Suitcase Fusion 8 Getting Started
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Cloud Fonts in Microsoft Office
APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ -
Bitstream Fonts in May 2005 at Totaling 350 Font Families with a Total of 1357 Font Styles
Bitstream Fonts in May 2005 at http://www.myfonts.com/fonts/bitstream totaling 350 font families with a total of 1357 font styles The former Bitstream typeface libraries consisted mainly of forgeries of Linotype fonts and of ITC fonts. See the list below on the pages 24–29 about the old Bitstream Typeface Library of 1992. The 2005 Bitstream typeface library contains the same forgeries of Linotype fonts as formerly and also the same ITC fonts, but it also includes a lot of new mediocre „rubbish fonts“ (e.g. „Alphabet Soup“, „Arkeo“, „Big Limbo“), but also a few new quality fonts (e.g. „Drescher Grotesk“, „Prima Serif“ etc.). On the other hand, a few old fonts (e.g. „Caxton“) were removed. See the list below on pages 1–23. The typeface collection of CorelDraw comprises almost the entire former old Bitstream typeface library (see the list below on pages 24–29) with the following exceptions: 1. A few (ca. 3) forgeries of Linotype fonts are missing in the CorelDraw font collections, e.g. the fonts „Baskerville No. 2“ (= Linotype Baskerville No. 2), „Italian Garamond“ (= Linotype Garamond Simoncini), and „Revival 555“ (= Linotype Horley Old Style). 2. A lot (ca. 11) of ITC fonts are not contained in the CorelDraw font collections, e.g. „ITC Berkeley Oldstyle“, „ITC Century“, „ITC Clearface“, „ITC Isbell“, „ITC Italia“, „ITC Modern No. 216“, „ITC Ronda“, „ITC Serif Gothic“, „ITC Tom’s Roman“, „ITC Zapf Book“, and „ITC Zapf International“. Ulrich Stiehl, Heidelberg 3-May 2005 Aachen – 2 styles Ad Lib™ – 1 styles Aerospace Pi – 1 styles Aldine -
The Unicode Cookbook for Linguists: Managing Writing Systems Using Orthography Profiles
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2017 The Unicode Cookbook for Linguists: Managing writing systems using orthography profiles Moran, Steven ; Cysouw, Michael DOI: https://doi.org/10.5281/zenodo.290662 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-135400 Monograph The following work is licensed under a Creative Commons: Attribution 4.0 International (CC BY 4.0) License. Originally published at: Moran, Steven; Cysouw, Michael (2017). The Unicode Cookbook for Linguists: Managing writing systems using orthography profiles. CERN Data Centre: Zenodo. DOI: https://doi.org/10.5281/zenodo.290662 The Unicode Cookbook for Linguists Managing writing systems using orthography profiles Steven Moran & Michael Cysouw Change dedication in localmetadata.tex Preface This text is meant as a practical guide for linguists, and programmers, whowork with data in multilingual computational environments. We introduce the basic concepts needed to understand how writing systems and character encodings function, and how they work together. The intersection of the Unicode Standard and the International Phonetic Al- phabet is often not met without frustration by users. Nevertheless, thetwo standards have provided language researchers with a consistent computational architecture needed to process, publish and analyze data from many different languages. We bring to light common, but not always transparent, pitfalls that researchers face when working with Unicode and IPA. Our research uses quantitative methods to compare languages and uncover and clarify their phylogenetic relations. However, the majority of lexical data available from the world’s languages is in author- or document-specific orthogra- phies. -
Serif Fonts Vol 2
Name Chaparral Pro Basic Latin ! " # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~ 24 Te quick brown fox jumps over the lazy dog 18 Te quick brown fox jumps over the lazy dog 12 Te quick brown fox jumps over the lazy dog 10 Te quick brown fox jumps over the lazy dog 8 Te quick brown fox jumps over the lazy dog Name Chaparral Pro Bold Basic Latin ! " # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~ 24 Te quick brown fox jumps over the lazy dog 18 Te quick brown fox jumps over the lazy dog 12 Te quick brown fox jumps over the lazy dog 10 Te quick brown fox jumps over the lazy dog 8 Te quick brown fox jumps over the lazy dog Name Chaparral Pro Bold Italic Basic Latin ! " # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~ 24 Te quick brown fox jumps over the lazy dog 18 Te quick brown fox jumps over the lazy dog 12 Te quick brown fox jumps over the lazy dog 10 Te quick brown fox jumps over the lazy dog 8 Te quick brown fox jumps over the lazy dog Name Chaparral Pro Italic Basic Latin ! " # $ % & ' ( ) * + , - . -
Discourse, Materiality and Power: Dietary Supplements and Their Users Susan Roberton Bidwell a Thesis Submitted for the Degree
Discourse, Materiality and Power: Dietary Supplements and their Users Susan Roberton Bidwell A thesis submitted for the degree of Doctor of Philosophy of the University of Otago, Dunedin March 2020 Abstract Throughout human existence people have used herbs and other medicinal substances to protect themselves against illness and treat their ailments. Gathering wild herbs has, however, been replaced today by the many products on the shelves of health stores and pharmacies in developed countries with health systems similar to New Zealand. Previous studies of supplements and their use have largely focused on how many people use them, or subsumed supplement use within wider studies of complementary and alternative medicine (CAM). Supplement use, however, has characteristics that make it different from CAM therapies more broadly. Yet there have been only a few investigations where supplement users have been asked directly about their practices, and those that have been done have tended to be under- theorised and so lack depth. This study used a constructionist approach, within which supplements and their users were examined from both humanist and post-humanist perspectives. I used semi-structured interviews to generate data with 36 participants who were regular users of supplements. The interviews were supplemented by observations of the displays of products that participants brought to my attention in the home and retail settings where the interviews took place. A critical theoretical analysis was undertaken, framed by Deleuze and Guattari’s concept of the rhizomatic assemblage of multiple, interconnected actants which are always in a process of change. Within this wider framework, aspects of the data were examined using other theoretical concepts including deconstruction, the agency of matter, and Foucault’s ideas of power and caring for the self. -
AVENIR Family
An Introduction To The AVENIR Family By Stacey Chen O V E R V I E W l Avenir was designed by Adrian Frutiger. l The typeface was first released in 1988 with three weights, before being expanded to six weights. l In 2004, together with Akira Kobayashi, Frutiger reworked the Avenir family. l Avenir has now become a common font in web, print, and graphic design, etc. l Frutiger was born in Unterseen, Switzerland 1928. l At age 16, Frutiger was apprenticed as a compositor to a printer, while taking classes in woodcuts and drawing. l With his second wife, Frutiger had two daughters, who both experienced mental health problems and committed suicide as adolescents. l Frutiger spent most of his professional career working in Paris and living in France, returning to Switzerland later in life. A D R I A N F R U T I G E R l Charles Peignot of Deberny Et Peignot recruited Frutiger based on the quality of the wood- engraved illustrations of his essay. l Impressed by the success of Futura typeface, Peignot encouraged a new, geometric sans-serif type in competition. l Frutiger disliked the regimentation of Futura, and persuaded Peignot that the new sans-serif be based on the realist model. l In 1988, Frutiger completed the family Avenir. Frutiger intended the font to be a more human version of geometric sans-serif types popular in the 1930s, such as Erbar and Futura. A D R I A N F R U T I G E R “Avenir” = “Future” French English A V E N I R i s l Futura is a geometric sans-serif typeface designed in 1927 by Paul Renner. -
ART DIRECTION (Design Elements) Art Direction — Tallit Lines 01
01 ART DIRECTION (design elements) Art Direction — Tallit lines 01 TALLIT (prayer shawl) What / Design / Jewish prayer shawl worn during prayers/ a special The lines of the tallit is something that Jews can easily occassion. It has special twined and knotted fringes identify with and relate to. They can be graphically known as tzitzit attached to it’s four corners. This intepreted into line dividers/ borders/ decorative literally means cloak or sheet. It has remained elements etc and would reiforce the prayer aspect an inseparable part of Jewish worship. of the event, conveying our support for Israel. Art Direction — Tallit lines 02 TALLIT (prayer shawl) Art Direction — Tzitzit 03 TZITZIT (tassels) What / Design / These are knotted fringes tied at the four corners of The intricacy of how the tzitzit threads intertwines is a the tallit. They must be made with intent, with specific beautiful and meaningful symbolism of the rich jewish number of threads that winds around and hangs losely culture and it’s significance today. Many jews still at the end. The number of winds adds up to represent attach tzitzits on their clothings as a reminder of the direct speilling of God’s name. The total number their Jewish laws and traditions. This would be an of threads adds up to the Jewish laws. ideal visual to celebrate their traditions and culture. Art Direction — Tzitzit 04 TZITZIT (tassels) Possible Design Elements a. b. c. (zoom out) (zoom out) . minimal . intricate . intricate . uniform & consistent clean lines . uniform & consistent clean lines . sketchy & fluid strokes . not accurate (no. of strokes) . accurate (no. -
Windows & Mirrors
THE HOMETOWN NEWSPAPER FOR MENLO PARK, ATHERTON, PORTOLA VALLEY AND WOODSIDE APRIL 26, 2017 | VOL. 52 NO. 34 WWW.ALMANACNEWS.COM Windows & mirrors KitaabWorld aims to give kids glimpses and reflections of different cultures PageP20 20 ERS’ CH D O I A C E E Pick your favorite restaurants, R shops and services | Page 9 2017 / / Alain Pinel Realtors® HOME STARTS HERE Atherton $12,800,000 Woodside $12,395,000 Menlo Park $4,988,000 489 Fletcher Drive | 6bd/7.5ba 835 La Honda Road | 4bd/3.5ba 1158 Windsor Way | 4bd/3.5ba Mary & Brent Gullixson | 650.462.1111 Judy Citron | 650.462.1111 Monica Corman & Mandy Montoya | 650.462.1111 By Appointment By Appointment By Appointment Atherton $5,250,000 Mountain View $3,498,000 Atherton $3,400,000 9 Valley Road | 5bd/3.5ba 278 Carmelita Drive | 5bd/5ba 390 Greenoaks Drive | 3bd/3ba Mary & Brent Gullixson | 650.462.1111 Keri Nicholas | 650.304.3100 Carol & Nicole | 650.462.1111 By Appointment By Appointment By Appointment Atherton $3,000,000 Menlo Park $1,949,000 Palo Alto $1,495,000 73 Watkins Avenue | 5bd/4ba 211 Pearl Lane | 3bd/2.5ba 548 Everett Avenue | 2bd/2ba Demetrius Tam | 650.462.1111 Janise Taylor | 650.462.1111 Brendan Callahan | 650.304.3100 By Appointment By Appointment By Appointment San Carlos $1.299.000 San Carlos $1,995,000 Redwood City $799,000 438 Portofino Drive #101 | 3bd/3ba 3189 La Mesa Drive | 3bd/2ba 111 Wellesley Crescent #2S | 2bd/3ba Zach Trailer | 650.304.3100 Courtney Charney | 650.462.1111 Shane Stent | 650.304.3100 Open Sat & Sun 1:30-4:30 By Appointment Open Sat & Sun 1:00-4:00 -
SHOPC Minutes
· IOLu\f\ Clex-~ Kc.J 1 \) 1 Approved May 6, 2020 SJlo Izozo 2 I).' LI J'.W1 3 s 4 ~ ~ 5 THE SOUTHBOROUGH HOUSING OPPORTUNITY PARTNERSHIP COMMITTEE 6 (SHOPC) 7 MEETING MINUTES 8 Wednesday, April 29, 2020 8:30 AM 9 VIRTUAL MEETING/REMO E PARTICIPATION 10 11 Members present: Doriann Jasinski, Lisa Braccio, John Wood, Alex Frisch, Tom Bhisitkul, Tom Marcoulier 12 and Jesse Stein. Also present: Karina Quinn, Town Planner, Sarah Hoecker, Business Administrator I and 13 Kathleen Battles, Recording Secretary. Sarah Hoecker managed virtual connection through ZOOM 14 application. 15 16 CALL TO ORDER: The meeting was called to order at 8:44 AM. 17 18 Ms. Jasinski read the following statement: 19 Pursuant to Governor Baker's March 12, 2020 Order Suspending Certain Provisions of the Open Meeting 20 Law, G.L. c. 30A, &18, and the Governor's March 15, 2020 Order imposing strict limitations on the 21 number of people that may gather in one place, this meeting of the Southborough Housing Opportunity 22 Partnership Committee (SHOPC) is being conducted via remote participation to the greatest extent 23 possible. Specific information and the general guidelines for the remote participation by members of 24 the public and/ or parties with a right and/or requirement to attend this meeting can be found on the 25 Town of Southborough's website, at https://www.southboroughtown.com/. 26 For this meeting, members of the pubic who wish to listen to the meeting or participate in the public 27 hearing may do so in the following manner: 28 https://www.southboroughtown.com/remotemeetings 29 30 No in-person attendance of members of the public will be permitted, but every effort will be made to 31 ensure that the public can adequately access the proceedings in real time, via technological means. -
Administración De Fuentes De Windows Guía De Mejores Prácticas Administración De Fuentes De Windows: Guía De Mejores Prácticas
PRIMERA EDICIÓN ADMINISTRACIÓN DE FUENTES DE WINDOWS GUÍA DE MEJORES PRÁCTICAS ADMINISTRACIÓN DE FUENTES DE WINDOWS: GUÍA DE MEJORES PRÁCTICAS Contenido ¿Por qué necesita administrar sus fuentes? ....................................................................1 ¿A quiénes va dirigido este libro? ....................................................................................1 Notas sobre Windows .......................................................................................................................2 Convenciones utilizadas en esta Guía ............................................................................ 2 Mejores prácticas de la administración de fuentes ....................................................... 3 Utilice una aplicación de administración de fuentes .....................................................................4 Separe las fuentes de terceros de las fuentes del sistema ..............................................................4 Elabore un plan para agregar fuentes nuevas .................................................................................4 Actualice las fuentes obsoletas.........................................................................................................4 Mantenimiento de fuentes ...............................................................................................................4 Antes de seguir ...............................................................................................................4 Muestre las extensiones ....................................................................................................................5 -
13A04806 LINUX PROGRAMMING and SCRIPTING UNIT 4 TCL/ TK SCRIPTING:Tcl Fundamentals, String and Pattern Matching, Tcl Data Struct
13A04806 LINUX PROGRAMMING AND SCRIPTING UNIT 4 TCL/ TK SCRIPTING:Tcl Fundamentals, String and Pattern Matching, Tcl Data Structures ,Control Flow Commands, Procedures and Scope , Evel, Working With UNIX, Reflection and Debugging, Script Libraries, Tk Fundamentals ,Tk by Examples, The Pack Geometry Manager, Binding Commands to X Events, Buttons and Menus, Simple Tk Widgets, Entry and Listbox Widgets Focus, Grabs and Dialogs 13A04806 LINUX PROGRAMMING AND SCRIPTING Tcl - Overview Tcl is shortened form of Tool Command Language. John Ousterhout of the University of California, Berkeley, designed it. It is a combination of a scripting language and its own interpreter that gets embedded to the application, we develop with it. Tcl was developed initially for Unix. It was then ported to Windows, DOS, OS/2, and Mac OSX. Tcl is much similar to other unix shell languages like Bourne Shell (Sh), the C Shell (csh), the Korn Shell (sh), and Perl. It aims at providing ability for programs to interact with other programs and also for acting as an embeddable interpreter. Even though, the original aim was to enable programs to interact, you can find full-fledged applications written in Tcl/Tk. Features of Tcl The features of Tcl are as follows − ∑ Reduced development time. ∑ Powerful and simple user interface kit with integration of TK. ∑ Write once, run anywhere. It runs on Windows, Mac OS X, and almost on every Unix platform. ∑ Quite easy to get started for experienced programmers; since, the language is so simple that they can learn Tcl in a few hours or days. ∑ You can easily extend existing applications with Tcl. -
Table of Contents
CentralNET Business User Guide Table of Contents Federal Reserve Holiday Schedules.............................................................................. 3 About CentralNET Business ......................................................................................... 4 First Time Sign-on to CentralNET Business ................................................................. 4 Navigation ..................................................................................................................... 5 Home ............................................................................................................................. 5 Balances ........................................................................................................................ 5 Balance Inquiry Terms and Features ........................................................................ 5 Account & Transaction Inquiries .................................................................................. 6 Performing an Inquiry from the Home Screen ......................................................... 6 Initiating Transfers & Loan Payments .......................................................................... 7 Transfer Verification ................................................................................................. 8 Reporting....................................................................................................................... 8 Setup (User Setup) .......................................................................................................