INUVIALUIT Katujjiniq Unikkausittinnik 2

Total Page:16

File Type:pdf, Size:1020Kb

INUVIALUIT Katujjiniq Unikkausittinnik 2 IILIHAUTILLAUTarukługI ILIHAUTȓIGUMING NAUTCHIUQTINGA IKAYUQTINGALU UNIKKAUSIVUT ; AVIKTUARLUGI QULIAQTUAVUT HIVUBIRIRIKPUT Katujjiniq Unikkausittinnik INUVIALUIT Katujjiniq Unikkausittinnik 2 IILIHAUTILLAUTarukługI ILIHAUTȓIGUMING NAUTCHIUQTINGA IKAYUQTINGALU UNIKKAUSIVUT ; AVIKTUARLUGI QULIAQTUAVUT HIVUBIRIRIKPUT MATKUNUNA ILIHAQTUAT MALIRUTANGIT Matkunuuna Unikkusivut: aviktuarniq Quliatuanik kangiqhipkainiarniq 3-4 Matkunuuna Ilihaqtuatigun Malirutaliat 3-4 Nautchiuqtaq Hivuliq1: Ilihaqtuat Inuuniarnimik Taraliakun ukuatlu 8-10 hivunikȓat 3-4 Nautchiuqtaq tugliq 2: Tariumi Inuit, Aipaarnihaq Nunamiutatlu 3-4 Qimilriuqtat hivuliq 1: Iliharniq aipaarnihakkun taraliakkun 8tun 10tun aviktuarnivut quliaqtuat hivuniqaqtut. 3-4 Qimilriuqtat 2: Tariumi Inuit, Aipaani inuuniarningat nunamiutat 3-4 HIVULIQ 1: IIHAQTUAT INUUNIARNIMIK APIPAANITUN TARALIURUTIKUN 8NIK 10NIKLU HIVUNIQHAQTUT. Inuuqatigiilautarniq-Pilautarniq inungnun, aimaqailiniq munarilautarlugi ataȓamik Inuit 3-4 Tunngananiq – Una ililugu ilitquhilautaq kinaliqaa parlayuminaarlugit 3-4 Piliriqatigiiniq – atatauchikun havangniq tutqikhainiaqhuting 3-4 Avatimik kamatiarniq-munarilugi pimarikharlugi nuna, nirȓutit avataani nunamiutat 3-4 Pilimmaksarniq – Naunmuktuqtuat ilihaqtuat qiniqtuaqhuting, ikayuinirmik ilihaqtuat 3-4 Qanuqturunnarniq – Pmarikarniq inungnik 3-4 Aajiiqatigiigniq – Ihumaliurniq – Hivuniurniq uqaqhuting 3-4 Pijitsirniq - Ikayuiȓuat nutarariingnik matkaulu inauȓaniitua 3-4 TUGLIQ 2- TARIUMI INUIT, AIPAARNIHAT NUNAIUTATLU Inuit inuuhingit aipaani 3-4 Inuit inuuniarningit 3-4 Taiumi ilitchuriniaqtuat nunamiutani 3-4 Atlangnguqtuam hapiqȓaliqtitangit maani nunaptingni 3-4 HAVAUTARINIAQTAT 3-4 NALUNAIQTAT 3-4 UVANIITTUT 1: Aipaani inuuniarniq, Huinaliqpauȓakangaa ilihariataqnim 3-4 2: Quliaqtuat qaqhauȓauȓanunn quliaqtuarninik katimatiginiq 3-4 3: 10tun iliȓat tautuktuarnat nunaȓangnguamun 3-4 4: Nunauȓangat inuit nunanganni 3-4 Katujjiniq Unikkausittinnik 3 IILIHAUTILLAUTarukługI ILIHAUTȓIGUMING NAUTCHIUQTINGA IKAYUQTINGALU UNIKKAUSIVUT ; AVIKTUARLUGI QULIAQTUAVUT HIVUBIRIRIKPUT ILITCHURIAK AK AT Una pinarnapiaqtuq, Uniqȓuutit katitatngit ilitchurinaqtuq inuuniarnin- ȓ ȓ gat hivuliipta pangmalu inuuniarnikput atuliriput aipaani inuuniarniq Uqautchingani inuit, una ittuq ‘’ unuiqhuutivut ‘’ una mumiktininga quliaqtua- piguqhailivelugu uvaptingniitutq inuuhiq inuuhiptingni. Taraliuqtit kati- vut hiaklugu, Aipaapak, Inuit inuuniarningat inuhiat uqarnikkun kihian tangit piharnapiaqtuq iliȓaq kangiqhinaq inuuniarniq hinikhaqtuarȓiȓq ilitchuripkaiȓaqtut. Uqaqhuting ilitchuripkaiȓaqtut uqaqhinaatchimingnik aglaan piiguqayarnialaan pigurnaitchuq. Inuuniarniqput taitnaittuq at- hivuniqting quliararigaat; Quliaqtuaqhaming uȓiqȓuhuting aipaarnihaq languraluaqtilugu inuuniarniqput taitna huli inuuniaqtugutmaani nunami. quliararigaa inuuniarningit ingilaraan inuit, kinguvaavut uȓiqhautivlugi Uniqȓuutivut kaititchiugaqtuq huli inuuniarniptingnik ilihaakȓanik piguqhun- hivunikȓiuruugait. Quliaqtuakkun ingilaraanihaq hagviqtuarȓihuuȓuq inillu giluta inuuniarniptingnik, hinikhaqtitkailigaat inuuniarnikput quliaqtuatikun quliaqtuarimatigi, una quliaqtuakun hagviqtuarȓiȓaqtuq ingilaaraan inuuhiq. uvaptingnun ilitchuritquvluta, hungurukutalu. Qangaqiuȓaq inuit quliaqtualiangi hinikarmatuurȓiȓuat. Nalunaqtuam inu- Pam Gross uhim atalnguqarataraat nuunaming inauȓanun aulaaqhimaugangaiqhuting Kitikmeot Heritage Society inmiguaqtuarnami . Tavȓanga ahiin inuit himauhiqniagaqhigait inuuhin- git, qanurliqaa uukturahuting hivunmunagutiȓut inuuhingit, Atlanguutim hapiqȓaliqraat inuuhingit uqauhimik paqinaitchuq quliaqtuat aipaarnihat aturrniarutingit atlangurniq inuuhiq. Ilinirmaȓung taraliaq Inuit inmiktigun uqautchiq nutaanurmatun iligaat aviktuarnimun iligat inuuhiqting inuuniarniktinglu aipaarnihaq pangmalu inuuniarniq . Taraliam tautuktuaqtitkaat aipaarnihat qanuq inuuniaru- tingit aipaani hivuliipta ilitchurikaqłuta ahiin nutaamik inuuhimik pang- ma. Kamingingnun anaanapta ataataplu hivunikȓaqpot qiniqtuarlugu (pangma inuuhiqput), ihumanaitchuamik tautukayaqtugut, Ilauȓaavut tupini inuuniaqaqhuting (tents) iglunilu (snow houses) uunaaktuamun atȓamiun aimavinikhuting takpavanirmiutun hunikliqaa imiqtamik . At- languraluaqtilugu, mana pigulaitkikput inuuniarnikput taimangaqanga, aglauȓaatikun, quliaqtuatikun inuuniarutiptingnik. Nunakput ikaaqhaqlugu tarralitigun aqapiȓingit (NFB) Uniqhautvut : Avituarlugi KIRMIUT INUUHINGIT AIPAANI: QLULIaqTUAVUT quliaqtuavut huaguuq tutqurumaivut inuit inuuniarutingit nnuuhingillu atlan- HIAKLUGI TAITNA HIVUNIQPUT gutingatlu inuuhiq aipaani pangmalu inuuhiqput inuuniarnipta qanuhirautinga 70tun ukiuni. Una uniqhuutivit ilitchurihimaȓugut atlanguqtuaq inuuhiqput Inuit aipaanihaarȓuk ilihimapkarniararigait quliaqtuatigun huȓarautingitimiglu pangma nutaaq inuuhiq aturikput. Inuit inuuhinganni, ilihaqtugut inuuniarni- aipaarnihanik qaangiqtitaihuuȓut quliaqtuatigun tautuktuaqtilugilu quliaqtu- mik ilinniqput utuqhanaanin ataataptingnin atukangat ivirniarariikp hivunipta aqaming uȓiqavluting timimingnik . Ikaaqhaaqlugu nuna Kanatami (NFB) tuvliangat ilapta qiniqtuaqlugi. Ihumauȓaraqtunga hivumuktugut maliktuarikput ivaqługu tamaqhailihuklugu taralikun qiniqtuatchitchuugaat. Uumani 70ni taraliatigun, pilahipkaraatigut una ilihauȓiniq atlanun ilitchuktuanun. Umani ukiuni, Ukuat (NFBKUt) una iligaat agilłaaqtuamik taralianin ikaaqhaaqlug itauq Uniqhuutini taraliami igluliurnimik ilihatuat, ilangat, hunikliqaa ilihalaȓut nuna taraliuqhimagait inuit huȓarautinginnk. Matkua huli hiakkait 100tun matkuningalu iqihaahuta ilihautiȓarigaatigut taitna ilitchuktuat ililaȓut. kiaq aipaarnihat quliaqtuangit tautungnaqtuanik huliunguaqhutimng inuit huȓarauȓaqtitlugi Kanata ikaaqhaqlugu atlallu nunat. Ukuat NFBiitkut Aipaarnihat minguliuȓaqhuting quliaqtuaraqtut aglauȓalaitchul luuniin ag- tuquqtangi Tariumin katitangi taraliat inugiakhiinaqtut, ilauqtanik 12hipiqlugu lautailuting maqpiraailutinglu. Uqahinaqhuting, ilihautȓiȓaqtut taimani nutaanik taraliufaaqhimaȓut. ihumałrihinarmingnik ilihauȓiȓaqtut qaangiqtararigaat inuuhiqting. Makuninga tarikuatauȓanik atuqhuting quliaqtuating tuqquahigait ahiin unuilahivlugi Uuniqȓutivut himiritaaqlugi quliaqtuavut Inuit tautauktuakun –naalaktu- nutaguȓuanun tuqqurvingnun ikaaqhaqlugu nunapayaaq tuhalagivlugi ilitchuri- alahivlugi iligait Taralianun Ikaaqhaaqlugu kanatami katimaȓingiha. Nuna huktuat talavisikun qaqihauȓatikun atutuktualahivlugi. Qiniqtuaqtuni taraliat taraliurait aipaarnihat inuunhingit Inuit atautchikun havakhutng Tangungit- inuit ilitchurikarigait piguqtilaitkai ihumaluutaitchuat inuuniarnit, Taapkua inuit chuat havaktingit maani Nunaptingni havaktuat Kanatami, ukuatlu kavamat inuuniangitchuat aipaanitun, ilitchuriniaqtut ingilaraan inuuniaruhinginnik Nunavutmi Ilihaqtuanik munaqȓingiha, ukaut inuktitun ihuit katimaȓingillu hivuliipta. Kangiqhihiȓut inuuniaruhinginnik qanuq inuit pilutnginnik hapir- ukuatlu Inuit Taipiriit Kanatami. naraluaqtilugu inuuniarutikting ilitchuripararigaatigut kihuutilaapta uvatingnun Tutqurnaqtuanun taralianun unq uutit: Aumitaararivut quialtuavut pilagihi ilitchurihi, huurlu maaniitpita huli inuuhiqput atuqlugu tigumivlugulu. Aipaani ȓ malrungni ittut kigiunau angni pingahut tauq qiniqtuarnanun ilihimagait inuunirningat hiviliipta tkitqayau araikput qinituaqlugu Uniq uutipta katitan- ȓ ȓ ȓ 24tun aglaan NFB miim tarralianginun. Qaqihau ani paqinaqtut, Kana- ginni, huli hivulivut inuuniaqatigimatun itkivut qiniqtuaqaptigi taraliangit ai- ȓ tami hagviqhila ut 60ti hikilugu rarlianik Taniktun . frenchtun . Inuktitunlu, paarnihat nalaktuaqaptigilu quliaqtuangit ukuat piliangit NFBkut naatangit. ȓ Inmiktigun uqauhimiktitun mumiktitanik Hihamani iniqpangngini Inuit Utimun qinirnata hivumun kihian taitna inuuniayaq tuaguungngaruta hivuli- kanatami piliyuqtanganni. iptitun piqpagilugu kamaqtuarȓilugu inuuniaqtangat hapirnaqtuaq taitna inu- uniaqta inupta atuakȓangannik ilihaaȓaliurlugit ilitaptingnik. Katujjiniq Unikkausittinnik 4 IILIHAUTILLAUTarukługI ILIHAUTȓIGUMING NAUTCHIUQTINGA IKAYUQTINGALU UNIKKAUSIVUT ; AVIKTUARLUGI QULIAQTUAVUT HIVUBIRIRIKPUT Humavailuni ilihimahuktuanik una aulaqipkaraat angmaqtitkaat 2011mi Una tuglia malirutakȓaliam matkuninga ilitchuriakȓat huamaȓuaq- atlaniklu ihumagikangannik taralianik hagviquȓiȓuat inuugiaktuanik taral- ilahautȓitikȓaq qiliriuqtanigit Tariumi Inuit, aipaarnihat inuunarutingit ianginnik iliharvingni atuakȓanik. Kigiunaȓami ittuat nalunairikangit pin- huȓarautingit. Una piguumatqungitkaat huȓarautikting, uqautigiligu apiqutan- arnapiaqtuat inuuniarningit aipaani tavȓa ahiin ihagutiȓaut atunagutivlugi nik taraliakun kangiqhilakanganik 12tun ukiuglgit. Tavȓa taapkua ihumagipi- iliharvingni ilihautȓitigihaqlugi taraliat. Ukuat ikayuqtigiikhuting Kavamang- arait tainatun uuqalgit ilangit taraliat natarauȓanun tautuktuagakȓaungitchut nik Nunavutmi iliharvinginun kigiunauȓanik iliqilaaȓuat tarliamingnik mikiȓuuȓanun. Ilihauȓiȓuat qimilriuqhaarlugu taraliaq tautuktuaqtilagaat hut iliharvingnun ikaaqhaaqlugu nunakting naatamingnik taralianik Unniqȓuutit tautuktuagakȓangilaan piirlugi kavyanaqtuat iliharvingmi tautuktuagakȓangat. kigiunauȓalaanik Netsilik Inuit Tuktu piliangit NFB taraliat Inuinaqtun mumiktitanik Natsilikmiutun, Ukuat ikayutigivlugi Ilihaqtuanik angalatchiȓit Ilitchuriakȓat malrungnik ilauraat iliahakȓanginun malirutaliamingnun qaqhauȓatikun pilahivlugi. Ukuat Unniqȓautit kigiunaȓanik iluqainun hiakait ilihaqtuat ilitquvlugi tariuq aglauȓaqtaniklu ilitquvlugiquliaqtutigunlu. akiiłaanik aitchulaagait Inuit inauȓalaangit ikaaqhaaqlugu
Recommended publications
  • Examining Precontact Inuit Gender Complexity and Its
    EXAMINING PRECONTACT INUIT GENDER COMPLEXITY AND ITS DISCURSIVE POTENTIAL FOR LGBTQ2S+ AND DECOLONIZATION MOVEMENTS by Meghan Walley B.A. McGill University, 2014 A thesis submitted to the School of Graduate Studies In partial fulfillment of the requirements for the degree of Master of Arts Department of Archaeology Memorial University of Newfoundland May 2018 St. John’s, Newfoundland and Labrador 0 ABSTRACT Anthropological literature and oral testimony assert that Inuit gender did not traditionally fit within a binary framework. Men’s and women’s social roles were not wholly determined by their bodies, there were mediatory roles between masculine and feminine identities, and role-swapping was—and continues to be—widespread. However, archaeologists have largely neglected Inuit gender diversity as an area of research. This thesis has two primary objectives: 1) to explore the potential impacts of presenting queer narratives of the Inuit past through a series of interviews that were conducted with Lesbian Gay Bisexual Transgender Queer/Questioning and Two-Spirit (LGBTQ2S+) Inuit and 2) to consider ways in which archaeological materials articulate with and convey a multiplicity of gender expressions specific to pre-contact Inuit identity. This work encourages archaeologists to look beyond categories that have been constructed and naturalized within white settler spheres, and to replace them with ontologically appropriate histories that incorporate a range of Inuit voices. I ACKNOWLEDGEMENTS First and foremost, qujannamiik/nakummek to all of the Inuit who participated in interviews, spoke to me about my work, and provided me with vital feedback. My research would be nothing without your input. I also wish to thank Safe Alliance for helping me identify interview participants, particularly Denise Cole, one of its founding members, who has provided me with invaluable insights, and who does remarkable work that will continue to motivate and inform my own.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • SMM Initial Report
    INITIAL CONFERENCE REPORT AND ACTION PLAN JANUARY 2011 RINA FRATICELLI, EXECUTIVE DIRECTOR, WOMEN IN VIEW Executive Summary From October 14-16, 2010, international media leaders, theorists/scholars and stakeholders met in Vancouver to address cultural, industrial and economic opportunities and challenges facing women working in film, video, television, digital media and ICT (information, communica- tions and technology). Informed by more than a decade of research, the shift to a new digital paradigm and by current economic realities, SEXMONEYMEDIA was created to address the persistently marginal participation of women in media generally, and in leadership roles in par- ticular. The conference was prompted by two labour studies that were commissioned by the BC Insti- tute for Film Professionals with the support of Service Canada. (Appendix 1) These described how far the impressive gains of the 1970's and 1980's had begun to erode. Other research in Canada and elsewhere – by Realisatrices Equitables, Quebec’s association of female direc- tors; the Geena Davis Institute on Gender in Media, the annual Celluloid Ceiling Reports, and the Lehman Centre for Women In Business at the London School of Business to name just a few – drew similar pictures of women’s presence and absence in our ever more dominant me- dia landscape. (Appendix 2) The gathering quickly focused on two core questions: why do the stellar achievements of indi- vidual women in media today stand in such stark contrast to their statistical presence, particu- larly in leadership positions? How might this pattern give way to a more diverse, culturally rele- vant and globally relevant media landscape? Media arts and industries are powerful economic and cultural engines representing a substan- tial and growing part of the economy; yet lack of diversity in this sector undermines its integrity.
    [Show full text]
  • Introduction EXPLORATION and SACRIFICE: the CULTURAL
    Introduction EXPLORATION AND SACRIFICE: THE CULTURAL LOGIC OF ARCTIC DISCOVERY Russell A. POTTER Reprinted from The Quest for the Northwest Passage: British Narratives of Arctic Exploration, 1576-1874, edited by Frédéric Regard, © 2013 Pickering & Chatto. The Northwest Passage in nineteenth-century Britain, 1818-1874 Although this collective work can certainly be read as a self-contained book, it may also be considered as a sequel to our first volume, also edited by Frederic Regard, The Quest for the Northwest Passage: Knowledge, Nation, Empire, 1576-1806, published in 2012 by Pickering and Chatto. That volume, dealing with early discovery missions and eighteenth-century innovations (overland expeditions, conducted mainly by men working for the Hudson’s Bay Company), was more historical, insisting in particular on the role of the Northwest Passage in Britain’s imperial project and colonial discourse. As its title indicates, this second volume deals massively with the nineteenth century. This was the period during which the Northwest Passage was finally discovered, and – perhaps more importantly – the period during which the quest reached an unprecedented level of intensity in Britain. In Sir John Barrow’s – the powerful Second Secretary to the Admiralty’s – view of Britain’s military, commercial and spiritual leadership in the world, the Arctic remained indeed the only geographical discovery worthy of the Earth’s most powerful nation. But the Passage had also come to feature an inaccessible ideal, Arctic landscapes and seascapes typifying sublime nature, in particular since Mary Shelley’s novel Frankenstein (1818). And yet, for all the attention lavished on the myth created by Sir John Franklin’s overland expeditions (1819-1822, 1825-18271) and above all by the one which would cost him his life (1845-1847), very little research has been carried out on the extraordinary Arctic frenzy with which the British Admiralty was seized between 1818, in the wake of the end of the Napoleonic wars, and 1859, which may be considered as the year the quest was ended.
    [Show full text]
  • Canada's Arctic Marine Atlas
    Lincoln Sea Hall Basin MARINE ATLAS ARCTIC CANADA’S GREENLAND Ellesmere Island Kane Basin Nares Strait N nd ansen Sou s d Axel n Sve Heiberg rdr a up Island l Ch ann North CANADA’S s el I Pea Water ry Ch a h nnel Massey t Sou Baffin e Amund nd ISR Boundary b Ringnes Bay Ellef Norwegian Coburg Island Grise Fiord a Ringnes Bay Island ARCTIC MARINE z Island EEZ Boundary Prince i Borden ARCTIC l Island Gustaf E Adolf Sea Maclea Jones n Str OCEAN n ait Sound ATLANTIC e Mackenzie Pe Ball nn antyn King Island y S e trait e S u trait it Devon Wel ATLAS Stra OCEAN Q Prince l Island Clyde River Queens in Bylot Patrick Hazen Byam gt Channel o Island Martin n Island Ch tr. Channel an Pond Inlet S Bathurst nel Qikiqtarjuaq liam A Island Eclipse ust Lancaster Sound in Cornwallis Sound Hecla Ch Fitzwil Island and an Griper nel ait Bay r Resolute t Melville Barrow Strait Arctic Bay S et P l Island r i Kel l n e c n e n Somerset Pangnirtung EEZ Boundary a R M'Clure Strait h Island e C g Baffin Island Brodeur y e r r n Peninsula t a P I Cumberland n Peel Sound l e Sound Viscount Stefansson t Melville Island Sound Prince Labrador of Wales Igloolik Prince Sea it Island Charles ra Hadley Bay Banks St s Island le a Island W Hall Beach f Beaufort o M'Clintock Gulf of Iqaluit e c n Frobisher Bay i Channel Resolution r Boothia Boothia Sea P Island Sachs Franklin Peninsula Committee Foxe Harbour Strait Bay Melville Peninsula Basin Kimmirut Taloyoak N UNAT Minto Inlet Victoria SIA VUT Makkovik Ulukhaktok Kugaaruk Foxe Island Hopedale Liverpool Amundsen Victoria King
    [Show full text]
  • Alaskan Analogues and Eastern Uncertainties: Reconstructing Thule Inuit Interaction Networks in the Eastern North American Arctic
    T. Max Friesen Department of Anthropology University of Toronto, Canada Alaskan Analogues and Eastern Uncertainties: Reconstructing Thule Inuit Interaction Networks in the Eastern North American Arctic Introduction Thule archaeology has made great strides over the past several decades. Much has been learned about variability in social organization, settlement patterns, technology, subsistence, and even less visible archaeological phenomena such as gender roles and world view. However, a number of areas remain unclear, one of them being the issue of interaction within and between Thule regional groups. As is the case with all other cultural entities, the Thule tradition in the central Arctic can only be understood fully if the broadest scale of interregional interaction is taken into account. Of course, some attention has been paid to interaction, particularly in the form of trade, with copper, iron, ivory, and other exotic materials commonly reported from Thule sites; and aspects of interac- tion have been used to explain phenomena as diverse as the original Thule mi- gration (McGhee 2000) and the eventual collapse of Classic Thule (Whitridge 1999a). Less attention has been paid to the issue of how interregional systems of interaction operated at a broader scale, although McCartney (1988, 1991), Savelle (2000), and Whitridge (1999a, 1999b, 2002) have made important con- tributions in this area. This paper attempts to build on these previous studies, and in particular McCartney’s (1991) consideration of Thule interaction, in two steps. First, it will consider existing information on Thule interaction in relation to the ethnographic record of Northwest Alaska, which is usually considered the best analogue for understanding the Thule archaeological record.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • To Download the PDF File
    NOTE TO USERS This reproduction is the best copy available. UMI Adapting to a World of Change: Inuit Perspectives of Environmental Changes in Igloolik, Nunavut By Kelly Sandra Elizabeth Karpala, B.A. Honours (Trent) A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Master of Arts Department of Sociology and Anthropology Carleton University, Ottawa, Ontario May 2010 ©2010 Kelly Karpala Library and Archives Bibliothgque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'6dition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-68683-6 Our file Notre reference ISBN: 978-0-494-68683-6 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these.
    [Show full text]
  • Open Passage Ethno-Archaeology of Skin Boats and Indigeneous
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Centre for Maritime Archaeology OPEN PASSAGE: ETHNO-ARCHAEOLOGY OF SKIN BOATS AND INDIGENEOUS MARITIME MOBILITY OF NORTH-AMERICAN ARCTIC by Evguenia V. Anichtchenko Thesis for the degree of Doctor of Philosophy December 2016 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Archaeology Thesis for the degree of Doctor of Philosophy OPEN PASSAGE: ETHNO-ARCHAEOLOGY OF SKIN BOATS AND INDIGENEOUS MARITIME MOBILITY OF NORTH-AMERICAN ARCTIC Evguenia V. Anichtchenko This thesis is an examination of prehistoric maritime mobility in the Arctic regions of North America through the ethno-archaeological analysis of skin boats. Covering over 100,000 km of coastline, the skin boat traditions of the Arctic and Subarctic zones are arguably among the most expansive watercraft technologies in the world, dating back at least 10,000 years.
    [Show full text]
  • Xweisj6 Wonw Éy4, >Öm>
    sW3¯6FxsI6 @))$ eu3Dx5 ry5Jtø5 ^(-u4 SUMMER 2004 ISSUE 69 xWEIsJ6 wonW Éy4, >Öm> An interview with Elisapie Isaac, “Taima” kN[7us5 whmQIui4 i5÷Atc3g5 « b3Cus5 wuxllx3†5 wuxl7u4 k3cCh5g5 « xsMpIq5 wk8i4 yKo3ts2 « v?mgc4f5 W?9oxtbq5 Nunavimmiut speak their minds • Alcoholics Anonymous in the north • Memories of an Inuit leader • Federal government developments … and much more! WA5pJ5 kN[s2 wkq8i4 Serving the Inuit of Nunavik Ì4fNi s9li / THIS SEASON wonW vtgxC4f, w7ui4 vJq3nChxMs3iz bsgZsQxu4 r9oc5yxhi bf5nsMs3g6. b8N WNhx7mEc5bg6 W5yxosuZhx3hi xqÔt5yhil w1qD8Ni3ui4 x7ml wkw5 ñz8îoCu Nioµ5yx6 mr[4 fxS‰n8 mr[4 kNogò5 tudtQ?z5 toIsAtc3ym5hi r=Zg3ixt9lA yKjx5ty?9oxlil mim5yx§a5hi. Wzhk5 n9lus5 wo8ixtq8k5 xWEIsMsJ6. wkw5 WAmIq8i4 kN[7u. wMsJdtgxc3g6 wk8i4 W?9odtÌ3ymJi4 èuy Ñ sWQIc3uJA5 m3Îi4 xyq8i4 x3ˆi4 WJ8NyMs3iq8k5 sfiz: x7ml fÑ4 b3Czi xqc tŒ8isymJu5. mr[4 w2WQIcExc3S6 vJytbs5yxm¯b Wix3ioEi4f5 wkoEi4f5 WsygcoEi4fl W?9od t ÌE ymIq5 xqctŒ8if5. ¥M Ax5–fl5¥ x7ml utx3J4 N2Xl4. xsM5yi3jl eg3qsChx3iu9l ®NsIi4 st3[sAt5nIi4 wkw5 wMsA8Nyd9lQ5 vNboµu iDx3isMs3g6 gnC5nix3bsmEc5bMs3g6 vNboµu b3Cu ®NsI3tA5 mrbZhx3ij5. sW3znsMs3gu. X9 µt8 vNbj5 xzJçmEQIsq8Ng6. WQxo3hi, Makivik Corporation b8N scMsJ6 bm8N iDx3i6 wozix3tlA vNbus5 hNu4 Makivik is the ethnic organization mandated to represent and promote the interests WAmstc3m¯54. xoxNMsquÔZlx6 xuhk5, b8N ® ¥8-Jox8 of Nunavik. Its membership is composed of the Inuit beneficiaries of the James Bay and Northern Quebec Agreement (JBNQA). Makivik’s responsibility is to ensure r=Zg3tsMzA8âm5 kN[7usk5, !^–i4 x3ÇAi4 WA5pMs3hi. the proper implementation of the political, social, and cultural benefits of the b8N iDx3[b3tyZhxMsÔZlx6 fÑ4 b3Cziusi4 x7ml Agreement, and to manage and invest the monetary compensation so as to enable the Inuit to become an integral part of the northern economy.
    [Show full text]
  • Communiqué De Presse
    LA VOIX MONDIALE CANADIENNE CONTRE L’EXPLOITATION SEXUELLE DES ENFANTS Siège social : 387 Broadway, Winnipeg, Man. R3C 0V5 Tél.: (204) 793-7080 Télec.: (204) 452-1333 www.audeladefrontieres.ca Le 28 septembre 2009 COMMUNIQUÉ DE PRESSE Au-delà des frontières annonce les finalistes au Prix des médias 2009 Winnipeg – Au-delà des frontières, la voix canadienne contre l’exploitation sexuelle des enfants annonce aujourd’hui les finalistes à ses prix des médias annuels, nationaux et bilingues. Ces prix, qui en sont à leur septième édition, honorent les journalistes et les documentaristes qui couvrent les problèmes d’exploitation sexuelle des enfants. « Les médias occupent une place importante dans l’accomplissement du travail d’Au-delà des frontières, » déclare Deborah Zanke, la coprésidente de l’évènement. « Les journalistes et documentaristes accroissent la conscientisation du public, signalent les failles des systèmes de justice et d’affaires sociales empêchant à la protection des enfants et incitent le public et les politiciens à agir contre l’exploitation sexuelle des enfants. » Les finalistes pour 2009 sont : Écrit anglais Tim Petruk - Kamloops This Week, Targeting Teens within Seconds. 22 février 2009 Jana Pruden - Regina Leader-Post, Pedophile and Predator: The Darren Philpott Story (series), novembre 2008 Sandie Benitah - CTV.CA, Sex tourism and Canada’s weak response. 2 août 2009 Sue Montgomery - The Gazette, Brothers stand accused; Dark side of the ‘chaste’ lif;e Ruined lives of victims; Legal motion claims sex abuse. décembre 2008 Tamara Cherry - Toronto Sun, Human Trafficking: Canada’s secret shame (series). septembre/octobre 2008 Tamara Cherry - Toronto Sun, Tina: Slave to a pimp (series), février 2009.
    [Show full text]
  • PRODUCTION GUIDE by Jamie Gaetz and Linda Gorman
    • c I N E M A G • PRODUCTION GUIDE by Jamie Gaetz and Linda Gorman don optical six cons. Bill Taylor, lin Ledger· wood, Sid Dutton cost. des. Trysha Bakker STREET LEGAL CBCITORONTO Series of 6 x Hour episode s shooting May to he following is a list of films in production (actually before cameras) ward. asst. Sylvie Bonniere make-up linda (416) 925-3311 Preston hair Jenny Arbour focus puller Daniel October 1986. Pilot was titled Shellgame. and in negotiation in Canada. Needless to say, the films which are Vincelette clapper-toader John Davidson cam. CHASING RAINBOWS Exec. p. Maryke McEwen p. Bonita Siegel, Duncan Lamb. First episode mled 'Birds of a still in the project stage are subject to changes. A third category,ln op. Malcolm Cross cam. trainee Daniel Roy A 13 x l·hour drama series set in Montreal in the T Feather" shot May 12·25. d. Alan Erlich sc. Will· Pre·Production, will be used to indicate films which are in active pre-pro­ stills Takashi Seidi asst. stills Fumi Mashimo early 1920s. Shooting began in Toronto April 16 iam Deverell pub. (416) 925·3311 ex. 4461 . duction, having set a date for the beginning of principal photography and sd. Doug Ganton boom Reynald Trudel key for 18 months. For broadcast in January. 1988. being engaged in casting and crewing . Films are listed by the name of the grip Michael O'Connor grip Lee Wright dolly Co·production between CBC and Northernlight company which initiated the project, or with which the project is popularly Brian Potts gaffer Richard Allen best boy Craig and Picture.
    [Show full text]