Introduction: VI Lenin's Life and Legacy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Leon Trotsky Three Concepts of the Russian Revolution 1
Leon Trotsky Three Concepts of the Russian Revolution 1 The Revolution of 1905 came to be not only the “general rehearsal” of 1917 but also the laboratory in which all the fundamental groupings of Russian political life were worked out and all the tendencies and shadings inside Russian Marxism were projected. At the core of the arguments and divergences was, needless to say, the question concerning the historical nature of the Russian Revolution and its future course of development. That conflict of concepts and prognoses has no direct bearing on the biography of Stalin, who did not participate in it in his own right. The few propagandist articles he wrote on that subject are utterly devoid of theoretical interest. Scores of Bolsheviks who plied the pen popularised the same thoughts, and did it considerably better. Any critical exposition of Bolshevism’s revolutionary concepts naturally belongs in a biography of Lenin. But theories have their own fate. Although during the period of the First Revolution [1905] and subsequently, as late as 1923, at the time when the revolutionary doctrines were elaborated and applied, Stalin had no independent position whatever, a sudden change occurred in 1924, which opened an epoch of bureaucratic reaction and radical transvaluation of the past. The film of the revolution was unwound in reverse order. Old doctrines were subjected either to a new evaluation or a new interpretation. Thus, rather unexpectedly at first glance, attention was focused on the concept of “permanent revolution” as the prime source of all the fallacies of “Trotskyism”. For many years to come criticism of that concept formed the main content of all the theoretical – sit venio verbo – writings of Stalin and his collaborators. -
THE FIRST PRAVDA and the RUSSIAN MARXIST TRADITION by JAMES D
THE FIRST PRAVDA AND THE RUSSIAN MARXIST TRADITION By JAMES D. WHITE I THE appearance of the first Pravdal is an episode of the Bolshevik party's history which has never received any systematic treatment either by Western or Soviet scholars. It is an aspect of the I905 revolution which the party historians and memoirists have been for the most part very eager to forget, and since Western investigators have apparently been unaware of its existence they have allowed its consignment to oblivion to take place without comment. That this first Pravda to be connected with the Bolshevik party is not widely known is hardly surprising, because in this case the exclusion from the historical record took place long before the Bolshevik party came to power. For, following the 1905 revolution, Pravda's editor, A. A. Bogdanov, was subjected to the kind of campaign of silence which was a foretaste of those later applied to Trotsky and Stalin. Nevertheless, the journal Pravda and the group of intellectuals associated with it occupy an important place in the history of Bolshevism. Indeed, it is true to say that without reference to this periodical Russian intellectual history would be incomplete and the evolution of Russian Marxism imperfectly understood. Although Pravda would certainly merit a more extended study both as a source and as a historical event in itself, the present paper is limited to a description of the circumstances which attended the appearance of the journal, the group of people who surrounded it, and an attempt to place it in its ideological context. -
GRADUATE READING LIST for IMPERIAL RUSSIA History Department University of Pennsylvania
GRADUATE READING LIST FOR IMPERIAL RUSSIA History Department University of Pennsylvania (Spring 2017) ORGANIZATION 1. Overviews and general studies 2. Early Modern and Muscovite Russia 3. Peter the Great 4. XVIII Century 5. Pre-Reform Russia: 1801-1861 6. Post-reform Russia: 1861-1905 7. Revolution and War, 1905-1917 1. Overviews and General Studies of Particular Aspects of Russian History Afiani, V. Iu. Rossiia. Khronika osnovnykh sobytii. IX-XX veka. Moscow: Rosspen, 2002. Anisimov, E. Imperatorskaia Rossiia . Moscow-St. Petersburg: Piter, 2008. Billington, James. The Icon and the Axe. An Interpretive History of Russian Culture . New York: Alfred A. Knopf, 1966. Black, Cyril. Ed. The Transformation of Russian Society . Cambridge, Mass. Harvard University Pres, 1967. Brumfield, William. A History of Russian Architecture . Cambridge, UK: Cambridge University Press, 1993. Burbank, Jane. “An Imperial Rights Regime: Law and Citizenship in the Russian Empire.” Kritika: Explorations in Russian and Eurasian History 7, no. 3 (Summer 2006), 397-432. Cherniavsky, Michael. Ed. The Structure of Russian History . New York: Random House, 1970. Dixon, Simon. The Modernization of Russia . Cambridge: Cambridge University Press, 1999. Dukes, Paul. The Making of Russian Absolutism, 1612-1801 . London: Longmans, 1982. Edie, James, James Scanlan, Mary-Barbara Zeldin. Eds. Russian Philosophy . 3 vols. Knoxville : University of Tennessee Press, 1976. Eroshkin, N. Istoriia gosudarstvennykh uchrezhdenii dorevoliutsionnoi Rossii . 3rd ed. Moscow: Vysshaia shkola, 1983; many other editions. Fedotov, G. P. The Russian Religious Mind . 2 vols. Cambridge, Mass., Harvard University Press, 1966. Figes, Orlando. Natasha’s Dance: A Cultural History of Russia. New York: Picador, 2002. Florovsky, George. Puti russkogo bogosloviia . -
The University of Chicago Kazimir Malevich And
THE UNIVERSITY OF CHICAGO KAZIMIR MALEVICH AND RUSSIAN MODERNISM A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ART HISTORY BY DANIEL KALMAN PHILLIPS CHICAGO, ILLINOIS JUNE 2017 Copyright © 2017 by Daniel Kalman Phillips All rights reserved. TABLE OF CONTENTS LIST OF FIGURES ............................................................................................. iv ACKNOWLEDGEMENTS .............................................................................. viii ABSTRACT ............................................................................................................x INTRODUCTION MALEVICH, ART, AND HISTORY .......................................................................1 CHAPTER ONE MODERNISMS BEFORE SUPREMATISM........................................................18 CHAPTER TWO AN ARTIST OF THE NINETEENTH CENTURY ...............................................71 CHAPTER THREE SUPREMATISM IN 1915 ...................................................................................120 CHAPTER FOUR CODA: SUPREMATISMS AFTER SUPREMATISM .......................................177 WORKS CITED................................................................................................. 211 iii LIST OF FIGURES1 0.1 Kazimir Malevich, Black Square, 1915. 0.2 Kazimir Malevich, [Airplane Flying], 1915. 0.3 John Baldessari, Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. 0.4 Yves Klein, -
Leon Trotsky and World War One: August 1914-March 1917
Leon Trotsky and World War One: August 1914-March 1917 by Ian Dennis Thatcher A thesis submitted in partial requirement for the degree of Doctor of Philosophy at the Institute of Soviet and East European Studies, Glasgow University, September 1993. © Ian Dennis Thatcher, Glasgow, September 1993. ProQuest Number: 13833808 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833808 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW UNIVERSITY LIBRARY Abstract This thesis is the first full account of Trotsky's writings penned between August 1914 and March 1917. The source material used is almost exclusively primary, both published and archival, some of which is examined here for the first time. Each of Trotsky's concerns as a thinker and publicist is illustrated, and each debate followed to its conclusion. The main findings of this thesis are as follows. Trotsky's analysis of the causes of the war and his programmatic response to it were logical and consistent. Second, although he hoped to unite all internationalists around his war programme, differences of opinion with the Bolsheviks and the Mensheviks meant that his plans on this issue remained unfulfilled. -
Workers and Intelligentsia in Late Imperial Russia: Realities, Representations, Reflections
Workers and Intelligentsia in Late Imperial Russia: Realities, Representations, Reflections Edited by Reginald E. Zelnik Description: The collapse of the Soviet Union opened previously unimagined possibilities for insight into Russian social, intellectual, and political history. This volume, a collaboration of American, Russian, and West European scholars, illuminates the creation and complex dynamics of the Russian industrial working class from its peasant origins in the mid-nineteenth century to the collapse of the imperial system in 1917. The authors focus on the shifting attitudes, cultural norms, self-representations, and increasing self-consciousness of workers as they interacted with the new social movements, student groups, the Church, and most dramatically, the political (mainly radical and liberal) intelligentsia. But the authors also examine the obverse: the contending representations of workers by the intelligentsia as they interacted with each other ever more intensely during this turbulent period leading up to the Russian Revolution. The result is a fascinating and detailed account of social and cultural transformation in a key period of Russian — and world — history. RESEARCH SERIES / NUMBER 101 WORKERS AND INTELLIGENTSIA IN LATE IMPERIAL RUSSIA: REALITIES, REPRESENTATIONS, REFLECTIONS REGINALD E. ZELNIK, EDITOR UNIVERSITY OF CALIFORNIA AT BERKELEY Three of the essays in this book have been published in somewhat different forms as journal articles. The essay by S. A. Smith first appeared (as part of a larger study of St. Petersburg and Shanghai) in International Review of Social History 41 (1996). The essay by William G. Rosenberg first appeared in Slavic Review 55 (1997). The essay by E. Anthony Swift first appeared in Russian History/Histoire Russe 23 (1996). -
Stalinism Revisited Stalinism Revisited
CYAN MAGENTA YELLOW BLACK Stalinism Revisited Stalinism Revisited Stalinism Revisited brings together representatives of multiple generations to create a rich examination The Establishment of Communist Regimes in East-Central Europe of the study and practice of Stalinism. While the articles are uniformly excellent, the book’s signal contribution is to bring recent research from Eastern European scholars to an English-speaking audience. Thus the volume is not just a “state of the discipline” collection, in which articles are collected to reflect that current situation of scholarship in a given field; instead, this one includes cutting edge scholarship that will prompt more of the same from other scholars in other fields/subfields. I would recommend this book highly to anyone interested in understanding the technology of Stalinism in both StalinismStalinism thought and practice. Nick Miller Boise State University The Sovietization of post-1945 East-Central Europe—marked by the forceful imposition of the Soviet- type society in the region—was a process of massive socio-political and cultural transformation. Despite its paramount importance for understanding the nature of the communist regime and its RevisitedRevisited legacy, the communist take-over in East Central European countries has remained largely under- researched. Two decades after the collapse of the communist system,Stalinism Revisited brings together a remarkable international team of established and younger scholars, engaging them in a critical re-evaluation of the institutionalization of communist regimes in East-Central Europe and of the period of “high Stalinism.” Sovietization is approached not as a fully pre-determined, homogeneous, and monolithic transformation, but as a set of trans-national, multifaceted, and inter-related processes of large-scale institutional and ideological transfers, made up of multiple “takeovers” in various fields. -
By Anatoly Reshetnikov
THE EVOLUTION OF RUSSIA’S GREAT POWER DISCOURSE: A CONCEPTUAL HISTORY OF VELIKAYA DERZHAVA By Anatoly Reshetnikov Submitted to Central European University Department of International Relations Word count: 88,828 In partial fulfilment of the requirements for the degree of Doctor of Philosophy in Political Science CEU eTD Collection Supervisor: Dr Alexander Astrov Budapest, Hungary 2018 COPYRIGHT NOTICE I hereby declare that this thesis contains no materials accepted for any other degrees in any other institutions. The thesis contains no materials previously written and/or published by another person, except where appropriate acknowledgement is made in the form of bibliographical reference. Anatoly Reshetnikov Budapest, 25 September 2018 CEU eTD Collection i ABSTRACT Today, Russia is yet again talking about being a great power. Such rhetoric emerges in almost every programmatic text written by Russian politicians, as well as in every forecast and policy analysis prepared by Russian state-affiliated think-tanks. Most western observers perceive this as a question of foreign policy and treat Russia’s claims with suspicion. At a closer look, however, it becomes evident that, instead of having an exclusive connection to foreign policy, Russia’s great power discourse is self-centered, defensive, ideological, and relates equally, if not more, to the causes of Russian domestic consolidation and catch up development. In this study, I argue that the origins of this inherent ambivalence and specific functions of Russia’s great power discourse should be sought in the conceptual evolution of velikaya derzhava, a Russian political concept that is usually translated as ‘great power’. In its current shape, velikaya derzhava is a product of both the evolution of local political culture, and Russia’s discursive encounters with external political environment, the most consequential of which was Russia’s lengthy and troubled integration into the European society of states in the XVIII and the XIX centuries. -
Russian Revolutionary Terrorism in Transnational Perspective: Representations and Networks, 1881-1926
Northumbria Research Link Citation: Green, Lara (2019) Russian Revolutionary Terrorism in Transnational Perspective: Representations and Networks, 1881-1926. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/39783/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html Cover Page Russian Revolutionary Terrorism in Transnational Perspective: Representations and Networks, 1881-1926 L Green PhD 2019 Title Page Russian Revolutionary Terrorism in Transnational Perspective: Representations and Networks, 1881-1926 Lara Green A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the Faculty of Arts, Design, and Social Sciences April 2019 Abstract Russian revolutionary terrorism was a transnational phenomenon in the late nineteenth and early twentieth centuries. -
Collected Works of VI Lenin
W O R K E R S O F A L L C O U N T R I E S , U N I T E! L E N I N cOLLEcTED WORKS 3 / THE RUSSIAN EDITION WAS PRINTED IN ACCORDANCE WITH A DECISION OF THE NINTH CONGRESS OF THE R.C.P.(B.) AND THE SECOND CONGRESS OF SOVIETS OF THE U.S.S.R. ИНCTИTУT МАРKCИзМА — ЛЕНИНИзМА пpи ЦK KНCC B. n. l d H n H С О Ч И Н E Н И Я И з д a н u е ч е m в е p m o e ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО ПОЛИТИЧЕСКОЙ ЛИТЕРАТУРЫ M О С К В А V. I. L E N I N cOLLEcTED WORKS VOLUME 3 THE DEVELOPMENT OF CAPITALISM IN RUSSIA PROGRESS PUBLISHERS MOSCOW PUBLISHER’S NOTE The present English edition of V. I. Le- nin’s Collected Works is a translation of the fourth, supplimented Russian edition prepared by the Institute of Marxism- Leninism, Central Committee of the C.P.S.U. NecessaryFROM amendments MARX have been made to some of the texts and notes in accordance with the fifth edition of the Collected Works of V. TOI. Lenin: MAO some further edito- rial comments have also been added. From Marx to Mao M L NOT© Digital Reprints FOR 2009 COMMERCIALwww.marx2mao.com DISTRIBUTIONFirst printing 1960 Second printing 1964 Third printing 1972 Fourth printing 1977 10102–670 l ÇÜà èÇõÄÉå. 014(01)–77 Printed in the Union of Soviet Socialist Republics C O N T E N T S I Page THE DEVELOPMENT OF CAPITALISM IN RUSSIA. -
Woman and Violence in Artistic Discourse of the Russian Revolution and Civil War (1917–1922)’ Gender & History, Vol.16 No.3 November 2004, Pp
Gender & History ISSN 0953–5233 Anna N. Eremeeva, ‘Woman and Violence in Artistic Discourse of the Russian Revolution and Civil War (1917–1922)’ Gender & History, Vol.16 No.3 November 2004, pp. 726–743. .......................................................................................................................................................... Woman and Violence in Artistic Discourse of the Russian Revolution and Civil War (1917–1922) Anna N. Eremeeva Translated by Dan Healey ...................................................................................................................................................... Where you now? Who kisses your fingers? Line from Alexander Vertinsky’s popular song Where you now? Who pistol-whips you? Civil War parody For Russians, the historical memory of the 1917 Revolution and the Civil War (1918–1922) is inseparable from its artistic representation. Both authors and audience have shown a sustained interest in this theme for over eighty years. Of special significance are those works of art created contemporaneously with these events. They are the results of immediate impressions, instantaneous products of the atmosphere of the time. In addition these artworks of the revolutionary years actively shaped the discourse that determined popular consciousness about numerous issues, proposing modes of thought and action in conditions of civil conflict. Despite the difficult political and military situation in revolutionary Russia, the channels of dissemination for artistic texts were numerous -
Anatolii Lunacharskii and the Soviet Theater
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2015 ANATOLII LUNACHARSKII AND THE SOVIET THEATER John E. Dunkum University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Arts and Humanities Commons Let us know how access to this document benefits ou.y Recommended Citation Dunkum, John E., "ANATOLII LUNACHARSKII AND THE SOVIET THEATER" (2015). Graduate Student Theses, Dissertations, & Professional Papers. 4466. https://scholarworks.umt.edu/etd/4466 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. ANATOLII LUNACHARSKII AND THE SOVIET THEATER By John Edmund Dunkum B.A. Russian, University of Montana, Missoula, MT, 2011 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in History The University of Montana Missoula, MT May 2015 Approved by: Sandy Ross, Dean of the Graduate School Graduate School Dr. Robert H. Greene, Chairman, Department of History Dr. Richard Drake, Department of History Dr. Clint Walker, Department of Modern and Classical Languages and Literatures i Abstract Dunkum, John, Master of Arts, Spring 2015 History Anatolii Lunacharskii and the Soviet Theater Committee Members: Robert H. Greene, Richard Drake, Clint Walker My thesis is primarily concerned with tracing the Soviet theater’s trajectory from a relatively polyphonic, even kaleidoscopic, fearless art form to a narrower, formulaic one under Stalin at the end of the1920s.