of the most conspicuous changes has been the growth in popularity of urban pet-keeping, together with the huge expansion of the market for foods, accessories and services - from healthy diets to cemeteries. The thesis shows that the character of these changing human-animal relations, and the resistance -
BULLFIGHTING STEP by STEP Granada Is a Destination Which Will Change Your Life
BULLFIGHTING STEP BY STEP Granada is a destination which will change your life. The old Garnata of Jewish opens to the tourist like an open- air museum plenty of master pieces. The Alhambra and Generalife Gardens, known in the whole world, are just two examples of its huge touristic and cultural atractive, Granada is much more. Open your senses and feel it in all its essence. In the heart of this literary, poetic, artistic, cultural and millenial city, is located the Plaza de Toros de Granada (the Granada’s Bullring), a neomudejar jewel which has been hidden until now, offer you a complete experience for understanding the soul of Granada. A bullfight is an event in which a bullfighter on foot or on horseback challenges a numbers of bulls (one each time) in a enclosed area built for this purpose; it’s Corrida de Toros. La Corrida is performed by a TORERO (bullfighter) called bullring or arena who is on foot. All the bullfighters are TOREROS but not all the toreros are “Matador de Toros” or “Diestro”. Matador is a category acquired in a ceremony Bullfighting may be divided into three different kinds, depending on the Torero’s experience, the size of the bull and the use of horses : called “Alternativa”. From this moment onwards he can fight with the red cape and the sword. Each Matador has his own team called cuadrilla which includes 6 members: 2 lancers, 3 flagmen and 1 sword servant. Not all the bulls can fight in this kind of corrida, they must weigh at least 460 kg and be 4 years old (the bull fight regulation allows bulls between 4 and 6 years old). -
Beilin Book4cd W.Pdf (4.745Mb)
TRANSOCEANIC STUDIES Ileana Rodríguez, Series Editor All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. IN SEARCH OF AN ALTERNATIVE BIOPOLITICS ANTI-BULLFIGHTING, ANIMALITY, AND THE ENVIRONMENT IN CONTEMPORARY SPAIN KATARZYNA OLGA BEILIN THE OHIO STATE UNIVERSITY PRESS | COLUMBUS All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. Copyright © 2015 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Beilin, Katarzyna Olga, 1966– author. In search of an alternative biopolitics : anti-bullfighting, animality, and the environment in contemporary Spain / Katarzyna Olga Beilin. pages cm — (Transoceanic studies) Includes bibliographical references and index. ISBN 978-0-8142-1290-5 (cloth : alk. paper) 1. Bullfights—Political aspects—Spain—21st century. 2. Animal rights—Spain—21st century. 3. Biopolitics—Spain—21st century. I. Title. II. Series: Transoceanic studies. GV1108.7.M67B45 2015 791.8'2—dc23 2015025468 Cover design by James A. Baumann Text design by Juliet Williams Type set in Adobe Minion Pro Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American Na- tional Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. For Sai All Rights Reserved. Copyright -
Comparative Translations of Bullfighting Terms Used by R. Ford, J. Hay, A
FACULTAD de FILOSOFÍA Y LETRAS DEPARTAMENTO de FILOLOGÍA INGLESA Grado en Estudios Ingleses TRABAJO DE FIN DE GRADO COMPARATIVE TRANSLATIONS OF BULLFIGHTING TERMS USED BY R. FORD, J. HAY, A. HUNTINGTON AND E. HEMINGWAY José Manuel Toquero Martín [Vº Bº del tutor y fecha] TUTORES: Dr. José Manuel Barrio Marco Dr. Belén López Arroyo 2015-2016 Abstract The present paper is a comparative analysis of translations of bullfighting terms from works belonging to four different authors who travelled to Spain and wrote about this spectacle as reporters. The purpose of this study is to obtain a glossary of terms belonging to the field and to see how those terms are translated nowadays. The following pages illustrate examples from which we have taken all the terms. Moreover, there is an explanation of the usage made by each author. We have taken as a reference the works of Richard Ford, John Hay, Archer Huntington, and Ernest Hemingway to see the differences among translations by quoting the context in which the words have been used. We will see that depending on the period, the translations of the words vary though they are mostly borrowings from Spanish that the authors used. Keywords Bullfighting, translations, Ford, Hay, Huntington, Hemingway Resumen Este artículo es un análisis comparativo de términos de tauromaquia pertenecientes a obras de cuatro autores diferentes que viajaron a España y escribieron acerca de este espectáculo como periodistas. El objetivo de esta investigación es obtener un glosario de términos relacionado con el campo y comparar las traducciones realizadas por dichos autores con las traducciones que nos ofrecen los diccionarios hoy en día. -
Full Report - Bullfights in Spain an International Investigation By
FULL REPORT - BULLFIGHTS IN SPAIN AN INTERNATIONAL INVESTIGATION BY IN COLLABORATION WITH S.B. (Investigation Unit Coordinator – LAV) With the exclusive veterinary contributions of José Enrique Zaldívar (President – AVATMA, Association of Veterinary Abolitionists of Bullfighting and Animal Abuse) Under coordination and review of Marta Esteban Miñano (International Managing Director – Animal Guardians) BULLFIGHTING IN ALGEMESÍ (VALENCIA) Period: from 22/09/2019 to 24/09/2019 Places: Bullring of Algemesí / Butcher shop in Algemesí / Center of Algemesí / Object of the investigation: collection of videos of the process of the bullfights starting in the breeding, followed by the transport, the act in the bullring and the process of converting the body in a meat product. In the Algemesí’s images (as well as in the ones concerning Seville and Madrid) we can see the three standard thirds (tran. phases) of the bullfight: the Tercio de Varas (tran. Third of Rods), with passes with the cape and confrontation with the horse of the picador (bullfighter on horse), the Tercio de Banderillas (tran. Third of Flags) and the Tercio de Muerte (tran. Third of Death), which includes the Faena de Muleta (cape task used by the bullfighter to tease the bull with a cape), and the process by which, with the use of various weapons (estoque, descabello and puntilla, explained below), the life of these animals is ended in the bullrings. Before going out to the ring, in the pens, a divisa (coloured ribbon), which is a double harpoon measuring 9 cm, is nailed to the bull’s neck. It is adorned with coloured ribbons which identify the ranch to which the animal belongs. -
Last Matador
THE LAST�MATADOR At the most storied arena in all of bullf ighting, even the bulls know the sport is approaching its end READY TO RUMBLE Julián López Escobar, or “El Juli,” on his way into By DANA VACHON Photography by MARIANO HERRERA Seville’s Plaza de Toros de la Real Maestranza CREDIT�TK�TK�TK�TK�TK�TK�TK�TK�TK CREDIT�TK�TK�TK�TK�TK�TK�TK�TK�TK — january 2014 january 2014 — �� RHAP0114_074-081_BullFighting3.indd 74 10/12/2013 10:50RHAP0114_074-081_BullFighting3.indd 75 10/12/2013 10:51 HERE’S A big medieval trumpet blast “That bull weighs almost a ton,” says an elder patrician as the matadors walk into Seville’s beside me, looking, in his fedora and ascot, like an aged, famous bullring, the Plaza de Toros unmasked Zorro. “That bull could kill a lion.” de la Real Maestranza, one of the “It could kill a lion?” asks a friend who deals in some of most sacred spots in the world of the same Peruvian silver mines that may have paid for the bullfighting, which, of late, has Armada. begun to enter a discernible if not “Or a bear,” says Old Zorro. “Or a crocodile.” quite dramatic decline. Attendance Many generations ago, Ernest Hemingway made the is down and a majority of Spaniards same point in dispatches from this very arena. He thought are now opposed to such spectacle. it was important for his reader to understand that this But I have not come here to see the animal, while innocent, tragic and doomed, is nothing like bullfight in its twilight, but rather the dancing cow on your milk bottle, that it has been care- in the last of its golden light, to fully bred to excel at brutality, to enjoy fighting, and that, try to understand what it means to yes, pitted against an African lion it would absolutely win.