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X E TEX Live
X TE EX Live Jonathan Kew SIL International Horsleys Green High Wycombe Bucks HP14 3XL, England jonathan_kew (at) sil dot org 1 X TE EX in TEX Live in the preamble are sufficient to set the typefaces through- out the document. ese fonts were installed by simply e release of TEX Live 2007 marked a milestone for the dropping the .otf or .ttf files in the computer’s Fonts X TE EX project, as the first major TEX distribution to in- folder; no .tfm, .fd, .sty, .map, or other TEX-related files clude X TE EX (version 0.996) as an integral part. Prior to had to be created or installed. this, X TE EX was a tool that could be added to a TEX setup, Release 0.996 of X T X also provides some enhance- but version and configuration differences meant that it was E E ments over earlier, pre-T X Live versions. In particular, difficult to ensure smooth integration in all cases, and it was E there are new primitives for low-level access to glyph infor- only available for users who specifically chose to seek it out mation (useful during font development and testing); some and install it. (One exception to this is the MacTEX pack- preliminary support for the use of OpenType math fonts age, which has included X TE EX for the past year or so, but (such as the Cambria Math font shipped with MS Office this was just one distribution on one platform.) Integration 2007); and a variety of bug fixes. -
CSS Font Stacks by Classification
CSS font stacks by classification Written by Frode Helland When Johann Gutenberg printed his famous Bible more than 600 years ago, the only typeface available was his own. Since the invention of moveable lead type, throughout most of the 20th century graphic designers and printers have been limited to one – or perhaps only a handful of typefaces – due to costs and availability. Since the birth of desktop publishing and the introduction of the worlds firstWYSIWYG layout program, MacPublisher (1985), the number of typefaces available – literary at our fingertips – has grown exponen- tially. Still, well into the 21st century, web designers find them selves limited to only a handful. Web browsers depend on the users own font files to display text, and since most people don’t have any reason to purchase a typeface, we’re stuck with a selected few. This issue force web designers to rethink their approach: letting go of control, letting the end user resize, restyle, and as the dynamic web evolves, rewrite and perhaps also one day rearrange text and data. As a graphic designer usually working with static printed items, CSS font stacks is very unfamiliar: A list of typefaces were one take over were the previous failed, in- stead of that single specified Stempel Garamond 9/12 pt. that reads so well on matte stock. Am I fighting the evolution? I don’t think so. Some design principles are universal, independent of me- dium. I believe good typography is one of them. The technology that will let us use typefaces online the same way we use them in print is on it’s way, although moving at slow speed. -
The Unicode Cookbook for Linguists: Managing Writing Systems Using Orthography Profiles
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2017 The Unicode Cookbook for Linguists: Managing writing systems using orthography profiles Moran, Steven ; Cysouw, Michael DOI: https://doi.org/10.5281/zenodo.290662 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-135400 Monograph The following work is licensed under a Creative Commons: Attribution 4.0 International (CC BY 4.0) License. Originally published at: Moran, Steven; Cysouw, Michael (2017). The Unicode Cookbook for Linguists: Managing writing systems using orthography profiles. CERN Data Centre: Zenodo. DOI: https://doi.org/10.5281/zenodo.290662 The Unicode Cookbook for Linguists Managing writing systems using orthography profiles Steven Moran & Michael Cysouw Change dedication in localmetadata.tex Preface This text is meant as a practical guide for linguists, and programmers, whowork with data in multilingual computational environments. We introduce the basic concepts needed to understand how writing systems and character encodings function, and how they work together. The intersection of the Unicode Standard and the International Phonetic Al- phabet is often not met without frustration by users. Nevertheless, thetwo standards have provided language researchers with a consistent computational architecture needed to process, publish and analyze data from many different languages. We bring to light common, but not always transparent, pitfalls that researchers face when working with Unicode and IPA. Our research uses quantitative methods to compare languages and uncover and clarify their phylogenetic relations. However, the majority of lexical data available from the world’s languages is in author- or document-specific orthogra- phies. -
Suitcase Fusion 8 Getting Started
Copyright © 2014–2018 Celartem, Inc., doing business as Extensis. This document and the software described in it are copyrighted with all rights reserved. This document or the software described may not be copied, in whole or part, without the written consent of Extensis, except in the normal use of the software, or to make a backup copy of the software. This exception does not allow copies to be made for others. Licensed under U.S. patents issued and pending. Celartem, Extensis, LizardTech, MrSID, NetPublish, Portfolio, Portfolio Flow, Portfolio NetPublish, Portfolio Server, Suitcase Fusion, Type Server, TurboSync, TeamSync, and Universal Type Server are registered trademarks of Celartem, Inc. The Celartem logo, Extensis logos, LizardTech logos, Extensis Portfolio, Font Sense, Font Vault, FontLink, QuickComp, QuickFind, QuickMatch, QuickType, Suitcase, Suitcase Attaché, Universal Type, Universal Type Client, and Universal Type Core are trademarks of Celartem, Inc. Adobe, Acrobat, After Effects, Creative Cloud, Creative Suite, Illustrator, InCopy, InDesign, Photoshop, PostScript, Typekit and XMP are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Apache Tika, Apache Tomcat and Tomcat are trademarks of the Apache Software Foundation. Apple, Bonjour, the Bonjour logo, Finder, iBooks, iPhone, Mac, the Mac logo, Mac OS, OS X, Safari, and TrueType are trademarks of Apple Inc., registered in the U.S. and other countries. macOS is a trademark of Apple Inc. App Store is a service mark of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. Elasticsearch is a trademark of Elasticsearch BV, registered in the U.S. -
Opentype Postscript Fonts with Unusual Units-Per-Em Values
Luigi Scarso VOORJAAR 2010 73 OpenType PostScript fonts with unusual units-per-em values Abstract Symbola is an example of OpenType font with TrueType OpenType fonts with Postscript outline are usually defined outlines which has been designed to match the style of in a dimensionless workspace of 1000×1000 units per em Computer Modern font. (upm). Adobe Reader exhibits a strange behaviour with pdf documents that embed an OpenType PostScript font with A brief note about bitmap fonts: among others, Adobe unusual upm: this paper describes a solution implemented has published a “Glyph Bitmap Distribution Format by LuaTEX that resolves this problem. (BDF)” [2] and with fontforge it’s easy to convert a bdf font into an opentype one without outlines. A fairly Keywords complete bdf font is http://unifoundry.com/unifont-5.1 LuaTeX, ConTeXt Mark IV, OpenType, FontMatrix. .20080820.bdf.gz: this Vle can be converted to an Open- type format unifontmedium.otf with fontforge and it Introduction can inspected with showttf, a C program from [3]. Here is an example of glyph U+26A5 MALE AND FEMALE Opentype is a font format that encompasses three kinds SIGN: of widely used fonts: 1. outline fonts with cubic Bézier curves, sometimes Glyph 9887 ( uni26A5) starts at 492 length=17 referred to CFF fonts or PostScript fonts; height=12 width=8 sbX=4 sbY=10 advance=16 2. outline fonts with quadratic Bézier curve, sometimes Bit aligned referred to TrueType fonts; .....*** 3. bitmap fonts. ......** .....*.* Nowadays in digital typography an outline font is almost ..***... the only choice and no longer there is a relevant diUer- .*...*. -
The File Cmfonts.Fdd for Use with Latex2ε
The file cmfonts.fdd for use with LATEX 2".∗ Frank Mittelbach Rainer Sch¨opf 2019/12/16 This file is maintained byA theLTEX Project team. Bug reports can be opened (category latex) at https://latex-project.org/bugs.html. 1 Introduction This file contains the external font information needed to load the Computer Modern fonts designed by Don Knuth and distributed with TEX. From this file all .fd files (font definition files) for the Computer Modern fonts, both with old encoding (OT1) and Cork encoding (T1) are generated. The Cork encoded fonts are known under the name ec fonts. 2 Customization If you plan to install the AMS font package or if you have it already installed, please note that within this package there are additional sizes of the Computer Modern symbol and math italic fonts. With the release of LATEX 2", these AMS `extracm' fonts have been included in the LATEX font set. Therefore, the math .fd files produced here assume the presence of these AMS extensions. For text fonts in T1 encoding, the directive new selects the new (version 1.2) DC fonts. For the text fonts in OT1 and U encoding, the optional docstrip directive ori selects a conservatively generated set of font definition files, which means that only the basic font sizes coming with an old LATEX 2.09 installation are included into the \DeclareFontShape commands. However, on many installations, people have added missing sizes by scaling up or down available Metafont sources. For example, the Computer Modern Roman italic font cmti is only available in the sizes 7, 8, 9, and 10pt. -
DE-Tex-FAQ (Vers. 72
Fragen und Antworten (FAQ) über das Textsatzsystem TEX und DANTE, Deutschsprachige Anwendervereinigung TEX e.V. Bernd Raichle, Rolf Niepraschk und Thomas Hafner Version 72 vom September 2003 Dieser Text enthält häufig gestellte Fragen und passende Antworten zum Textsatzsy- stem TEX und zu DANTE e.V. Er kann über beliebige Medien frei verteilt werden, solange er unverändert bleibt (in- klusive dieses Hinweises). Die Autoren bitten bei Verteilung über gedruckte Medien, über Datenträger wie CD-ROM u. ä. um Zusendung von mindestens drei Belegexem- plaren. Anregungen, Ergänzungen, Kommentare und Bemerkungen zur FAQ senden Sie bit- te per E-Mail an [email protected] 1 Inhalt Inhalt 1 Allgemeines 5 1.1 Über diese FAQ . 5 1.2 CTAN, das ‚Comprehensive TEX Archive Network‘ . 8 1.3 Newsgroups und Diskussionslisten . 10 2 Anwendervereinigungen, Tagungen, Literatur 17 2.1 DANTE e.V. 17 2.2 Anwendervereinigungen . 19 2.3 Tagungen »geändert« .................................... 21 2.4 Literatur »geändert« .................................... 22 3 Textsatzsystem TEX – Übersicht 32 3.1 Grundlegendes . 32 3.2 Welche TEX-Formate gibt es? Was ist LATEX? . 38 3.3 Welche TEX-Weiterentwicklungen gibt es? . 41 4 Textsatzsystem TEX – Bezugsquellen 45 4.1 Wie bekomme ich ein TEX-System? . 45 4.2 TEX-Implementierungen »geändert« ........................... 48 4.3 Editoren, Frontend-/GUI-Programme »geändert« .................... 54 5 TEX, LATEX, Makros etc. (I) 62 5.1 LATEX – Grundlegendes . 62 5.2 LATEX – Probleme beim Umstieg von LATEX 2.09 . 67 5.3 (Silben-)Trennung, Absatz-, Seitenumbruch . 68 5.4 Seitenlayout, Layout allgemein, Kopf- und Fußzeilen »geändert« . 72 6 TEX, LATEX, Makros etc. (II) 79 6.1 Abbildungen und Tafeln . -
The New Font Project: TEX Gyre
Hans Hagen, Jerzy Ludwichowski, Volker Schaa NAJAAR 2006 47 The New Font Project: TEX Gyre Abstract metric and encoding files for each font. We look for- In this short presentation, we will introduce a new ward to an extended TFM format which will lift this re- project: the “lm-ization” of the free fonts that come striction and, in conjunction with OpenType, simplify with T X distributions. We will discuss the project E delivery and usage of fonts in TEX. objectives, timeline and cross-lug funding aspects. We especially look forward to assistance from pdfTEX users, because the pdfTEX team is working on the implementation on the support for OpenType Introduction fonts. An important consideration from Hans Hagen: “In The New Font Project is a brainchild of Hans Ha- the end, even Ghostscript will benefit, so I can even gen, triggered mainly by the very good reception imagine those fonts ending up in the Ghostscript dis- of the Latin Modern (LM) font project by the TEX tribution.” community. After consulting other LUG leaders, The idea of preparing such font families was sug- Bogusław Jackowski and Janusz M. Nowacki, aka gested by the pdfTEX development team. Their pro- “GUST type.foundry”, were asked to formulate the pro- posal triggered a lively discussion by an informal ject. group of representatives of several TEX user groups — The next section contains its outline, as prepared notably Karl Berry (TUG), Hans Hagen (NTG), Jerzy by Bogusław Jackowski and Janusz M. Nowacki. The Ludwichowski (GUST), Volker RW Schaa (DANTE)— remaining sections were written by us. who suggested that we should approach this project as a research, technical and implementation team, and Project outline promised their help in taking care of promotion, integ- ration, supervising and financing. -
Latex2ε Font Selection
LATEX 2" font selection © Copyright 1995{2021, LATEX Project Team.∗ All rights reserved. March 2021 Contents 1 Introduction2 1.1 LATEX 2" fonts.............................2 1.2 Overview...............................2 1.3 Further information.........................3 2 Text fonts4 2.1 Text font attributes.........................4 2.2 Selection commands.........................7 2.3 Internals................................8 2.4 Parameters for author commands..................9 2.5 Special font declaration commands................. 10 3 Math fonts 11 3.1 Math font attributes......................... 11 3.2 Selection commands......................... 12 3.3 Declaring math versions....................... 13 3.4 Declaring math alphabets...................... 13 3.5 Declaring symbol fonts........................ 14 3.6 Declaring math symbols....................... 15 3.7 Declaring math sizes......................... 17 4 Font installation 17 4.1 Font definition files.......................... 17 4.2 Font definition file commands.................... 18 4.3 Font file loading information..................... 19 4.4 Size functions............................. 20 5 Encodings 21 5.1 The fontenc package......................... 21 5.2 Encoding definition file commands................. 22 5.3 Default definitions.......................... 25 5.4 Encoding defaults........................... 26 5.5 Case changing............................. 27 ∗Thanks to Arash Esbati for documenting the newer NFSS features of 2020 1 6 Miscellanea 27 6.1 Font substitution.......................... -
Baskerville Volume 9 Number 2
Baskerville The Annals of the UK TEX Users Group Guest Editor: Dominik Wujastyk Vol. 9 No. 2 ISSN 1354–5930 August 1999 Baskerville is set in Monotype Baskerville, with Computer Modern Typewriter for literal text. Editing, production and distribution are undertaken by members of the Committee. Contributions and correspondence should be sent to [email protected]. Editorial The Guest Editor of the last issue of Baskerville, James Foster, maintainer of this FAQ, many people have contributed to it, explained in that issue how members of the UK-TUG Com- as is explained in the introduction below. mittee have assumed editorial responsibility for the prepara- The TEX FAQ has been published in Baskerville twice be- tion and formatting of individual numbers of the newsletter. fore, in 1994 and 1995. These are the issues of Baskerville Like James, I am deeply grateful for, and awed by, the amount which I have most often lent or recommended to other TEX of work and expertise which Sebastian Rahtz has put into users. In fact, I currently do not have the 1995 FAQ issue past issues of Baskerville. Thanks, Sebastian! because I gave it away to someone who needed it as a mat- James also mentioned the hard work which Robin ter of urgency! I am confident that this newly updated TEX Fairbairns has done over the years in producing and distrib- FAQ, now expanded to cover 126 questions, will be every bit uting Baskerville. Although Robin is now liberated from these as popular and useful as its predecessors, and will save TEX particular tasks, he is still heavily involved in supporting the users many hours of valuable time. -
TUGBOAT Volume 39, Number 2 / 2018 TUG 2018 Conference
TUGBOAT Volume 39, Number 2 / 2018 TUG 2018 Conference Proceedings TUG 2018 98 Conference sponsors, participants, program 100 Joseph Wright / TUG goes to Rio 104 Joseph Wright / TEX Users Group 2018 Annual Meeting notes Graphics 105 Susanne Raab / The tikzducks package A L TEX 107 Frank Mittelbach / A rollback concept for packages and classes 113 Will Robertson / Font loading in LATEX using the fontspec package: Recent updates 117 Joseph Wright / Supporting color and graphics in expl3 119 Joseph Wright / siunitx: Past, present and future Software & Tools 122 Paulo Cereda / Arara — TEX automation made easy 126 Will Robertson / The Canvas learning management system and LATEXML 131 Ross Moore / Implementing PDF standards for mathematical publishing Fonts 136 Jaeyoung Choi, Ammar Ul Hassan, Geunho Jeong / FreeType MF Module: A module for using METAFONT directly inside the FreeType rasterizer Methods 143 S.K. Venkatesan / WeTEX and Hegelian contradictions in classical mathematics Abstracts 147 TUG 2018 abstracts (Behrendt, Coriasco et al., Heinze, Hejda, Loretan, Mittelbach, Moore, Ochs, Veytsman, Wright) 149 MAPS: Contents of issue 48 (2018) 150 Die TEXnische Kom¨odie: Contents of issues 2–3/2018 151 Eutypon: Contents of issue 38–39 (October 2017) General Delivery 151 Bart Childs and Rick Furuta / Don Knuth awarded Trotter Prize 152 Barbara Beeton / Hyphenation exception log Book Reviews 153 Boris Veytsman / Book review: W. A. Dwiggins: A Life in Design by Bruce Kennett Hints & Tricks 155 Karl Berry / The treasure chest Cartoon 156 John Atkinson / Hyphe-nation; Clumsy Advertisements 157 TEX consulting and production services TUG Business 158 TUG institutional members 159 TUG 2019 election News 160 Calendar TEX Users Group Board of Directors † TUGboat (ISSN 0896-3207) is published by the Donald Knuth, Grand Wizard of TEX-arcana ∗ TEX Users Group. -
The Arabi System — TEX Writes in Arabic and Farsi
The Arabi system | ] ¨r` [ A\ TEX writes in Arabic and Farsi Youssef Jabri Ecole´ Nationale des Sciences Appliqu´ees, Oujda, Morocco yjabri (at) ensa dot univ-oujda dot ac dot ma Abstract In this paper, we will present a newly arrived package on CTAN that provides Arabic script support for TEX without the need for an external pre-processor. The Arabi package adds one of the last major multilingual typesetting capabilities to Babel by adding support for the Arabic ¨r and Farsi ¨FCA languages. Other languages using the Arabic script should also be more or less easily imple- mentable. Arabi comes with many good quality free fonts, Arabic and Farsi, and may also use commercial fonts. It supports many 8-bit input encodings (namely, CP-1256, ISO-8859-6 and Unicode UTF-8) and can typeset classical Arabic poetry. The package is distributed under the LATEX Project Public License (LPPL), and has the LPPL maintenance status \author-maintained". It can be used freely (including commercially) to produce beautiful texts that mix Arabic, Farsi and Latin (or other) characters. Pl Y ¾Abn Tn ®¤ Tr` ¤r Am`tF TAk t§ A\ ¨r` TEC .¤r fOt TEX > < A\ Am`tFA d¤ dnts ¨ n A\ (¨FCA ¤ ¨r)tl Am`tF TAk S ¨r` TEC , T¤rm rb Cdq tmt§¤ ¯m ¢k zymt§ A\n @h , T§db @n¤ Y At§ ¯ ¢ Y TAR . AARn £EA A \` Am`tF® A ¢± ¾AO ¾AA ¨r` dq§ . Tmlk ¨ ¤r AkJ d§dt ¨CA A` © ¨ ¨t ªW d Am`tF ¢nkm§ Am Am`tF¯ r ªW Tmm ¯¤ ¨A ¨r` , A\n TbsnA A w¡ Am .