Full Report - Bullfights in Spain an International Investigation By
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Bulls and Bullfighting in Literature in English from 1920-36: O'brien's Mary Lavelle and Hemingway's Fiesta
BULLS AND BULLFIGHTING IN LITERATURE IN ENGLISH FROM 1920-36: O'BRIEN'S MARY LAVELLE AND HEMINGWAY'S FIESTA Carmen Rueda Ramos This work deals with the symbolism two foreign wnters, who came to Spain looking for some kind of liberation,saw in bulljighting.Both of them wereparlicularly interested in thefígure of the bu11 as a victim of a tragedy. That is what made Kate O'Brien and Ernest Hemingway portray their rnain characters in Mary Lavelle and in Fiesta as symbolic bulls in their dramas of passion. The eroticism involved in bulljighting also has its equivalent in the dramasof both novels. In trying &oget to know Spain as "la piel de toro", they made their characters take part in this peculiar and characteristic ritual. Laín Entraigo, an important contempomy essayist on bullfighting, once de- scribed it by saying that "En su esencia el toreo es un encuentro entre el hombre y el toro bajo forma de lidia, en el cual hay desafio, juego, ostentación del poderío humano y muerte real (la del toro) y muerte posible (la del torero); por tanto drama." ' Entralgo explained in a few words what bullfighting is al1 about. However, the symbolism that lies behind it -represented by courage and strength- is exactly what foreign writers, who came to Spain before the Civil War, saw in it and wrote about. In trying to understand the country, its baditions and inconsistencies, its cruelties and beauties, they wrote about something typically Spanish, "la fiesta nacional", and gave different interpretations to it in their novels in connection with drama and passion. -
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Veterinary Report on Bullfighting A Behavioral Assessment of the Distress Experienced by Bulls in the Bullfighting Arena Susan Krebsbach, DVM Veterinary Advisor Humane Society Veterinary Medical Association/USA [email protected] +1 608-212-2897 Mark Jones, Veterinarian Executive Director Humane Society International/UK [email protected] +44(0)207 4905288 TABLE 1: BULLFIGHTING DISTRESS SCALE Introduction 1 Causing pain and distress in animals is an ethically serious matter, particularly Category Descriptor Score Length Total Comments when it is done in the name of entertainment. This study aims to provide a of Time Score method for identifying and quantifying the distress experienced by bulls during bullfights, utilizing established observational methodologies for evaluating BREATHING Normal breathing 0 distress in bovines and other animals. Elevated (faster) breathing 2 Labored breathing 4 This report applies a distress scale, which includes evaluations of behaviors that Open mouth breathing 5 are indicative of pain, to review activities which are of concern from an animal Open mouth breathing with 6 welfare standpoint. Specifically, the distress scale is used as a way to quantify tongue hanging out the distress experienced by bulls in the bullfighting arena through behavioral observation from twenty eight bullfights in six different locations in Spain. LOCOMOTION Normal mobility 0 Charging 4 The objectives of this study are to: 2 Retreating away from the matador 5 Slowing down/Delayed motion 6 • Provide repeatable scientific evidence that bulls experience distress, and Reluctance to move 8 therefore suffer, in the bullfighting arena. Difficulty moving/Stumbling/Disoriented 9 Inability to move 10 • Raise ethical concerns about this suffering. -
The Politics of Bulls and Bullfights in Contemporary Spain
SOCIAL THOUGHT & COMMENTARY Torophies and Torphobes: The Politics of Bulls and Bullfights in Contemporary Spain Stanley Brandes University of California, Berkeley Abstract Although the bullfight as a public spectacle extends throughout southwestern Europe and much of Latin America, it attains greatest political, cultural, and symbolic salience in Spain. Yet within Spain today, the bullfight has come under serious attack, from at least three sources: (1) Catalan nationalists, (2) Spaniards who identify with the new Europe, and (3) increasingly vocal animal rights advocates. This article explores the current debate—cultural, political, and ethical—on bulls and bullfighting within the Spanish state, and explores the sources of recent controversy on this issue. [Keywords: Spain, bullfighting, Catalonia, animal rights, public spectacle, nationalism, European Union] 779 Torophies and Torphobes: The Politics of Bulls and Bullfights in Contemporary Spain s is well known, the bullfight as a public spectacle extends through- A out southwestern Europe (e.g., Campbell 1932, Colomb and Thorel 2005, Saumade 1994), particularly southern France, Portugal, and Spain. It is in Spain alone, however, that this custom has attained notable polit- ical, cultural, and symbolic salience. For many Spaniards, the bull is a quasi-sacred creature (Pérez Álvarez 2004), the bullfight a display of exceptional artistry. Tourists consider bullfights virtually synonymous with Spain and flock to these events as a source of exotic entertainment. My impression, in fact, is that bullfighting is even more closely associated with Spanish national identity than baseball is to that of the United States. Garry Marvin puts the matter well when he writes that the cultur- al significance of the bullfight is “suggested by its general popular image as something quintessentially Spanish, by the considerable attention paid to it within Spain, and because of its status as an elaborate and spectacu- lar ritual drama which is staged as an essential part of many important celebrations” (Marvin 1988:xv). -
Mexico O DURANGO
MONfERREY I Gulf of Mexico o DURANGO ROMANTIC OLD MEXICO INVITES YOU TO THE 1956 NATIONAL CONVENTION FRATERNITY BADGES OF QUALITY -BY EIICO Order Your Badge From the Following List BADGE PRIC E LIST Pi Kappa Alpha No. 0 No. 2 No . 2'h Plain Bevel Bo rder ............................................... $ 6.25 $ 7.75 $ ....... Nugg et, Chased or Engraved Borde r .......... 7.25 B.75 CROWN SET JEWELED BADGES A ll Pearl .................................................................. 15.50 19 .50 23.25 Pe a rl, Ruby or Sa pphire Points ...................... 17 .50 21.50 25.25 Pearl, Emerald Po ints ........................................ IB.50 24.50 28 .25 Pe arl, Diamond Po ints ........................................ 29 .50 46.50 60.25 Pearl and Ruby o r Sa pphire Alternating .... 19.50 23 .50 27.25 Pea rl a nd Emerald Alternating ...................... 21.50 29.50 33 .25 Pe a rl a nd Diamond Alternating .................... 43 .50 73.50 97 .25 Diamond and Ruby or Sa pphire A lt e rnating ....................................................... ... 47.50 77 .50 101.25 Diamo nd and Emerald Alternating .............. 49.50 83 .50 107 .25 All Ruby or Sapphire .......................................... 23 .50 27.50 31.25 Ruby or Sapphire with Diamond Points ...... 35.50 52 .50 66 .25 All Emerald ............................................................ 27.50 39.50 43.25 Emerald with Diamond Points ........................ 3B .50 61.50 75.25 A ll Diamond .......................................................... 7 1.50 127.50 171.25 Diamond, Ruby o r Sapphire Points ................ 59.50 102.50 136 .25 Dia mond, Emerald Points ................................ 60.50 105 .50 139 .25 SMC Key- IOK Gold ................................................................ $9.25 Pledge Button ..................................................................... ......... 1.00 Official Recognition Button-IOK Gold ............................. -
Picasso and Dalí, Double Portrait in the Bullring of Art by PILAR PARCERISAS
Picasso and Dalí, double portrait in the bullring of art By PILAR PARCERISAS Dalí’s relationship with Picasso is ambivalent and complex. On one hand, it is rooted in the admiration of Dalí towards the master, which starts after his visit to Picasso’s Parisi- an atelier in 1926. From that moment onwards, and up until 1970, when their relation- ship has completely dissolved, Dalí writes him letters and postcards, to which he never replies. However, Picasso did help Dalí pay for the costs of his trip to New York in 1934, for which Dalí always showed his gratitude publicly. But after the Spanish Civil War and the tragic ending of the Second World War with the nuclear bomb in 1945, Dalí wants to take a new artistic course. He starts measuring himself against Picasso: he sets out on an ideological confrontation, as well as an aes- thetical rivalry with him, which is aimed at finally becoming the master’s successor in the History of Art. In his lectures of the time, Dalí delivers diatribes against him, while he asks for a return to Raphael’s classicism in the nuclear age. This opens a new period in Dalí’s work, a sort of ‘nuclear mysticism’, where the atomic age and Spanish Catholi- cism merge into the significant work Mystical Manifesto (1951). The political context has changed. The Cold War determines the relations between Eu- rope, United States and the Soviet Union. The aesthetic of abstraction rules in the US while, in Europe, it’s all about informalism; so, on both sides of the Atlantic, the aesthet- ics are hegemonic. -
SPAIN with PORTUGAL 10 Nights / 11 Days PACKAGE OVERVIEW
Tour Code : AKSR0256 Tour Type : Group Tour 1800 233 9008 SPAIN WITH PORTUGAL www.akshartours.com 10 Nights / 11 Days PACKAGE OVERVIEW 2Country 11Cities 11Days 19Activities Accomodation Meal 2 nights Accomodation in Madrid. Meals as per Tour Itinerary 1 night Accomodation in Salamanca. 2 nights Accomodation in Lisbon. 1 night Accomodation in Seville. 1 night Accomodation in Granada. 1 night Accomodation in Valencia. Visa & Taxes 2 nights Accomodation in Barcelona. Applicable Schengen Visa Charges Travel Insurance (Upto 60 Years) GST 5% Highlights Madrid Guided City Tour Visit Royal Palace. Toledo Tour Guided City Tour with Visit to Sword Factory. Salamanca Guided City Tour Visit Plaza Mayor Fatima Visit the Shrine of Fatima. Lisbon Guided City Tour Visit Cascais beach Cruise on Tagus River. Seville Guided City Tour Visit Maestranza Bull Ring Gibraltar Guided City Tour Visit St. Michaels Cave. Marbella Orientation Tour. Granada Guided City Tour Visit Alhambra Complex and General Life Gardens. Valencia Guided City Tour. Barcelona Visit to Montserrat Guided City Tour Visit to Sagrada Familia Visit FC Barcelona Stadium • Enjoy Flamenco Show with Glass of Wine. DEPARTURE DATES May – 02, 11, 16, 23, 30 Jun –06, 20 Jul – 04, 25 Aug – 08, 17 SIGHTSEEINGS Royal Palace Madrid The Royal Palace of Madrid is located in western Madrid, and it is the official residence of the Spanish Royal Family. It is considered the most important Baroque palace in Spain. It is a large structure with abundant artwork. Sword Factory Toledo A Toledo sword was a sword produced in Toledo Spain during the 15th to the late 20th century. -
New Culture Book
New Culture Book TABLE OF CONTENTS Introduction........................................... 3 Common Stereotypes........................... Names.................................................... 5 People’s Names Language............................................... Communication..................................... Flags....................................................... 9 Geography............................................. 17 Climate Physical Geography Maps of Landforms Animals.................................................. Community............................................ 1 Education.............................................. Family.................................................... Clothing................................................. Food....................................................... 42 Meal Times and Typical Food Mealtime Etiquette and Table Settings Recipes Health..................................................... 56 Home Remedies and Care Calendar................................................ 58 Celebrations & Holidays...................... 60 January February March April May June July August September October November December Other Celebrations Music..................................................... 99 Arts & Crafts......................................... 100 Hispanic Art Leisure Activities................................. Soccer................................................... Hispanic Literature............................... Famous Hispanic People..................... Websites............................................... -
La Corrida: Un Ritual Táurico O Expresión Secular De Religiosidad (The Bullfight: a Ritual on Bulls Or an Expression of Secular Religiousness)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hedatuz La corrida: un ritual táurico o expresión secular de religiosidad (The bullfight: a ritual on bulls or an expression of secular religiousness) Pérez Álvarez, Mª de los Ángeles Univ. de Sevilla. Jardines de Triana, 37. 41807 Espartinas Recep.: 18.07.01 BIBLID [1137-439X (2004), 26; 709-730] Acep.: 09.01.03 Desde la Antropología, este análisis de la Fiesta de los Toros busca en sus prácticas y creen- cias una explicación que pueda dar claves para comprender valores y significados que en ésa se encierran. Lejos de ser un ámbito de folclorismo, en su interior, guarda toda una serie de pautas recurrentes, que nos traducen un mundo de ritualidad solemne y trascendente. Palabras Clave: Religiosidad Popular. Creencias. Ritos. Antropologiaren ikuspegia erabiliz, azterlan honek azalpen bat bilatzen du Zezenen Jaiari dagozkion ohitura eta sinesteetan, jai horren barneko balio eta esanahiak ulertzeko giltzak lortzea- rren. Folklorismoaren alorretik urrun da, errepikatzen den arau sail bat mantentzen du, eta horrek guztiak erritualitate ospatsu eta transzendenteko mundua agertarazten digu. Giltza-Hitzak: Herri Erlijiozkotasuna. Sinesteak. Errituak. A partir de l’Anthropologie, cette analyse de la Fête des Taureaux cherche, dans ses pratiques et ses croyances, une explication qui puisse aider à comprendre des valeurs et des significations qui y sont contenues. Loin d’être un domaine folklorique, il garde à l’intérieur toute une série de consig- nes récurrentes qui traduisent un monde de rituels solennels et transcendants. Mots Clés: Religiosité Populaire. Croyances. Rites. Zainak. 26, 2004, 709-730 709 Pérez Álvarez, Mª de los Ángeles: La corrida: un ritual táurico o expresión secular de religiosidad INTRODUCCIÓN En todos los pueblos en donde se producen corridas de toros, los seguidores de la Fiesta consideran la corrida un bello espectáculo, un arte, una manifesta- ción cultural, que les viene heredada de épocas inmemoriales. -
The Competition Law Review
ISSN 1745-638X (Online) THE COMPETITION LAW REVIEW Volume 11 Issue 1 pp 61-81 July 2015 Entertainment made in Spain: competition in the bullfighting industry Francisco Marcos* Controversial for many reasons, bullfighting is probably one of the most typical entertainment activities in Spain. Bullfights are an idiosyncratic spectacle belonging to the Spanish cultural tradition, but which has also a meaningful economic significance. This article will look at the role of market forces and competition in the bullfighting business, describing the peculiarities of its organization and looking at the many anti-competitive features that characterize it. Spanish local authorities are strongly involved in the organization of bullfights and strict and detailed public rules govern the intervening actors and the performance during the shows. Thus, the institutional framework of bullfighting heavily constrains competition conditions in the industry, setting the scenario for a limited role of market forces. Furthermore, history shows that the collective organization of different players involved (promoters, breeders, bullfighters and subordinates) in order to exert their market power has occasionally led to anti-competitive actions and reactions. Thus, unsurprisingly, the Spanish Competition authorities have dealt with some anti-competitive behaviour by some of the players participating in the bullfighting industry. INTRODUCTION Despite being very contentious for many reasons, related primarily to the respect of animal rights, bullfighting keeps being -
La Imagen De Joselito El Gallo En Las Artes Plásticas. Jesús Rojas-Marcos González
141 La imagen de Joselito El Gallo en las artes plásticas. Jesús Rojas-Marcos González Palabras de la Presidenta de la Academia Ilmo. Sr. Fiscal de la Real Maestranza de Caballería, Excmos. e Ilmos. Sres. Maestrantes, Académicos, Sras. y Sres.: La razón por la cual estamos aquí reunidos en este Salón lleno de arte no es otra que proceder a la inauguración de las Jornadas culturales que se van a llevar a cabo en colaboración de la Real Maestranza de Caballería con la Real Academia de Bellas Artes. Esta Jornada que hoy comienza se va a dedicar a un insigne torero en el Centenario de su Alternativa, “Joselito El Gallo”. Como todos sabéis, el arte de la Tauromaquia fue fuente de inspiración para muchos artistas. Pintores, desde Goya a Picasso, plasmaron en sus lienzos obras dedicadas al arte del toreo; escultores que tallaron piezas maestras que quedarán para la posteridad. Un ejemplo de ellas, el entierro de Joselito, de Benlliure, donde nunca se vio tanta belleza escoltada por tan profunda tristeza; escritores, músicos y poetas, como Lorca, o Rafael de León, que en una de sus poesías a la muerte de Joselito era tal la tristeza que embargaba a la ciudad de Sevilla que describió en su poesía el llanto de la Macarena, la Madre y Señora de Sevilla, por la muerte de Joselito. Por todo esto, la Real Academia tuvo a bien que engrosara en su nómina académica un torero de Sevilla. Conferencia impartida el 19 de septiembre de 2012, en el salón de los Carteles de la Plaza de Toros de la Real Maestranza de Caballería de Sevilla. -
Bienestar Animal En Las Corridas De Toros, Por El Simple Hecho De Causarle Lesiones Y Consecuentemente La Muerte
BIENESTAR ANIMAL EN L A S CORRIDAS DE TOROS Procuraduría Ambiental y del Ordenamiento Territorial de la CDMX México, 2017 DIRECTORIO Procurador Miguel Angel Cancino Aguilar Subprocuradora Ambiental, de Protección y Bienestar a los Animales Leticia Mejía Hernández Sobprocurador de Ordenamiento Territorial Emigdio Roa Márquez Subprocurador de Asuntos Jurídicos Marco Antonio Esquivel López Coordinadora Técnica y de Sistemas Gabriela Ortiz Merino Coordinador de Participación Ciudadana y Difusión Francisco A. Calderón Córdova Coordinadora Administrativa Oralia Reséndiz Márquez CONTENIDO ANTECEDENTES EN PAOT .................................................................................................................. 1 RECONOCIMIENTOS DE HECHOS ......................................................................................................... 1 DERECHO COMPARADO ........................................................................................................................ 3 LAS CORRIDAS DE TOROS EN LA CIUDAD DE MÉXICO ....................................................................15 DICTAMEN JURÍDICO SOBRE LA PROHIBICIÓN DE LA TAUROMAQUIA Y LAS RESTRICCIONES LEGÍTIMAS A DERECHOS FUNDAMENTALES ....................................................................................20 ANÁLISIS TÉCNICO RESPECTO A LA CRUELDAD Y MALTRATO DURANTE LAS CORRIDAS DE TOROS ...................................................................................................................................................37 POSTURA DE LA -
Vibeke Final Version
The Changing Place of Animals in Post-Franco Spain with particular reference to Bullfighting, Popular Festivities, and Pet-keeping. Vibeke Hansen A thesis submitted for the degree of Doctor of Philosophy Department of Sociology University of Essex October 2015 Abstract This is a thesis about the changing place of animals in post-Franco Spain, with particular reference to bullfighting, popular festivities, and pet-keeping. The thesis argues that since the ‘transition’ to democracy (1975-1982), which made Spain one of the most liberal social-democratic states in Europe, there have been several notable developments in human-animal relations. In some important respects, Spain has begun to shed its unenviable reputation for cruelty towards animals. Three important changes have occurred. First, bullfighting (corridas) has been banned in the Canary Islands (1991) and in Catalonia (2010). In addition, numerous municipalities have declared themselves against it. Second, although animals are still widely ‘abused’ and killed (often illegally) in local festivities, many have gradually ceased to use live animals, substituting either dead ones or effigies, and those that continue to use animals are subject to increasing legal restrictions. Third, one of the most conspicuous changes has been the growth in popularity of urban pet-keeping, together with the huge expansion of the market for foods, accessories and services - from healthy diets to cemeteries. The thesis shows that the character of these changing human-animal relations, and the resistance