DOCSLIB.ORG

Elizabeth R. Or the English Vice

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Elizabeth R. Or the English Vice 15 October 2013 ELIZABETH R. OR THE ENGLISH VICE (parody of HAMLET by William Shakespeare) Eduard Roth 1 . List of characters WALTER (father): Former King of England GHOST: Ghost of King Walter ELIZABETH: Queen of England WALTER (son): Son of king WALTER and Queen ELIZABETH DUDLEY: New King of England after marriage with ELIZABETH CECIL: Councillor of the Queen ESSEX (Earl of): Nobleman SOUTHAMPTON (Earl of): Nobleman BERNARDO: Friend of Walter FRANCESCO: Friend of Walter HORATIO: Friend of Walter MARCELLUS: Friend of Walter STUART: King of Scotland REYNALDO: Spy of Cecil ROSENCRANTZ: Courtier GUILDENSTERN: Courtier OSRICK: Courtier AMBASSADOR: English Ambassador PLAYERS: Actors from a theater company 2 Act I - Scene 1 (Enter Francesco, Bernardo) Bernardo Who’s there? Francesco Stand and unfold yourself. Bernardo It is now struck twelve. Get thee to bed, Franceso, you have migraine. She came upon her hour. Francesco Yes, I am sick at heart. (Enter Horatio and Marcellus) Marcellus If again migraine comes, it will blind your eye. Horatio It will not appear. Bernardo Last night of all, it had made his course till illuminate that side of vision, where now it burns. The bell then beating one. Marcellus Peace, break thee off. Migraine comes again. Horatio What are thou that usurpest this time of night, by heaven I charge thee, go way migraine. Marcellus It is not gone and will not answer. Horatio Migraine is to trouble mind’s eye in the most high and palmy state. I was sick almost to Doomsday with eclipse of my view. But look, migraine comes again. I’ll cross it though it blasted me. Speak to me. Marcellus It faded on the crowing of the cock. Horatio Let us impart what we have seen tonight unto young Walter, for this migraine will also be part of him. Act I - Scene 2 (Enter Dudley, Queen, Cecil, Essex, Walter) Dudley Though yet of king Walter our dear brother’s death the memory be green and that it us befitted, therefore long live our sometime sister, now our Queen, the imperial pointress to this warlike state. Now follows what you know. Young Stuart, holding a weak supposal of our worth. He has not 3 failed to pester us with message, importing the surrender of those lands lost by his father, with all bands of law. Thus the business is: we have here to write to Scotland, to young Stuart. Bear this greetings to Scotland, farewell and let your haste command your duty. And now Essex, what’s the news with you ? Essex My dread Lord, though my return to Ireland from where willingly I came to England to show my duty in your coronation, yet now I muss confess, that duty done, I wish to go again towards Ireland and bow to your gracious pardon. Cecil He hath, my lord, wrung from me upon his will and I sealed my hard consent. Dudley Take thy fair hour, Essex, time be thine. But now my son Walter is coming. Walter Yes, I am his son-in-law. Dudley How are the clouds still hang on you ? Walter Not so, my lord, I am too much in the sun. Queen Good Walter, cast thy nighted colour off and let thine eye look like a friend of England. Do not for ever with thy vailed lids seek for thy noble father in the dust. All that lives must die. Let not thy mother lose her prayers, Walter. I pray thee stay with us. Walter I shall do the best to obey you, madam. Dudley It is a loving and a fair reply. Be as ourselves in England. Madame, come. (Exeunt all but Walter ) Walter O that this too sullied flesh would melt. How weary, stale, flat and unprofitable. But two months dead, not so much, not two ! Let me not think on it. Failtry, thy name is woman. A little month, and those shoes were old with which she followed my poor father’s body. O God, a beast that wants discourse of reason would have mourned longer-married with my uncle, my father’s brother, but no more like my brother, within a month she married, incestuous sheets ! But break my heart for I must hold my tongue. Act I - Scene 3 (Enter Walter, Horatio, Marcellus, Bernardo) Walter I am glad to see you well. Horatio The same, my Lord. 4 Walter And what make you from Tower-Hill, Horatio ? Marcellus ? Marcellus My good lord ! Horatio A truant disposition, my good lord. Walter I know you are no truant, but what is your affair in London ? Horatio My lord, I came to your father’s funeral. Walter You will see my mother’s wedding. Horatio My lord, I think I saw your father yesterday. Walter For God’s love, let me hear. Horatio Two nights together with these gentlemen, Marcellus and Bernardo, on their watch. Walter Did you speak to it ? Horatio My lord, I did. Walter Did you see his face ? Horatio O yes. He wore his beaver up. Walter What, looked he frowningly ? Horatio A countenance more in sorrow than in anger. Walter Pale or red ? Horatio Very pale. Walter That’s migraine. I’ll speak to it. Upon the platform between eleven and twelve, the hour that migraine comes, I’ll visit you. Act I - Scene 4 (Enter Essex, Southampton) Essex My necessaries are embarked for Ireland but let me ear from you. Southampton Do you doubt that ? Essex Walter is violent in the youth of prime nature, for nature does not grow alone, but with the virtue of will. But you must fear the safety and health of this whole state, it fits your wisdom so far to believe in it. If with too credent ear you list his songs, fear it, Southampton, fear it, dear friend. Virtue itself escapes not calumnious strokes. Be wary then. Best safety lies in fear. Southampton I shall the effect of this good lesson keep, as watchmam to my heart, but good my friend, show me the steep and thorny way of heaven. 5 (Enter Cecil) Cecil Yet here is Essex ? Abroad, abroad, for shame ! The winds sit in the shoulder of your sail and you are stayed for. There, my blessing with thee. Look at your character. Give thy thought no tongue. Be thou familiar but by no means vulgar, bear it that the opposed may beware of thee and be in Ireland of the best rank and station. Be of a most select and generous chief in that. Neither be a borrower nor a lender, for loan oft loses itself and friends. Farewell. My blessing season this in thee ! Southampton So please you, something touching Lord Walter ? Cecil Be merry, well bethought. What is between you ? give me up the truth. Southampton He hath, my lord, of late made many tenders of his affection to me. Cecil Affection ? Pooh ! Southampton I dont know my lord what I should think. Cecil Be merry, I will teach you, think you have these tenders for true pay which are not sterling. Tender yourself more dearly or you’ll tender me a fool. Go to, go to. I do know when the blood burns, how prodigal the soul for Lord Walter believes so much in him, so he is young. In few, Southampton, do not believe in his rows, for they are brokers. I would not, in plain terms, from this time forth, have you so slander any moment leisure. Look to it, I charge you. Southampton I shall obey my Lord. Act I - Scene 5 (Enter Walter, Horatio, Marcellus) Walter The air bites schrewdly. It is very cold. Horatio Is it a nipping and an eager air. Walter What hour now ? Horatio I think it lacks of twelfe. Marcello No, it is truck. Horatio Indeed ? I heard it not. I hear trumpets, what does this mean, my Lord ? 6 Walter The king doth wake tonight, he has migraine. Horatio Is it a custom ? Walter To my mind and to the manner born, it is a custom. This heavy- headed revel east and west is migraine. It soils in addition, so oft it changes in particular men that for some vicious mole of nature in them as in their birth, wherein they are not guilty, since nature cannot choose it’s origin. Horatio Look, my lord, migraine it comes. Walter Angels and ministers of grace, defend us ! I’ll call thee Walter, King, father. O, answer me ! Let me not burst in ignorance. What may this mean, that thou, dead corps, again in complete steel, revisits thus the glimpses of the moon, making night hideous and we fools of nature so horridly to shake our disposition. So why is this ? It will not speak. Then I will follow it. Horatio Migraine puts toys of desperation, without more motive, into every brain. Walter My fate cries and makes each pretty artere in this body to pulse hardy. I say away ! Go on, I’ll follow thee. Horatio He waxes desperate, with his migraine. Marcellus Let follow, it is not fit thus to obey him. There is something rotten in the state of England. (Enter Ghost and Walter) Walter Wether wilt thou lead me ? Speak, I’ll go no further. Ghost Mark me, when I to sulphurous and tormentous flames must render up of my own migraine. Walter Alas, poor ghost. Ghost I am thy father’s spirit doomed for a certain term to walk in the night and for the day confined to fast in fires. Defend yourself from migraine, freeze thy young blood, make thy eyes like stars shine.
Load more

Recommended publications
  • * White House Discloses Another Tape Missing
    * White House discloses another tape missing .AlifnuCTO ; (AP)--The White House disclosed in court Wednesday that an 18-minute segment is missing from vet another subpoenaed -roidential atergate tape, and the ludge suggested all the subpoenaed material be placed in the courts custody. Chief U.S. District Court Judge John J. Firin; suggested that the whitee House voluntarily turn over custody of the tapes. If it does not, he said the special Watergate prosecutor should issue a subpoena. "ft is not because the court doesn't trust the hite ,Ouse," 4ric i said, but added, "This is another instance that convinces the court to take custody." white H!oue lawyer J. "red. .;shwrdt said the 1.8-ninute lapse in the tape was discovered only Tuesday evening on a tape recording made June 20, 1972. !reviouslv the "hite House had disclosed that a four- minute telephone conversation on that date between President Nixon and then Attorne. General John N. Mitch- ell xent unrecorded. The other June 20 tae made on the automatic White house e recording epuinment as1 a two-and-a-half hour face-to-Face conversation between the President and aides H.R. Haldeman and John 1). Fhrlichman. They talked with Nixon short]- after they not with then Counsel John W. Dean I.I, itchell and others. Cuzhardt said the lansed 1.8 minutes are recorded only as an audible tone and no conversations can be heard. The two tanes were cut three da-s after the June 17, 1972, breab-in of Democratic Party hea'iuartors in the Uatergate Office Buildin !.
    [Show full text]
  • Winter 2003 Vol. 26 No. 1 College of Arts & Sciences
    WINTER 2003 VOL. 26 NO. 1 COLLEGE OF ARTS & SCIENCES Dean Kumble R. Subbaswamy Executive Associate Dean David Zaret Associate Dean for Research and Infrastructure Ted Widlanski Associate Dean for Undergraduate Education Linda Smith Associate Dean for Program Development and Graduate Education Michael McGerr Executive Director of Development/Alumni Programming Tom Herbert Managing Editor Anne Kibbler COLLEGE OF ARTS & SCIENCES ALUMNI ASSOCIATION BOARD President Martha A. Tardy, BA’56 Vice President Kathryn Ann Krueger, M.D., BA’80 Secretary/Treasurer Dan M. Cougill, BA’75, MBA’77 Executive Council Representative THE COLLEGE OF ARTS & SCIENCES OFFERS THESE AREAS OF STUDY: James M. Rogers, BS’56 African Studies History & Philosophy of Science BOARD MEMBERS African-American and African Diaspora Studies India Studies Animal Behavior Individualized Major Program Ann M. Anderson, BA’87 Anthropology Information Technology John E. Burks Jr., PhD’79 Apparel Merchandising Interior Design Douglas G. Dayhoff, BA’92 Astronomy & Astrophysics International Studies Lisa A. Marchal, BA'96 Audiology & Hearing Science Italian John D. Papageorge, BA’89 Biochemistry Jewish Studies Dan Peterson, BS’84 Biology Latin American & Caribbean Studies Sheila M. Schroeder, BA’83 Central Eurasian Studies Liberal Arts & Management Chemistry Linguistics Janet S. Smith, BA’67 Classical Civilization Mathematics Alan Spears, BA’79, MPA’81, JD’90 Classical Studies Medieval Studies Frank Violi, BA’80 Cognitive Science Microbiology William V. West, BA’96 Communication & Culture
    [Show full text]
  • ': the Making and Mauling of Churchill's People (BBC1, 1974-75)
    Williams J, Greaves I. ‘Must We Wait 'til Doomsday?’: The Making and Mauling of Churchill's People (BBC1, 1974-75). Historical Journal of Film, Radio and Television 2017, 37(1), 82-95 Copyright: This is an Accepted Manuscript of an article published by Taylor & Francis in Historical Journal of Film, Radio and Television on 19th April 2017, available online: http://www.tandfonline.com/10.1080/01439685.2016.1272804 DOI link to article: http://dx.doi.org/10.1080/01439685.2016.1272804 Date deposited: 31/12/2016 Embargo release date: 19 October 2018 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence Newcastle University ePrints - eprint.ncl.ac.uk ‘MUST WE WAIT 'TIL DOOMSDAY?’: THE MAKING AND MAULING OF CHURCHILL’S PEOPLE (BBC1, 1974-75) Ian Greaves and John Williams Correspondence: John Williams, 12 Queens Road, Whitley Bay NE26 3BJ, UK. E-mail: [email protected] In 1974, the lofty ambition of a BBC drama producer to manufacture a ‘prestige’ international hit along the lines of Elizabeth R (BBC2, 1971) came unstuck. In this case study, the authors consider the plight of Churchill’s People (BBC1, 1974-75) during a time of economic strife in the UK and industrial unrest at the BBC, and ask how a series which combined so many skilled writers, directors and actors could result in such a poorly-received end product. Churchill’s People is also placed in a wider context to assess its ‘neglected’ status, the authors drawing parallels with other historical drama of the era. The series’ qualification for being ‘forgotten’ is considered in relation to its struggle in the ratings against strong competition, the ‘blacking out’ by unions of production at the BBC for eight weeks and the subsequent pressures on transmission times, prompting the authors’ consideration of a more qualified definition of ‘lost’ drama, i.e.
    [Show full text]
  • Joint Force Quarterly, Issue
    Issue 100, 1st Quarter 2021 Countering Chinese Coercion Remotely Piloted Airstrikes Logistics Under Fire JOINT FORCE QUARTERLY ISSUE ONE HUNDRED, 1 ST QUARTER 2021 Joint Force Quarterly Founded in 1993 • Vol. 100, 1st Quarter 2021 https://ndupress.ndu.edu GEN Mark A. Milley, USA, Publisher VADM Frederick J. Roegge, USN, President, NDU Editor in Chief Col William T. Eliason, USAF (Ret.), Ph.D. Executive Editor Jeffrey D. Smotherman, Ph.D. Senior Editor and Director of Art John J. Church, D.M.A. Internet Publications Editor Joanna E. Seich Copyeditor Andrea L. Connell Book Review Editor Brett Swaney Creative Director Marco Marchegiani, U.S. Government Publishing Office Advisory Committee BrigGen Jay M. Bargeron, USMC/Marine Corps War College; RDML Shoshana S. Chatfield, USN/U.S. Naval War College; BG Joy L. Curriera, USA/Dwight D. Eisenhower School for National Security and Resource Strategy; Col Lee G. Gentile, Jr., USAF/Air Command and Staff College; Col Thomas J. Gordon, USMC/Marine Corps Command and Staff College; Ambassador John Hoover/College of International Security Affairs; Cassandra C. Lewis, Ph.D./College of Information and Cyberspace; LTG Michael D. Lundy, USA/U.S. Army Command and General Staff College; MG Stephen J. Maranian, USA/U.S. Army War College; VADM Stuart B. Munsch, USN/The Joint Staff; LTG Andrew P. Poppas, USA/The Joint Staff; RDML Cedric E. Pringle, USN/National War College; Brig Gen Michael T. Rawls, USAF/Air War College; MajGen W.H. Seely III/Joint Forces Staff College Editorial Board Richard K. Betts/Columbia University; Eliot A. Cohen/The Johns Hopkins University; Richard L.
    [Show full text]
  • CH Redcoat Sterlingnan's Legacy X GCH CH D'aire Focus on Jade Owner:Diane Schlicht & Richard Schlicht Breeder:Diane Schlicht & Victoria Barker
    Titleholders January 2019 Champion CH D'Aire Mvp (D) CH Redcoat Sterlingnan's Legacy x GCH CH D'Aire Focus On Jade Owner:Diane Schlicht & Richard Schlicht Breeder:Diane Schlicht & Victoria Barker CH Emerick V Crescent's Jack Of All Trades (D) Crescent's V Raynaire Eye Of The Storm x Emerick V Crescent's Silver Charm Owner:Ms. Elizabeth R. Howard Breeder: Brenda L Mccann CH Joval Pot Of Gold (B) GCH CH Joval Must Be Magic x CH Joval Don't Stop Believin' Owner:Mary Sorensen & Dr. Valeria Rickard Breeder: Dr. Valeria Rickard CH Shawndee Cast Iron Wild Card (D) Cast Iron Game Of Thrones at Shawndee x Shawndee Reese Witherspoon Owner:Carol Robson & Devon Delaney & Victoria Barker Breeder: Shelley Hawthorn & Carol Robson CH Sherwood Siren Song (B) CH Joval Faith & Glory Of Love x GCHG CH Joval Sweet Time Owner:Lisa A Bryan Breeder:Dr. Valeria Rickard & John Rickard & Lisa A Bryan CH Tobylinn's Warring Nymph Of Marchwood (B) GCH CH Reydaleterrydale Prince Of Persia xGCHB CH Huntwood's Periwinkle Of Tobylinn Owner:Breeder:Janis H Linn & Jeanne Johnson Grand Champion GCH CH Tartanscottshire Happydale Bebes Queen Boudicca (B) Tartan Scottshire Lohn Ranger x GCHB CH Tartanscottshire Happydale Krisnboogies Bebop Baby Owner:Breeder:Dr. Jamie Rogers & Carol L Scott- Gordon & David Bender & Gloria Bender GCH CH Westmoor Miss Aint Behavin (B) CH Wagtail Copper Cavort x Westmoor's Lady Arianna Owner: Julie Witt Breeder:Milt Schmidt Grand Champion Bronze GCHB CH Longvue Up The Ante (D) CH Longvue Jackpot CH Terrydale Hk Budnaire's Love Affair At Longvue Owner:April Clyde & Todd Clyde & William Mayne Breeder:April A Clyde & Mr.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • Book Review Miracle on Fourth Street: Saving an Old Merchant’S House by Lisa Ackerman, Secretary, New York Preservation Archive Project
    BOARD OF DIRECTORS Anthony C. Wood, Chair Elizabeth R. Jeffe, Vice-Chair Bradley J. Vogel, Vice-Chair Stephen Facey, Treasurer Lisa Ackerman, Secretary Daniel J. Allen Michele H. Bogart Susan De Vries Kent Diebolt Amy Freitag Shirley Ferguson Jenks Richard J. Moylan Otis Pratt Pearsall Gina Pollara John T. Reddick Anthony W. Robins NEWSLETTER FALL 2016 Welcome to the 25th edition of the newsletter of the New York Preservation Archive Project. The mission of the New York Preservation Archive Project is to protect and raise awareness of the narratives of historic preservation in New York. Through public programs, outreach, celebration, and the creation of public access to information, the Archive Project hopes to bring these stories to light. From left to right: Denise Brown-Puryear, Yvonne Taylor, and Mandingo Tshaka, interviewees in the first phase of Saving Preservation Stories, Courtesy of Liz Strong and Leyla Vural Diversity Project Expanding! Oral History Project Focused on Diverse Preservation Stories Receives Additional Funding The New York Preservation Archive Project Archive Project’s oral history collection so is pleased to announce the expansion of that it reflects a more complete and diverse 2016 Bard Birthday the oral history project Saving Preservation narrative of preservation in New York City. Breakfast Benefit Stories: Diversity & the Outer Boroughs. Over the past year interviewers visited every Honoring Robert A.M. Stern Made possible through a grant from the borough in the City to interview community with our Preservation Award LuEsther T. Mertz Fund of the New York members who have worked tirelessly to and featuring a Community Trust, this expansion will allow preserve the history and architecture of Conversation on Preservation with the Archive Project to record additional sites and neighborhoods important to them Robert A.M.
    [Show full text]
  • Effects of the Attitudes of the White People Upon Negro Education Elizabeth R
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1956 Effects of the Attitudes of the White People upon Negro Education Elizabeth R. Gordon Eastern Illinois State College Recommended Citation Gordon, Elizabeth R., "Effects of the Attitudes of the White People upon Negro Education" (1956). Masters Theses. 4513. https://thekeep.eiu.edu/theses/4513 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. r -, EFFECTS OF THE ATTITUDES OF THE WHITE PEOPLE UPON NEGRO EDUCATION by Elizabeth R. Gordon L _J EFFECTS OF THE ATTITUDES OF THE WHITE PEOPLE UPON NEGRO EDUC ATION by Eli zabeth R. Gor •on Submi tte• in Partial Fulfillment of the Requirement for the Degr ee ot Mast er of Science in �ucation Adviser: Cm11l!littee: Dr. Donald Alter Dr. Elizabeth Lawson Dr. F. R�ymond McKenna Eas tern Illi nois Sta te College July, 1956 EFF�TS OF THE ATTI'lUDE OF THE 'WHITE PEOPLE UPON NEGRO EDUCATION In the Unitei States, our Declaration o! Iniepenience, our Bill or Rights, our laws ana traiitions, ana numerous court aecisions have theoretically proviaea for equality ant •emoeracy to all. But we have not yet tulfillea this promise to the American Negro. In the areas in which ae llas not been given equality, the fiel« of eiucat1on is the most important. Because of his lack of eiucation, the Negro has been unable to achieve the culture, social status, or finan­ cial security which he iesires.
    [Show full text]
  • Historic Landmark Report
    7/09 Raleigh Department of City Planning Fee ___________________________ One Exchange Plaza Amt Paid ___________________________ 3rd floor Check # ___________________________ Raleigh, NC 27602 Rec’d Date: ___________________________ 919‐516‐2626 Rec’d By: ___________________________ Completion Date:________________________ www.raleighnc.gov/planning (Processing Fee: $257.00 - valid until June 30, 2010 - Checks payable to the City of Raleigh.) RALEIGH HISTORIC LANDMARK DESIGNATION APPLICATION This application initiates consideration of a property for designation as a Raleigh Historic Landmark by the Raleigh Historic Districts Commission (RHDC) and the Raleigh City Council. It enables evaluation of the resource to determine if it qualifies for designation. The evaluation is made by the Research Committee of the RHDC, which makes its recommendation to the full commission. The historic landmark program was previously administered by the Wake County Historic Preservation Commission but has been transferred back to the city; procedures for administration by the RHDC are outlined in the Raleigh City Code, Section 10-1053. Please type if possible. Use 8-1/2” x 11” paper for supporting documentation and if additional space is needed. All materials submitted become the property of the RHDC and cannot be returned. Return completed application to the RHDC office at One Exchange Plaza, Suite 300, Raleigh or mail to: Raleigh Historic Districts Commission PO Box 829 Century Station Raleigh, NC 27602 1. Name of Property (if historic name is unknown, give current name or street address): Historic Name: Catholic Cemetery, Sacred Heart Cemetery, City Cemetery Annex Current Name: O'Rorke Cemetery 2. Location: Street 1101 Pender Street Address: NC PIN No.: 1714202008 (Can be obtained from http://imaps.co.wake.nc.us/imaps/) 3.
    [Show full text]
  • ED340960.Pdf
    DOCUMENT RESUME ED 340 960 CG 023 915 AUTHOR Rahdert, Elizabeth R., Ed. TITLE The Adolescent Assessment/ReferralSystem Manual. INSTITUTION Pacific Inst. for Research and Evaluation,Bethesda, MD.; Westover Consultants, Inc.,Washington, DC. SPONS AGENCY National Inst. on Drug Abuse (DHHS/PHS),Rockville, Md. PUB DATE 91 CONTRACT 271-87-8225; 271-89-8252 NOTE 124p. PUB TYPE Guides - Non-Classroom Use (055)-- Tests/Evaluation Instruments (160) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Adolescents; *Evaluation Methods;Information Sources; Referral; Young Adults;*Youth Problems ABSTRACT The .goal of the Adolescent Assessment/ReferralSystem (AARS) project was to identify,collect, and organize all the appropriate materials associated withassessment and treatment referral for troubled youth 12 through19 years of age. This document discusses the components of the AARS.After an introduction to the AARS, the structure and function ofthe AARS are described. In this section the 10 potentially problematicfunctional areas represented in each component of the AARSare listed: Substance Use/Abuse; Physical Health Status; Mental HealthStatus; Family Relations; Peer Relations; Educational Status; VocationalStatus; Social Skills; Leisure and Recreation; and AggressiveBehavior and Delinquency. The next section describes the ProblemOriented Screening Instrument for Teenagers (POSIT), an instrumentdesigned to identify problems in need of further assessment. The nextsection describes the Comprehensive Assessment Battery,a group of instruments which should
    [Show full text]
  • Revolutionary High? Exposure to State Violence & Drug Use After
    Revolutionary High? Exposure to State Violence & Drug Use after Revolution * Alexandra Domike Blackman † Sarah Kammourh ‡ Elizabeth R. Nugent June 17, 2021 Abstract Does exposure to state violence during revolution increase drug use? We leverage a unique panel study, the Population Council’s Survey of Young People in Egypt (SYPE), to test whether rates of drug use are higher among those who witnessed violence during the 2011 revolution. We nd that exposure to state violence signicantly increases drug use; respondents exposed to violence are twice as likely to use drugs than those who were not, an eect size similar to important predictors such as losing employment, experiencing depression, or becoming less religious. Results are robust to specications that control for respondents’ reported exposure to state violence prior to the revolution and drug use among family and friends, factors identied in medical research as key predictors of drug use. Our study sheds light on the downstream eects of state violence and its implications for public health outcomes and drug policy preferences under repressive regimes. *Assistant Professor, Department of Government, Cornell University. Contact: [email protected]. †Yale College, Class of 2022, Yale University. Contact: [email protected]. ‡Assistant Professor, Department of Political Science, Yale University. Contact: [email protected]. Introduction The use and abuse of drugs is a global epidemic but disproportionately aects developing coun- tries due to high rates of economic precarity and inequality, rapid urbanization, and overburdened med- ical systems (United Nations’ 2020 World Drug Report). Egypt is a developing country with particu- larly high levels of drug use and abuse.
    [Show full text]
  • JAVAAD ALIPOOR the Believers Are but Brothers
    Friday, November 6, 7 PM EST JAVAAD ALIPOOR The Believers Are But Brothers Moss Arts Center HomeStage Series JAVAAD ALIPOOR The Believers Are But Brothers A private livestream from HOME in Manchester, U.K. The Javaad Alipoor Company Artistic Director Javaad Alipoor Producer Nick Sweeting General Manager Sarah Kingswell Administrator Javairya Khan Board Members Anamaria Wills (chair), Sophie Collins, Eileen McAuley, Jennifer Reynolds, and Nadia Batool javaadalipoor.co.uk Inquiries: [email protected] As part of the performance, audiences will be asked to join a private WhatsApp group chat for the show (optional, but will enhance the experience). WhatsApp is an instant messaging service, much like text messaging or iMessage. For more information about WhatsApp, where to download the app, and how to join the group chat, please click here. About The Believers Are But Brothers From the postcolonial Middle East to the E.U. and U.S.A., old orders are collapsing. Tech savvy extremist groups are ripping up the rule books while a generation of young men burn with resentment and unfulfilled self-entitlement, whilst falling into online worlds of fantasy, violence, and reality. This bold show weaves together their stories. The Islamic State is a terrorist organization with a media presence like no other. Where groups like Al Qaeda broadcasted their acts with grainy handheld video recorders, ISIS trades on a visual language that owes as much to Game of Thrones and Call of Duty as it does the to aesthetic of other violent non-state actors. Its violence is as theatrical as its propaganda, crafted by its well resourced and staffed Ar-Raqqah Media Centre operatives in Syria.
    [Show full text]