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Withering Heights
Withering Heights When one mentions the Presbyterian Church, the name that first comes to mind is that of the Scottish Calvinist clergyman John Knox. This dynamic religious leader of the Protestant Reformation founded the Presbyterian denomination and was at the beginning of his ministry in Edinburgh when he lost his beloved wife Marjorie Bowes. In 1564 he married again, but the marriage received a great deal of attention. This was because she was remotely connected with the royal family, and Knox was almost three times the age of this young lady of only seventeen years. She was Margaret Stewart, daughter of Andrew Stewart, 2nd Lord of Ochiltree. She bore Knox three daughters, of whom Elizabeth became the wife of John Welsh, the famous minister of Ayr. Their daughter Lucy married another clergyman, the Reverend James Alexander Witherspoon. Their descendant, John Knox Witherspoon (son of another Reverend James Alexander Witherspoon), signed the Declaration of Independence on behalf of New Jersey and (in keeping with family tradition) was also a minister, in fact the only minister to sign the historic document. John Knox Witherspoon (1723 – 1794), clergyman, Princeton’s sixth president and signer of the Declaration of Independence. Just like Declaration of Independence signatory John Witherspoon, actress Reese Witherspoon is also descended from Reverend James Alexander Witherspoon and his wife Lucy (and therefore John Knox). The future Academy Award winner, born Laura Jeanne Reese Witherspoon, was born in New Orleans, having made her début appearance at Southern Baptist Hospital on March 22, 1976. New Orleans born Academy Award winning actress, Reese Witherspoon Reese did not get to play Emily Brontë’s Cathy in “Wuthering Heights” but she did portray Becky Sharp in Thackeray’s “Vanity Fair”. -
600 Graphic Link Words for Remembering Names and Faces
600 Graphic Link Words for Female and Male First Names and Faces by Ron White and Lew Toulmin These are names and images to be used to remember names and faces. Focus on the person whose first name you are trying to remember, select a feature (“the file”) on his/her face that is distinctive, then place the image below onto the file, “seeing” it clearly in your mind’s eye. These images are drawn from my (Lew Toulmin’s) background and interest in history, aviation and foreign travel; you may wish to develop images of your own that link to the name of the person. Many of these images come from or were modified from Ron White’s excellent “Black Belt Memory” course, which is recommended. The most popular names are marked on the right with a number sign (#) and the relevant ranking. WOMEN’S NAMES LINK WORDS (~272) Abby – A bee Abigail – A bee in a gale Adell – A Dell computer Alice – a lice Alexis – A Lexus sports car Allison – Allison radial engine Amanda – A Man – Duh! Not! Amy – Aiming Angie – Angie Dickenson, Policewoman Ann – Ant Anita – A knitter Annette – A net Annie – Little Orphan Annie April – A pill that is red Ashley – Ashes Audrey -- Audrey Hepburn’s cigarette holder in “Breakfast at Tiffany’s” Barbara – barbed wire #4 Beatrice – beat rice – this brings joy Becky – bucky horse Belinda – Bee that is beautiful (“linda” ) Bernadette – burn a debt (your mortgage) Bernice or Berenice -- burning ice Beth – bath Betty – Betty Crocker cakemix Beverly – Beverly hillbillies Billie – billy can Bobbie or Bobby – -
Macbeth in Performance
SYDNEY STUDIES Macbeth in Performance DEREK PEAT AND TIM FITZPATRICK At first sight, there is no apparent connection between Alan Ayckbourn, one of Britain's most popular contemporary dramatists, and Shakespeare. However, the bond of popularity may help account for the fact that Ayckbourn's work experience illuminates Shakespeare's practice. Here is Ayckbourn writing about the composition of his trilogy, The Norman Conquests: I was aware that it would be optimistic to expect an audience ... to give up three nights of their precious holiday to come to our one theatre ... The plays would therefore have to be able to stand independently ... Second ... it should be possible to see them in any order. Third, since we could only afford six actors, they should have that number of characters. Fourth, ideally they should have only two stage entrances since that's the way our temporary Library Theatre set-up is arranged (but then this is common to all my plays). There were other minor pre-conditions peculiar to this venture. The actor I had in mind to play Norman couldn't join us for the first few days of the season-which necessitated him making a late first entrance in one of the plays (Table Manners) to facilitate rehearsals. If this all makes me sound like a writer who performs to order, I suppose it's true. I thrive when working under a series of pre-conditions, preferably when they are pre-eonditions over which I have total control.l Ayckbourn manages the small theatre-in-the-round in the resort town of Scarborough where he premieres his work, and consequently has his poten tial audience and financial stringencies in mind as he creates. -
* White House Discloses Another Tape Missing
* White House discloses another tape missing .AlifnuCTO ; (AP)--The White House disclosed in court Wednesday that an 18-minute segment is missing from vet another subpoenaed -roidential atergate tape, and the ludge suggested all the subpoenaed material be placed in the courts custody. Chief U.S. District Court Judge John J. Firin; suggested that the whitee House voluntarily turn over custody of the tapes. If it does not, he said the special Watergate prosecutor should issue a subpoena. "ft is not because the court doesn't trust the hite ,Ouse," 4ric i said, but added, "This is another instance that convinces the court to take custody." white H!oue lawyer J. "red. .;shwrdt said the 1.8-ninute lapse in the tape was discovered only Tuesday evening on a tape recording made June 20, 1972. !reviouslv the "hite House had disclosed that a four- minute telephone conversation on that date between President Nixon and then Attorne. General John N. Mitch- ell xent unrecorded. The other June 20 tae made on the automatic White house e recording epuinment as1 a two-and-a-half hour face-to-Face conversation between the President and aides H.R. Haldeman and John 1). Fhrlichman. They talked with Nixon short]- after they not with then Counsel John W. Dean I.I, itchell and others. Cuzhardt said the lansed 1.8 minutes are recorded only as an audible tone and no conversations can be heard. The two tanes were cut three da-s after the June 17, 1972, breab-in of Democratic Party hea'iuartors in the Uatergate Office Buildin !. -
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Press Kit Falling Angels
Falling Angels A film by Scott Smith Based on the novel by Barbara Gowdy With Miranda Richardson Callum Keith Rennie Katherine Isabelle RT : 101 minutes 1 Short Synopsis It is 1969 and seventeen year old Lou Field and her sisters are ready for change. Tired of enduring kiddie games to humour a Dad desperate for the occasional shred of family normalcy, the Field house is a place where their Mom’s semi-catatonic state is the result of a tragic event years before they were born. But as the autumn unfolds, life is about to take a turn. This is the year that Lou and her sisters are torn between the lure of the world outside and the claustrophobic world of the Field house that can no longer contain the girls’ restless adolescence. A story of a calamitous family trying to function, Falling Angels is a story populated by beautiful youthful rebels and ill-equipped parents coping with the draw of a world in turmoil beyond the boundaries of home and a manicured lawn. 2 Long Synopsis Treading the fine line between adolescence and adulthood, the Field sisters have all but declared war on their domineering father. Though Jim Field (Genie and Gemini winner Callum Keith Rennie ) runs the family house like a military camp, it’s the three teenaged daughters who really run the show and baby-sit their fragile mother Mary, (Two-time Oscar ® nominee Miranda Richardson) as she quietly sits on the couch and quells her anxiety with whiskey. It’s 1969 and beneath suburbia’s veneer of manicured lawns and rows of bungalows, the world faces explosive social change. -
Winter 2003 Vol. 26 No. 1 College of Arts & Sciences
WINTER 2003 VOL. 26 NO. 1 COLLEGE OF ARTS & SCIENCES Dean Kumble R. Subbaswamy Executive Associate Dean David Zaret Associate Dean for Research and Infrastructure Ted Widlanski Associate Dean for Undergraduate Education Linda Smith Associate Dean for Program Development and Graduate Education Michael McGerr Executive Director of Development/Alumni Programming Tom Herbert Managing Editor Anne Kibbler COLLEGE OF ARTS & SCIENCES ALUMNI ASSOCIATION BOARD President Martha A. Tardy, BA’56 Vice President Kathryn Ann Krueger, M.D., BA’80 Secretary/Treasurer Dan M. Cougill, BA’75, MBA’77 Executive Council Representative THE COLLEGE OF ARTS & SCIENCES OFFERS THESE AREAS OF STUDY: James M. Rogers, BS’56 African Studies History & Philosophy of Science BOARD MEMBERS African-American and African Diaspora Studies India Studies Animal Behavior Individualized Major Program Ann M. Anderson, BA’87 Anthropology Information Technology John E. Burks Jr., PhD’79 Apparel Merchandising Interior Design Douglas G. Dayhoff, BA’92 Astronomy & Astrophysics International Studies Lisa A. Marchal, BA'96 Audiology & Hearing Science Italian John D. Papageorge, BA’89 Biochemistry Jewish Studies Dan Peterson, BS’84 Biology Latin American & Caribbean Studies Sheila M. Schroeder, BA’83 Central Eurasian Studies Liberal Arts & Management Chemistry Linguistics Janet S. Smith, BA’67 Classical Civilization Mathematics Alan Spears, BA’79, MPA’81, JD’90 Classical Studies Medieval Studies Frank Violi, BA’80 Cognitive Science Microbiology William V. West, BA’96 Communication & Culture -
What Is FOP? a Guidebook for Families)
What is FOP? Fibrodysplasia Ossifi cans Progressiva A Guidebook for Families © International FOP Association (IFOPA) • Winter Springs, Florida Th ird Edition, 2009 Editor: Sharon Kantanie Medical Editors: Patricia L.R. Delai, M.D., Frederick S. Kaplan, M.D., Eileen M. Shore, Ph.D. ii r This book is dedicated to all of the families who live with FOP every day. iii About the cover The painting on the cover of this book is called ‘‘The Circle of Life.’’ I had a number of reasons for picking this title for my butterfly painting. The butterfly to me is a symbol of hope and new beginnings. It is a subject that everyone can relate to, and everyone has seen a butterfly. Showing the cycle of the monarch butterfly tells of the changes in life which also occur with FOP. I picked the detailed work of a butterfly in watercolor to show what can be done after my adapting to FOP. I was a right handed painter until two years ago when my right elbow locked, forcing me to now do most of my painting with my left hand. This painting was the first time I had painted an open-winged monarch butterfly using my left hand. I consider this one of the more difficult butterflies to paint. Through my artwork, I also want to show with my painting that people with FOP can have productive lives. It’s important to have a special interest such as painting is to me. Jack B. Sholund Bigfork, Minnesota 1995 (for the first edition of What is FOP? A Guidebook for Families) iv Contents Foreword ....................................................... -
Osric: Waterfly, Lapwing, Chough, and Claudius's Final Instrument Osric Is
Osric: Waterfly, Lapwing, Chough, and Claudius’s Final Instrument Osric is a late-entering character, like the Gravediggers and Fortinbras, but like the latter, he is crucial to the play’s finale. He does not show his face until most of the king’s tools—the meddlesome Polonius as well as Rosencrantz and Guildenstern— have found out that “to be too busy is some danger.” Osric’s entry takes audiences by surprise, and it is only after a good deal of distractingly amusing repartee with Hamlet that he mentions Laertes, the fencing match, or the king’s “wager.”1 But audiences know that Osric’s business is somehow connected with the mousetrap that the king and Laertes have elaborately fashioned for Hamlet, and they are acutely aware that it is Laertes himself, at his own request to be Claudius’s “instrument,” who will be physically wielding the instrument of premeditated murder. Osric, then, seems a shadow-Laertes, a figure with his own agenda of advancement who is also being used by Claudius to lure Hamlet into the final duel. Though a minor character, a mere court functionary satirized as the apotheosis of courtly decadence, Osric is the last and surely the most idiosyncratic and puzzling in a long line of those whom the king has used for his deadly purposes—and the only survivor. There are different emphases and opinions about details of Osric’s ostentatious “words, words, words” and of Shakespeare’s grander design in sending such an emissary from the king, but there is little critical disagreement about the basic character of Osric—his buffoonish sycophancy and its comic/satirical ramifications—as he makes his first appearance in 5.2. -
Noah Cappe and 22-23 Our Top Suggested Programs Bids Farewell His Cast-Iron Stomach to Watch This Week!
DVD TOP PICKS FEUD: BETTE HERE COME AND JOAN THE BOSTON Susan Sarandon and Jessica Lange play other CELTICS! top actresses PLUS! TIME AFTER TIME SHADES OF BLUE MAKING HISTORY The chase across eras is continues to offer What two guys and on again as ‘Time After Jennifer Lopez new a duffel bag can Time’ becomes an ABC shades of acting accomplish series VAMPIRE DIARIES FOLIO SPECIAL INSERT Courtesy of Gracenote March 5 - 11, 2017 C What’s HOT this contents Week! YOURTVLINK STAFF PICK TOP STORIES 12-13 A movie with an enduring following becomes a series as H.G. Wells pursues Jack the Ripper to modern New York in “Time After Time,” premiering Sunday on ABC. Stars Freddie Stroma and Josh Bowman and executive producer Kevin Williamson tell Jay Bobbin about keeping certain aspects of the film while making the show its own project. 14-15 New police intrigue greets Jennifer Lopez as her NBC drama series “Shades of Blue” begins its second season Sunday. The actress-producer-singer and fellow star Ray Liotta tell Jay Bobbin about the fresh twists and turns 3 awaiting their characters in the show’s sophomore round. 17 In Fox’s “Making History,” Adam Pally stars as a professor The rivalry between two screen legends is dramatized by Susan who invents a device that allow him and his colleague to Sarandon and Jessica Lange in “Feud: Bette and Joan,” premiering go back in time and alter historical events – presumably to Sunday on FX. The Oscar winners and executive producer Ryan improve the present. -
': the Making and Mauling of Churchill's People (BBC1, 1974-75)
Williams J, Greaves I. ‘Must We Wait 'til Doomsday?’: The Making and Mauling of Churchill's People (BBC1, 1974-75). Historical Journal of Film, Radio and Television 2017, 37(1), 82-95 Copyright: This is an Accepted Manuscript of an article published by Taylor & Francis in Historical Journal of Film, Radio and Television on 19th April 2017, available online: http://www.tandfonline.com/10.1080/01439685.2016.1272804 DOI link to article: http://dx.doi.org/10.1080/01439685.2016.1272804 Date deposited: 31/12/2016 Embargo release date: 19 October 2018 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence Newcastle University ePrints - eprint.ncl.ac.uk ‘MUST WE WAIT 'TIL DOOMSDAY?’: THE MAKING AND MAULING OF CHURCHILL’S PEOPLE (BBC1, 1974-75) Ian Greaves and John Williams Correspondence: John Williams, 12 Queens Road, Whitley Bay NE26 3BJ, UK. E-mail: [email protected] In 1974, the lofty ambition of a BBC drama producer to manufacture a ‘prestige’ international hit along the lines of Elizabeth R (BBC2, 1971) came unstuck. In this case study, the authors consider the plight of Churchill’s People (BBC1, 1974-75) during a time of economic strife in the UK and industrial unrest at the BBC, and ask how a series which combined so many skilled writers, directors and actors could result in such a poorly-received end product. Churchill’s People is also placed in a wider context to assess its ‘neglected’ status, the authors drawing parallels with other historical drama of the era. The series’ qualification for being ‘forgotten’ is considered in relation to its struggle in the ratings against strong competition, the ‘blacking out’ by unions of production at the BBC for eight weeks and the subsequent pressures on transmission times, prompting the authors’ consideration of a more qualified definition of ‘lost’ drama, i.e.