Réalisatrices Équitables
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Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
SMM Initial Report
INITIAL CONFERENCE REPORT AND ACTION PLAN JANUARY 2011 RINA FRATICELLI, EXECUTIVE DIRECTOR, WOMEN IN VIEW Executive Summary From October 14-16, 2010, international media leaders, theorists/scholars and stakeholders met in Vancouver to address cultural, industrial and economic opportunities and challenges facing women working in film, video, television, digital media and ICT (information, communica- tions and technology). Informed by more than a decade of research, the shift to a new digital paradigm and by current economic realities, SEXMONEYMEDIA was created to address the persistently marginal participation of women in media generally, and in leadership roles in par- ticular. The conference was prompted by two labour studies that were commissioned by the BC Insti- tute for Film Professionals with the support of Service Canada. (Appendix 1) These described how far the impressive gains of the 1970's and 1980's had begun to erode. Other research in Canada and elsewhere – by Realisatrices Equitables, Quebec’s association of female direc- tors; the Geena Davis Institute on Gender in Media, the annual Celluloid Ceiling Reports, and the Lehman Centre for Women In Business at the London School of Business to name just a few – drew similar pictures of women’s presence and absence in our ever more dominant me- dia landscape. (Appendix 2) The gathering quickly focused on two core questions: why do the stellar achievements of indi- vidual women in media today stand in such stark contrast to their statistical presence, particu- larly in leadership positions? How might this pattern give way to a more diverse, culturally rele- vant and globally relevant media landscape? Media arts and industries are powerful economic and cultural engines representing a substan- tial and growing part of the economy; yet lack of diversity in this sector undermines its integrity. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Communiqué De Presse
LA VOIX MONDIALE CANADIENNE CONTRE L’EXPLOITATION SEXUELLE DES ENFANTS Siège social : 387 Broadway, Winnipeg, Man. R3C 0V5 Tél.: (204) 793-7080 Télec.: (204) 452-1333 www.audeladefrontieres.ca Le 28 septembre 2009 COMMUNIQUÉ DE PRESSE Au-delà des frontières annonce les finalistes au Prix des médias 2009 Winnipeg – Au-delà des frontières, la voix canadienne contre l’exploitation sexuelle des enfants annonce aujourd’hui les finalistes à ses prix des médias annuels, nationaux et bilingues. Ces prix, qui en sont à leur septième édition, honorent les journalistes et les documentaristes qui couvrent les problèmes d’exploitation sexuelle des enfants. « Les médias occupent une place importante dans l’accomplissement du travail d’Au-delà des frontières, » déclare Deborah Zanke, la coprésidente de l’évènement. « Les journalistes et documentaristes accroissent la conscientisation du public, signalent les failles des systèmes de justice et d’affaires sociales empêchant à la protection des enfants et incitent le public et les politiciens à agir contre l’exploitation sexuelle des enfants. » Les finalistes pour 2009 sont : Écrit anglais Tim Petruk - Kamloops This Week, Targeting Teens within Seconds. 22 février 2009 Jana Pruden - Regina Leader-Post, Pedophile and Predator: The Darren Philpott Story (series), novembre 2008 Sandie Benitah - CTV.CA, Sex tourism and Canada’s weak response. 2 août 2009 Sue Montgomery - The Gazette, Brothers stand accused; Dark side of the ‘chaste’ lif;e Ruined lives of victims; Legal motion claims sex abuse. décembre 2008 Tamara Cherry - Toronto Sun, Human Trafficking: Canada’s secret shame (series). septembre/octobre 2008 Tamara Cherry - Toronto Sun, Tina: Slave to a pimp (series), février 2009. -
PRODUCTION GUIDE by Jamie Gaetz and Linda Gorman
• c I N E M A G • PRODUCTION GUIDE by Jamie Gaetz and Linda Gorman don optical six cons. Bill Taylor, lin Ledger· wood, Sid Dutton cost. des. Trysha Bakker STREET LEGAL CBCITORONTO Series of 6 x Hour episode s shooting May to he following is a list of films in production (actually before cameras) ward. asst. Sylvie Bonniere make-up linda (416) 925-3311 Preston hair Jenny Arbour focus puller Daniel October 1986. Pilot was titled Shellgame. and in negotiation in Canada. Needless to say, the films which are Vincelette clapper-toader John Davidson cam. CHASING RAINBOWS Exec. p. Maryke McEwen p. Bonita Siegel, Duncan Lamb. First episode mled 'Birds of a still in the project stage are subject to changes. A third category,ln op. Malcolm Cross cam. trainee Daniel Roy A 13 x l·hour drama series set in Montreal in the T Feather" shot May 12·25. d. Alan Erlich sc. Will· Pre·Production, will be used to indicate films which are in active pre-pro stills Takashi Seidi asst. stills Fumi Mashimo early 1920s. Shooting began in Toronto April 16 iam Deverell pub. (416) 925·3311 ex. 4461 . duction, having set a date for the beginning of principal photography and sd. Doug Ganton boom Reynald Trudel key for 18 months. For broadcast in January. 1988. being engaged in casting and crewing . Films are listed by the name of the grip Michael O'Connor grip Lee Wright dolly Co·production between CBC and Northernlight company which initiated the project, or with which the project is popularly Brian Potts gaffer Richard Allen best boy Craig and Picture. -
Cbc/Radio-Canada: Defining Distinctiveness in the Changing Media Landscape
HOUSE OF COMMONS CANADA CBC/Radio-Canada: Defi ning distinctiveness in the changing media landscape Report of the Standing Committee on Canadian Heritage Gary Schellenberger, M.P. Chair February 2008 39th Parliament, 2nd Session CBC/RADIO-CANADA: DEFINING DISTINCTIVENESS IN THE CHANGING MEDIA LANDSCAPE Report of the Standing Committee on Canadian Heritage Gary Schellenberger, MP Chair February 2008 39th PARLIAMENT, 2nd SESSION STANDING COMMITTEE ON CANADIAN HERITAGE Gary Schellenberger Chair Hon. Mauril Bélanger Conservative Maria Mourani Vice-Chair Vice-Chair Liberal Bloc québécois Hon. James Abbott Dave Batters Hon. Michael Chong Parliamentary Secretary Conservative Conservative Conservative Ed Fast Hon. Hedy Fry Liberal Luc Malo Conservative Bloc québécois Francis Scarpaleggia Hon. Andy Scott Bill Siksay Liberal Liberal New Democratic iii PREVIOUS MEMBERS OF THE COMMITTEE WHO PARTICIPATED IN THE STUDY Charlie Angus Diane Bourgeois Gord Brown New Democratic Party Bloc québecois Conservative Tina Keeper Maka Kotto Chris Wakertin Liberal Bloc québecois Conservative CLERK OF THE COMMITTEE Jacques Lahaie ANALYSTS OF THE COMMITTEE (Library of Parliament) Marion Ménard Lara Trehearne iv THE STANDING COMMITTEE ON CANADIAN HERITAGE has the honour to present its SIXTH REPORT Pursuant to its mandate under Standing Order 108(2), the Committee has studied the Role of a Public Broadcaster in the 21st Century and reports its findings and recommendations. v ACKNOWLEDGEMENTS The Committee could not have completed its study on the Role of a Public Broadcaster in the 21st Century without the cooperation and support of numerous people. The Chair and members of the Committee extend their thanks to all the witnesses who shared with them their insights and knowledge on this subject. -
The Case for Kids Programming
The Case for Kids Programming Children’s and Youth Audio-Visual Production in Canada Nordicity Group Ltd. Prepared for the: Canadian Film and Television Production Association in association with: Shaw Rocket Fund Alliance for Children and Television National Film Board of Canada February 2007 Table of Contents Page Executive Summary....................................................................................................................................... i 1 Introduction: Now Is the Time to Take a Close Look at Children’s and Youth Programming.......... 1 2 CurrentTable ofState Contents of the Industry: Creating Canadian Content and Staying Globally CompetitivePage....... 4 E3 XECUTIVEHistory SUMMARY and Development......................................................................................................................................... of the Industry: Building on a Rich History of Creative i 1 Accomplishments................................................Introduction: Now Is the Time to Take a Close Look............................................................... at Children’s and Youth Programming..................... .....1 12 4 Social Impact: The Importance of Children’s and Youth Programming.............................................. 18 2 Current State of the Industry: Creating Canadian Content and Staying Globally Competitive ..5 5 Global Market Trends: Canadian Content under Threat from the Changing Global Media 3 LandscapeHistory and ..............................................................................................................................................Development -
Annual Report
ANNUAL REPORT 2014–2015 © 2016 National Film Board of Canada Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet : onf-nfb.gc.ca E-mail: [email protected] Cover page: MCLAREN MUR À MUR (McLaren Wall-to-Wall), Quartier des spectacles | NFB, Montreal ISBN 0-7722-1276-7 1st Quarter 2016 Printed in Canada TABLE OF CONTENTS IN NUMBERS GOVERNMENT FILM COMMISSIONER’S MESSAGE FOREWORD HIGHLIGHTS AWARDS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES FINANCIAL STATEMENTS Annex I: NFB ACROSS CANADA Annex II: PRODUCTIONS Annex III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP FRAME X FRAME: ANIMATED FILM AT THE NFB Exhibit at Musée de la civilisation, Quebec City Photo: Jessy Bernier, Perspective Photo, 0148_relv_0001 December 4, 2015 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of sec- tion 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2015. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada IN NUMBERS CAMPUS, A POWERFUL TEACHING TOOL FOR THE 21ST-CENTURY CLASSROOM P.4 | 2014-2015 2014–2015 – IN NUMBERS 61 10 5 3 original NFB films interactive public applications and co-productions websites installations for tablets digital documents supporting -
Annual Report 2013–2014
PAGE 1 2013–2014 ANNUAL REPORT TABLE OF CONTENTS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER AWARDS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES FINANCIAL STATEMENTS Annex I – NFB AcrOSS CANADA Annex II – PRODUCTIONS Annex III – INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP Photos from French Program productions are featured in the French-language section of this annual report at http://onf-nfb.gc.ca/rapports-annuels © 2014 National Film Board of Canada PUBLISHED BY: Corporate Communications P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 PHONE: 514-283-2469 FAX: 514-496-4372 INTERNET: ONF-NFB.gc.ca ISBN: 0-7722-1274-0 3rd quarter 2014 GRAPHIC DESIGN: folio&garetti COVER: My Prairie Home – Chelsea McMullan Printed in Canada/100% recycled paper PAGE 03 October 30, 2014 The Honourable Shelly Glover, P.C., M.P. Minister of Canadian Heritage and Official Languages Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2014. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Acting Government Film Commissioner and Chairperson of the National Film Board of Canada 2013–2014 IN NUMBERS PAGES 72 04- ORIGINAL NFB FILMS AND CO-PRODUCTIONS 05 10 INTERACTIVE WEBSITES 18 DIGITAL DOCUMENTS SUPPORTING INTERACTIVE WORKS 4 PUBLIC INSTALLATIONS 2 APPLICATIONS FOR TABLETS 85 INDEPENDENT FILM PROJECTS -
Moves in Inuit Life
Qikiqtani Truth Commission Thematic Reports and Special Studies 1950–1975 Nuutauniq: Moves in Inuit Life Qikiqtani Inuit Association Published by Inhabit Media Inc. www.inhabitmedia.com Inhabit Media Inc. (Iqaluit), P.O. Box 11125, Iqaluit, Nunavut, X0A 1H0 (Toronto), 146A Orchard View Blvd., Toronto, Ontario, M4R 1C3 Design and layout copyright © 2013 Inhabit Media Inc. Text copyright © 2013 Qikiqtani Inuit Association Photography copyright © 2013 Library and Archives Canada, Northwest Territories Archives Originally published in Qikiqtani Truth Commission: Thematic Reports and Special Studies 1950–1975 by Qikiqtani Inuit Association, April 2014. ISBN 978-1-927095-63-8 All rights reserved. The use of any part of this publication reproduced, transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, or stored in a retrievable system, without written consent of the publisher, is an infringement of copyright law. We acknowledge the support of the Government of Canada through the Department of Canadian Heritage Canada Book Fund program. We acknowledge the support of the Canada Council for the Arts for our publishing program. Please contact QIA for more information: Qikiqtani Inuit Association PO Box 1340, Iqaluit, Nunavut, X0A 0H0 Telephone: (867) 975-8400 Toll-free: 1-800-667-2742 Fax: (867) 979-3238 Email: [email protected] Errata Despite best efforts on the part of the author, mistakes happen. The following corrections should be noted when using this report: Administration in Qikiqtaaluk was the responsibility of one or more federal departments prior to 1967 when the Government of the Northwest Territories was became responsible for the provision of almost all direct services. -
Indigenous Filmmaking at the Nfb: an Overview
INDIGENOUS FILMMAKING AT THE NFB: AN OVERVIEW ANGRY INUK ALETHEA ARNAQUQ-BARIL 1 INDIGENOUS FILMMAKING AT THE NFB: AN OVERVIEW INTRODUCTION The National Film Board of Canada (NFB) has been producing works about Indigenous lives and experience since the early 1940s, but for the first three decades of the NFB’s existence, Indigenous people were restricted to being subjects in films by non-Indigenous directors. It was not until the late 1960s, when Challenge for Change ushered in a radical new participatory approach to production, that Indigenous people began putting their own stories on film. Since that time, the NFB has produced over 280 works by First Nations, Métis and Inuit directors. Today, more than 20 projects by Indigenous directors are underway at the NFB’s studios across Canada, and over the past four years Indigenous production has represented 9.5 percent of overall production spending at the NFB. But these gains were hard won. The struggle of Indigenous people within the NFB mirrors broader social and political struggles to confront Canada’s legacy of internal colonialism and the long, repressive shadow cast by the 1876 Indian Act. In 1939, when the NFB was founded, attitudes within the organization reflected those of the dominant culture. The Indian residential school system (IRSS) that separated children from their families and their culture and forbade them from speaking their languages was still firmly entrenched, and viewed in a positive light by many non-Indigenous Canadians. The pass system obliged First Nations people to secure permission from Indian Agents before leaving their reserves or risk going to jail. -
Nfb and Inuit Partners Launch Unikkausivut
NFB AND INUIT PARTNERS LAUNCH UNIKKAUSIVUT: SHARING OUR STORIES A LANDMARK DVD AND ONLINE RESOURCE FEATURING THE WORLD’S GREATEST COLLECTION OF INUIT FILM Legacy project to tour Inuit communities across the Arctic following November 2 premiere in Ottawa Montreal, October 31, 2011 – The landmark Inuit audiovisual legacy project Unikkausivut: Sharing Our Stories will make its world premiere in the nation’s capital on November 2, 2011, before kicking off a tour of Inuit communities across the Arctic. Unikkausivut: Sharing Our Stories brings together 70 years of the National Film Board of Canada’s (NFB) films by and about Inuit, drawn from more than 110 titles—the most important collection of Inuit films in the world. It is a comprehensive new resource for understanding and preserving the history, stories and perspectives of Inuit peoples, and is available as both a DVD box set and online. On DVD, Unikkausivut: Sharing Our Stories is a two-volume box set of three discs each, featuring 24 new or classic NFB Inuit films. It will be distributed free to the 53 Inuit communities in the four Inuit regions of Canada and will also be available for purchase for home and institutional use. Online, Canadians will have access to more than 40 films at <nfb.ca/unikkausivut> as of November 2, with more titles added constantly. The films will be available in English, French and Inuktitut. Unikkausivut: Sharing Our Stories will be launched on November 2 as part of the gala event ―From Eskimo to Inuit in 40 Years,‖ commemorating the 40th anniversary of the national Inuit organization, Inuit Tapiriit Kanatami <www.itk.ca>.