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A a Bb Cc Dd Ee Ff Gg Hh liJj Kk LI MmNnOoPp Qq RrSsTt UuVvWwXxYyZz1234567890&fECE$$(£.%!?0 [] Brookie ilaxtt7e11: Walking Up Dream .Street tl hat Modern {Vas Italian Beach Signs Book Jackets of t he 1920s & 1930s Hidden Music: A Print by Glaser 3 The Cat's Out of the Bag. On September 10, 1991, PC Magazine called Arts & Letters "the easiest-to-use illustration product for the PC' PC Magazine made it official. However, Arts & Letters clip-art images. The Editor offers a list of features you owners have known for years how easy it is to use. can really sink your teeth into; like multi-tasking of screen Instructions are clear and concise. Commands are kept redraw, data-driven charting, gradient fills and blends, to a minimum. Everything is object-oriented, and what text-along-a-path, lock/hide/name, warp/perspective, you see is what you get. To top it off, the latest version hole cutting, and object and text masking. Automatic spot of the Graphics Editor (3.1) is even quicker and more and four-color separations are also available. powerful than its predecessors. Rave reviews about Arts & Letters are commonplace. Arts & Letters offers several built-in advantages: you The Arts & Letters clip-art collection also received can draw upon the award-winning 5,000-image clip-art Publish magazine's Readers' Choice award two years in collection, 80 superb typefaces, Bezier drawing tools and a row and PC Magazine named it a host of spectacular special effects. Editors' Choice for 1991. There is no limit to the kinds of electronic artwork Try your hand at turning a you can create with the Arts & Letters Graphics Editor: tabby into a tiger. Just see your vibrant original art, complex graphic compositions, nearest software retailer for a copy colorful pictogram charts or just beautifully enhanced of the Graphics Editor. Computer Support Corporation • 15926 Midway Road • Dallas, TX 75244 • 214/661-8960 • Fax: 214/661-5429 Circle 227 on Reader Service Card ITC American ITC Century Light Friz Quadrata Typewriter Light Italic Bold Light Book Medium Book Italic ITC Galliard Bold Bold Roman Light Condensed Bold Italic Italic Condensed Ultra Bold Bold Condensed Ultra Italic Bold Italic Black AGFA ITC Avant Garde ITC Century Black Italic 0 Gothic Extra Condensed Light Ultra Light Condensed Ultra Italic Light Italic NEW SPIN Extra Light Oblique PUTS A Book Condensed Book ITC Garamond Book Oblique Condensed Light Medium Book Italic Light Italic ig Condensed Bold Book ON CD-ROM Medium Oblique Demi Condensed Book Italic Demi Oblique Bold Italic Bold Bold Condensed Ultra Bold Italic THE LATEST Bold Oblique Condensed Ultra Condensed Book Ultra Italic Ultra Italic Condensed Medium Condensed Demi ITC Cheltenham ITC Garamond ITC TYPEFACES Light Condensed (9Z Condensed Bold Light Light Italic Light Condensed a .g15 ITC New Book Italic 12 f Baskerville Book Italic Book Condensed FROM A TO Z. U AncnEFGH 1 234 Bold Book Condensed italic Bold Italic Italic 1 7% 12 345 67890 Ultra Bold Condensed Bold Ultra Italic Bold Condensed Italic wo AncnEFGH1234 Bold Italic ITC Clearface Ultra Condensed ITC Novarese From ITC American Typewriter® to ITC Zapf Dingbats '21(2 1234567890 Regular Ultra Condensed Book wi Regular Italic Italic Book Italic Agfa provides you with the easiest access to the widest ITC Bauhaus Light Bold Medium selection of your favorite ITC typefaces. ITC Goudy Sans Medium Italic Medium Bold Italic International Typeface Corporations' designs set a stan- (14 Demi Heavy Book Bold 00 Bold Heavy Italic Book Italic Bold Italic dard for legibility, distinction, and personality. To meet I Heavy Black Medium Ultra your standards for technology, Agfa offers the latest Black Italic Medium Italic ITC typefaces in PosTScmPT® format—all compatible ITC Benguiat Bold ITC Quorum Light with Nne—from the Adobe® and Agfa libraries, assur- Book Book ITC Cushing Book Bold Italic ing the highest quality output from 300 to 2,400 dpi. Bold Book Italic Black Medium .B>n's Medium Black Italic Bold Now, Agfa provides convenience too. We've put nearly Black ITC Benguiat Medium Italic z,000 POSTSCRIPT fonts—including 450 ITC fonts—on Gothic Book Bold ITC Isbell Book the new AgfaType" CD-ROM v3.o. As a Macintosh® user, Uy Book Oblique Bold Italic Book Italic ITC Serif Gothic H = Medium Heavy Bold Light you can gain instant access to one typeface, or to the Medium Oblique Heavy Italic Bold Italic Serif Gothic complete ITC collection. Add new faces by simply call- Bold Bold ing your local Agfa dealer. Place an order, get the access O F Bold Oblique ITC Elan Book Italia Book Extra Bold codes, and instantly install your fonts. Book Italic Medium Heavy (DE Heavy SE Heavy Oblique Medium Bold flack To take your favorite ITC typefaces for a spin, or for clit(1) Medium Italic your local Agfa dealer, call us today at 353 61 6toit. f2 T; ITC Berkeley Bold ITC Kabel Book ITC Slimbach o Oldstyle Book Bold Italic Medium Book Book Italic Black Demi Book Italic 8t. Medium Black Italic Bold Medium ITC Stone Sans ITC Tiffany ITC Weidemann so Medium Italic Ultra Medium Italic Italic Italic Book Bold ITC Eras Light Bold Semibold Demi Book Italic Bold Italic Book ITC Korinna Bold Italic Semibold Italic Demi Italic Medium mE Black Medium Regular Black Bold Heavy Medium Italic mN Kursiv Regular Black Italic Bold Italic Heavy Italic Bold UVU- Black Italic Demi Bold Bold Bold Italic ITC Bookman Ultra Kursiv Bold ITC Souvenir ITC Stone ITC Usherwood Black ro Light Light Informal Book Black Italic Light Italic Italic Book Italic <7, Light Italic ITC Fenice Light ITC Leawood COg Medium Light Oblique Book Medium Semibold Medium ITC Zapf Chancery f2; Medium Italic Light 93 Medium Italic Regular Book Italic Medium Italic Semibold Italic Demi Regular Oblique Medium Demi Bold Bold Light Italic Demi Italic Bold Medium Italic Demi Italic Bold Italic Bold Italic Roman Bold Bold Oblique Bold Bold Black Italic Ez Bold Italic Ultra Bold Italic Bold Italic ITC Symbol Book Black Italic Demi Ultra Oblique Black Book Italic Bold ITC Caslon 224 Black Italic ITC Stone Serif Medium ITC Veljoyie Book am Book ITC Franklin Gothic Italic Medium Italic Book Italic ITC ZAPF DINGBATS Book Italic Book ITC Lubalin Semibold Bold Medium X , Book Oblique Graph Book Semibold Italic Bold Italic Medium Italic *V + t't Medium * CW> Medium Italic Demi Book Oblique Bold Black Bold ■ ■ Demi Oblique Demi Bold Italic Black Italic Bold Italic 14> 0 • om 5 0 Bold Bold Italic Heavy Demi Oblique Black *.-0-•4)-X X Black Italic oo Black Heavy Oblique Black Italic 5 d an le App d. te ra o Incorp tems s Sy AGFA be Ado PUTS A NEW SPIN of ON CD-ROM at POSTSCRIPT 1' FONTS, roE 'a aE 78 TRUETYPE FONTS, :2 ;, 2 ‘1' AND MORE. ro ; The latest twist on fonts is the AgfaType CD-ROM V3.0. It's what type on cD should be—the widest selection of fonts and typographic software plus a powerful set of free features. HOW DOES THE AGFATYPE Agfa made the new CD with the type-savvy user in mind. You can choose fonts in the format CD-ROM V3 0 STACK UP? you want—PosTSciun from Adobe® or TrueType from Apple (As of July 1,1991) AGFA ADOBE NEC And, we've added the features that you've asked for—features found only on the AgfaType PostScript Fonts CD-ROM. Your fonts come packed with an on-line electronic catalogue, a new multimedia 1,900+ 1,000+ 1,000+ typography tutorial, the complete collection of screen fonts, the latest shareware, and future Pi and Symbol Fonts 145 19 19 upgrades—free. TrueType Fonts Yes No No The new interface lets you browse, learn about, select, and then quickly install additional Multimedia Type Tutorial Free None None fonts. Choose individual typefaces. There's no waiting for a shipment to arrive—your fonts can be added in minutes with a simple phone call. Electronic Catalog Free None None Agfa believes that type on CD should give you more choices, more features, and more value. Type Applications Yes No No To help convince you, we've included Garth Graphic; a classic typeface, absolutely free. Shareware Yes No No Nothing in the industry can compare with the AgfaType' CD-ROM V3.0. To take it for a spin, Upgrades Free ? ? call us today. For more details and your local authorized Agfa dealer phone 353 61 6Ion. AGFA Circle 200 on Reader Service Card 6 • IN THIS ISSUE ITC CENTER EXHIBITION SCHEDULE 0 DECEMBER 10, 1991—JANUARY 23, 1992 The Quizzical Letter Q The 17th letter has a telling tail. 0 What Modern Was ■ ■ ■ • This exhibit challenges the conventions of the modernist movement. G A LIERY I Typographic Milestones: Ed Benguiat A look at an eclectic designer of 600 typefaces. (1) What's New from ITC The ITC Franklin Gothic®Condensed Series provides additional versions. This exhibition features 100 pieces selected 100 as winners in the American Center for Brookie Maxwell: Walking Up Dream Street This young painter transports art and love to Harlem. SHOW Design's fourteenth annual design competi- EXHIBITION At the Beach! tion. ■ The exhibition is a true reflection of These photographs of Italian beach signs inspire designer Louise Fili. 1 9 9 1 the unique tastes and international points of Book Jackets of the '20s and '30s The artform's ignominious beginnings. view of the judges. ■ Rather than select pieces based on a majority- of-votes basis, each member of the jury curated a portion of the Hidden Music Milton Glaser puzzles over the creative process with this festival poster.
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  • Designed by John Downer

    Designed by John Downer

    Vendetta Designed by John Downer Emigre I N T R O D U C I N G : V E N D E T T A V E N D E T T A L I G H T & B O L D By JOHN DOWNER DESIGNED By JOHN DOWNER | CIRCA 1997 - 99 The famous roman type cut in Venice by Nicolas Jenson, In contrast to the cursive writing on which italic types were 6 FONT VENDETTA LIGHT & BOLD PACKAGE: $95.00 | 12 FONT VENDETTA VOLUME : $179.00 and used in 1470 for his printing of the tract, De Evangelica based, formal book hands used by humanist scholars to tran - Præparatione , Eusebius, has usually been declared the seminal scribe classical texts served as a source of inspiration for the light and definitive representative of a class of types known as lowercase letters of the first roman types cut in Italy. While ABCDEFGHIJKLMNOPQRSTUVWXYZ Venetian Old Style. The Jenson type is thought to have been book hands were not as informal as cursive scripts, they still abcdefghijklmnopqrstuvwxyz 0123 4 5 6789 the primary model for types that immediately followed. had features which could be said to be more calligraphic than Subsequent 15th-century Venetian Old Style types, cut by oth - geometric in detail. Over time, though, the copied vestiges of &$¢£¥€%‰ ÀÁÂÄÃÅÇ È ÉÊ Ë Ì ÍÏÎ Ñ Ò ÓÔÖØÙ ÚÛ ÜŸàáâäãåçèéêë ı ìíîïñòóôöõøùúûüÿ ¶§†‡ƒÆŒ æœ fb er punchcutters in Venice and elsewhere in Italy, are also calligraphy virtually disappeared from roman fonts, and type fi fh fj fk flff ffi fflstsp ß @®©™ ªº ^#*,.…:;¿?¡!_'"“”‘’‚„⁄|\-–—·‹›«»~{([])}<>+=°•√ worthy of study, but have been largely neglected by 20th-cen - became more rational.