Indigenous Filmmaking at the Nfb: an Overview
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Le Cas Du Wapikoni Mobile
UNIVERSITÉ DU QUÉBEC À MONTRÉAL PRATIQUES MÉDIATIQUES ALTERNATIVES ET ESPACES PUBLICS. LE CAS DU WAPIKONI MOBILE. THÈSE PRÉSENTÉE COMME EXIGENCE PARTIELLE DU DOCTORAT EN COMMUNICATION PAR ANTONIN SERPEREAU NOVEMBRE 2011 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de cette thèse se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» II Remerciements Je tiens en premier lieu à remercier mes directeurs de recherche. Pour son implication déjà ancienne, puisqu'il m'a accompagné également dans ma recherche de Master, pour sa rigueur de raisonnement, pour la confiance qu'jl m'a très tôt accordée, pour les effOlts qu'il a déployés pour que je puisse être financé et réaliser cette thèse en cotutelle, pour la cordialité de nos échanges, je remercie Philippe Bouquillion, mon directeur de thèse à l'Université Paris 8. -
Wapikoni from Coast to Coast Reconciliation Through Media Arts
Press Release For immediate RELEASE WAPIKONI FROM COAST TO COAST RECONCILIATION THROUGH MEDIA ARTS Montreal, November 23, 2016 – Wapikoni Mobile, a travelling studio that gives a voice to Indigenous youth through mediation, training and audiovisual production, is proud to announce that it has been selected by the Government of Canada as a recipient of the Canada 150 Fund. “Through the project “Wapikoni from Coast to Coast: Building Bridges and Reconciliation through Media Arts”, young Indigenous Canadians will have the opportunity to be heard and to exchange ideas. Our government is proud to contribute more than $2 million to support the audiovisual and musical creative workshops that will give young creators the chance to express themselves. The resulting works will be presented in several communities across the country. Let’s take advantage of the 150th anniversary of Confederation to have a positive dialogue and to strengthen relations between us all,” said the Honourable Mélanie Joly, Minister of Canadian Heritage. On this occasion and for the first time ever, Wapikoni – a First Nations organization – will collaborate with the Metis and Inuit nations. Wapikoni will also meet with other First Nations across Canada and will reinforce its existing ties with minority language communities. This unique three-fold venture involves about 30 partners, including Indigenous communities, the imagineNATIVE Film + Media Festival, the Vancouver International Film Festival (VIFF), and the National Film Board of Canada (NFB), ensuring maximum reach and visibility. In the first segment of the project – and with a new mobile studio – Wapikoni will complete a Canadian audiovisual and music creation tour in 20 Indigenous communities and urban centres in eight provinces and territories. -
2017 New York
CANADA NOW BEST NEW FILMS FROM CANADA 2017 APRIL 6 – 9 AT THE IFC CENTER, NEW YORK From the recent numerous international successes of Canadian directors such as Xavier Dolan (Mommy, It’s Only the End of the World), Denis Villeneuve (Arrival, and the forthcoming Blade Runner sequel), Philippe Falardeau (The Bleeder, The Good Lie) and Jean-Marc Vallée (Dallas Buyers Club, Wild, Demolition), you might be thinking that there must be something special in that clean, cool drinking water north of the 49th parallel. As this year’s selection of impressive new Canadian films reveals, you would not be wrong. With works from new talents as well as from Canada’s accomplished veteran directors, this series will transport you from the Arctic Circle to western Asia, from downtown Montreal to small town Nova Scotia. And yes, there will be hockey. Get ready to travel across the daring and dramatic contemporary Canadian cinematic landscape. Have a look at what’s now and what’s next in those cinematic lights in the northern North American skies. Thursday, April 6, 7:00PM RUMBLE: THE INDIANS WHO ROCKED THE WORLD CANADA 2017 | 97 MINUTES DIRECTOR: CATHERINE BAINBRIDGE, CO-DIRECTOR: ALFONSO MAIORANA Artfully weaving North American musicology and the devastating historical experiences of Native Americans, Rumble: The Indians Who Rocked The World reveals the deep connections between Native American and African American peoples and their musical forms. A Sundance 2017 sensation, Bainbridge’s and co-director Maiorana’s documentary charts the rhythms and notes we now know as rock, blues, and jazz, and unveils their surprising origins in Native American culture. -
Redefining the Nfb's Relationship With
REDEFINING THE NFB’S RELATIONSHIP WITH INDIGENOUS PEOPLES A THREE‑YEAR PLAN (2017–2020) TABLE OF CONTENTS 1 6 ACKNOWLEDGEMENTS THREE-YEAR PLAN: PURPOSE AND PRINCIPLES 2 BACKGROUND 7 NFB TRANSFORMATION: THREE-YEAR GOALS, 4 OBJECTIVES AND ACTIONS ON THE PATH TO RECONCILIATION 16 NFB INDIGENOUS ADVISORY 5 THE ROAD FORWARD ACKNOWLEDGEMENTS WE WOULD LIKE TO THANK OUR ADVISORY MEMBERS FOR THEIR COMMITMENT TO WORKING WITH US THROUGHOUT THIS PROCESS OF TRANSFORMATION, AND ALL THE INDIGENOUS FILMMAKERS AND PARTNERS, PAST AND PRESENT, WHO HAVE WORKED AT AND WITH THE NATIONAL FILM BOARD OF CANADA (NFB) HI-HO MISTAHEY! OVER THE YEARS. Alanis Obomsawin We would also like to acknowledge our enormous debt to the first generation of Alanis and others to claim a space for Indigenous filmmakers at the NFB, first Indigenous voices within the NFB, on and foremost Alanis Obomsawin. Alanis Canadian screens and within the broader joined the NFB in 1967 and fought against Canadian production industry constitute an often hostile environment to create the foundations for the commitments an unparalleled body of work that has we are making today. fundamentally recast understandings of Indigenous realities and relationships with settler society. The struggles of Claude Joli-Coeur Government Film Commissioner and NFB Chairperson BACKGROUND FOUNDED IN 1939, THE NFB IS A PUBLIC PRODUCER OF DOCUMENTARY, ANIMATION, INTERACTIVE/IMMERSIVE EXPERIENCES AND, AT TIMES IN OUR HISTORY, WORKS OF FICTION. The NFB has been producing works about THE BALLAD OF CROWFOOT Indigenous lives and experiences since Willie Dunn the early 1940s. Our full collection of works by and/or about Indigenous peoples currently totals just over 650 titles. -
Indigenous Education North Vancouver School District September 14Th -Oct 2Nd 2020
Indigenous Education North Vancouver School District September 14th -Oct 2nd 2020 Table of Welcome back! Contents The NVSD Indigenous Education team would like to Page 1 Welcome Back. welcome everyone back for the 2020-2021 school year. Requesting a team member Page 2 Orange Shirt Day Page 3 Terry Fox Page 4 Professional Development Opportunities Page 5 NVSD Indigenous Requesting a Team Member Education Team Request Form Do you want to request a team member to visit your class, collaborate or work with your staff? Check out our request forms! Team members will be available starting October 1, K-5 2020 either virtually or in person, practicing safety protocols. Grade 6-12 Link Fine the request form for K-5 here and the 6-12 form here. We would like to thank the Coast Salish people, specifically the Skwxwú7mesh Nation and Tsleil- Waututh Nation, whose unceded traditional territory the North Vancouver School District resides on. We value the opportunity to learn, share and grow on this traditional territory. 1 Orange Shirt Day September 30, 2020 Orange Shirt Day across Canada is recognized nationally and annually on September 30th. This date is significant as it is the approximate date that children would be taken to residential school. North Vancouver School District will recognize Orange Shirt Day on Wednesday, September 30, 2020. History of Orange Shirt Day Orange Shirt Day was started by Phyllis Webstad, who is Northern Secwpemc (Shuswap) from the Stswecem’c Xgat’tem First Nation, to honour and recognize all those who attended a residential school because she believes that “Every Child Matters.” You can read more about Phyllis' Story here. -
Latin America Indigenous Funders Conference
Latin America Indigenous Funders Conference Buen Vivir: Supporting the Role of Indigenous Peoples in Bio- Cultural Diversity, Human Rights, and Sustainable Economic Models Photo: Goldman Environmental Prize Berta Cáceres OCTOBER 24 –27, 2016 IFIP International Funders for Indigenous Lima, Peru Photo: Goldman Environmental Prize Goldman Environmental Photo: Berta Cáceres founded the National Council of Popular and Indigenous Organizations of Honduras (COPINH) to address the growing threats posed to Lenca communities by Illegal logging, fight for their territorial rights, and improve their livelihoods. LATIN AMERICA INDIGENOUS FUNDERS CONFERENCE We are delighted to welcome you to IFIP’s Latin America Regional Funders Conference in Lima, Peru. This conference brings together a diverse array of leaders from Indigenous communities, ngos, and donor organizations to highlight why Indigenous Philanthropy offers a tremendous potential to strengthen the self-development of Indigenous communities. Our conference theme is Buen Vivir: Supporting the Role of Indigenous Peoples in Bio-Cultural Diversity, Human Rights and Sustainable Economic Models. This year for the first time we have expanded the conference concurrent sessions into four tracks to meet overwhelming interest in this theme and accommodate the excellent session proposals received. At the same time, the agenda will offer plenty of networking opportunities designed to provide a fulfilling conference experience. Our goal is to bring together stories, experiences and ideas for collaboration, as well as ways of learning about the different grantmaking approaches and how funders work in partnership with local communities, social movements, ngos, and others to advance Indigenous peoples’ well-being, security and rights. It is our hope that, as you engage in the conference, you will take this opportunity to practice the “Four Rs of Indigenous Philanthropy”: • Reciprocity in the give-and-take of listening and speaking. -
ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O
ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca/en E-mail: [email protected] Cover page: ANGRY INUK, Alethea Arnaquq-Baril © 2017 National Film Board of Canada ISBN 0-7722-1278-3 2nd Quarter 2017 Printed in Canada TABLE OF CONTENTS 2016–2017 IN NUMBERS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER FOREWORD HIGHLIGHTS 1. THE NFB: A CENTRE FOR CREATIVITY AND EXCELLENCE 2. INCLUSION 3. WORKS THAT REACH EVER LARGER AUDIENCES, RAISE QUESTIONS AND ENGAGE 4. AN ORGANIZATION FOCUSED ON THE FUTURE AWARDS AND HONOURS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES IN 2016–2017 FINANCIAL STATEMENTS ANNEX I: THE NFB ACROSS CANADA ANNEX II: PRODUCTIONS ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP AS THE CROW FLIES Tess Girard August 1, 2017 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2017. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada ANTHEM Image from Canada 150 video 6 | 2016-2017 2016–2017 IN NUMBERS 1 VIRTUAL REALITY WORK 2 INSTALLATIONS 2 INTERACTIVE WEBSITES 67 ORIGINAL FILMS AND CO-PRODUCTIONS 74 INDEPENDENT FILM PROJECTS -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
News Release for Immediate Release
NEWS RELEASE FOR IMMEDIATE RELEASE First-year progress on NFB’s 2017–2020 Indigenous Action Plan On June 21, National Indigenous Peoples Day, Canada’s public producer and distributor announces year 1 results on Indigenous equity commitments (Image provided by Eruoma Awashish) June 20, 2018 – Montreal – National Film Board of Canada (NFB) One year into the National Film Board of Canada’s three-year Indigenous Action Plan, Canada’s public producer and distributor is reporting on progress made to date and outlining key actions for the year ahead, in an announcement made by NFB Commissioner Claude Joli-Coeur on June 21, National Indigenous Peoples Day. First announced by Joli-Coeur on June 17, 2017, the NFB plan responds to the work and recommendations of the Truth and Reconciliation Commission of Canada and Indigenous creators’ longstanding concerns about systemic inequities in the existing Canadian production landscape. First-year highlights include: • Development/production work on 35 Indigenous-directed projects, representing 10% of overall production spending. By 2020, the NFB is committed to reaching 15% in overall production spending on Indigenous-led projects. • Almost 900 community screenings as part of the Aabiziingwashi (Wide Awake) Indigenous Cinema Tour, held in every province and territory, working with TIFF, APTN, imagineNATIVE, the Canadian Commission for UNESCO and local partners. • A new Indigenous Cinema section at NFB.ca, offering free streaming of more than 200 new and classic NFB Indigenous titles, including newly digitized titles added annually. • Development of a new Indigenous Voices and Reconciliation (IVR) Learning Program for students, educators and lifelong learners, which will launch in 2019. -
Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps. -
First Nation Filmmakers from Around the World 10
MEDIA RELEASE EMBARGOED UNTIL 11.00am WEDNESDAY 10 MAY 2017 FIRST NATION FILMMAKERS FROM AROUND THE WORLD The 64th Sydney Film Festival (7–18 June) in partnership with Screen Australia’s Indigenous Department proudly continues support for First Nation storytelling from Australia and around the world. Leading First Nation Australian directors will premiere their new works at the Festival, including Warwick Thornton’s Opening Night film and Official Competition contender We Don’t Need a Map, and Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman. “Sydney Film Festival is committed to showcasing First Nation filmmakers and storytelling,” said Festival Director Nashen Moodley. “Throughout the Festival audiences will find examples of outstanding Indigenous cinema, from the red sands of Western Australia to the snowy landscapes of the Arctic Circle. These films promise to surprise, provoke and push boundaries.” “We're proud to continue our partnership with Sydney Film Festival to showcase these powerful documentaries from the world's leading Indigenous filmmakers, as well as premiere the innovative work of emerging new talent from around the country,” said Penny Smallacombe, Head of Indigenous at Screen Australia. “We are very pleased to see five films commissioned by NITV take their place alongside such prestigious works from across the world,” said Tanya Orman, NITV Channel Manager. Two important Australian First Nation documentaries will also have their premieres at the Festival. Connection to Country, directed by Tyson Mowarin, about the Indigenous people of the Pilbara’s battle to preserve Australia’s 40,000-year-old cultural heritage from the ravages of mining, and filmmaker Erica Glynn’s raw, heartfelt and funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time (In My Own Words). -
Northern Conference Film and Video Guide on Native and Northern Justice Issues
DOCUMENT RESUME ED 287 653 RC 016 466 TITLE Northern Conference Film and Video Guide on Native and Northern Justice Issues. INSTITUTION Simon Fraser Univ., Burnaby (British Columbia). REPORT NO ISBN-0-86491-051-7 PUB DATE 85 NOTE 247p.; Prepared by the Northern Conference Resource Centre. AVAILABLE FROM Northern Conference Film Guide, Continuing Studies, Simon Fraser University, Burnaby, British Columbia, Canada V5A 1S6 ($25.00 Canadian, $18.00 U.S. Currency). PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Adolescent Development; *American Indians; *Canada Natives; Children; Civil Rights; Community Services; Correctional Rehabilitation; Cultural Differences; *Cultural Education; *Delinquency; Drug Abuse; Economic Development; Eskimo Aleut Languages; Family Life; Family Programs; *Films; French; Government Role; Juvenile Courts; Legal Aid; Minority Groups; Slides; Social Problems; Suicide; Tribal Sovereignty; Tribes; Videotape Recordings; Young Adults; Youth; *Youth Problems; Youth Programs IDENTIFIERS Canada ABSTRACT Intended for teacheLs and practitioners, this film and video guide contains 235 entries pertaining to the administration of justice, culture and lifestyle, am: education and services in northern Canada, it is divided into eight sections: Native lifestyle (97 items); economic development (28), rights and self-government (20); education and training (14); criminal justice system (26); family services (19); youth and children (10); and alcohol and drug abuse/suicide (21). Each entry includes: title, responsible person or organization, name and address of distributor, date (1960-1984), format (16mm film, videotape, slide-tape, etc.), presence of accompanying support materials, length, sound and color information, language (predominantly English, some also French and Inuit), rental/purchase fees and preview availability, suggested use, and a brief description.