The Library of Professor Julian Beinart
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Zanussi, L'ultima Scommessa Visti in Libano E Somalia Loi E I Suoi Parà
18COM01A1806 18COM04A1806 FLOWPAGE ZALLCALL 11 21:26:01 06/17/97 ICOMMENTI l’Unità 17 Mercoledì 18 giugno 1997 INDUSTRIA UN’IMMAGINE DA... L’INTERVENTO Zanussi, Visti in Libano e Somalia l’ultima Loi e i suoi parà non erano scommessa una banda di violentatori LUIGI MARIUCCI MAURO MONTALI UTTI i sistemi maturi di rela- LI EPISODI di violenza av- mesiinSomaliaemièsempre zioni industriali si reggonosu venuti in Somalia sono parso (ma questo, ovviamente, tre pilastri: conflitto, con- semplicemente disgustosi. non conta molto) che i nostri sol- T trattazione, partecipazione. G Orrendo, non saprei quale dati tenessero un comportamen- In Italia invece il sistema è zoppo, altra parola usare, è lo stupro sulla to estremamente corretto. Co- poiché il tema della partecipazione ragazza. Spero che la magistratura munque, ero a Mogadiscio duran- è del tutto assente dalla scena delle vadafinoinfondocosìcomeilmini- te il periodo più «caldo» quando, relazioni industriali. Delle diverse stero della Difesa: quella gente ha cioè, furono uccisi, a freddo, i tre sperimentazioni succedutesi in ma- infangato l’esercito e il paese e me- soldati italiani durante un rastrel- teria non è restato pressoché nulla. rita, pertanto, se verranno appura- lamento d’armi nel tristemente Con buona pace dei rituali dibattiti te le responsabilità, una punizione famoso quartiere del Pastificio. in materia di attuazione dell’art. 46 esemplare. Che per una settimana fu perso. della Costituzione non si va infatti al Credo, però, che la brigata para- In quel periodo si consumò la rot- di là delle modeste pratiche di eser- cadutisti Folgore,nelsuocomples- tura con gli americani e con l’am- cizio dei diritti di informazione e so, sia una cosa ben diversa da miraglio Howe, il quale, essendo consultazione previsti dai contratti come è stata rappresentata in a capo della missione «Restore nazionali di categoria. -
Manoscritti E Autografi
GONNELLI CASA D’ASTE GONNELLI CASA D’ASTE Manoscritti e autografi 887. Foglio di Antifonario senese. Toscana: 1480 ca. Manoscritto pergamenaceo in-folio (mm 535x390). Testo in rosso e nero, con una grande e bella iniziale filigranata in rosso e blu, istoriata con due figure di musici. Ai piedi della lettera campeggia miniato lo stemma di Siena: uno scudo bipartito orizzontalmente, metà bianco e metà nero. € 3600 888. Liber Tertius Maleficiorum Florentie. Firenze: 1600 ca. Manoscritto cartaceo in-folio (mm 320x225). Carte [11], 334, [2]. Legatura coeva in pergamena restaurata e rimontata. Interessante manoscritto giuridico fiorentino. € 1600 314 LIBRI, MANOSCRITTI E AUTOGRAFI ~ FIRENZE 11-13 NOVEMBRE 2011 TUTTI I LOTTI SONO RIPRODOTTI IN PIÙ IMMAGINI NEL SITO WWW.GONNELLI.IT GONNELLI CASA D’ASTE GONNELLI CASA D’ASTE In bella legatura coeva alle armi 889. Conferma del titolo di Marchese alla famiglia Bertoldo. Firenze: 1613. Manoscritto pergamenaceo in-4° (mm 280x190). Carte [12] con testo inquadrato da duplice cornice in oro, firma autografa di CosimoII , di Niccolò dell’Antella e di Lorenzo Usimbardi a c. [11]. Bellissima legatura coeva in marocchino rosso alle armi della famiglia Bertoldo, dipinte al centro dei piatti entro elaborata bordura floreale in oro, legacci in seta perfettamente conservati, minimi difetti al dorso. € 2000 890. Testo di solmisazione e mutazione. Prima metà del XVII secolo. Manoscritto a inchiostro nero. Carte [49], scritte recto e verso. Note quadrate scritte su tetragrammi. Alla carta 2r timbro di famiglia nobiliare estinta. Carta proveniente da una cartiera piacentina che terminò la produzione nel 1667. Cartonatura coeva. Dimensioni: mm 415x300. Il manoscritto contiene: carta 1r: «Mano / di Don Guido / Aretino» e di seguito lo schema per praticare la solmisazione. -
The Method of Agile Pattern Creation for Campus Building: the Keio-SFC Experiment
The Method of Agile Pattern Creation for Campus Building: The Keio-SFC Experiment TAKASHI IBA, Faculty of Policy Management, Keio University NORIHIKO KIMURA, Faculty of Policy Management, Keio University TAKUYA HONDA, Faculty of Policy Management, Keio University SUMIRE NAKAMURA, Faculty of Environment and Information Studies, Keio University SAKURAKO KOGURE, Faculty of Environment and Information Studies, Keio University AYAKA YOSHIKAWA, Faculty of Environment and Information Studies, Keio University In this paper, we address the method and practice of continuously creating pattern language in any phase of designing the campus, as an agile design method involving the campus users. The process of creating pattern language grasps and discloses discoveries and findings in campus planning, enabling all the users to pursue their ideal campus. The patterns that were shaped can be categorized into three domains; architecture and landscape, educational programs, and internal activities for campus planning. This paper also adopts the practical example of the campus planning process of a residential education and research facility, called Student Build Campus SBC), an initiative that allows people to create their own campus at Keio University, Shonan Fujisawa Campus (SFC) in Japan. Our research is based on architect Christopher Alexander’s studies on the Oregon Experiment and the construction of Eishin Campus School. We also present the point in which the process of creating pattern language follows the research studies from the agile design method -
And We Danced Episode 3 Credits
AND WE DANCED WildBear Entertainment, ABC TV and The Australian Ballet acknowledge the Traditional Owners of country throughout Australia and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past and present. EPISODE THREE Executive Producers Veronica Fury Alan Erson Michael Tear Development Producer Stephen Waller INTERVIEWEES Margot Anderson Dimity Azoury Peter F Bahen Lisa Bolte Adam Bull Ita Buttrose AC OBE Chengwu Guo David Hallberg Ella Havelka Steven Heathcote AM Marilyn Jones OBE Ako Kondoo David McAllister AC Graeme Murphy AO Stephen Page AO Lisa Pavane Colin Peasley OAM Marilyn Rowe AM OBE Amber Scott Hugh Sheridan Fiona Tonkin OAM Elizabeth Toohey Emma Watkins Michael Williams SPECIAL THANKS TO David McAllister AC David Hallberg Nicolette Fraillon AM 1 Artists of The Australian Ballet past and present Artists of Bangarra Dance Theatre past and present Orchestra Victoria Opera Australia Orchestra The Australian Ballet School Tony Iffland Janine Burdeu The Wiggles The Langham Hotel Melbourne Brett Ludeman, David Ward ARCHIVE SOURCES The Australian Ballet ABC Archives National Film and Sound Archive Associated Press Getty The Apiary The Wiggles International Arts Newspix Bolshoi Ballet American Ballet Theater FOOTAGE The Australian Ballet Year of Limitless Possibilities, 2020 Brand Film Artists of The Australian Ballet Valerie Tereshchenko, Robyn Hendricks, Dimity Azoury, Callum Linnane, Jake Mangakahia Choreography David McAllister AM Cinematography Brett Ludeman and Ryan Alexander Lloyd Produced by Robyn Fincham and Brett Ludeman Filmed on location at Mundi Mundi Station, via Silverton NSW The Living Desert Sculpture Park, Junction Mine, The Imperial Fine Accommodation, Broken Hill NSW. -
Saying Bye to Blanchard
OREGON DAILY Emerald DAILYEMERALD . COM THE INDEPENDENT STUDENT NEWSPAPER AT THE UNIVERSITY OF OREGON SINCE 1900 VOL. 112, ISSUE 55 FRIDAY, NOVEMBER 19, 2010 WHY STUDENT CONDUCT TOUGH TEST GLOBAL PRIVACY CODE MATTERS Volleyball prepares to face No. 10 UCLA Taken too far? Google Inc.’s NEWS | PAGE 3 and No. 6 USC, strives for NCAA berth investigation raises questions EXTREME ROOMMATES SPORTS | PAGE 5 NEWS | PAGE 3 OPINION | PAGE 2 STATE Understanding the ‘New Partnership’ President Lariviere believes an form, proposes a shift away from the “You can see that there is a individualized governing board centralized governance of the State Board tremendous and growing burden on mid- of Higher Education by creating a more dle-class families who send their students will keep tuition costs at bay localized governing board, as well as the to us for education,” Lariviere said in the STEFAN VERBANO creation of a new $1.6 billion endowment article. “It threatens to put higher educa- NEWS REPORTER composed of state and private funds. tion beyond the reach of an expanding In a fall 2010 Oregon Quarterly article, segment of worthy students, and that is a A culture of boom-and-bust funding University President Richard Lariviere frightening prospect for all of us.” for Oregon’s higher education system left said the new plan was catalyzed by past As a result, Lariviere’s argument the University considering drastic, untest- years of fiscal uncertainty, which often for the change in funding holds that ed changes to its systems of governance, left the school scrambling to manage its middle-class Oregonians are accountability and funding. -
Peter Carolin, Born 1936
PETER CAROLIN, BORN 1936 The fifth generation of a Scots South American family, Peter Carolin’s naval National Service included the Suez debacle of 1956. As an architect, he worked for John Voelcker of Team 10 and with Colin St John Wilson on the British Library. He edited both the Architect’s Journal, Magazine of the Year, 1985, and arq, which was awarded the learned journal equivalent, 2002. He was Professor and Head of the Department of Architecture at Cambridge, 1989- 2000, and chaired the Cambridge Futures project. Peter Carolin Architect, editor, academic Born 1936 Autobiographical life story Available online at www.livesretold.co.uk Contents 1. Introduction 2. The Irish and the Scots 3. A Rio Childhood 4. Prep School in Surrey 5. Radley and Holidays 6. The Navy and Suez 1956 7. Corpus and Cambridge 8. John Voelcker 9. The Bartlett 10. Sandy Wilson's Cambridge Practice 11. London and the British Library 12. Cambridge Design 13. The AJ 14. Cambridge yet again 15. Retirement 16. Sailing 17. Birgit and our children 18. Looking back 1. Introduction My father, a pipe smoker, was an unliterary man. And yet he loved books. He had an extraordinarily fine collection of antiquarian editions on Brazil. But I never saw him reading any of them and the only writing of his own that survives are his meticulous account books and a dry-as-dust book on how to set up a company in Brazil. We never tried to persuade him to write a memoir of his life – I think we knew that he wouldn’t have done so, for his Irishness was of a rather puritan kind and, despite an interesting life, he was not a man to talk about it or to see it in a wider perspective. -
Agile Design Process with Patterns for Campus Building
Agile Design Process with Patterns for Campus Building The Keio-SFC Experiment Takashi Iba *1 Norihiko Kimura *1 Takuya Honda *1 Sumire Nakamura *2 Sakurako Kogure *2 Ayaka Yoshikawa *2 *1 Faculty of Policy Management, Keio University *2 Faculty of Environment and Information Studies, Keio University In this paper, we address the method and practice of continuously creating pattern language before, dur- ing, and after the process of shaping the campus, as an agile design method involving the campus users. The process of creating pattern language that grasps discoveries and findings in campus planning is dis- closing and enables all the users to pursue their ideal campus. The patterns that were shaped can be cate- gorized in three domains; architecture and landscape, educational programs, and internal activities for campus planning. This paper also adopts the practical example of the campus planning process of a residential education and research facility, called Student Build Campus, an initiative that allows people to create their own campus at Keio University, Shonan Fujisawa Campus in Japan. Our research is based on architect Christopher Alexander’s studies on the Oregon Experiment and the construction of Eishin Gakuen Hi- gashino High School. We also present the point in which the process of creating pattern language follows the research studies from the agile design method developed in the field of software design. 1. INTRODUCTION Since its opening in 1990 as Keio University's "experimental campus," Shonan Fujisawa Cam- pus (SFC)1 has been the forefront of educational innovation in Japan. Launching practical re- search of project-based learning, online classes, multiple language classes, Self-Recommended Admissions (A.O. -
Catalogue 104 - Books About Churchill a Selection of 500 Books, Arranged with Reference to the New Zoller Bibliography
Catalogue 104 - Books about Churchill A selection of 500 books, arranged with reference to the new Zoller Bibliography Mark Weber Tel: 520-743-8405 The Churchill Book Specialist email: [email protected] PO Box 90689 website: www.wscbooks.com Tucson, AZ 85752 October 2004 Notes to Catalogue 104 This is the first of a series of three catalogues of books ABOUT Churchill which I have produced, based on the new Zoller Bibliography. (n.b.- Signed copies of the Zoller Bibliography available for $75.00, for details see: http://www.wscbooks.com/Reference_Books.php) Catalogue 104- Books About Churchill for readers. This lists 500 books, most at modest prices, and excludes rarities for collectors. Catalogue 105- Books about Churchill for collectors. This lists about 175 premium books including rari- ties, signed copies, review copies, foreign editions, and books in premium condition. Price $10.00 Catalogue 106- THE REFERENCE COLLECTION. This lists and illustrates about 700 books, all in the best possible condition, including at least 100 titles never offered anywhere else. This is my reference collection and is the most complete collection anywhere. It is offerred as a lot. But the catalogue provides illustrations of the many of the rarities in Zoller which most collectors have never seen, so is a useful reference on its own. Price $10.00 How to read the catalogue entries Each book entry has a catalogue number and title in bold above. There is a picture to the left. The photos on page 1 and 2 are of the exact books. The photos on pages 3-50 are standard images for that title, and may not be the exact book listed. -
Christopher Alexander
Essay A Search for Beauty/A Struggle with Complexity: Christopher Alexander Richard P. Gabriel 1,∗,† and Jenny Quillien 2,∗,† 1 Hasso Plattner Institute, Redwood City, CA 94062, USA 2 Laboratory of Anthropology, Museum Hill, Santa Fe, NM 87505, USA * Correspondence: [email protected] (R.P.G.); [email protected] (J.Q.) † These authors contributed equally to this work. Received: 28 May 2019; Accepted: 9 June 2019; Published: 16 June 2019 Abstract: Beauty. Christopher Alexander’s prolific journey in building, writing, and teaching was fueled by a relentless search for Beauty and its meaning. While all around him the world was intent on figuring out how to simplify, Alexander came to embrace complexity as the only path to his goal. The Beauty and life of that which he encountered and appreciated—an Indian village, a city, a subway network, an old Turkish carpet, or a campus—lay in its well-ordered complexity. As a designer and maker he found that simplicity came from choosing—at every step—the simplest way to add the necessary complexity. The failure of so much of our modern world, in Alexander’s eyes, was oversimplification, wantonly bulldozing context, misunderstanding the relationships of part and whole, ignoring the required role of time in the shaping of shapes, and ultimately dismissing, like Esau, our birthright of Value in favor of a lentil pottage of mere Fact. Ever elusive, Beauty demands of her suitors a constant return of attention to see what might be newly revealed, and Alexander duly returned again and again in pursuit of the mystery. In this essay—essentially biographical and descriptive of one man’s endeavors—we examine the full arc of his work from dissertation to most recent memoir. -
North Waterfront LRS.Indd
LANDSCAPE RESOURCE SURVEY University of Oregon Campus Heritage Landscape Plan Eugene, Lane County, Oregon • June 6, 2016 RESOURCE IDENTIFICATION & SUMMARY LANDSCAPE AREA NAME North Waterfront North Waterfront HISTORIC NAME(S) Unknown CAMPUS PLAN DESIGNATION Designated Open Space (DOS) CURRENT HISTORIC DESIGNATION N/A ERA(S) OF GREATEST SIGNIFICANCE Mid-Century (1947 - 1974) LEVEL OF SIGNIFICANCE Low LEVEL OF INTEGRITY Medium RANKING Ariel of North Waterfront Site Boundary with the main University of Oregon Tertiary Campus to the south Aeiral of North Waterfront Site Boundary University of Oregon North Waterfront 1 Landscape Resource Survey Landscape Resource Survey North Waterfront LANDSCAPE AREA CIRCULATION MAP — Highlighting existing elements from the period of significance and today. Autzen Foot Bridge Millrace Riverfront Field Circulation Loop Construction and Fill site Bike and Pedestrian Path Connection to Autzen Foot Bridge and circulation loop University of Oregon 2 North Waterfront Landscape Resource Survey Landscape Resource Survey North Waterfront SUMMARY OF EXISTING HISTORIC FEATURES Millrace, fill area, Autzen Foot Bridge and some open space. MIllrace connection to Willamette River Fenced off fill area Diagram of the Willamette River’s meandering nature University of Oregon North Waterfront 3 Landscape Resource Survey Landscape Resource Survey North Waterfront RESOURCE HISTORY ERA(S) OF GREATEST SIGNIFICANCE Designated Eras within the Period of Historic Significance Determined for this Survey are listed below. Check the era/eras determined to be of highest significance for this landscape area. Inception Era (1876 - 1913) Lawrence/ Cuthbert Era (1914 - 1946) X Mid-Century Era (1947 - 1974) The Oregon Experiment Era (1975 - present) DATE(S) OF CONSTRUCTION DURING ERA(S) 1925 Sanborn Map, close-up of gravel excavation area located at OF SIGNIFICANCE the western portion of the Waterfront site. -
Building on a Hill Buildings Around Quadrangles Buildings As Objects
1876 of Chapman Hall used to house the UO Bookstore and is now occupied by the Graduate School. It was Building On A Hill also Lawrence’s last work on the quadrangle, one of six (Condon Hall, Knight Library, Jordan Schnitzer UO Week of Welcome Museum of Art, Chapman Hall, Peterson Hall, and Gilbert Hall). FR AN KL IN B 1. The UO campus began on eighteen acres formerly known as Shaw Hill, a bluff near the Willamette E 11TH AVE OU LEV 4. The Library and Art Museum sat in a great open lawn that stretched all the way to Kincaid. The Art ARD River. Deady Hall was the frst building occupying the high point in a broad empty feld. The only trees Dads’ Gates Museum was built frst, in 1930, and is an outstanding example of the use of decorative brick. The on campus were three oaks to the north of Villard Hall; one still stands today. Instead of a carefully English Oaks that front the building were planted in 1940 and are a defning landscape feature for 2 kept lawn, the whole campus was native grasses where wild strawberries bloomed in season. During Northwest Robinson Theatre both the museum and the Memorial Quadrangle. The original portion of the Knight Library also was Christian McKenzie Villard the early years all travel to and from the university was up 12th Avenue and up the broad walk, the College Miller funded by the PWA and is representative of the last surge of building before WWII. The library has Theatre Lawrence frst formal entrance leading straight to the college steps. -
Summer Issue a Tale of Two Lincolns
OREGON SEPTEMBER, 2004 VOLUME XXI ISSUE XIV & XV A JOURNAL OF OPINION Summer Issue A Tale of Two Lincolns Plus: Tater Awards Staff Farewells and Year in Review MISSION STATEMENT The OREGON COMMENTATOR is an independent journal of opinion published at the University of Oregon for the campus community. FOUNDED SEPT. 27, 1983 • MEMBER COLLEGIATE NETWORK Founded by a group of concerned student journalists Sept. 27 1983, the COMMENTATOR has had a major impact in the “war of ideas” on campus, EDITOR-IN-CHIEF PUBLISHER Tyler Graf Erin Flood providing students with an alternative to the left-wing orthodoxy promoted by other student publications, professors and student groups. During its nineteen-year existence, it has enabled University students to hear both sides of issues. Our paper combines reporting with opinion, PRODUCTION MANAGER Jeremy Jones humor and feature articles. We have won national recognition for our commitment to journalistic excellence. The OREGON COMMENTATOR is operated as a program of the Associated Students of the University of Oregon (ASUO) and is staffed CONTRIBUTING EDITOR solely by volunteer editors and writers. The paper is funded through Dan Atkinson student incidental fees, advertising revenue and private donations. We print a wide variety of material, but our main purpose is to show students that a political philosophy of conservatism, free thought and individual liberty is an intelligent way of looking at the world — contrary to what they might hear in classrooms and on campus. In general, editors of the CONTRIBUTORS COMMENTATOR share beliefs in the following: Jeremy Berrington, Ben Brown, Matt Haulk, Dave Kirk , Matt Misley, Olly Ruff • We believe that the University should be a forum for rational and BOARD OF DIRECTORS informed debate — instead of the current climate in which ideological Tyler Graf, Chairman dogma, political correctness, fashion and mob mentality interfere with Dan Atkinson, Director, Olly Ruff, Director academic pursuit.