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PRODUCTION GUIDE by Jamie Gaetz and Linda Gorman

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• c I N E M A G • PRODUCTION GUIDE by Jamie Gaetz and Linda Gorman don optical six cons. Bill Taylor, lin Ledger· wood, Sid Dutton cost. des. Trysha Bakker STREET LEGAL CBCITORONTO Series of 6 x Hour episode s shooting May to he following is a list of films in production (actually before cameras) ward. asst. Sylvie Bonniere make-up linda (416) 925-3311 Preston hair Jenny Arbour focus puller Daniel October 1986. Pilot was titled Shellgame. and in negotiation in Canada. Needless to say, the films which are Vincelette clapper-toader John Davidson cam. CHASING RAINBOWS Exec. p. Maryke McEwen p. Bonita Siegel, Duncan Lamb. First episode mled 'Birds of a still in the project stage are subject to changes. A third category,ln op. Malcolm Cross cam. trainee Daniel Roy A 13 x l·hour drama series set in Montreal in the T Feather" shot May 12·25. d. Alan Erlich sc. Will· Pre·Production, will be used to indicate films which are in active pre-pro­ stills Takashi Seidi asst. stills Fumi Mashimo early 1920s. Shooting began in Toronto April 16 iam Deverell pub. (416) 925·3311 ex. 4461 . duction, having set a date for the beginning of principal photography and sd. Doug Ganton boom Reynald Trudel key for 18 months. For broadcast in January. 1988. being engaged in casting and crewing . Films are listed by the name of the grip Michael O'Connor grip Lee Wright dolly Co·production between CBC and Northernlight company which initiated the project, or with which the project is popularly Brian Potts gaffer Richard Allen best boy Craig and Picture. Exec. p. Mark Blandford p. Louise CBC VANCOUVER Wright elec. Bill Buttery, Mark Woodley post-po Turcone Gerlach, John Galt (NL & P) p. des. (604) 662-6241 associated. This is not necessarily the name of the production company. sup. Jennifer Black pix. ed. R~ Wallis asst. ed. David Moe (NL & P) assoc. p. Charles Pantusn Where the two companies are different, the name of the production com­ Susan Schneir, Judy Kemeny stunt coord. (NL & P) CBC engineer Keith Field assoc. p.lp THE BEACHCOMBERS pany, if known, is also given. In instances where a producer has asked us Dwayne MacLean moths Gerry Therrien dogs prod. Karen Lapoint p. man. Dwight Gallinger 20 episodes of TV series begins production not to list a project, or to withhold certain credits due to ongoing negotiations, Jane Conway I.p. Stephen Dorff, Christa Den· unit man. Alan MacPherson p. acct. Be v April 3 continuing to mid· September. Exec. p. we have respected his request. The guide only lists productions or series ton, Louis Tripp, Kelly Rowan . Jennifer Irwin , Smithyman art d. Roy Kellar artist Valerie Don S. Williams d. John Juliani, Brian McEwan, Sean Fagan , Ingrid Veninger, Scot Denton, De· White sc. Douglas Bowie d. William Fruet 1st Charles Wilkinson, Neil Fernley. whose duration will be one hour or over. borah Grover, Linda Goranson, Carl Kraines a.d. Stacey Curtis 2nd a.d. David Webb 3rd Please telephone additions and up-dates information to : pub. Janice Kaye (4 16) 691·4224. a.d. Ross Clyde 4th a.d. Rico Gerussi cont. Cinema Canada (416) 596·6829 or (514) 272·5354 Brooks McGrath Field p. sec. Donna Devion. COMMUNICATIONS VENGEANCE Bernice Quiggan sp. asst. Lynn McGrath d.o.p. John Galt cam. asst. Wolfe Ruck. Andre Favron FILM CREDIT ABBREVIATIONS Mini·series for HBO and CTV based on George CLAUDE HEROUX gaffer Paul Morrison lighting Len Watier, Dave d. director asst. d. assistant director s.c. script adapt. adaptation dial. dialogue ph.ldop. Jonas novel of same title. Shooting for 10 weeks Rowan . Dave 0001 sd. Tom Bilenkey boom INC. photography sp. ph. efx. special photographic effects ed. editor sup. ed. supervising editor beginning March 30 in Israel, Rome, London, Larry Kent des. coord. Bill Parry staging Steve Paris, New York, Montreal and Quebec City. (514) 842-6633 sd. sound sd. ed. sound editor sd. ree. sound recording p. des. production designer art. d. Lemberg staging crew Ken Gray, Derek Montreal shoot SCheduled for April 30 to end of art director set dec. set decorator m. music cost. costumes I.p. leading players exec. p. Loomes set dec. Armando Sgrignuoli, Michael LANCE ET COMPTE May. p. Robert Lantos p. man. Joyce KOzy King executive producer p. producer assoc. p. associate producer line p. line producer p. sup. Happy props Ron Ror. Michael Tawton cost. Tele vision senes of thirteen one· hour episodes d. Michael Anderson sc. Chris Bryant d.o.p. production supervisor p. man. production manager p.c. production company dist. distributor des. Suzanne Mess cost. Muriel Sampson , shooting in Montreal and Quebec City until July Claude Agostini 1st a.d. Pierre Magny ed. Ron An asterisk (.) following the film's title indicates financial participation by Telefilm Canada's Michael Harris, Ti Nicholls, Bruce Cordier 15. With the participation of Societe genera Ie du Wiseman p. des. Trevor Williams sd . Claude Broadcast Program Development Fund. make-up Daisy Bijac hair Anita Miles sp. elx. cinema and Telefilm Canada. p. Claude Heroux Hazanavicius cont. Monique Champagne mao Douglas Wardle graphics Jeff Cheesbrough d. Jean·Claude Lord p. man. Bill Wiggins d.o.p. keup Marie·Angel Protat hair Gaetan Noiseux asst. art d. Gordon White. Dennis Davenport Bernard Chentrier sd. Henri Blondeau art d. cam. op. AI Smith p. coord. Debbie Zwicker, casting Dorothy Gardner, Claire Hewitt casting Tom Coulter (1st ep.). Dominique Ricard Jean Gerin set dec. Steve Shewchuck unit & asst. Brenda McConnell, Jeanette Nelson orig. (remaining eps.) t.p. Carl Marotte sc. Louis ON LOCATION toc. man. Fran90is Leclerc props. Ronald Fau· Caron, Rejean Tremblay interpreter Tim Reed music Neil Chotem p. coord. Marlene Lawr· teux. Marc Figuet cost. des. Laurie Drew asst. ence t.p. Paul Gross, Michael Riley, Julie sec. to p. Nicole Forget unit. man. Pierre cost. des. Louise Gagne sd. ed. Jim Hopkins Laberge asst. unit man. Paul Bujold p. sec. story ed. Phillip Rosenberg story ed. Robert Stewart. Booth Savage, Lewis Gordon, Louise sp. elx. coord. Jacques Godbout p. acct. Ma· Louise David p. acct. Yvette Duguet p. asst. Carney sc. Ian Sutherland, Bruce Martin, Tim Lapare. Alison MacLeod, Sophie Leger, Kim ACPAV non Bougie·Boyer asst. acct.lilly Partheniou p. Claude Lacoursiere, Gilbert Lucu 1st a.d. Frank Dunphy, Peter Mohan. Bill Davidson, Roy Sal· Cayer, Malika Mendez, Peter Boretski, Hal (514) 849·1381 coordJMontreal Micheline Cadieux asst. to p. Ruszcynski 2nd a.d. Ginette Pare 3rd a.d. Kim Siegel unit man. Aine (Onya) Furey, Chris Dan· Eisen, Gillie Fenwick, Patricia Hamilton, Gene Rola Zayed loc. scout Ken Korrall 2nd a.d. Ma· Berlin cast. Helene Robitaille cont. Marie ton p. acct. Lena Cord ina 1st a.d. David Warry· Dinovi, Barry Stevens, Lisa Bunting, Christ· LA LlGNE DE CHALEUR deleine Henrie 3rd a.d. Vicky Frodsham asst. Daoust asst. cam. Jean·Mark Casavant boom Smith, Don Granbery. David MacLeod exec. of opher Earle, Jack Jessop, Claude Bede, Lee J. Feature film shooting 14 April to 17 May in cam. Robert Guertin, Jacques F. Bernier stills Pierre Blain sets Jean Bourret props. Michele prod. Mimi Bohbot art d. Gerry Holmes set dec. Campbell. pub. Jo·Ann Zoon (416) 925·9311 Montreal, Florida and Virginia. Montreal shoot Alex Dukay boom Thierry Morlaas dresser Nolet. Michel Comte asst. props. Real Baril Ken Baudry, Jeff Fruitman carp. Art Verhoeven ext 4461. begins April 29 for 3 weeks. With participation of John Stowe. Mary Jayne Wallace asst. make­ make-up Louise Mignault hair RiChard Hansen props Tom Wilkinson cost. des. Kei Yano Telefilm Canada, Societe generale du cinema, up Kathryn Casault gaffer Don Saari elec. John cost. des. Sylvie Krasker asst. Mary Jane Wal· make-up Inge Klaudi hair Madeleine Russell Radio-Quebec. p. Marc Daigle line p. Danny Lewin key grip Jean·Louis Daoust grip Pierre lace dresser Marianne Carter gaffer Yves Chalifour d. Hubert· Yves Rose sc. Hubert· Yves focus pull. Malcolm Cross gaffer Richard Allen THE LAST SEASON Charpentier, Jean·Maurice de Ernsted, Marion Th ree·hour TV movie about a fictional NHl Charbonneau best boy Marcel Breton key grip Rose, Micheline Lanctot d.o.p. Michel Caron key grip Nonm Sm~h dolly Michael O'Conner Mailhot asst. ed. Stephen Humble. Jan Nicoli· hockey player. Adapted from the novel of same Marc De Ernsted grip Stephane De Ernsted. I.p. Gabrielle Arcand . sp. elx. Frank Carere transport coord. Richard chuk casting Clare Walker. Ginette D'Amico Chilton tech. ad. Nonman H. Hobson post·p. name by Roy MacGregor. Shot in Finland Mar. p.a. Marc Furtado, Karl Archambault, Claude 6 to 26; shooting in Canada Feb . 11 to 21, April Michael Beard casting Clare Walker I.p. Scott Laco ursiere. Marie·Gislaine Cretier, Linda He· ACPAVlONF Hylands, Allan Royal, Jeff Wincott, Susan 7 to 21 and June 2 to 12. P. Robert Sherrin d. DANGER BAY bert t.p. Steven Bauer, Laurent Malet, Robert Allan King sc. Roy MacGregor d.o.p. Paul (514) 849-1381 Hogan, Louise Vallance, Sean McCann , Joy, Michael York, Peter Dvorsky, Leslie Hope, PRODUCTIONS INC. Eugene Clark, Stephen Mendel, Deborah Ames cost des. Hilary Corbett t.p. Booth Sava· Rod Steiger, Audi Levy, Lino Ventura, John ge. John Colicos, Neil Munro , Eric Peterson, Head Office (416) 535·7555 / TELECLIP Grover, Lynda Mason Green, Tony Rosato pub. Hirsh, Eric Gaudry, Colleen Dewherst, David Series of 13 x one·half hours. Co'production .Linda Shapiro Public Relations Inc. John Winston Carroll, Deborah Cass, Bernard (604) 298-7291 Zatouti, Hrant Alianak, Miro Wahba, Daniel AI· Hopkins, David Ferry, Clare Coulter, Gina with the ONF.
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    PÉTER SZAFFKÓ CENTRAL EUROPEAN THEATRE AND THE CANADIAN THEATRE REVIEW: THE FIRST DECADE 1. Introduction The history of the Canadian theatre goes back to 1606 when the first theatrical performance was presented on the shores of Port Royal to celebrate the return of the Governor from his trip. Nevertheless, professional theatre in Canada has a relatively short history; in fact, less than half a century. With some exaggeration, I might also say that theatre criticism in Canada has existed ever since the regular publication of local and national newspapers. The story of this fascinating genre is very well illustrated and commented upon in Establishing Our Boundaries published in 1999. Theatre journals, however, emerged only in the 1960s when various experts—directors, historians, dramaturgs, critics and scholars—wanted to express their views on the state of affairs as well as the development of the theatre arts in Canada. Although the difference between day-to-day criticism of individual performances and a more academic approach to the art of the theatre in any culture may seem evident, it is worth quoting Herbert Whittaker, one of the doyens of Canadian theatre criticism, who was the first national chairman of the Canadian Theatre Critics Association and worked for the Globe and Mail for more than thirty years. Concerning the history of Canadian theatre criticism, he wrote that The academic critic is allowed a more historical perspective, watching for the trends taken by [the current theatrical] expression. While the daily working critic feels part of the daily creativity, clinging precariously to his objectivity, the periodical critics must look for overall 171 developments, making note of similar trends in time and place.