Black Technical and Professional Communication November 30, 2020, 1:30 PM Eastern | Transcript
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ETHICS OWNERS a New Model of Organizational Responsibility in Data-Driven Technology Companies
ETHICS OWNERS A New Model of Organizational Responsibility in Data-Driven Technology Companies Emanuel Moss Jacob Metcalf September 2020 Author: Emanuel Moss, doctoral candidate in Anthropology, CUNY Graduate Center, New York. Author: Jacob Metcalf, PhD, 2010, Philosophy, University of California, Santa Cruz. ETHICS OWNERS - 1 - PREFACE he world has moved in remarkable ways since this research Twas first initiated in late 2018 and the analysis was finalized in early-2020. Since then, we have seen the COVID-19 pandemic and the resurgence of the #BlackLivesMatter movement following the police killings of George Floyd, Breonna Taylor, and all too many others. Given these critical events, we as researchers and as members of a research organization paused to reflect on how our work speaks to the urgent injustices laid bare today. These events have dramatically foregrounded existing calls for jus- tice at the intersections of technology, unjust social and political structures, digital privacy, surveillance, and the values and purpose of technology corporations. Many of the defining events that have shaped ethics in the tech sector in recent years—including tech worker organization, walkouts and resignations over military con- tracts, continued contestations over racial and sexual harassment inside of tech companies, legislation and regulations, and critical audits—have been and continue to be the contentious background to the research conducted for this report. Our research takes place amidst, but is not primarily about, these tectonic changes that have repeatedly reframed the broader tech ethics conversation. It is in- stead about the ways those inside of tech companies have begun reshaping corporate practices against this background—how they understand the problems their industry faces, the means at their disposal to address these problems, and the lines of thought that shape those understandings. -
Police Reform Task Force Survey Results
Responses and Public Data Set The Saratoga Springs Police Task Force Survey was based on model surveys from other municipalities, resources from the Justice Department, and research from peer reviewed publications. After creating the survey, the task force reached out to as many Saratoga Springs community members as possible to maximize participation. Links to the survey were posted on social media, on the city’s website, and publicized through email, postcard handouts, flyers posted in downtown businesses, and a dedicated short url at TogaTF.com. Overall, 1,896 surveys were started. Of those, 1,449 respondents completed the final question asking about overall satisfaction, yielding a completion rate of approximately 76%. The survey was also translated into spanish, with 12 surveys started and 8 completed. We are grateful to all those who took the time to complete the survey, and to those who assisted with the translation. While selection bias is always a concern for open surveys, the demographics are very close to our overall population. For example, the City is 91.5% white1 and the survey respondents were 90.4% White. There were two demographic areas that differed slightly from the city’s population. The first is the gender of respondents. 61.6% of respondents chose “Female”, while 53% of the city’s population is female according to the 2010 census. There was also a modest difference in age, with younger residents underrepresented. For further discussion, please refer to the analysis for Question 4: Age, and Question 5: Gender. The results that follow are statistically significant and broadly representative of the overall City of Saratoga Springs Community. -
March 2008 the S
ON THE BRINK OF CANCELLATION SINCE 1997 TEXAS TRAVESTY MARCH 2008 THE S CAMPUS SPOTLIGHT A BURNING BRIDGESISSUE X E T TRAVESTY EDITOR-IN-CHIEF Veronica Hansen Todd Menditto Everyone’s favorite PTS worker MANAGING EDITOR Stephen Short Texas Travesty: So Todd, what’s your eight-hour work day to putting a smile on 4, peace and quiet, douchebag DESIGN EDITORS Matt Hutcheson favorite part about being a Parking and people’s faces and tickets on their wind- sunglasses, mustaches Mark Estrada Transportation Services employee? shield. Todd Mendito: I just love riding my Turn offs: speedy drivers, ART EDITOR Chris Friend little scooter around campus and check- TT: So, what are you doin’ tonight? whippersnappers, loud rap ASSOCIATE EDITORS Ross Luippold ing to make sure people have the proper TM: Well, after getting current on all my Thejaswi Maruvada parking permits hanging neatly from their utility bills, I’m gonna go get mad pussy. music, broken CB radios, insubordination, this goddamn DISTRIBUTION rear view mirrors. Spending your entire Then I’ll probably sit down with a TV din- DIRECTOR Francisco Marin day monitoring traffi c, sitting in security ner and watch my DVR recordings of Ex- weather, holidays, happiness, WRITING STAFF Megan Jackson kiosks, and catching people with F17 per- treme Makeover: Home Edition. Oh, I casual conversation, liber- Jon Neal mits parked in the F67 lot is extremely also really need to call my mother because als, dirty uniforms, other PTS Michael Prohaska fulfi lling. It’s good to know that improper I haven’t talked to her in a while. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Fanh Ly Bifc J Trip I Lours I
- " ■■■ ' I 1 j / / / / ^ ' , ♦ Weither *i FinFinal * if. Mostly Clear ■ EditionEdit Th#T bt MagicHagti Valley Newspaperiper DedicatedIHdicat to Serving: and l^m oti otins the'Growth of Nine IrrIrrigated Idaho Countiesntlea . ^ _____________________________ * 1^ - ^ — T-WiN-FALLSr^IDAHOr-FRlDA-YE^FRlDA-Yr4IA-Y^17r4963I------------------ ^-I ^ ___________________________ _ - T- T -E N ^ N T S ------- — — ------------------------- W|CEILTKIUI ------------------------^ ^ — " ¥ • * » ¥ ¥ ¥ VA ¥ N o r S T Vlet i e t Nam ■ I Coopersr IMerely ly Bifc J Troops PPouring o i I Woozyy IAfter TripT I I n t o L a o9S s jArea ■ ly 17 (UPD—Thousands ofif !^am were reported today to S rin g into Laos, threateningeatening to shatter the'deti- Lastingig 34 Hoilours I (»W balanced coalition governnugovernment worked oul by y I ' (See 1Picture Page IB) fj. i4.nation Geneva conference.)nference. Reports reachlntrs I By the Asaoclated Press Sffltta" tou o l North Vietnam,Vietnamese troops entering:g I Astronaut Gordon Cooperper ^vns mmer erely a bit woo?,y whenen he finishedf Ini-st a 34-hour trip cheB-over-iunRle-traj|ar^eir- S i i t e aim is to rep/ace «Gen. en . K ony Le, the' com- I Cooper, 36, expressed confidenceifidence thathat have le&cnedIA a lot from th/s misston for . — --------- ----------- 7“ “~ mmahder ander of neutralist forces, I future, more extended; d **’.4 ♦ • * * \ i with an officer subject to I spaces p a c e operations.”0 Thehe % H r i n c i p l e ^ L commuicommuniBt control. • I spaceman’ss p n c c m i perilous descent Wjservere "in"'Vientiane "agree — ^ to hig exactly predicted-im^ that if Kong Le and his rela- t o - h i r e : Merger Gets- ' tlvel£ small force of loyal follow* a pact pointpoifl P0 mlJes southeast ofof ers on the Plain of Jars are K; MidwayMidway Island Thunday after> I eliminated, the whole structurere m nooA waswa full of drama and U .P.A pproval ofof'tK the Laotian coalltlpn govern- g heroism. -
Issue 12 Working Copy
A Public Forum for News, Opinion, and Creative Thought of The Governor’s Academy MAY 20, 2009 VOLUME 50, ISSUE 11 Commencement Speaker Mabry: A Biography N H I S S S U E I T I : He gained public acclaim by Gabriella Riley ‘ 0 9 after the publishing of his memoir, White Bucks and Black- ED I TO R I A L S The 2009 Commencement Speaker, Marcus Mabry, is a Eyed Peas: Coming of Age Black Listen Up Seniors! 2 distinguished man indeed. A in White America. His latest Stanford grad, Mabry quickly book, a biography of rose up the journalism ladder Condoleezza Rice, is called to become the Chief of Twice As Good; Condoleezza Rice Correspondents and a senior and her Path to Power. T h i s editor for Newsweek, where book has been critically acclaimed, with one re v i e w www.yourspacecorner.com he oversaw the magazine’s domestic as well as interna- stating: “Marcus Mabry tional bureaus. Currently he is uncovers what has never been Perez and the Media 2 an editor at The New York shown before – what some Times. suspected didn’t exist – the P I N I O N O In 1996, Mabry won the personal Condoleezza Rice. A AP Exams 3 OPC’s Morton Frank Award tour de force!” for Best Business Reporting. “ M a rc Mabry epitomizes He also won the New York the great American success Association of Black s t o r y,” says Headmaster Journalists award for Personal Marty Doggett. “Coming from Commentary, the New York modest circumstances, he took Association of Black maximum advantage of his abilities, talents and opportu- http://ih.ca.campusgrid.net Journalists 2003 Tr a i l b l a z e r Marcus Mabry Aw a rd, and a Lincoln nities. -
Blogs and the Negative Stereotypes of African American Women on Reality Television
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Summer 7-19-2013 The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television Safiya E. Reid Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Reid, Safiya E., "The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_theses/100 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE REALITY OF TELEVISED JEZEBELS AND SAPPHIRES: BLOGS AND THE NEGATIVE STEREOTYPES OF AFRICAN AMERICAN WOMEN ON REALITY TELEVISION by SAFIYA REID Under the Direction of Dr. Marian Meyers ABSTRACT Americans spend an average of 5.1 hours a day viewing television, with reality television as the most prevalent type of programming. Some of the top reality television shows feature African American women in negative and limiting roles. However, little research examines how the stereotypes presented on reality television about African American women are viewed by the audiences -
2021 Song Index
JAN 16 2021 SONG INDEX 120 (RSM Publishing, ASCAP/Universal Music BACK TO THE STREETS (Aleicia Gibson Pub- -C- DANCING IN MY ROOM (Copyright Control) EXILE (TASRM Publishing, BMI/Songs Of Univer- GONE (Warner-Tamerlane Publishing Corp., Corp., ASCAP/EMI Blackwood Music Inc., BMI), lishing Designee, BMI/Donny Flores Publishing RO 32 sal, Inc., BMI/William Bowery Music Publishing. BMI/A Boy Named Ford, BMI/Ben There Wrote HL, LT 47 Designee, BMI/Gino Borri Publishing Designee, CALLADA (House Of Bad Sin Publishing, ASCAP) BMI/April Base Publishing, ASCAP/Kobalt Songs That Publishing, BMI/Artist 101 Publishing LT 49 DEAD MAN WALKING (Lost Kids II Publishing, 24 (Black Circle Publishing, BMI/Four Entertain- BMI/Icy Girl Music Publishing, ASCAP/WC BMI/These Are Pulse Songs, BMI/Songs 4 Mimi, Music Publishing LLC, ASCAP/Justin Desantis Group, BMI/Songs Of Kobalt Music Publishing ment Music, ASCAP/Wolf Pack Global Music Music Corp., ASCAP/JOSE VELAZQUEZ MUSIC, CANVAS AND CLAY (Capitol CMG Genesis, BMI/Songs Of Kobalt Music Publishing America, Publishing Designee, ASCAP), HL, RO 13 America, Inc., BMI/Hits From The Tape Room, Publishing, ASCAP/Universal Music Corp., BMI/Matthew Crabtree Publishing Designee, ASCAP/Vamos Publishing, ASCAP/House- Inc., BMI/Lil’ Reese Music, ASCAP/Heaven Only -F- BMI/Round Hill Compositions, BMI/W.C.M. ASCAP/Copyright Control) RBH 33 ASCAP/Michael Suski Publishing Designee, fires Sounds, ASCAP/Capitol CMG Paragon, Knows, SOCAN/A Popular Muse, SESAC) RBH Music Corp., SESAC/Niko Moon Publishing, SOCAN/Simmon Plummer -
Upcoming-Mag-5
---- Do forget to share with all your whatsapp contacts. For more info: 074 902 3257 All about Up comers June 5, 2019 [UPCOMING MAG JUNE ISSUE , Cover: #The struggle just began. Page 2 Interview with Samantha our June Viewer’s Choice Page 26 Model Focus: Dlani Page 28 – 32 Report on Event Page 33 – 34 Number one on our Upcoming SoundCloud Chart: Ginky 35 Features: Intuthuko community development Page 3 5ways to break into the music industry without a record lebal Page 4 Productions. Page 5 Beat makers: Troy Vee Page 6 Dancer: Ryan Page 8 Biographies Page 9 – 18 Poetrty Page 20 – 21 Artist interview Page 23 – 24 Model interview: Fortunate Page 27 Events Page 36 - 44 Don’t forget to share with all your whatsapp contacts Page 1 June 5, 2019 [UPCOMING MAG JUNE ISSUE , I am sorry to announce that Lauren has personal problems therefore she could not Edited this issue sorry for the inconvenience I am still working alone, I am not sure if she will have her things sorted to edit our issue this month, but anyone who would like to be part of team Upcoming Mag please contact me on 0749023257. Today Jozi of CJM9 asked me who do I work with on Upcoming Mag my answer was I work alone but that is not the truth, I work with up comers: models, artists, dancers, producers, actors/actresses, etc, that is why Upcoming mag is such a success on that note I would like to thank everyone working with me, some of the ideas we get from you guys, therefore thank you. -
Boom Operator's Coin/Card Rules
Fellow Boom Operators, Thank you for making 2018 another outstanding year. Continually, anyone with a background in tankers can see how busy we are by watching the news. Booms around the world provided POTUS support, disaster relief, refueled conflicts in the Middle East, and executed countless coronets, AE missions, and hours of alert. At home, we stayed busy focusing on technical skills such as MITO, chemical defense operations, cargo loading, and integrated missions. Despite this, we continued to develop professionally and personally. The cover of this year’s edition features a photograph from the first KC-46 delivery ceremony at McConnell AFB. Though it occurred this year on 25 January 2019, it wouldn’t have been possible without professionals everywhere completing testing, writing guidance, conducting training, and getting the airfield ready. The work of the last few years brought us the Pegasus in 2019. As we look to the future, we’ll no doubt see continued changes. Though some of these initiatives may change, cancel, or return, I know our career field is always ready and tackles challenges when required. Thank you for serving our great nation, answering the call of duty, and taking care of the Airman to your left and your right. As always, no one kicks ass without tanker gas! //Signed// CHRISTOPHER M. RUECKERT, CMSgt, USAF AMC 1A0 Functional Manager Scott AFB, IL DSN 779-3582 The Boom Signal Dedication Table of Contents Tanker Unit Locations Disclaimer Entries Altus AFB Bangor ANGB Edwards AFB Fairchild AFB Forbes Field ANGB Gen Billy Mitchell ANGB Joint Base McGuire-Dix-Lakehurst Kadena AB MacDill AFB McConnell AFB Pease ANGB RAF Mildenhall Ramstein AFB Scott AFB Seymour-Johnson AFB Tinker AFB Travis AFB Tyndall AFB Appendix Boom Operator Coin & Card Rules SMSgt Albert L. -
TINY GLOWING SCREENS Pt. 3 Music by Kush Mody Ft
TINY GLOWING SCREENS Pt. 3 Music by Kush Mody ft. Camila Recchio & Danny McClain Lyrics by George Watsky VERSE 1 A min G D min F G A min G D min F G Vocals b 4 & 4 ’[RAP] ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ b 4 œ. nœ œ n˙ œ. nœ œ n˙ & 4 œ. œ œ œ ˙ ˙ ˙ œ. œ œ œ ˙ ˙ ˙ Piano œ ˙ ˙ ˙ œ ˙ ˙ ˙ 4 œ. œ œ ˙ ˙ œ. œ œ ˙ ˙ ? b 4 œ ˙ œ ˙ œ. œ œ œ ˙ ˙ ˙ œ. œ œ œ ˙ ˙ ˙ A min G D min F G A min G D min Vox. & b ’ ’ ’ ’ 45 ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ ’ ’ b œ. œ œ 5 n˙ Œ 4 œ. œ œ & œ. nœ œ œ ˙ 4 ˙ ˙ 4 œ. nœ œ œ ˙ w Pno. œ ˙ ˙ ˙ œ ˙ w œ nœ œ œ œ ˙ ˙ œ. œ œ ? b œ œ ˙ 45 Œ 4 œ ˙ w ˙ ˙ œ. œ œ œ ˙ w A min G D min F G A min G D min F G A min G D min Vox. & b ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ 45 œ. œ œ n˙ œ. œ œ n˙ œ. œ œ 5 & b œ. nœ œ œ ˙ ˙ ˙ œ. nœ œ œ ˙ ˙ ˙ œ. nœ œ œ ˙ 4 Pno. œ ˙ ˙ ˙ œ ˙ ˙ ˙ œ ˙ œ. œ œ ˙ ˙ œ. œ œ ˙ ˙ œ. œ œ ? b œ ˙ œ ˙ œ ˙ 45 œ. œ œ œ ˙ ˙ ˙ œ. œ œ œ ˙ ˙ ˙ œ. œ œ œ ˙ F G A min C/G D min Bb G D min Vox. 5 4 5 4 & b 4 ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ 4 œ œ œ œ œ œ ˙ ’ ’ ’ ’ Freeze freeze freeze b 5 ˙ n˙ Œ 4 œ œ œ ˙ 5 ˙ n˙ Œ 4 œ œ œ œ ˙ w & 4 ˙ ˙ 4 œ. -
The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements
“THE REVOLUTION WILL NOT BE TELEVISED…BUT IT WILL BE STREAMED”: SPOTIFY, PLAYLIST CURATION, AND SOCIAL JUSTICE MOVEMENTS Melissa Camp A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Music in the School of Arts and Sciences. Chapel Hill 2021 Approved by: Mark Katz Aaron Harcus Jocelyn Neal © 2021 Melissa Camp ALL RIGHTS RESERVED ii ABSTRACT Melissa Camp: “The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements (Under the direction of Mark Katz) Since its launch in 2008, the Swedish-based audio streaming service Spotify has transformed how consumers experience music. During the same time, Spotify collaborated with social justice activists as a means of philanthropy and brand management. Focusing on two playlists intended to promote the Black Lives Matter movement (2013–) and support protests against the U.S. “Muslim Ban” (2017–2020), this thesis explores how Spotify’s curators and artists navigate the tensions between activism and capitalism as they advocate for social justice. Drawing upon Ramón Grosfoguel’s concept of subversive complicity (2003), I show how artists and curators help promote Spotify’s progressive image and bottom line while utilizing the company’s massive platform to draw attention to the people and causes they care most about by amplifying their messages. iii To Preston Thank you for your support along the way. iv ACKNOWLEDGMENTS I would first like to thank my thesis advisor, Mark Katz, for his dedication and support throughout the writing process, especially in reading, writing, and being the source of advice, encouragement, and knowledge for the past year.