Women's Economic Empowerment Carpet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dear Sir/Madam, We Are Pleased to Inform You That IMC Chamber Of
Dear Sir/madam, India-Afghanistan International Trade andWe areInvestment pleased to Show informPassage you that to IMCProsperity” Chamber of CommerceSeptember and 13 Industry-15, 2018 along withHotel USAID JW MarriottAfghanistan Sahar and, MumbaiAfghanistan 400099 Government. is organizing “ from at the The event aims to advance trade integration by establishing economic and trade ties between Afghanistan and the international markets through business-to-business matching and consumer sales. The trade show will be attended by eminent international and Afghan businesses, government officials, members of the media, and organizers to foster commercial ties between Afghanistan and India. In parallel to the business component, a series of panels on topics including civil aviation, mining, clean energy, and health and financial services investment opportunities will also be held during the India-Afghanistan International Trade and Investment Show. At this event we are expecting more than 200+ Afghan businesses, including women-owned businesses, to participate at the event. A list of sectors that will represented by the Afghan private Afghansector at Luxury this year’s Goods show are as under.Agriculture Infrastructure Gemstones and Jewelry Fresh & Dried Fruit Energy Carpets and Rugs Spices & Nuts Electric Power Generation Cashmere, Silk, and Wool Cold Chain & Storage Construction Apparel – Shoes, Coats, and Food Processing Airport Infrastructure Accessories Marketing Air Cargo & Civil Aviation Leather HealthMarble and Education Cross-Cutting Heavy Industry Hospitals Consulting Services Mining-Marble, Talc & Gold Medical devices & equipment IT & Telecommunications Trucks & Heavy Equipment Diagnostic services Financial Services Automobiles & Auto Parts Health insurance & technologies Women-owned Pharmaceutical products Enterprises Tech partnerships w/ private universities WePrivate invite financingthe members-dormitories to apply for B2B meeting for the above sectors by filling the B2B form. -
Glossary of Carpet and Rug Terms
Glossary of Carpet and Rug Terms 100% Transfer - The full coverage of the carpet floor adhesive into the carpet backing, including the recesses of the carpet back, while maintaining full coverage of the floor. Absorbent Pad (or Bonnet) Cleaning - A cleaning process using a minimal amount of water, where detergent solutions are sprayed onto either vacuumed carpet, or a cotton pad, and a rotary cleaning machine is used to buff the carpet, and the soil is transferred from the carpet to the buff pad, which is changed or cleaned as it becomes soiled. Acrylic/Modacrylic - A synthetic fiber introduced in the late 1940's, and carpet in the late 1950's, it disappeared from the market in the late 1980's due to the superior performance of other synthetics. Acrylics were reintroduced in 1990 in Berber styling to take advantage of their wool-like appearance. Modacrylic is a modified acrylic. While used alone in bath or scatter rugs, in carpeting it's usually blended with an acrylic. Acrylics are known for their dyeability, wearability, resistance to staining, color retention and resistance to abrasion. They're non-allergenic, mildew proof and moth proof. Adhesive - A substance that dries to a film capable of holding materials together by surface attachment. Anchor Coat - A latex or adhesive coating applied to the back of tufted carpet, to lock the tufts and prevent them from being pulled out under normal circumstances. Antimicrobial - A chemical treatment added to carpet to reduce the growth of common bacteria, fungi, yeast, mold and mildew. Antistatic - A carpet's ability to dissipate an electrostatic charge before it reaches a level that a person can feel. -
Azerbaijani Carpet of Safavid Era
Traditional crafts Roya TAGIYEVA Doctor of Arts Azerbaijani carpet of Safavid era Fragments of the Sheikh Safi carpet. Tabriz, 1539. Victoria and Albert Museum, London he Azerbaijani carpet has always, especially during mastered the art of miniature painting. In this respect, the cultural upsurge in the East, been a synthe- the 16th century, which went down in the history of Azer- Tsis of many aesthetic principles. Remaining tra- baijan as a golden age of culture, is characteristic. The ditional in their spirit and organization of the material, authentic masterpieces of carpet making of that time carpets absorbed a variety of elements of the reality - combined the subtlety and grace of miniature painting, their creators drew motifs from literature and creatively the traditional decorative-planar solution of motifs and 18 www.irs-az.com 2(30), SPRING 2017 Sheikh Safi carpet. Tabriz, 1539. Victoria and Albert Museum, London www.irs-az.com 19 Traditional crafts Namazlig. Tabriz, 16th century. Topkapi Museum, Istanbul 20 www.irs-az.com 2(30), SPRING 2017 Namazlig. Tabriz, 16th century. Topkapi Museum, Istanbul a magnificent color palette reflecting all the colorfulness and diversity of nature. In the 16th century, the Azerbaijani Safavid dynasty, which created a strong centralized state, encouraged the development of culture and art. In Tabriz, the capital of the mighty Safavid state, which became one of the leading cultural centers of the East, a bright and distinc- tive school of miniature painting took shape. Miniatures of this period stored in private collections, in the British Museum in London and in the Topkapi Museum in Istan- bul depict beautiful carpets with Kufic inscriptions, art compositions “islimi”, “khatai”, “bulud”, namaz (prayer) rugs with a smooth background, afshan compositions, “lachak- turunj” compositions, etc., as well as carpets with a plot. -
CARPET WARRANTY BROCHURE Technical and Cleaning Instructions
CARPET WARRANTY BROCHURE Technical and Cleaning Instructions Please check your sample to confirm what warranties apply Southwind Carpet Mills is proud to provide products made here in the USA. Page 1 of 14 Southwind Warranty Brochure CMGH01162019 HOUSEHOLD TEXTURE SOIL ABRASIVE LIMITED FADE ANTI MANUFACTURING SOUTHWIND LIMITED WARRANTY CHART* COVERAGE** PET RETENTION RESISTANCE WEAR STAIN RESISTANCE STATIC DEFECTS TM So Soft PET 25 Year 25 Year Life Time 25 Year Material Life Time 25 Year Life Time 2 years Sosoft NYLON® 25 Year 25 Year Lift Time 25 Year Material Life Time 25 Year Life Time 2 years NA 20 Year 20 Year 20 Year Material 20 Year NA NA 2 years Office I Solutions™ NA NA NA 10 Year Material NA* NA NA 2 years Polyester / Olefin / Polypropylene SOUTHWIND NA NA 3 Year 3 Year Material 3 Year 3 Year NA 3 years Indoor Outdoor / Carpet * This chart provides a snap shot of the warranties. For full details please refer to the actual copy of your warranty ** Material is pro-rated. For full details please refer to the actual copy of your warranty Page 2 of 14 Southwind Warranty Brochure CMGH01162019 Table of Contents Southwind Warranty Chart 2 General Warranty Information 4 Southwind Carpet Mills Performance Warranty Detail 5 Limited Stain Resistance Warranty 5 Limited Soil Resistance Warranty 6 Limited Anti-Static Warranty 6 Limited Abrasive Wear Warranty 6 Limited Texture Retention Warranty 7 Limited Fade Resistance Warranty 7 Limited Pet Urine Stain Warranty 7 General Terms, Limitations and Warranty Exclusions 8 Proration of Warranties 9 Limitations for all Southwind Carpet Mills' Carpet 10 Southwind Carpet Mills Limited Liability 11 Disclaimer of Implied Warranties 11 Carpet Cushion requirements 11 Homeowners Responsibilities and Obligations 12 How Do I File A Claim? 12 Caring for Your Carpet 12 What Is Normal and Acceptable? What Is Not? 13 Manufacturing Defect Warranty 14 Page 3 of 14 Southwind Warranty Brochure CMGH01162019 This brochure will explain Southwind’s warranty coverage and what you can expect from your recently installed carpet. -
Afghan War Rugs
The Modern Art of Central Asia The Modern Art of Central Asia August 21 - October 16, Organized and curated by Enrico Mascelloni and Annemarie Sawkins, Ph.D. PREFACE Afghan War Rugs: The Modern Art of Central Asia is an important international exhibition that brings to the United States, for the first time, one of the most distinct collections of Afghan war rugs in the world. The mostly women artists who wove the rugs abandoned their traditional nonfigurative styles to produce rich pictorial images that recount a broader story. In knotted rugs with maps, portraits of kings, khans, and military leaders, and in rugs with weapons, the weavers revolutionized an ancient craft. Purchased throughout Central Asia and in Europe, the over 40 rugs in this collection were selected for their exceptional quality, rarity, and surprising content. They represent an encounter of timeless aesthetic tradition with the violent, roiling reality of contemporary Central Asia. Wardak Province, central Afghanistan. Image courtesy of Cultural Section of the Embassy of Afghanistan, Washington, D.C. 1 Left rug: Rug with Map of Afghanistan, knotted wool, Western Afghanistan, acquired in Peshawar (Pakistan), 2006, 77 × 44 ⁄2 inches 1 1 Right rug: War Rug, knotted wool, Western Afghanistan, acquired in Peshawar (Pakistan), 2012, 34 ⁄2 × 157 ⁄2 inches 1/20 Afghan War Rugs: The Modern Art of Central Asia 2/20 AFGHANISTAN: A TIMELINE 1839–1842 1953 1986 1999 1st Anglo-Afghan War General Mohammed Daud, as prime Mohammed Najibullah takes over Kamal; United Nations sanctions -
Oriental Rugs from Persia, Afghanistan, Turkey
Modified By The Rug Guru Oriental Rugs From Persia, Afghanistan, Turkey ... Turkmen Rugs Geography West Turkestan is an area of some 700,000 square kilometres with the Caspian Sea to the west, the Mangyshlak Peninsula to the northeast and the Kapet-Dagh Mountains and the outskirts of the Hindukush forming a semicircle to the south. West of what since 1924 has been the border of the Soviet Socialist Republic of Turkmenistan are Afghanistan and the Iranian province of Khorassan. At the eastern side is the huge Chinese province of Xinjiang (Sinkiang). Usually referred to in the context of weaving literature as East Turkestan. Thus viewed in simple geographic terms, it is easier to understand the nature of this Eurasian basin, part of the ancient world's dry belt. To the western side of the region is the Karakum desert and to the east, between the Amu- Darya and Syr-Darya rivers, is the Kyzylkum desert. To the south, that there was earlier the Soviet Socialist Republic of Uzbekistan, now this independent state, are the important trading centres of Bukhara and Samarkand. The latter having been a major post along the ancient Silk Road, which ran from China through East Turkestan and on westwards, via Tashkent in Uzbekistan, Mary (Merv) in Turkmenistan and Khorasan. Many different ethnic groups have occupied this region for millennia and among those associated with weaving, in addition to the Turkmen's themselves, are the Uzbeks, Karakalpaks and Kirgiz. Historical Research Serious research into the weaving culture of the Turkmen's must, of course, encompass more than aesthetic appreciation. -
Anatomy of Persian & Oriental
dÌ¿z»ZÀ¼ÁdÌ¿¹Â¸ »Öf{Ä],§d§Z]ÁxËZe0 ½ZÌ¿YËYįdY¾ËYº¸»|« |ÁĬÀ»¹Y|¯Y§d§Z]į «YÁ{ |¿YÃ{¯Á/Y§d§Z]į|Àf/ÅÖ»Y«Y¾Ì·ÁYĸ¼mY YÌ]{ÁZf/{Ö§Z]§»Y{,Á»Y½ZÌ¿YËY{§Ä]vÀ»/v^e dYÄÀÌ»¾ËY{Ä]neÁÔeµZ www.Rug.VestaNar.com Nasir al-Mulk Nasir al-Mulk is a famous historic mosque in the center of Shiraz, located near the Shah Cheragh shrine. It was constructed in the Qajar Dynasty in 1876 by Lord Mirza Hasan Ali Nasir al Mulk. The mosque is known for its extensive use in colored glass in its façade. The construction of the mosque uses other traditional structural elements as well such as “panj kasehi” (five concaves). These days, the mosque is more of a tourist attraction than a place for prayer. Like all mosques in Iran, you must remove your shoes before entering and the floor is lined with Persian rugs from wall to wall. We found out that underneath the rugs is actually a beautiful marble floor as well. www.Rug.VestaNar.com ½YËY¥Z^f{§½Z³|ÀÀ¯{ZÁ½Z³|ÀÀ¯|Ì·ÂeÄË{ZveYÄ»Z¿¶§ ¿Yc¸y{ ¹ÔY¾Ì^»¾Ë{½YÁY§ÄmÂeÄ]¶^«Ä·Z¬»{ÁÄË¿Y¾ÌÌaÃZ¼{ ºË{¯ÃZYZÆ¿Z¿YÖËZÌ¿{¶ËZ»Ä] ½M«cZËMYÖy]ÄÀËY¾¼ dY]Y]ºË¯½M«{cyMÁZÌ¿{cZ¼¸¯Y°e{Y| eį|Äf¨³ Á ºË{ÁMµZj»|ÅZ½YÂÀÄ]dYÄf§³Y«|̯Pe{»cyMÄ]ÄmÂeZÀ¯{ZÌ¿{Ä]ÄmÂeZÆ¿M{įYºË¯ įd¨³ºÌÅYÂy\¸»Ä»Y{Y{®ÀËY Ã|Á|À¿Z» dYÃ{Y{½ZÅZÀ³ÁÖZ »YÕZÌ]]cyMºÅZÌ¿{ºÅÕÁyYÁÕÂÌ¿{[Y~Ã|ÁºË¯½M«{|¿ÁY|y |ÀÀ¯Ö»\ËzeY|mZ»Ä¯Ö¿Z¯Á{ÂÖ»|mZ»{¹{»ÂuY¿Z»Ä¯Ö¯]cyMÁZÌ¿{{[Y~ ì]ÃÂÄËM 3 4 3 3 Ê5§º7 Æ4 3·Á3 É1 7 yZ5 Ì3 7¿|·YÊG 5§º7 Æ4 3·¾Ì3 ¨5 5WZy3 ÓF 5SZÅÂ3 ¸4 y4 |7 3˽7 Oº7 Æ4 3·½Z3 ¯Z3 »3 ®3 X5 3·ÁOZÆ3 5]Y3 yÊ3 5§Ö 3 3 Á3 Ä4 ¼4 YZ7 ÆÌ3 5§3 ¯3 ~7 4˽7 O5×YF |3 mZ5 3 »3 3 À3 »3 ¾7 ¼F »5 º4 3¸7 O¾7 »3 Á3 ºÌ1 -
Afghan Wars, Oriental Carpets, and Globalization
University of Pennsylvania ScholarlyCommons Department of Anthropology Papers Department of Anthropology 3-2011 Afghan Wars, Oriental Carpets, and Globalization Brian Spooner University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/anthro_papers Part of the Anthropology Commons Recommended Citation Spooner, B. (2011). Afghan Wars, Oriental Carpets, and Globalization. Expedition, 53 (1), 11-20. Retrieved from https://repository.upenn.edu/anthro_papers/63 View this article on the Expedition Magazine website. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_papers/63 For more information, please contact [email protected]. Afghan Wars, Oriental Carpets, and Globalization Abstract The afghan war rugs on exhibit at the Penn Museum from April 30 to July 31, 2011, raise a number of interesting questions—about carpets, Afghanistan, and the way the world as a whole is changing. These rugs, which come in a variety of sizes and qualities, derive from a tradition of oriental carpet-weaving that began to attract the attention of Western rug collectors in the late 19th century. Unlike the classic museum pieces that were produced on vertical looms in the cities of western Asia for use in palaces and grand houses, war rugs came from horizontal looms in small tribal communities of Turkmen and Baloch in the areas of central Asia on either side of the northern border of Afghanistan—tribal communities that were incorporated into the Russian Empire in the 19th century. Disciplines Anthropology | Social and Behavioral Sciences Comments View this article on the Expedition Magazine website. This journal article is available at ScholarlyCommons: https://repository.upenn.edu/anthro_papers/63 Afghan Wars, Oriental Carpets, and Globalization by brian spooner he afghan war rugs on exhibit at the Penn Museum from April 30 to July 31, 2011, raise a number of interest- ing questions—about carpets, TAfghanistan, and the way the world as a whole is changing. -
Areathe Offical Publication of the Oriental Rug Importers Association, Inc
AREATHE OFFICAL PUBLICATION OF THE ORIENTAL RUG IMPORTERS ASSOCIATION, INC. DESIGN FOCUS Brian Murphy SPRING 2016 spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 HERMITAGE COLLECTION TRULY ORIGINAL RUGS, PILLOWS AND THROWS Visit us at High Point | April 16-20, IHFC D320 LOLOIRUGS.CO M/HERMITAGE spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 jamison 53304 jamison 53308 maddox 56503 Invite your customers to experience island-inspired living at its fi nest through the refi ned yet casual Tommy Bahama area rug collection. OWRUGS.COM/ Tommy spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 INTRODUCING THE CHELSEA COLLECTION AN EXCLUSIVE FINE WOOL AND SILK CARPET PRODUCTION N e w J e r s e y D e l h i S h a n g h a i D u b a i M e l b o u r n e spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 spring 2016 final.qxp_001 FALL 2006.qxd 3/16/16 11:57 AM Page 6 From the President’s Desk Dear Colleagues and Friends, will enhance the image of the oriental and orien- tal style rug and spark a new awareness and Judging from reports, the most recent January appreciation of a wide variety of rugs from all rug trade shows were well attended and sales were producing countries. So while congratulations are solid. Dealers in attendance reported they had a in order for members who had been and now will good 2015, finishing the year with be actively importing rugs from strong sales. -
En | Friezing Machine for Carpet Yarn
EN | FRIEZING MACHINE FOR CARPET YARN aaaaaaaaaaaaaaa FRIEZING MACHINE • Texturizing device for carpet yarn • Possible single step process with MCD3 space-dyeing machine New styles of frieze yarn for new styles of carpet WIDE RANGE of FRIEZE EFFECTS HIGH PRODUCTIVITY ELECTRONIC CONTROL • Bulkier yarn for a better carpet coverage • No false twist device for an easy threading • New CP4 fully digital taking-up regulation • Adjustable frieze effect from light to strong • Up to 500Kgs/hour (with TVP3-15m) • Independent from external light • Very even waves - Knit-deknit imitation • Anti-roll-up laser detection fluctuations - micro controller based • More even crimp on the yarn gives a more • Better yarn density consistency on the • High level of reproducibility thanks to even surface covering appearance on the conveyor belt thanks to the mixing drum PLC control and unlimited number of textile carpet recipes CHARACTERISTICS & ENERGY CONSUMPTION TECHNICAL INFORMATION installed power: 9 KVA Production : Up to 10 Tons/day and more 600 m/min (depending on yarn count / number of ends, tunnel length) ~ consumption: 3-5 KW/h Dimensions : - LENGTH : 130 cms up to 72 ends air pressure: 90 psi - WIDTH : 102 cms - HEIGHT : 150 cms - WEIGHT : 600 Kgs steam: 25 - 30 Kgs/h LINE CONFIGURATION PROCESS ADVANTAGES ERGONOMIC & EASY TO USE • The MF400 friezing machine needs to • Delicate yarns can be processed (single • 6’’ colour touch-screen for easy process be used in conjonction with a TVP3 end low twist and/or low DPF yarns) management heat-setting line (at the line entry). • The MF400 is connected to the TVP3 • Adjustment of frieze effect • It can also be used at the output of a heatsetting line to enable the control of • Textile recipes MCD3 space-dyeing machine (before the laying and pre-feeding speed (for yarn TVP3 heat-setting), as one single step tension setting). -
Magic Carpet Ride
Magic Carpet Ride The Pazyryk Carpet is the world's oldest pile rug. It was found in a burial mound in the Pazyryk Valley in Siberia. Experts agree that it was most likely not made there, rather Persia or Armenia. They have dated it to some time in the 4th or 5th Century BCE (about 2,500 years old). https://www.mattcamron.com/ blog/the-worlds-oldest-rug-the- pazyryk-rug This Persian carpet dates back to the year 946. It took three years for five weavers to complete the carpet, which was ordered by Shah Tahmasp for the Sheikh Safi mosque. https://www.carpetencyclopedia.com/ Azerbaijan Carpet Museum https://www.youtube.com/watch?v=ai2hDCHSPRw https://www.advantour.com/azerbaijan/handcrafts/carpets.htm https://en.wikipedia.org/wiki/Azerbaijani_rug wool dying https://www.youtube.com/watch?v=Qq94Hvsx46k Motifs https://www.orientalrugsalon.com/interpreting-rug-designs/ Faig Ahmed (1982- https://www.faigahmed.com https://www.youtube.com/watch? v=nT9PwBqDDMw https://www.shangrilahawaii.org/ visit/residencies/faig-ahmed/ Faig Ahmed is an Azerbaijani contemporary visual artist who is best known for his surrealist weavings which integrate visual distortions into traditional oriental rugs. Afghan War Rugs Since the Soviet invasion of Afghanistan in 1979 and continuing today, traditional Afghan rug weavers have incorporated stylized representations of political figures, Kalashnikovs, flags, maps, architectural landmarks, tanks, drones and ammunition amid colorful floral and geometric patterns; designs reflecting a reality familiar to the people of this multi-generational war-torn region. In 1971 the Italian conceptual artist Alighieri Boetti (1940-1994) began commissioning Afghan weavers to produce a series of map textiles originally inspired by his collected newspaper illustrations of the Arab-Israeli Six-Day War (1967). -
Natural Dyeing in a Milas Carpet Weaving Village
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2008 Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village Ulara Tamura Kyoto University, [email protected] John Wells [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Tamura, Ulara and Wells, John, "Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village" (2008). Textile Society of America Symposium Proceedings. 137. https://digitalcommons.unl.edu/tsaconf/137 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village Ulara Tamura & John Wells [email protected] [email protected] Supplemental Technical Notes and Analysis to the Film BOZALAN, written by Ulara Tamura (2008, Filmed and Edited by John Wells, Edited and Translated by Ulara Tamura, Produced and Directed by Ulara Tamura & John Wells, 38min, http://bozalan.com.) This documentary, filmed in 2006, examines the process of naturally dyed carpet production in a village in the Milas region of Muğla Prefecture in southwest Turkey, a region well known as a traditional Turkish carpet production area. In large numbers of villages of this region, carpet weaving is the household based work of every woman who lives there.