Oriental Rugs
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Dear Sir/Madam, We Are Pleased to Inform You That IMC Chamber Of
Dear Sir/madam, India-Afghanistan International Trade andWe areInvestment pleased to Show informPassage you that to IMCProsperity” Chamber of CommerceSeptember and 13 Industry-15, 2018 along withHotel USAID JW MarriottAfghanistan Sahar and, MumbaiAfghanistan 400099 Government. is organizing “ from at the The event aims to advance trade integration by establishing economic and trade ties between Afghanistan and the international markets through business-to-business matching and consumer sales. The trade show will be attended by eminent international and Afghan businesses, government officials, members of the media, and organizers to foster commercial ties between Afghanistan and India. In parallel to the business component, a series of panels on topics including civil aviation, mining, clean energy, and health and financial services investment opportunities will also be held during the India-Afghanistan International Trade and Investment Show. At this event we are expecting more than 200+ Afghan businesses, including women-owned businesses, to participate at the event. A list of sectors that will represented by the Afghan private Afghansector at Luxury this year’s Goods show are as under.Agriculture Infrastructure Gemstones and Jewelry Fresh & Dried Fruit Energy Carpets and Rugs Spices & Nuts Electric Power Generation Cashmere, Silk, and Wool Cold Chain & Storage Construction Apparel – Shoes, Coats, and Food Processing Airport Infrastructure Accessories Marketing Air Cargo & Civil Aviation Leather HealthMarble and Education Cross-Cutting Heavy Industry Hospitals Consulting Services Mining-Marble, Talc & Gold Medical devices & equipment IT & Telecommunications Trucks & Heavy Equipment Diagnostic services Financial Services Automobiles & Auto Parts Health insurance & technologies Women-owned Pharmaceutical products Enterprises Tech partnerships w/ private universities WePrivate invite financingthe members-dormitories to apply for B2B meeting for the above sectors by filling the B2B form. -
Afghan War Rugs
The Modern Art of Central Asia The Modern Art of Central Asia August 21 - October 16, Organized and curated by Enrico Mascelloni and Annemarie Sawkins, Ph.D. PREFACE Afghan War Rugs: The Modern Art of Central Asia is an important international exhibition that brings to the United States, for the first time, one of the most distinct collections of Afghan war rugs in the world. The mostly women artists who wove the rugs abandoned their traditional nonfigurative styles to produce rich pictorial images that recount a broader story. In knotted rugs with maps, portraits of kings, khans, and military leaders, and in rugs with weapons, the weavers revolutionized an ancient craft. Purchased throughout Central Asia and in Europe, the over 40 rugs in this collection were selected for their exceptional quality, rarity, and surprising content. They represent an encounter of timeless aesthetic tradition with the violent, roiling reality of contemporary Central Asia. Wardak Province, central Afghanistan. Image courtesy of Cultural Section of the Embassy of Afghanistan, Washington, D.C. 1 Left rug: Rug with Map of Afghanistan, knotted wool, Western Afghanistan, acquired in Peshawar (Pakistan), 2006, 77 × 44 ⁄2 inches 1 1 Right rug: War Rug, knotted wool, Western Afghanistan, acquired in Peshawar (Pakistan), 2012, 34 ⁄2 × 157 ⁄2 inches 1/20 Afghan War Rugs: The Modern Art of Central Asia 2/20 AFGHANISTAN: A TIMELINE 1839–1842 1953 1986 1999 1st Anglo-Afghan War General Mohammed Daud, as prime Mohammed Najibullah takes over Kamal; United Nations sanctions -
Oriental Rugs from Persia, Afghanistan, Turkey
Modified By The Rug Guru Oriental Rugs From Persia, Afghanistan, Turkey ... Turkmen Rugs Geography West Turkestan is an area of some 700,000 square kilometres with the Caspian Sea to the west, the Mangyshlak Peninsula to the northeast and the Kapet-Dagh Mountains and the outskirts of the Hindukush forming a semicircle to the south. West of what since 1924 has been the border of the Soviet Socialist Republic of Turkmenistan are Afghanistan and the Iranian province of Khorassan. At the eastern side is the huge Chinese province of Xinjiang (Sinkiang). Usually referred to in the context of weaving literature as East Turkestan. Thus viewed in simple geographic terms, it is easier to understand the nature of this Eurasian basin, part of the ancient world's dry belt. To the western side of the region is the Karakum desert and to the east, between the Amu- Darya and Syr-Darya rivers, is the Kyzylkum desert. To the south, that there was earlier the Soviet Socialist Republic of Uzbekistan, now this independent state, are the important trading centres of Bukhara and Samarkand. The latter having been a major post along the ancient Silk Road, which ran from China through East Turkestan and on westwards, via Tashkent in Uzbekistan, Mary (Merv) in Turkmenistan and Khorasan. Many different ethnic groups have occupied this region for millennia and among those associated with weaving, in addition to the Turkmen's themselves, are the Uzbeks, Karakalpaks and Kirgiz. Historical Research Serious research into the weaving culture of the Turkmen's must, of course, encompass more than aesthetic appreciation. -
Anatomy of Persian & Oriental
dÌ¿z»ZÀ¼ÁdÌ¿¹Â¸ »Öf{Ä],§d§Z]ÁxËZe0 ½ZÌ¿YËYįdY¾ËYº¸»|« |ÁĬÀ»¹Y|¯Y§d§Z]į «YÁ{ |¿YÃ{¯Á/Y§d§Z]į|Àf/ÅÖ»Y«Y¾Ì·ÁYĸ¼mY YÌ]{ÁZf/{Ö§Z]§»Y{,Á»Y½ZÌ¿YËY{§Ä]vÀ»/v^e dYÄÀÌ»¾ËY{Ä]neÁÔeµZ www.Rug.VestaNar.com Nasir al-Mulk Nasir al-Mulk is a famous historic mosque in the center of Shiraz, located near the Shah Cheragh shrine. It was constructed in the Qajar Dynasty in 1876 by Lord Mirza Hasan Ali Nasir al Mulk. The mosque is known for its extensive use in colored glass in its façade. The construction of the mosque uses other traditional structural elements as well such as “panj kasehi” (five concaves). These days, the mosque is more of a tourist attraction than a place for prayer. Like all mosques in Iran, you must remove your shoes before entering and the floor is lined with Persian rugs from wall to wall. We found out that underneath the rugs is actually a beautiful marble floor as well. www.Rug.VestaNar.com ½YËY¥Z^f{§½Z³|ÀÀ¯{ZÁ½Z³|ÀÀ¯|Ì·ÂeÄË{ZveYÄ»Z¿¶§ ¿Yc¸y{ ¹ÔY¾Ì^»¾Ë{½YÁY§ÄmÂeÄ]¶^«Ä·Z¬»{ÁÄË¿Y¾ÌÌaÃZ¼{ ºË{¯ÃZYZÆ¿Z¿YÖËZÌ¿{¶ËZ»Ä] ½M«cZËMYÖy]ÄÀËY¾¼ dY]Y]ºË¯½M«{cyMÁZÌ¿{cZ¼¸¯Y°e{Y| eį|Äf¨³ Á ºË{ÁMµZj»|ÅZ½YÂÀÄ]dYÄf§³Y«|̯Pe{»cyMÄ]ÄmÂeZÀ¯{ZÌ¿{Ä]ÄmÂeZÆ¿M{įYºË¯ įd¨³ºÌÅYÂy\¸»Ä»Y{Y{®ÀËY Ã|Á|À¿Z» dYÃ{Y{½ZÅZÀ³ÁÖZ »YÕZÌ]]cyMºÅZÌ¿{ºÅÕÁyYÁÕÂÌ¿{[Y~Ã|ÁºË¯½M«{|¿ÁY|y |ÀÀ¯Ö»\ËzeY|mZ»Ä¯Ö¿Z¯Á{ÂÖ»|mZ»{¹{»ÂuY¿Z»Ä¯Ö¯]cyMÁZÌ¿{{[Y~ ì]ÃÂÄËM 3 4 3 3 Ê5§º7 Æ4 3·Á3 É1 7 yZ5 Ì3 7¿|·YÊG 5§º7 Æ4 3·¾Ì3 ¨5 5WZy3 ÓF 5SZÅÂ3 ¸4 y4 |7 3˽7 Oº7 Æ4 3·½Z3 ¯Z3 »3 ®3 X5 3·ÁOZÆ3 5]Y3 yÊ3 5§Ö 3 3 Á3 Ä4 ¼4 YZ7 ÆÌ3 5§3 ¯3 ~7 4˽7 O5×YF |3 mZ5 3 »3 3 À3 »3 ¾7 ¼F »5 º4 3¸7 O¾7 »3 Á3 ºÌ1 -
Magic Carpet Ride
Magic Carpet Ride The Pazyryk Carpet is the world's oldest pile rug. It was found in a burial mound in the Pazyryk Valley in Siberia. Experts agree that it was most likely not made there, rather Persia or Armenia. They have dated it to some time in the 4th or 5th Century BCE (about 2,500 years old). https://www.mattcamron.com/ blog/the-worlds-oldest-rug-the- pazyryk-rug This Persian carpet dates back to the year 946. It took three years for five weavers to complete the carpet, which was ordered by Shah Tahmasp for the Sheikh Safi mosque. https://www.carpetencyclopedia.com/ Azerbaijan Carpet Museum https://www.youtube.com/watch?v=ai2hDCHSPRw https://www.advantour.com/azerbaijan/handcrafts/carpets.htm https://en.wikipedia.org/wiki/Azerbaijani_rug wool dying https://www.youtube.com/watch?v=Qq94Hvsx46k Motifs https://www.orientalrugsalon.com/interpreting-rug-designs/ Faig Ahmed (1982- https://www.faigahmed.com https://www.youtube.com/watch? v=nT9PwBqDDMw https://www.shangrilahawaii.org/ visit/residencies/faig-ahmed/ Faig Ahmed is an Azerbaijani contemporary visual artist who is best known for his surrealist weavings which integrate visual distortions into traditional oriental rugs. Afghan War Rugs Since the Soviet invasion of Afghanistan in 1979 and continuing today, traditional Afghan rug weavers have incorporated stylized representations of political figures, Kalashnikovs, flags, maps, architectural landmarks, tanks, drones and ammunition amid colorful floral and geometric patterns; designs reflecting a reality familiar to the people of this multi-generational war-torn region. In 1971 the Italian conceptual artist Alighieri Boetti (1940-1994) began commissioning Afghan weavers to produce a series of map textiles originally inspired by his collected newspaper illustrations of the Arab-Israeli Six-Day War (1967). -
View from the Fringe Newsletter of the New England Rug Society
View from the Fringe Newsletter of the New England Rug Society Vol. XII, No. 1 September 2004 www.ne-rugsociety.org September Meeting: James Douglas on the Weavings of the Baluch In past years the NERS has heard in-depth sur- veys of almost all the major types of oriental rugs. A Next Two Meetings Details notable exception has been the Baluch—those mys- Dates: Friday, September 24 (Douglas) terious weavings whose austere exterior often hides Friday, October 22 (Poullada) a unique beauty of wool, color, and design. This omission is to be finally rectified at our first meet- Time: 7:30PM ing of the new season, when James Douglas will sur- Place: First Parish, Bedford Road, Lincoln vey the wide geographical and esthetic gamuts cov- Note: $5 guest fee for non-members ered by these weavings, both pile and flatweave. His Directions: See page 14 talk will be a particular treat because his illustra- tions will not be slides, but rather actual pieces from He has been actively involved with recent ACORs, his own extensive collection—including, for contrast, having curated the Baluch exhibition and hosted gal- some non-Baluch pieces. lery tours at ACOR 6, and having been a speaker at James Douglas has been a naval officer, col- ACOR 7. lege instructor, and freelance writer among other Attendees are encouraged to bring some of their pursuits. He now lives in St. Louis and collects rugs. own Baluchis for discussion after the lecture. October Meeting: Peter Poullada on Nomadic Life in the Hindu Kush A basic understanding of nomadic life contrib- an avid collector of central Asian tribal weavings for utes to a greater appreciation of the woven treasures over 20 years and is currently doing research on the that we collect. -
Ramezani-Catalogue.Pdf
www.ramezanirugs.com 1 —RAMEZANI Ramezani London, the largest wholesaler and distributor of quality hand-made rugs and carpets in Europe, with over 60 years of leading presence and experties globally, would like to introduce you to part of its exclusive collection. This catalouge represents part of our comprehensive collection of over 25,000 pieces of quality handmade carpets and kilims (flat weave). our wide range of carpets and kilims represented in this catalogue may come in various sizes from small to large depending on design and origin and are subject to availability. Bespoke rugs can also be provided. We would highly recommend you to visit our showrooms for a larger selection suiting your taste and space. “Luxury must be comfortable, otherwse it is not luxury” 2 3 Heritage 6 Our Services 8 Fine Persian • Qum 11 • Tabriz 14 • Nain 18 • Isfahan 22 Persian • Kashan 26 • Bidjar 29 • Classical Persian Design 33 Nomadic • Kashgai and Shiraz 36 • Gabbeh 40 Decorative: • Garous/Fine Garous (Afghanistan/Pakistan) 44 • Modern Garous (Aghanistan/Pakistan/Persian) 51 • Kazak (Afghanistan/Pakistan) 52 • Afghan/ Ersari Design/ Khal Mohammadi 56 Oversize and odd Sizes (Long & Narrow, circular) 60 Aubusson and Tapestries 66 Kilims, cushions and Stools 72 Antique Collection 83 Glossary 88 4 5 Our Heritage Ramezani Oriental Carpets was founded by In addition, he established his network of more late Nasser Ramezani in 1955, supplying many than 15 knowledgeable local agents obtaining rugs wholesalers, department stores and Oriental rug first hand directly in villages or small local bazaars specialist shops worldwide. at competitive prices. Soon he established a reputation and credibility Having their own washing and finishing plant that is still remembered among the trade due to his with the facility of a laboratoy and chemist, gave perseverance, commitment to hard work, honesty, them the possibility and the advantage over their kindness and his generosity towards his colleagues, competitors in washing and finishing the goods staff and people in need. -
Abstracts & Author Biographies for Textile Society of America, 15Th
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2016 Abstracts & Author Biographies for Textile Society of America, 15th Biennial Symposium (2016): Crosscurrents: Land, Labor, and the Port Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons "Abstracts & Author Biographies for Textile Society of America, 15th Biennial Symposium (2016): Crosscurrents: Land, Labor, and the Port" (2016). Textile Society of America Symposium Proceedings. 1061. https://digitalcommons.unl.edu/tsaconf/1061 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Dr. Heather J Abdelnur, Ph.D. Associate Professor of History, Augusta University The British are Coming! A Contraband Cloth Tsunami Flows Over Maya Handicrafts and Homespun in the Kingdom of Guatemala, 1760-1820 1 B. Colonial Export Latin America today has a lower perceived place on the global scale of development in comparison to other Western regions, however incorrect that assumption may be. And, Central American nations, in particular, -
Weaving and the Value of Carpets: Female Invisible Labour and Male Marketing in Southern Morocco
Weaving and the value of carpets: female invisible labour and male marketing in southern Morocco Myriem N. Naji Department of Anthropology University College London Degree of Doctor of Philosophy 2007 UMI Number: U591772 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U591772 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Whilst there have been important publications on material culture studies in recent years, this literature tends to accept the prior experience of objects as given material facts. This thesis aims at providing a contribution to the conception of materiality through an ethnography of production grounded in long-term fieldwork. The research took place in the Sirwa Mountain, to the South East of Marrakech, Morocco, where the best selling carpets in Morocco are exclusively produced by women, and marketed by men. This thesis develops an ethnography of weaving framed within the francophone anthropology of techniques (Technologic culturelle). Particularly, I use the emphasis of the Matiere a Penser group on the role of the moving body mediated by material culture to examine how particular embodied relationships to specific materialities shape particular gendered subjectivities. -
Download the Print Catalog (PDF)
THE COLLECTOR’S EYE : Art, Antique Carpets, Decorative & Ethnographic Arts, including property from GlaxoSmithKline LLC AUCTION February 24, 2013 | 11AM EXHIBITION February 21 - 23 | 10AM-5PM Daily 4700 Wissahickon Avenue | Philadelphia, PA 19144 | 215-438-4700 | www.materialculture.com Property from the Collection of GlaxoSmithKline LLC One of the exceptional pieces brought detractors of American craft by winning to auction by GlaxoSmithKline is a the First Prize Gold Medal at the Rookwood Vase from 1900, decorated Paris Exposition Universelle in 1889. by Kitaro Shirayamandi with gorgeous Japanese artist Kitaro Shiryamandi was chrysanthemums for Rookwood invited to come to Ohio to create for the Pottery. Maria Longworth founded company in 1887, and the vase up at the Rookwood Pottery Company in auction on February 24 is a spectacular 1880 in Cincinnati, Ohio, inspired example of his artistry. In excellent by Japanese ceramics and under- condition and gleaming with golden glaze French pottery. Rookwood was and cream chrysanthemums against the first American company to gain a dark background, the hand-painted international admiration for ceramics earthenware piece–produced in 1900– from the United States, surprising measures a massive 18 by 9.5 inches. LOT 18 for designing the Diamond and Bird As is seen on some but not all of Bertoia’s chairs for the Knoll furniture company, sounding sculptures, the rods are capped which became icons of modernist with metal cylinders to accentuate the furniture, and for his “Sonambient” movement initiated by a hand or puff of sound sculpture. When he began air. Bertoia had renovated an old barn exploring tonal sculpture in 1960, he was on his estate in Bally, Pennsylvania and already well-known for his sculptures assembled 100 sounding sculptures into and installations, but his innovation in the acoustically-perfected space, where creating sculptures that generate their he recorded eleven albums featuring the own otherworldly music has come to be sonorous, sometimes haunting, tones his hallmark. -
Heydər Əliyev Fondunun Dəstəyi Ilə with the Support Ofthe Heydar Aliyev Foundation Vidadi Muradov Vidadi Muradov
Heydər Əliyev Fondunun dəstəyi ilə with the support ofthe Heydar Aliyev Foundation Vidadi Muradov Vidadi Muradov İS. a 3 AZƏRBAYCAN XALÇALARI AZERBAIJANI CARPETS QARABAĞ QRUPU GARABAGH GROUP ______ Azərbaycan Respublikas. Prezidentinin j ş l ə r İdarəsi PRPZİDENT KİTABXANASI BAKI - “ELM” - 2010 BAKU~:ELM" - 2010 Elmi redaktor: Kübra Əliyeva sənətşünaslıq doktoru, professor Rəyçilər: Havva Məmmədova MÜNDƏRİCAT/ CONTENTS millət vəkili, tarix elmləri namizədi Asya Şirəliyeva L. Kərimov adına Azərbaycan Xalçası və Xalq Tətbiqi Sənəti Dövlət Muzeyinin direktor müavini Böyük layihə: Azərbaycan xalçaları bütün məktəbləri ilə......................................................................... 7 Tərcüm əçi: Yalçın Səlimov The Large-scale Project: “Azerbaijani Carpet Schools”............................................................................... 3 5 Dizayn: Səbuhi Hüseynov Azərbaycanın Qarabağ bölgəsi: tarixi oçerk........................................................................................................13 Vidadi Muradov. Azərbaycan xalçaları. Qarabağ qrupu. Bakı: Elm, 2010, 272 s. The Garabagh Region ofAzerbaijan: A Historical Sketch.................................................................................. 39 “Azərbaycan xalçaları bütün məktəbləri ilə" adlı böyük layihədən olan bu kitab Azərbaycanın ayrılmaz tərkib hissəsi olan Qarabağ xalçaçılıq məktəbinə həsr edilmişdir. Kitabda Qarabağın keçdiyi tarixi inkişaf yolu, burada xalçaçılığın təşəkkülü, onun inkişafı mərhələləri, səciyyəvi xüsusiyyətləri əksini tapmışdır. -
January 2017 Issue Ihib's 10Th Carpet Design Contest Muhammed Türk, Destruction 1St Prize Award Dear Rug Lovers
İHİB’s magazine of Anatolian rugs and kilims January 2017 issue ihib's 10th carpet design contest muhammed türk, destruction 1st prize award Dear Rug Lovers, Anatolia is one of the most important rugs and kilims centres, thus of weaving. We, living in this land, are lucky to be part of this heritage. We all know that rugs are not only used in daily life but also are works of art. These characteristics render rugs an important historical source. While shaping the future of Turkish rugs, we do not forget the past. İHİB (Istanbul Carpet Exporters’ Association), the most important representative of the Turkish rug and kilim industry, is dedicated to taking this heritage one step further by making design and designers an inseparable part of our life and our society. Having celebrated the 10th National Carpet Design Awards, our aim is to discover talented young designers and to channel them towards the carpet industry by emphasizing cooperation between universities and the rug sector. İHİB supports projects to revive weaving in different regions of Anatolia as well as projects to produce rugs in schools for the handicapped in order to help their reintegration into society. These projects and our dynamism will allow us to maintain the top position as manufacturers and exporters of machine woven rugs and also to become the top exporter of handwoven design rugs. While maintaining our worldwide known “Turkish Carpet” brand, our main goal is to create a new worldwide known brand, the “Turkish Design”. As well as our many projects to attract attention to our heritage and to the designing potential in Turkey, we held the 1st Istanbul Carpet Week that included the 1st Istanbul International Carpet Conference with an audience of 300 guests and B2B meetings with 100 foreign buyers.