Autobiographies
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Abstracts 1A
Transnational Italies: Mobility, Subjectivities and Modern Italian Cultures Conference, The British School at Rome, 26-28 October 2016-10-24 ABSTRACTS 1A - “Moving Borders, Moving Identities” Panel submitted by Eden McLean, Borut Klabjan, Vanni D’Alessio, Maura Hametz Chair: Loredana Polezzi Panel Overview Transnational studies have traditionally concerned themselves with the movement of goods, ideas, and people along and across borders, but not with the movement of the borders themselves. This panel seeks to position the movement of borders as a vital component of any conversation about what it means to be transnational, particularly in Europe’s era of the world wars. The four papers proposed here use case studies from the multiethnic—and transnational— borderlands of northeastern Italy (Trieste, Fiume/Rijeka, the Carso, and Alto Adige) to explore questions of Italian identity, citizenship, and state formation in the first half of the twentieth century. In the years directly following World War I, Italy sought to “redeem” the Italian identity of the populations living in the territories it acquired from the former Austro-Hungarian Empire. As the following papers will show, it sought to do so by imposing an official definition of Italian-ness on resident populations through the simultaneous processes of modifying language, education, and public space and subverting the presence of alternative national or ethnic affiliations. All of these efforts worked not only to transform the cultural landscape of these borderlands, but also to establish the very definition of what it meant to be Italian, at least on the edges of the Italian nation-state. Borut Klabjan, European University Institute and University of Primorska [email protected] “’Italianize it!’ National Homogenization in Interwar Trieste/Trst/Triest” After World War I, newly acquired borderlands played a key role in the national symbolism of post-war Italy. -
THE ITALIANS of BEXAR COUNTY, TEXAS: TRADITION, CHANGE and INTRAETHNIC DIFFERENCES by Valentine J
East Texas Historical Journal Volume 30 | Issue 2 Article 7 10-1992 The tI alians of Bexar County, Texas: Tradition, Change and Intraethnic Differences Valentine J. Belfiglio Follow this and additional works at: http://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Belfiglio, Valentine J. (1992) "The tI alians of Bexar County, Texas: Tradition, Change and Intraethnic Differences," East Texas Historical Journal: Vol. 30: Iss. 2, Article 7. Available at: http://scholarworks.sfasu.edu/ethj/vol30/iss2/7 This Article is brought to you for free and open access by SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. 30 EAST TEXAS HISTORICAL ASSOCIATION THE ITALIANS OF BEXAR COUNTY, TEXAS: TRADITION, CHANGE AND INTRAETHNIC DIFFERENCES by Valentine J. Be1figlio "San Antonio ... the Venice of the Texas plains. " Mason Sutherland 1 This paper will explore tradition, change and intraethnic differences among Italian-American families whose ancestors settled in Bexar County, Texas, before 1920. After a historical overview, it will contrast immigrant and contemporary attitudes towards fertility, child-rearing patterns, sex ual behavior, friendships and memberships in clubs, and attitudes towards verbal arts, music, and sculpture. Finally, it will contrast the beliefs, technology, norms, values, and language (including nonverbal communica tion) of Italian immigrants and contemporary Italian-Americans. It is hoped that this study will lead to a better understanding of the Italian subculture in Bexar County, and the ways in which that subculture has been affected by the dominant, Southern Anglo-American culture. -
LITUANUS Cumulative Index 1954-2004 (PDF)
LITUANUS Cumulative Index 1954-2004 Art and Artists [Aleksa, Petras]. See Jautokas. 23:3 (1977) 59-65. [Algminas, Arvydas]. See Matranga. 31:2 (1985) 27-32. Anderson, Donald J. “Lithuanian Bookplates Ex Libris.” 26:4 (1980) 42-49. ——. “The Art of Algimantas Kezys.” 27:1 (1981) 49-62. ——. “Lithuanian Art: Exhibition 90 ‘My Religious Beliefs’.” 36:4 (1990) 16-26. ——. “Lithuanian Artists in North America.” 40:2 (1994) 43-57. Andriußyt∂, Rasa. “Rimvydas Jankauskas (Kampas).” 45:3 (1999) 48-56. Artists in Lithuania. “The Younger Generation of Graphic Artists in Lithuania: Eleven Reproductions.” 19:2 (1973) 55-66. [Augius, Paulius]. See Jurkus. 5:4 (1959) 118-120. See Kuraus- kas. 14:1 (1968) 40-64. Außrien∂, Nora. “Außrin∂ Marcinkeviçi∆t∂-Kerr.” 50:3 (2004) 33-34. Bagdonas, Juozas. “Profile of an Artist.” 29:4 (1983) 50-62. Bakßys Richardson, Milda. ”Juozas Jakßtas: A Lithuanian Carv- er Confronts the Venerable Oak.” 47:2 (2001) 4, 19-53. Baltrußaitis, Jurgis. “Arts and Crafts in the Lithuanian Home- stead.” 7:1 (1961) 18-21. ——. “Distinguishing Inner Marks of Roerich’s Painting.” Translated by W. Edward Brown. 20:1 (1974) 38-48. [Balukas, Vanda 1923–2004]. “The Canvas is the Message.” 28:3 (1982) 33-36. [Banys, Nijol∂]. See Kezys. 43:4 (1997) 55-61. [Barysait∂, DΩoja]. See Kuç∂nas-Foti. 44:4 (1998) 11-22. 13 ART AND ARTISTS [Bookplates and small art works]. Augusts, Gvido. 46:3 (2000) 20. Daukßait∂-Katinien∂, Irena. 26:4 (1980) 47. Eidrigeviçius, Stasys 26:4 (1980) 48. Indraßius, Algirdas. 44:1 (1998) 44. Ivanauskait∂, Jurga. 48:4 (2002) 39. -
"A Road to Peace and Freedom": the International Workers Order and The
“ A ROAD TO PEACE AND FREEDOM ” Robert M. Zecker “ A ROAD TO PEACE AND FREEDOM ” The International Workers Order and the Struggle for Economic Justice and Civil Rights, 1930–1954 TEMPLE UNIVERSITY PRESS Philadelphia • Rome • Tokyo TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2018 by Temple University—Of The Commonwealth System of Higher Education All rights reserved Published 2018 All reasonable attempts were made to locate the copyright holders for the materials published in this book. If you believe you may be one of them, please contact Temple University Press, and the publisher will include appropriate acknowledgment in subsequent editions of the book. Library of Congress Cataloging-in-Publication Data Names: Zecker, Robert, 1962- author. Title: A road to peace and freedom : the International Workers Order and the struggle for economic justice and civil rights, 1930-1954 / Robert M. Zecker. Description: Philadelphia : Temple University Press, 2018. | Includes index. Identifiers: LCCN 2017035619| ISBN 9781439915158 (cloth : alk. paper) | ISBN 9781439915165 (paper : alk. paper) Subjects: LCSH: International Workers Order. | International labor activities—History—20th century. | Labor unions—United States—History—20th century. | Working class—Societies, etc.—History—20th century. | Working class—United States—Societies, etc.—History—20th century. | Labor movement—United States—History—20th century. | Civil rights and socialism—United States—History—20th century. Classification: LCC HD6475.A2 -
BOOKS by ITALO Calvina the Baron in the Trees The
,. BOOKS BY ITALO CALVINa The Baron in the Trees The Nonexistent Knight and The Cloven Viscount The Path to the Nest of Spiders Cosmicomics t zero The Watcher and Other Stories Invisible Cities The Castle of Crossed Destinies Italian Folktales If on a winter's night a traveler Marcovaldo, or The seasons in the city Difficult Loves Mr. Palomar The Uses of Literature Under the Jaguar Sun Six Memos for the Next Millennium Road to San Giovanni Translated from the Italian by William Weaver A Harvest Book A Helen and Kurt Wolff Book Harcourt Brace & Company San Diego New York London Copyright © 1972 by Giulio Einaudi Editore English translation copyright © 1974 by Harcourt Brace & Company All rights reseIVed. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Requests for permission to make copies of any part of the work should be mailed to: Permissions Department, Harcourt Brace & Company, 6277 Sea Harbor Drive, Orlando, Florida 32887-6777. This is a translation of Le citta tnvisibili. Library of Congress Cataloging-in-Publication Data Calvino, Italo. Invisible cities. (Haxvest: pbk.) Translation of Le dna invisibili. "A Helen and Kurt Wolff book." 1. Polo, Marco, 1254?-1323?-Fiction. 2. Kublai Khan, 1216-1294-Fiction. 1. Title. [PZ3.C13956In] 1978 [PQ4809.A451 853'.9'14 77-16002 ISBN 0-15-645380-0 Printed in the United States of America YXWVUT J S 7 Cities and memory. l. -
LP001061 0.Pdf
The James Lindahl Papers Papers, 1930s-1950s 29 linear feet Accession #1061 OCLC # DALNET # James Lindahl was born in Detroit in 1911. He served as Recording Secretary for the UAW-CIO Packard Local 190 and edited its newspaper in the 1930s and 1940s. Mr. Lindahl left the local in 1951 feeling that the labor movement no longer had a place for him. He earned a Master's degree from Wayne State University in Sociology in 1954 and later earned his living as a self-employed publisher in the Detroit area in various fields including retail, banking, and medicine. The James Lindahl Collection contains proceedings, reports, newspaper clippings, and election information pertaining to the UAW-CIO and its Packard Local 190 from the 1930s into the early 1950s. It also contains Mr. Lindahl's graduate school papers on local union membership and participation. The collection also contains publications, including pamphlets, books, periodicals, flyers and handbills, from many organizations such as the UAW, CIO, other labor unions and organizations, and the U.S. government from the 1930s into the early 1950s. Important subjects in the collection: UAW-CIO Packard Local 190 Union political activities Union leadership Ku Klux Klan Union membership Packard Motor Car Company 2 James Lindahl Collection CONTENTS 29 Storage Boxes Series I: General files, 1937-1953 (Boxes 1-6) Series II: Publications (Boxes 7-29) NON-MANUSCRIPT MATERIAL Approximately 12 union contracts and by-laws were transferred to the Archives Library. 3 James Lindahl Collection Arrangement The collection is arranged into two series. In Series I (Boxes 1-6), folders are simply listed by location within each box. -
The Italians of Bexar County, Texas: Tradition, Change and Intraethnic Differences
East Texas Historical Journal Volume 30 Issue 2 Article 7 10-1992 The Italians of Bexar County, Texas: Tradition, Change and Intraethnic Differences Valentine J. Belfiglio Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Belfiglio, alentineV J. (1992) "The Italians of Bexar County, Texas: Tradition, Change and Intraethnic Differences," East Texas Historical Journal: Vol. 30 : Iss. 2 , Article 7. Available at: https://scholarworks.sfasu.edu/ethj/vol30/iss2/7 This Article is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. 30 EAST TEXAS HISTORICAL ASSOCIATION THE ITALIANS OF BEXAR COUNTY, TEXAS: TRADITION, CHANGE AND INTRAETHNIC DIFFERENCES by Valentine J. Be1figlio "San Antonio ... the Venice of the Texas plains. " Mason Sutherland 1 This paper will explore tradition, change and intraethnic differences among Italian-American families whose ancestors settled in Bexar County, Texas, before 1920. After a historical overview, it will contrast immigrant and contemporary attitudes towards fertility, child-rearing patterns, sex ual behavior, friendships and memberships in clubs, and attitudes towards verbal arts, music, and sculpture. Finally, it will contrast the beliefs, technology, norms, values, and language (including nonverbal communica tion) of Italian immigrants and contemporary Italian-Americans. It is hoped that this study will lead to a better understanding of the Italian subculture in Bexar County, and the ways in which that subculture has been affected by the dominant, Southern Anglo-American culture. -
The Posthumanism of Italo Calvino's Fiabe Italiane
Fairy-Tale Metamorphosis and Becoming–Animal: The Posthumanism of Italo Calvino’s Fiabe Italiane Pablo a Marca Introduction In “Hybriditales: Posthumanizing Calvino,” Serenella Iovino describes Italo Calvino’s literary production as one of “hybriditales,” which she defines as “stories in which reality itself is a continuous flow of crossings” (2014, 220). Both in its historical construction as well as in its materiality, in these texts the human is “permeable to other natures, other matters, and other cultural agents,” meaning that being human already involves surpassing the boundaries of human “nature” (ibid., 219). Such a conception of the human is now part of theoretical discussions that fall under the label of posthumanism. While a standard definition of posthumanism does not exist, it is possible to say that posthumanist theorists typically share a suspicion regarding the historical notion of the human, which placed “man” at the center and created a series of others— woman, non-white, queer, animal, inanimate and so on—that are inferior to him. In reaction to this notion, posthumanism moves past humanism and anthropocentrism (Ferrando 2019, 24). Taking discourses themselves to be shapers of subjectivity and adopting a renewed form of materialism, posthumanists try to rethink the human from an onto–epistemological perspective. In so doing, they demonstrate the arbitrariness of categorical boundaries and address instead the flows between humans and the non-human world. Iovino finds a similar trend in Calvino’s literary production, which can be seen as a hybridization of “human nature” and the non-human world because it depicts crossings among matter, forms and signs (2014, 220). -
The Impact of Anti-Communism on the Development of Marxist Historical Analysis Within the Historical Profession of the United States, 1940-1960
BUILDING THE ABSENT ARGUMENT: THE IMPACT OF ANTI-COMMUNISM ON THE DEVELOPMENT OF MARXIST HISTORICAL ANALYSIS WITHIN THE HISTORICAL PROFESSION OF THE UNITED STATES, 1940-1960 Gary Cirelli A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2010 Committee: Dr. Douglas J. Forsyth, Advisor Dr. Don K. Rowney Dr. Timothy Messer-Kruse © 2010 Gary Cirelli All Rights Reserved iii ABSTRACT Dr. Douglas Forsyth, Advisor This study poses the question as to why Marxism never developed in the United States as a method of historical analysis until the mid-1960s. In this regard, the only publication attempting to fully address this question was Ian Tyrrell’s book The Absent Marx: Class Analysis and Liberal History in Twentieth-Century America, in which he argued that the lack of Marxist historical analysis is only understood after one examines the internal development of the profession. This internalist argument is incomplete, however, because it downplays the important impact external factors could have had on the development of Marxism within the profession. Keeping this in mind, the purpose of this study is to construct a new argument that takes into account both the internal and external pressures faced by historians practicing Marxism preceding the 1960s. With Tyrrell as a launching pad, it first uses extensive secondary source material in order to construct a framework that takes into account the political and social climate prior to 1960. Highlighting the fact that Marxism was synonymous with Communism in the minds of many, it then examines the ways in which the government tried to suppress Communism and the impact this had on the academy. -
The Acceptance of the Monstrous and Mystical in the Lais of Marie De France and Calvino’S Italian Folktales
ABSTRACT HUMAN WICKEDNESS AND MONSTROUS GOODNESS: THE ACCEPTANCE OF THE MONSTROUS AND MYSTICAL IN THE LAIS OF MARIE DE FRANCE AND CALVINO’S ITALIAN FOLKTALES This thesis examines positive portrayals of anatomically monstrous characters—such as shapeshifters, sirens, and witches—in the Lais of Marie de France and Italo Calvino’s Italian Folktales. It explores the ways in which physically monstrous—but essentially virtuous—figures are contrasted with morally bereft human characters. In these folktales, the juxtaposition with human characters is necessary in order for the positive qualities of the physically monstrous to become apparent. This thesis also discusses the function of monstrosity in the texts. In Marie’s Lais, unlike Calvino’s tales, monstrosity is associated with a critique of the medieval system of matrimony. Finally, this thesis will focus on the prerequisites for redemption for human characters who possess monstrous morals. In the Italian tales, villainous humans are more likely to be redeemed and reintegrated into society if they are male; female characters who question male dominance are largely condemned. Eryn Natalia Baldrica-Guy December 2016 HUMAN WICKEDNESS AND MONSTROUS GOODNESS: THE ACCEPTANCE OF THE MONSTROUS AND MYSTICAL IN THE LAIS OF MARIE DE FRANCE AND CALVINO’S ITALIAN FOLKTALES by Eryn Natalia Baldrica-Guy A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English in the College of Arts and Humanities California State University, Fresno December 2016 APPROVED For the Department of English: We, the undersigned, certify that the thesis of the following student meets the required standards of scholarship, format, and style of the university and the student's graduate degree program for the awarding of the master's degree. -
Italian Folktales
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Town Cape of Jill Joubert JBRJIL001 A minor dissertation submitted in partial fulfilment of the requirements for the award of the Degree of Masters in Fine Art. University Faculty of the Humanities University of Cape Town 2012 This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works of other people has been attributed, and has been cited and referenced. Signature ………………………………………….. Date …………………………………… 1 Town Cape of University This work is dedicated to the loving memories of my late mother, Maria Joubert and beloved husband, 2 Jonathan Berndt. Town Cape of Apple Girl Ingesting and Transforming APPLE GIRL fromUniversity Fairy Tale into Sculpture and Performance. by JILL JOUBERT 3 Town Cape of University DETAIL from The Boudoir of The Queen Contents 6. Introduction 14. Chapter One: Ingesting Apple GirlTown 27. Chapter Two: Constructing Apple Girl as Performed Sculpture 42. Chapter Three: The Iconography of theCape Sculpted Tableaux in Apple Girl 98. Conclusionof 100. Appendix A. Apple Girl in Italo Calvino’s Italian Folktales 104. References 108. UniversityBibliography 110. Image References 113. -
From the Mediterranean to Southeast Florida, 1896-1939 Antonietta Di Pietro Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-8-2013 Italianità on Tour: From the Mediterranean to Southeast Florida, 1896-1939 Antonietta Di Pietro Florida International University, [email protected] DOI: 10.25148/etd.FI13120902 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Cultural History Commons, and the European History Commons Recommended Citation Di Pietro, Antonietta, "Italianità on Tour: From the Mediterranean to Southeast Florida, 1896-1939" (2013). FIU Electronic Theses and Dissertations. 1003. https://digitalcommons.fiu.edu/etd/1003 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida ITALIANITÀ ON TOUR: FROM THE MEDITERRANEAN TO SOUTHEAST FLORIDA, 1896-1939 A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY by Antonietta Di Pietro 2013 To: Dean Kenneth G. Furton College of Arts and Sciences This dissertation, written by Antonietta Di Pietro, and entitled Italianità on Tour: From the Mediterranean to Southeast Florida, 1896-1939, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this dissertation and recommend that it be approved. _______________________________________ Pascale Becel _______________________________________ Gwyn Davies _______________________________________ Maria del Mar Logrono Narbona _______________________________________ Aurora Morcillo, Major Professor Date of Defense: November 8, 2013 The dissertation of Antonietta Di Pietro is approved.