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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Bernhard Gander, Ensemble Modern, Attila Csihar, Kevin Paradis Oren
Bernhard Gander, Ensemble Modern, Attila Csihar, Kevin Paradis 20OOZING EARTH Oren Ambarchi, Attila Csihar, Stephen O’Malley GRAVETEMPLE 20 MUSIK Ort Halle E im MuseumsQuartier Warm up! Einführungen, Lectures und Gespräche 13. September, 18.30 Uhr, Crossing over: Neue Termin 13. September, 20 Uhr Musik meets Metal, Gespräch mit Bernhard Gander Dauer 2 Std. 30 Min., inkl. 1 Umbaupause und Attila Csihar, in englischer Sprache, Portikus im Haupthof des MuseumsQuartier Wir bitten Sie, während dieser kurzen Pause den Saal nicht zu verlassen. Der erste Engel blies seine Posaune. Da fielen Hagel und Feuer, die mit Blut vermischt waren, auf das Land. Es verbrannte ein Drittel des Landes, ein Drittel der Bäume und alles grüne Gras. OFFENBARUNG 8,7 The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the Earth: and the Mit Musik von Bernhard Gander, Oozing Earth, for voice, extreme-metal drummer and ensemble third part of trees was burnt up, Interpretiert von Attila Csihar / Stimme, Kevin Paradis / Schlagzeug, Ensemble Modern (Dietmar Wiesner / Flöte, Christian Hommel / Oboe, Hugo Queirós / Klarinette, Johannes Schwarz / Fagott, Saar Berger / and all green grass was burnt up. Horn, Sava Stoianov / Trompete, Mikael Rudolfsson / Posaune, Ueli Wiget / Klavier, Hermann Kretzschmar / Klavier, David Haller / Perkussion, Rainer Römer / Perkussion, Jagdish Mistry / Violine, Giorgos Panagiotidis / Violine, Megumi Kasakawa / Viola, Paul Beckett / Viola, Eva Böcker / Violoncello, REVELATION 8:7 Michael Maria Kasper / Violoncello, Paul Cannon / Kontrabass, Norbert Ommer / Klangregie) Dirigent Bas Wiegers Und Musik von Gravetemple (Attila Csihar, Oren Ambarchi, Stephen O’Malley) Lichtkonzept Raphael Haider, Marlene Posch durchgeführt vom Team Wiener Festwochen Uraufführung Oozing Earth, März 2020, cresc… Biennale für aktuelle Musik Frankfurt Rhein Main 2 DE / EN 3 DER ULTIMATIVE ABGESANG AUF DIE MENSCHHEIT unfreiwilligen Propheten. -
March 2008 the S
ON THE BRINK OF CANCELLATION SINCE 1997 TEXAS TRAVESTY MARCH 2008 THE S CAMPUS SPOTLIGHT A BURNING BRIDGESISSUE X E T TRAVESTY EDITOR-IN-CHIEF Veronica Hansen Todd Menditto Everyone’s favorite PTS worker MANAGING EDITOR Stephen Short Texas Travesty: So Todd, what’s your eight-hour work day to putting a smile on 4, peace and quiet, douchebag DESIGN EDITORS Matt Hutcheson favorite part about being a Parking and people’s faces and tickets on their wind- sunglasses, mustaches Mark Estrada Transportation Services employee? shield. Todd Mendito: I just love riding my Turn offs: speedy drivers, ART EDITOR Chris Friend little scooter around campus and check- TT: So, what are you doin’ tonight? whippersnappers, loud rap ASSOCIATE EDITORS Ross Luippold ing to make sure people have the proper TM: Well, after getting current on all my Thejaswi Maruvada parking permits hanging neatly from their utility bills, I’m gonna go get mad pussy. music, broken CB radios, insubordination, this goddamn DISTRIBUTION rear view mirrors. Spending your entire Then I’ll probably sit down with a TV din- DIRECTOR Francisco Marin day monitoring traffi c, sitting in security ner and watch my DVR recordings of Ex- weather, holidays, happiness, WRITING STAFF Megan Jackson kiosks, and catching people with F17 per- treme Makeover: Home Edition. Oh, I casual conversation, liber- Jon Neal mits parked in the F67 lot is extremely also really need to call my mother because als, dirty uniforms, other PTS Michael Prohaska fulfi lling. It’s good to know that improper I haven’t talked to her in a while. -
Mysticism, Implicit Religion and Gravetemple's Drone Metal By
1 The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal by Owen Coggins 1.1 On 18th April 2013, an extremely slow, loud and noisy “drone metal” band Gravetemple perform at the Roadburn heavy metal and psychedelic rock festival in Tilburg in the Netherlands. After forty-five minutes of gradually intensifying, largely improvised droning noise, the band reach the end of their set. Guitarist Stephen O’Malley conjures distorted chords, controlled by a bank of effects pedals; vocalist Attila Csihar, famous for his time as singer for notorious and controversial black metal band Mayhem, ritualistically intones invented syllables that echo monastic chants; experimental musician Oren Ambarchi extracts strange sounds from his own looped guitar before moving to a drumkit to propel a scattered, urgent rhythm. Momentum overtaking him, a drumstick slips from Ambarchi’s hand, he breaks free of the drum kit, grabs for a beater, turns, and smashes the gong at the centre of the stage. For two long seconds the all-encompassing rumble that has amassed throughout the performance drones on with a kind of relentless inertia, still without a sonic acknowledgement of the visual climax. Finally, the pulsating wave from the heavily amplified gong reverberates through the corporate body of the audience, felt in physical vibration more than heard as sound. The musicians leave the stage, their abandoned instruments still expelling squalling sounds which gradually begin to dissipate. Listeners breathe out, perhaps open their eyes, raise their heads, shift their feet and awaken enough to clap and shout appreciation, before turning to friends or strangers, reaching for phrases and gestures, often in a vocabulary of ritual, mysticism and transcendence, which might become touchstones for recollection and communication of their individual and shared experience. -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
Fanh Ly Bifc J Trip I Lours I
- " ■■■ ' I 1 j / / / / ^ ' , ♦ Weither *i FinFinal * if. Mostly Clear ■ EditionEdit Th#T bt MagicHagti Valley Newspaperiper DedicatedIHdicat to Serving: and l^m oti otins the'Growth of Nine IrrIrrigated Idaho Countiesntlea . ^ _____________________________ * 1^ - ^ — T-WiN-FALLSr^IDAHOr-FRlDA-YE^FRlDA-Yr4IA-Y^17r4963I------------------ ^-I ^ ___________________________ _ - T- T -E N ^ N T S ------- — — ------------------------- W|CEILTKIUI ------------------------^ ^ — " ¥ • * » ¥ ¥ ¥ VA ¥ N o r S T Vlet i e t Nam ■ I Coopersr IMerely ly Bifc J Troops PPouring o i I Woozyy IAfter TripT I I n t o L a o9S s jArea ■ ly 17 (UPD—Thousands ofif !^am were reported today to S rin g into Laos, threateningeatening to shatter the'deti- Lastingig 34 Hoilours I (»W balanced coalition governnugovernment worked oul by y I ' (See 1Picture Page IB) fj. i4.nation Geneva conference.)nference. Reports reachlntrs I By the Asaoclated Press Sffltta" tou o l North Vietnam,Vietnamese troops entering:g I Astronaut Gordon Cooperper ^vns mmer erely a bit woo?,y whenen he finishedf Ini-st a 34-hour trip cheB-over-iunRle-traj|ar^eir- S i i t e aim is to rep/ace «Gen. en . K ony Le, the' com- I Cooper, 36, expressed confidenceifidence thathat have le&cnedIA a lot from th/s misston for . — --------- ----------- 7“ “~ mmahder ander of neutralist forces, I future, more extended; d **’.4 ♦ • * * \ i with an officer subject to I spaces p a c e operations.”0 Thehe % H r i n c i p l e ^ L commuicommuniBt control. • I spaceman’ss p n c c m i perilous descent Wjservere "in"'Vientiane "agree — ^ to hig exactly predicted-im^ that if Kong Le and his rela- t o - h i r e : Merger Gets- ' tlvel£ small force of loyal follow* a pact pointpoifl P0 mlJes southeast ofof ers on the Plain of Jars are K; MidwayMidway Island Thunday after> I eliminated, the whole structurere m nooA waswa full of drama and U .P.A pproval ofof'tK the Laotian coalltlpn govern- g heroism. -
Price Record Store Day 2019 Releases Price Follow Us on Twitter
Follow us on twitter @PiccadillyRecs for Follow us on twitter @PiccadillyRecs for Price ✓ Record Store Day 2019 Releases Price ✓ Price ✓ Record Store Day 2019 Releases Price ✓ updates on items selling out etc. updates on items selling out etc. 7" SINGLES 7" 14.99 Queen : Bohemian Rhapsody/I'm In Love With My Car 12" 22.99 John Grant : Remixes Are Also Magic 12" 9.99 Lonnie Liston Smith : Space Princess 7" 12.99 Anderson .Paak : Bubblin' 7" 13.99 Sharon Ridley : Where Did You Learn To Make Love The 12" Way You 11.99Do Hipnotic : Are You Lonely? 12" 10.99 Soul Mekanik : Go Upstairs/Echo Beach (feat. Isabelle Antena) 7" 16.99 Azymuth : Demos 1973-75: Castelo (Version 1)/Juntos Mais 7" Uma Vez9.99 Saint Etienne : Saturday Boy 12" 9.99 Honeyblood : The Third Degree/She's A Nightmare 12" 11.99 Spirit : Spirit - Original Mix/Zaf & Phil Asher Edit 7" 10.99 Bad Religion : My Sanity/Chaos From Within 7" 12.99 Shit Girlfriend : Dress Like Cher/Socks On The Beach 12" 13.99 Hot 8 Brass Band : Working Together E.P. 12" 9.99 Stalawa : In East Africa 7" 9.99 Erykah Badu & Jame Poyser : Tempted 7" 10.99 Smiles/Astronauts, etc : Just A Star 12" 9.99 Freddie Hubbard : Little Sunflower 12" 10.99 Joe Strummer : The Rockfield Studio Tracks 7" 6.99 Julien Baker : Red Door 7" 15.99 The Specials : 10 Commandments/You're Wondering Now 12" 15.99 iDKHOW : 1981 Extended Play EP 12" 19.99 Suicide : Dream Baby Dream 7" 6.99 Bang Bang Romeo : Cemetry/Creep 7" 10.99 Vivian Stanshall & Gargantuan Chums (John Entwistle & Keith12" Moon)14.99 : SuspicionIdles : Meat EP/Meta EP 10" 13.99 Supergrass : Pumping On Your Stereo/Mary 7" 12.99 Darrell Banks : Open The Door To Your Heart (Vocal & Instrumental) 7" 8.99 The Straight Arrows : Another Day In The City 10" 15.99 Japan : Life In Tokyo/Quiet Life 12" 17.99 Swervedriver : Reflections/Think I'm Gonna Feel Better 7" 8.99 Big Stick : Drag Racing 7" 10.99 Tindersticks : Willow (Feat. -
Issue 12 Working Copy
A Public Forum for News, Opinion, and Creative Thought of The Governor’s Academy MAY 20, 2009 VOLUME 50, ISSUE 11 Commencement Speaker Mabry: A Biography N H I S S S U E I T I : He gained public acclaim by Gabriella Riley ‘ 0 9 after the publishing of his memoir, White Bucks and Black- ED I TO R I A L S The 2009 Commencement Speaker, Marcus Mabry, is a Eyed Peas: Coming of Age Black Listen Up Seniors! 2 distinguished man indeed. A in White America. His latest Stanford grad, Mabry quickly book, a biography of rose up the journalism ladder Condoleezza Rice, is called to become the Chief of Twice As Good; Condoleezza Rice Correspondents and a senior and her Path to Power. T h i s editor for Newsweek, where book has been critically acclaimed, with one re v i e w www.yourspacecorner.com he oversaw the magazine’s domestic as well as interna- stating: “Marcus Mabry tional bureaus. Currently he is uncovers what has never been Perez and the Media 2 an editor at The New York shown before – what some Times. suspected didn’t exist – the P I N I O N O In 1996, Mabry won the personal Condoleezza Rice. A AP Exams 3 OPC’s Morton Frank Award tour de force!” for Best Business Reporting. “ M a rc Mabry epitomizes He also won the New York the great American success Association of Black s t o r y,” says Headmaster Journalists award for Personal Marty Doggett. “Coming from Commentary, the New York modest circumstances, he took Association of Black maximum advantage of his abilities, talents and opportu- http://ih.ca.campusgrid.net Journalists 2003 Tr a i l b l a z e r Marcus Mabry Aw a rd, and a Lincoln nities. -
Blogs and the Negative Stereotypes of African American Women on Reality Television
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Summer 7-19-2013 The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television Safiya E. Reid Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Reid, Safiya E., "The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_theses/100 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE REALITY OF TELEVISED JEZEBELS AND SAPPHIRES: BLOGS AND THE NEGATIVE STEREOTYPES OF AFRICAN AMERICAN WOMEN ON REALITY TELEVISION by SAFIYA REID Under the Direction of Dr. Marian Meyers ABSTRACT Americans spend an average of 5.1 hours a day viewing television, with reality television as the most prevalent type of programming. Some of the top reality television shows feature African American women in negative and limiting roles. However, little research examines how the stereotypes presented on reality television about African American women are viewed by the audiences -
2021 Song Index
JAN 16 2021 SONG INDEX 120 (RSM Publishing, ASCAP/Universal Music BACK TO THE STREETS (Aleicia Gibson Pub- -C- DANCING IN MY ROOM (Copyright Control) EXILE (TASRM Publishing, BMI/Songs Of Univer- GONE (Warner-Tamerlane Publishing Corp., Corp., ASCAP/EMI Blackwood Music Inc., BMI), lishing Designee, BMI/Donny Flores Publishing RO 32 sal, Inc., BMI/William Bowery Music Publishing. BMI/A Boy Named Ford, BMI/Ben There Wrote HL, LT 47 Designee, BMI/Gino Borri Publishing Designee, CALLADA (House Of Bad Sin Publishing, ASCAP) BMI/April Base Publishing, ASCAP/Kobalt Songs That Publishing, BMI/Artist 101 Publishing LT 49 DEAD MAN WALKING (Lost Kids II Publishing, 24 (Black Circle Publishing, BMI/Four Entertain- BMI/Icy Girl Music Publishing, ASCAP/WC BMI/These Are Pulse Songs, BMI/Songs 4 Mimi, Music Publishing LLC, ASCAP/Justin Desantis Group, BMI/Songs Of Kobalt Music Publishing ment Music, ASCAP/Wolf Pack Global Music Music Corp., ASCAP/JOSE VELAZQUEZ MUSIC, CANVAS AND CLAY (Capitol CMG Genesis, BMI/Songs Of Kobalt Music Publishing America, Publishing Designee, ASCAP), HL, RO 13 America, Inc., BMI/Hits From The Tape Room, Publishing, ASCAP/Universal Music Corp., BMI/Matthew Crabtree Publishing Designee, ASCAP/Vamos Publishing, ASCAP/House- Inc., BMI/Lil’ Reese Music, ASCAP/Heaven Only -F- BMI/Round Hill Compositions, BMI/W.C.M. ASCAP/Copyright Control) RBH 33 ASCAP/Michael Suski Publishing Designee, fires Sounds, ASCAP/Capitol CMG Paragon, Knows, SOCAN/A Popular Muse, SESAC) RBH Music Corp., SESAC/Niko Moon Publishing, SOCAN/Simmon Plummer -
Boom Operator's Coin/Card Rules
Fellow Boom Operators, Thank you for making 2018 another outstanding year. Continually, anyone with a background in tankers can see how busy we are by watching the news. Booms around the world provided POTUS support, disaster relief, refueled conflicts in the Middle East, and executed countless coronets, AE missions, and hours of alert. At home, we stayed busy focusing on technical skills such as MITO, chemical defense operations, cargo loading, and integrated missions. Despite this, we continued to develop professionally and personally. The cover of this year’s edition features a photograph from the first KC-46 delivery ceremony at McConnell AFB. Though it occurred this year on 25 January 2019, it wouldn’t have been possible without professionals everywhere completing testing, writing guidance, conducting training, and getting the airfield ready. The work of the last few years brought us the Pegasus in 2019. As we look to the future, we’ll no doubt see continued changes. Though some of these initiatives may change, cancel, or return, I know our career field is always ready and tackles challenges when required. Thank you for serving our great nation, answering the call of duty, and taking care of the Airman to your left and your right. As always, no one kicks ass without tanker gas! //Signed// CHRISTOPHER M. RUECKERT, CMSgt, USAF AMC 1A0 Functional Manager Scott AFB, IL DSN 779-3582 The Boom Signal Dedication Table of Contents Tanker Unit Locations Disclaimer Entries Altus AFB Bangor ANGB Edwards AFB Fairchild AFB Forbes Field ANGB Gen Billy Mitchell ANGB Joint Base McGuire-Dix-Lakehurst Kadena AB MacDill AFB McConnell AFB Pease ANGB RAF Mildenhall Ramstein AFB Scott AFB Seymour-Johnson AFB Tinker AFB Travis AFB Tyndall AFB Appendix Boom Operator Coin & Card Rules SMSgt Albert L. -
TINY GLOWING SCREENS Pt. 3 Music by Kush Mody Ft
TINY GLOWING SCREENS Pt. 3 Music by Kush Mody ft. Camila Recchio & Danny McClain Lyrics by George Watsky VERSE 1 A min G D min F G A min G D min F G Vocals b 4 & 4 ’[RAP] ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ b 4 œ. nœ œ n˙ œ. nœ œ n˙ & 4 œ. œ œ œ ˙ ˙ ˙ œ. œ œ œ ˙ ˙ ˙ Piano œ ˙ ˙ ˙ œ ˙ ˙ ˙ 4 œ. œ œ ˙ ˙ œ. œ œ ˙ ˙ ? b 4 œ ˙ œ ˙ œ. œ œ œ ˙ ˙ ˙ œ. œ œ œ ˙ ˙ ˙ A min G D min F G A min G D min Vox. & b ’ ’ ’ ’ 45 ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ ’ ’ b œ. œ œ 5 n˙ Œ 4 œ. œ œ & œ. nœ œ œ ˙ 4 ˙ ˙ 4 œ. nœ œ œ ˙ w Pno. œ ˙ ˙ ˙ œ ˙ w œ nœ œ œ œ ˙ ˙ œ. œ œ ? b œ œ ˙ 45 Œ 4 œ ˙ w ˙ ˙ œ. œ œ œ ˙ w A min G D min F G A min G D min F G A min G D min Vox. & b ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ 45 œ. œ œ n˙ œ. œ œ n˙ œ. œ œ 5 & b œ. nœ œ œ ˙ ˙ ˙ œ. nœ œ œ ˙ ˙ ˙ œ. nœ œ œ ˙ 4 Pno. œ ˙ ˙ ˙ œ ˙ ˙ ˙ œ ˙ œ. œ œ ˙ ˙ œ. œ œ ˙ ˙ œ. œ œ ? b œ ˙ œ ˙ œ ˙ 45 œ. œ œ œ ˙ ˙ ˙ œ. œ œ œ ˙ ˙ ˙ œ. œ œ œ ˙ F G A min C/G D min Bb G D min Vox. 5 4 5 4 & b 4 ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ 4 œ œ œ œ œ œ ˙ ’ ’ ’ ’ Freeze freeze freeze b 5 ˙ n˙ Œ 4 œ œ œ ˙ 5 ˙ n˙ Œ 4 œ œ œ œ ˙ w & 4 ˙ ˙ 4 œ.