RACE and the BLACK MALE SUBCULTURE the LIVES of TOBY WALLER Race and the Black Male Subculture

Total Page:16

File Type:pdf, Size:1020Kb

RACE and the BLACK MALE SUBCULTURE the LIVES of TOBY WALLER Race and the Black Male Subculture WILLIAM T. HOSTON RACE and the BLACK MALE SUBCULTURE THE LIVES OF TOBY WALLER Race and the Black Male Subculture William T. Hoston Race and the Black Male Subculture The Lives of Toby Waller William T. Hoston University of Houston - Clear Lake , USA ISBN 978-1-137-59045-9 ISBN 978-1-137-58853-1 (eBook) DOI 10.1057/978-1-137-58853-1 Library of Congress Control Number: 2016940009 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the pub- lisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Nature America Inc. New York To My Brothers Feddrick M. Hoston Release Date: 01/20/2031 Cleveland R. Wilborn Released: 05/21/2013 To My Uncles Willie A. Holmes Released: 07/10/2015 Recardo J. Holmes Release Date: Life in Prison Timothy C. Holmes Released: 09/16/2013 Acts 3:19: Repent ye therefore, and be converted, that your sins may be blotted out, when the times of refreshing shall come from the presence of the Lord. ~KJV To My Son William Terrell Hoston Jr. You were birthed to fulfi ll God’s purpose for you and take unconditional care of your mother. You have the greatest mother in the world. Daddy loves you. I pray that you will be a drum major for justice Like the Kings before you On April 4, 1968/The world lost a King On April 4, 2015/A King was born The King of all Kings ACKNOWLEDGMENTS All praise to my Lord and savior, Jesus Christ. With Him, all things are possible. He has provided me with the four most infl uential women in my life, the late Mildred Hoston, the late Bertha-Mae Mitchell, Thelma C. Owens, and Janet Smith. I am a product of their hard work and sac- rifi ce. In the words of Abraham Lincoln, “All that I am, or hope to be, I owe to my angel mother[s].” A special thank you goes to June Marie Powell, the matriarch of 132 Villary Street, Belle Chasse, Louisiana. I appreciate you for loving me as one of your own children. Rest in paradise. Thank you to the many people who contributed to making this book possible. First, I would like to thank my graduate contributors: Randon R. Taylor, Anna A. Thomas, and Atoya Eaden. Each of these graduate students has a bright future. I hope and pray that positive mentor–men- tee relationships were cultivated in the process of completing the chap- ter, “D.o N.ot A.ccuse Black Males: The Life of Cornelius Dupree Jr.” An important thank you goes to Cornelius Dupree Jr. for granting us an interview. His story is truly one of trial, tribulation, and triumph. To Dr. Bakeyah S. Nelson, thank you for assisting in the early stages of this project. Your insight and advice was infl uential in framing the direc- tion of the book. To my mentor, Dr. Ronald Dorris, Xavier University of Louisiana, your input was invaluable to this project. Thank you for always supporting me. To my editors at Palgrave Macmillan, Rachel Krause Daniel, Chris Robinson, and Elaine Fan, thank you for believing in this project. vii viii ACKNOWLEDGMENTS To my beautiful and darling mother, Janet Smith, your examples of faith, courage, and sacrifi ce gave me much inspiration over the years to follow my dreams. To my lovely wife and best friend, Cecilia Hoston, I love you. You have given my life such love, happiness, and joy. To my black male subculture: Sonny, Fly, J-Gutta, Rock, Sterling, Crucial, ST, Rese, Ant, Coop, D, DT, Jett, RickyD, Gizzle, Ro-G, Black, Pop, Rell, Will B, Kage-1, BlackCash, Fred, Tee, C2, Nostro, Big Head, Shad, Big B, Jay, Dez, Marv, Ray, Deeki, Sherm, Starr, Fame, Roe Gill, D -, Alley Kat, Lil Dwight, Ferd, Crazy T, Blaise, Lil Blaise, Dex, Reginald, Ash, Lil Sterling, Javelle, Calvin, JD, Heir, Dave, Jarvis, Bait, Bubba, V. Miles, Slim, G-Funk, Herm, Big J, Smooth, Jim, Shell, Gene, Jelani, Shaun, Mike, OS, Shawn, J-Bo, RT, Ric, Lee, Luddy, Big Chris, Big C, Spencer, Dre, Eddie, Dug, Stan, Nathan, Carl, Leon, SuperStarRay, Lil Cru, Lil Rodney, EC, Linc, Zach, Junie, Jaydon, Ethyn, and Rell2K. To the following families: Hoston, Zanders, Owens, Cosby, Mitchell, Duffey, Hooper, Nelson, Veus, Cooper, Franklin, Gaines, Robinson, Gauthier, Anderson, Powell, Williams, Campbell, Thomas, Bolling, Hicks, Burrell, Green, Greenup, Hall, Isodore, Trufant, Laurant, Washington, Clements, Vance, Bonner, Sephus, Volley, Calice, Spivey, Wright, Long, Sanders, McQuarters, Baptiste, Davis, Barbre, Lee, Taylor, Carter, Garnett, Watson, Bennett, Swiner, Johnson, Rainey, Lain, Mauricio, Valladares, and the whole, “132 Villary St!” To you whom I have not named, please know that even though you are not named in this book, I deeply appreciate what you have contributed to my life. CONTENTS 1 Introduction: The Toby Waller Stereotype 1 Part 1 Devaluing Black Male Life 9 2 Black Males are Human Beings: An Open Letter 11 3 Stand “Our” Ground: Murder in the Sunshine State 23 4 We Miss You, James Evans Sr. 43 Part 2 It’s Good to Be White in America 61 5 No Indictment on Canfi eld Drive 63 6 Target Practice: The Killing of the Black Male Continues 81 7 The Racial Politics of Marijuana 99 ix x CONTENTS Part 3 Brothers of the Moment 115 8 Innovationist Negro: Refl ections of an Ex-Drug Dealer 117 9 D.o N.ot A.ccuse Black Males: The Life of Cornelius Dupree Jr. 129 10 Post-script I: How to Raise a Black Son in White America 143 11 Post-script II: The Uprising—Call to Black Male Scholars 149 Appendix 155 Index 167 LIST OF TABLES Table 2.1 National attention of the shooting deaths of unarmed black males, 2012–2015 12 Table 2.2 Arrest-related deaths (ARD), 2003–2009 13 Table 2.3 The deaths of unarmed black males by NYPD, 1994–2014 15 Table 3.1 States enacting “Stand Your Ground” by year, 2005–2011 24 Table 3.2 House Democrats dissent to the “Stand Your Ground” law, 2005 24 Table 3.3 Black state legislators in Florida, 2012–2014 31 Table 3.4 Black leadership positions in the Florida House, 2014 32 Table 4.1 Total murders in Chicago 2004–2014 46 Table 4.2 Percentage of murder victims in Chicago, 2007–2011 47 Table 4.3 Percentage of murder offenders in Chicago, 2007–2011 47 Table 4.4 Type of household percentage of Chicago teenagers, 15–19 years old, by race/ethnicity, 2007–2011 49 Table 4.5 Percentage of male freshman students’ on-track rate in Chicago Public Schools (CPS), by race/ethnicity, 2007–2012 50 Table 4.6 Dropout percentage among male high school students in Chicago Public Schools (CPS), by race/ethnicity, 2007–2012 50 Table 4.7 Gang arrests in Chicago, 2007–2012 51 Table 5.1 Grand jury differences 69 Table 5.2 Witness account of the Michael Brown (MB) shooting 73 Table 6.1 Demographic profi le of white police offi cers 87 Table 7.1 Legalization of marijuana 102 Table 8.1 Robert Merton’s strain theory: Five modes of adaptation 120 Table 8.2 Travis Hirschi’s social control theory 122 xi ABOUT THE AUTHOR William T. Hoston, Sr. is a professor, author, motivational speaker, poet, and documentarian who hails from New Orleans, Louisiana. He is associ- ate professor of political science at the University of Houston—Clear Lake. Dr. Hoston holds research interests in the areas of minority voting behavior, political behavior of Black politicians, race and minority group behavior, Black masculinity, race and crime, and theories and dynamics of racism and oppression. He has penned a total of nine books, most recently, RNIT (2015), Listen to Me Now, or Listen to Me Later: A Memoir of Academic Success for College Students, 2nd Edition (2014), Black Masculinity in the Obama Era: Outliers of Society (2014), and No Bullies in the Huddle (2013). For more information on Dr. Hoston, please visit: www.williamhoston.com xiii CONTRIBUTORS Atoya Eaden is a graduate student at the University of Houston—Clear Lake in the Criminology program. Her research interests lie in the areas of deviance, juve- nile justice, and post-incarceration reform. Randon R. Taylor is a graduate student at the University of Houston—Clear Lake in the Sociology program. His research interests lie in the areas of colorism, Black masculinity, and racism and oppression. Anna A. Thomas is a graduate student at the University of Houston—Clear Lake in the Criminology program.
Recommended publications
  • ETHICS OWNERS a New Model of Organizational Responsibility in Data-Driven Technology Companies
    ETHICS OWNERS A New Model of Organizational Responsibility in Data-Driven Technology Companies Emanuel Moss Jacob Metcalf September 2020 Author: Emanuel Moss, doctoral candidate in Anthropology, CUNY Graduate Center, New York. Author: Jacob Metcalf, PhD, 2010, Philosophy, University of California, Santa Cruz. ETHICS OWNERS - 1 - PREFACE he world has moved in remarkable ways since this research Twas first initiated in late 2018 and the analysis was finalized in early-2020. Since then, we have seen the COVID-19 pandemic and the resurgence of the #BlackLivesMatter movement following the police killings of George Floyd, Breonna Taylor, and all too many others. Given these critical events, we as researchers and as members of a research organization paused to reflect on how our work speaks to the urgent injustices laid bare today. These events have dramatically foregrounded existing calls for jus- tice at the intersections of technology, unjust social and political structures, digital privacy, surveillance, and the values and purpose of technology corporations. Many of the defining events that have shaped ethics in the tech sector in recent years—including tech worker organization, walkouts and resignations over military con- tracts, continued contestations over racial and sexual harassment inside of tech companies, legislation and regulations, and critical audits—have been and continue to be the contentious background to the research conducted for this report. Our research takes place amidst, but is not primarily about, these tectonic changes that have repeatedly reframed the broader tech ethics conversation. It is in- stead about the ways those inside of tech companies have begun reshaping corporate practices against this background—how they understand the problems their industry faces, the means at their disposal to address these problems, and the lines of thought that shape those understandings.
    [Show full text]
  • A Singer Who Let That Big Light of Hers Shine by Dwight Garner Odetta Performing on Stage in London in 1963
    A Singer Who Let That Big Light of Hers Shine By Dwight Garner Odetta performing on stage in London in 1963. Ronald Dumont/Hulton Archive, via Getty Images In the biography of nearly every white rock performer of a certain vintage, there’s a pivotal moment — more pivotal than signing the ill-advised first contract that leads to decades of litigation, and more pivotal than the first social disease. The moment is when the subject watched Elvis Presley’s appearance on “The Ed Sullivan Show” on Sept. 9, 1956. For Black audiences and many future musicians, the crucial moment came three years later. On Dec. 10, 1959, CBS, in partnership with Revlon, broadcast a prime-time special called “Tonight With Belafonte,” produced and hosted by Harry Belafonte, the debonair and rawboned Jamaican- American singer. These weren’t easy years for Black families to gather around the television. As Margo Jefferson wrote in her memoir “Negroland,” they turned on the set “waiting to be entertained and hoping not to be denigrated.” Belafonte was given artistic control over his program. He told executives he wanted a largely unknown folk singer named Odetta to perform prominently. One executive asked, “Excuse me, Harry, but what is an Odetta?” Revlon was bemused to learn she did not wear makeup. The hourlong show was commercial-free except for a Revlon spot at the beginning and end. At the start, Belafonte sang two songs. In what is, amazingly, the first in-depth biography of this performer, “Odetta: A Life in Music and Protest,” the music writer Ian Zack picks up the story.
    [Show full text]
  • Spike Lee and Commentaries on His Work. Occasional Papers Series 2, No.1
    DOCUMENT RESUME ED 353 622. CS 508 049 AUTHOR Hudson, Herman C., Ed. TITLE Spike Lee and Commentaries on His Work. Occasional Papers Series 2, No.1. INSTITUTION Indiana Univ., Bloomington. Afro-American Studies. PUB DATE 92 NOTE 92p.; A Martha C. Kraft Professorship Publication. PUB TYPE Collected Works General (020) Reports Evaluative /Feasibility (142) Reference Materials Bibliographies (131) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Auteurism; *Black Community; *Black Culture; Black History; Cultural Images; Film Criticism; *Film Production Specialists; *Film Study; Popular Culture; Racial Relations; Urban Culture IDENTIFIERS *African Americans; *Lee (Spike) ABSTRACT This monograph presents a critical essay and a comprehensive 454-item bibliography on the contemporary African-American filmmaker, Spike Lee. The essay, entitled "African-American Folklore and Cultural History in the Films of Spike Lee" (Gloria J. Gibson-Hudson), analyzes Lee's filmmaking approach from a cultural and historical perspective. The essay identifies Lee as a contemporary storyteller weaving his tales with the aid of a camera and demonstrates how his film narratives draw on both the historic and contemporary experiences of African Americans. The essay discusses five of Lee's films (made between 1984 and 1991) thematically, categorizing them under intra-racal issues and inter-racial issues. The bibliography (by Grace Jackson-Brown) provides citations from both scholarly and popular literature, encompassing newspaper articles, journal and magazine articles, chapters or sections from books, and reviews of films (most of the citations date from the last 5 years). The extensive 49-page bibliography is intended to be a comprehensive guide to literature that will assist students and researchers with an interest in Spike Lee.
    [Show full text]
  • THE POLITICAL CRITIQUE of SPIKE Lee's Bamboozled
    35 GLOBAL JOURNAL OF HUMANITIES VOL 8, NO. 1&2, 2009: 35-44 COPYRIGHT© BACHUDO SCIENCE CO. LTD PRINTED IN NIGERIA. ISSN 1596-6232 www.globaljournalseries.com ; [email protected] LEGACIES OF BLACKFACE MINSTRELSY AND CONTEMPORARY AMERICAN MEDIA: THE POLITICAL CRITIQUE OF SPIKE Lee’s Bamboozled PATRICK NKANG, JOE KING AND PAUL UGO (Received 24, August 2010; Revision Accepted 3, September 2010) ABSTRACT This paper examines the extraordinary ways in which the America mainstream visual media have propagated and circulated racist myths which subvert the cultural identity of the black race. Using Spike Lee’s Bamboozled , the paper exposes the negative social stereotypes espoused by American entertainment media about blacks, and argues that Spike Lee’s film not only unravels that subversive Euro-American rhetoric, but also doubles as an intense social critique of that warped cultural dynamic. KEYWORDS: Blackface Minstrelsy, Racist Stereotypes and American Media. INTRODUCTION Because slavery is the illuminating insight on this aspect of cinema in the founding historical relationship between black United States when he declares that “the fact that and white in America many will argue, lingers film has been the most potent vehicle of in subterranean form to this day (Guerrero 1993: American imagination suggests all the more 03). strongly that movies have something to tell us about the mysteries of American life” (xii). Film and the African-American Image American films then have a deep historical link with its social environment, providing us the As a form of social expression, the film medium profoundest social transcripts about American embodies significantly staggering amounts of society than historians, economists and other social truths .
    [Show full text]
  • My Voice Is My Weapon: Music, Nationalism, and the Poetics Of
    MY VOICE IS MY WEAPON MY VOICE IS MY WEAPON Music, Nationalism, and the Poetics of Palestinian Resistance David A. McDonald Duke University Press ✹ Durham and London ✹ 2013 © 2013 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Cover by Heather Hensley. Interior by Courtney Leigh Baker Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data McDonald, David A., 1976– My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance / David A. McDonald. pages cm Includes bibliographical references and index. isbn 978-0-8223-5468-0 (cloth : alk. paper) isbn 978-0-8223-5479-6 (pbk. : alk. paper) 1. Palestinian Arabs—Music—History and criticism. 2. Music—Political aspects—Israel. 3. Music—Political aspects—Gaza Strip. 4. Music—Political aspects—West Bank. i. Title. ml3754.5.m33 2013 780.89′9274—dc23 2013012813 For Seamus Patrick McDonald Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii introduction ✹ 1 chapter 1. Nationalism, Belonging, and the Performativity of Resistance ✹ 17 chapter 2. Poets, Singers, and Songs ✹ 34 Voices in the Resistance Movement (1917–1967) chapter 3. Al- Naksa and the Emergence of Political Song (1967–1987) ✹ 78 chapter 4. The First Intifada and the Generation of Stones (1987–2000) ✹ 116 chapter 5. Revivals and New Arrivals ✹ 144 The al- Aqsa Intifada (2000–2010) CONTENTS chapter 6. “My Songs Can Reach the Whole Nation” ✹ 163 Baladna and Protest Song in Jordan chapter 7. Imprisonment and Exile ✹ 199 Negotiating Power and Resistance in Palestinian Protest Song chapter 8.
    [Show full text]
  • Rock & Roll: a Discourse of “Rethink”
    RESEARCH ARTICLE ROCK & ROLL: A DISCOURSE OF “RETHINK” OF THE DUALISM OF THE CENTRE AND THE MARGIN Divya Sharma (Doctor of Philosophy in English Literature from Dept. of English, University of Jammu, India) Email: [email protected] ABSTRACT Within the politics of the systematic subversion of subordinate through the logic of domination within the ontological divide African American women artists’ music emerges as a resistance mechanism at subverting the culture/nature Cartesian dualism initiating a discourse of “rethink” of the dualism of “the centre” and “the margin,” thwarting the myth of the “Otherness” in turn liberating the other, and implicitly all such “Other” groups through the celebration of the associative interconnectivity across these marginal groups. The chapter covers the literary oeuvre of significant rock and roll African American women artists, right from its inception during the period of the blues i.e. the 1920s in the work of Sister Rosetta Tharpe, in the 1950s in the music of LaVern Baker and Willie Mae “Big Mama” Thornton, and in the 1960s in that of Odetta Holmes. Keywords: Rock & Roll, Ecofeminism, African American Women Citation: APA Sharma,D. (2018) Rock & Roll: A Discourse of “Rethink”of the Dualism of the Centre and the Margin. Veda’s Journal of English Language and Literature-JOELL, 5(2), 78- 95. MLA Sharma,Divya. “Rock & Roll: A Discourse of “Rethink”of the Dualism of the Centre and the Margin..” Veda’s Journal of English Language and Literature JOELL, Vol.5, no.2, 2018, pp.78-95. Author(s) retain the copyright of this article Copyright © 2018 VEDA Publications Author(s) agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License .
    [Show full text]
  • SCHOOLED: Hiphop Composition at the Predominantly White University
    Syracuse University SURFACE Dissertations - ALL SURFACE August 2017 SCHOOLED: Hiphop Composition at the Predominantly White University Tessa Rose Brown Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Brown, Tessa Rose, "SCHOOLED: Hiphop Composition at the Predominantly White University" (2017). Dissertations - ALL. 764. https://surface.syr.edu/etd/764 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This dissertation asks what hiphop is doing in predominantly white higher-educational contexts, specifically in composition classrooms. Using ethnographic, autoethnographic, and historical methods, it finds that hiphop’s work in composition classrooms at PWIs is contradictory. This mixed-methods investigation suggests that the contradictory relation of white fans, students, and institutions to hiphop is shaped on the one hand by white listeners’ increasing identification with the historical struggles of African Americans under capitalism, and on the other hand, by disidentification or abjectification of African Americans in an effort to “win” the zero-sum game of capitalism. This contradiction results in a paradoxical situation where white fans—and white institutions—love hiphop and yet harbor antiblack views about the Black communities and Black students who make hiphop possible. However, the findings also suggest that identifying this tension offers writing instructors an opportunity to be more explicit about working towards anti-racist goals in the hiphop composition classroom. The dissertation’s historical study, ethnographic and autoethnographic studies, and review of contemporary hiphop and composition scholarship suggest that teaching and practicing reflexivity are core solutions to the paradoxical rhetorical action of hiphop in predominantly white spaces.
    [Show full text]
  • Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
    Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
    [Show full text]
  • The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements
    “THE REVOLUTION WILL NOT BE TELEVISED…BUT IT WILL BE STREAMED”: SPOTIFY, PLAYLIST CURATION, AND SOCIAL JUSTICE MOVEMENTS Melissa Camp A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Music in the School of Arts and Sciences. Chapel Hill 2021 Approved by: Mark Katz Aaron Harcus Jocelyn Neal © 2021 Melissa Camp ALL RIGHTS RESERVED ii ABSTRACT Melissa Camp: “The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements (Under the direction of Mark Katz) Since its launch in 2008, the Swedish-based audio streaming service Spotify has transformed how consumers experience music. During the same time, Spotify collaborated with social justice activists as a means of philanthropy and brand management. Focusing on two playlists intended to promote the Black Lives Matter movement (2013–) and support protests against the U.S. “Muslim Ban” (2017–2020), this thesis explores how Spotify’s curators and artists navigate the tensions between activism and capitalism as they advocate for social justice. Drawing upon Ramón Grosfoguel’s concept of subversive complicity (2003), I show how artists and curators help promote Spotify’s progressive image and bottom line while utilizing the company’s massive platform to draw attention to the people and causes they care most about by amplifying their messages. iii To Preston Thank you for your support along the way. iv ACKNOWLEDGMENTS I would first like to thank my thesis advisor, Mark Katz, for his dedication and support throughout the writing process, especially in reading, writing, and being the source of advice, encouragement, and knowledge for the past year.
    [Show full text]
  • Senior Lifestyles Sold to New Company
    The Daily Newspaper of the Upper Cumberland www.herald-citizen.com fi Wild res Caravan LETTERS Smoke clogging Yosemite stop Readers discuss the issues Page A10 Wings Up: Page B1 Page A4 116th Year | No. 169 | Wednesday, July 18, 2018 | Cookeville, Tennessee 50¢ Senior Lifestyles sold to new company BY BEN WHEELER Substance Abuse Services placed under suspension of search warrants were served “We believe Absolute Care [email protected] director of communications admissions. in late May. As previously will be successful in this Matthew Parriott informed With the sale of the facility reported, TDMHSAS offi cials facility and hope the business Senior Lifestyles retirement the Herald-Citizen that the to Absolute Care, Parriott claimed over a dozen patients serves the Upper Cumberland facility has been sold to Abso- department had been assist- confi rmed that the new oper- had moved out. With the new area for a long time to come,” lute Care LLC. ing powers of attorneys to ators are eligible to resume license, Absolute Care will said J. Michael Shipman, After the arrest of Stepha- determine if the facility met admissions. be able to house 40 patients legal representative for Ed nie Butler, Tennessee Depart- the needs of those involved, There were about 40 pa- in the facility, according to ment of Mental Health and and the facility had been tients at the facility when Parriott. See SOLD, Page A2 Board Water Work on Dixie approves fl ight school BY JIM HERRIN [email protected] The Upper Cumberland Regional Airport board has approved a tentative agree- ment with a company that plans to start a fl ight school at the airport.
    [Show full text]
  • Print Format
    Paideia High School Summer Reading 2021 © Paideia School Library, 1509 Ponce de Leon Avenue, NE. Atlanta, Georgia 30307 (404) 377-3491 PAIDEIA HIGH SCHOOL Summer Reading Program Marianne Hines – All High School students should read a minimum of THREE books “Standing at the Crossroads” – Read THREE books by American over the summer. See below for any specific books assigned for your authors (of any racial or ethnic background) and be prepared to write grade and/or by your fall term English teacher. You will write about your first paper on one of these books. your summer reading at the beginning of the year. Free choice books can be chosen from the High School summer Tally Johnson – Read this book, plus TWO free choice books = reading booklet, or choose any other books that intrigue you. THREE total Need help deciding on a book, or have other questions? “The Ties That Bind Us” – Little Fires Everywhere by Celeste Ng Email English teacher Marianne Hines at [email protected] Sarah Schiff – Read this book plus TWO free choice books = THREE total or librarian Anna Watkins at [email protected]. "Yearning to Breathe Free” – Kindred by Octavia Butler. 9th & 10th grade summer reading Jim Veal – Read the assigned book plus TWO free choice books = THREE total Read any THREE fiction or non-fiction books of your own choosing. “The American West” – Shane by Jack Schaefer “Coming Across” – The Best We Could Do by Thi Bui 11th & 12th grade summer reading by teacher and class If your fall term English teacher has not listed specific assignments, read a total of THREE fiction or non-fiction books of your own choice.
    [Show full text]
  • Pgpost Template
    The Pri nce Ge orge’s Pos t OMMUNITY EWSPAPER FOR RINCE EORGE S OUNTY SINCE A C N P G ’ C 1932 Vol. 88, No. 26 June 25 — July 1, 2020 Prince George’s County, Maryland Newspaper of Record Phone: 301-627-0900 25 cents Psi Epsilon Omega Chapter of Alpha Nonprofit Hearts of Empowerment ® Hosts Town Hall With Black Community Kappa Alpha Sorority, Incorporated in Prince George’s County, Md. Supports Leaders to Discuss Racial Injustice and Black-Owned Business During COVID-19 Pathways For Positive Change By racine tucker-hamilton Alpha Kappa Alpha Sorority Incorporated ®, Psi Epsilon Omega Chapter prince george’s county , md. the black dollar 365 initiative. this pro - (June 17, 2020)—psi epsilon omega gram highlights and promotes successful (peo) chapter of alpha kappa alpha african-american owned businesses with sorority (aka), incorporated ® in an aim toward spawning new entrepre - prince george’s county, md. has pro - neurial ventures in our communities. peo vided more than $15,000 to 70 black- is encouraging intentional support, and owned businesses from Jan. –may 2020 leveraging the power of the black dollar, in support of african-american entre - 365 days a year. preneurs. health and wellness “it is very important that we support providers, restaurants, plumbers, and local black businesses 365 days a year, clothing retailers, are just a few of the particularly in our service areas of lau - black owned businesses supported by rel, bowie, and greenbelt which are lo - psi epsilon omega chapter of alpha cated in prince george’s county, md., kappa alpha sorority, inc.
    [Show full text]