The Italians of Bexar County, Texas: Tradition, Change and Intraethnic Differences
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Abstracts 1A
Transnational Italies: Mobility, Subjectivities and Modern Italian Cultures Conference, The British School at Rome, 26-28 October 2016-10-24 ABSTRACTS 1A - “Moving Borders, Moving Identities” Panel submitted by Eden McLean, Borut Klabjan, Vanni D’Alessio, Maura Hametz Chair: Loredana Polezzi Panel Overview Transnational studies have traditionally concerned themselves with the movement of goods, ideas, and people along and across borders, but not with the movement of the borders themselves. This panel seeks to position the movement of borders as a vital component of any conversation about what it means to be transnational, particularly in Europe’s era of the world wars. The four papers proposed here use case studies from the multiethnic—and transnational— borderlands of northeastern Italy (Trieste, Fiume/Rijeka, the Carso, and Alto Adige) to explore questions of Italian identity, citizenship, and state formation in the first half of the twentieth century. In the years directly following World War I, Italy sought to “redeem” the Italian identity of the populations living in the territories it acquired from the former Austro-Hungarian Empire. As the following papers will show, it sought to do so by imposing an official definition of Italian-ness on resident populations through the simultaneous processes of modifying language, education, and public space and subverting the presence of alternative national or ethnic affiliations. All of these efforts worked not only to transform the cultural landscape of these borderlands, but also to establish the very definition of what it meant to be Italian, at least on the edges of the Italian nation-state. Borut Klabjan, European University Institute and University of Primorska [email protected] “’Italianize it!’ National Homogenization in Interwar Trieste/Trst/Triest” After World War I, newly acquired borderlands played a key role in the national symbolism of post-war Italy. -
San Antonio San Antonio, Texas
What’s ® The Cultural Landscape Foundation ™ Out There connecting people to places tclf.org San Antonio San Antonio, Texas Welcome to What’s Out There San Antonio, San Pedro Springs Park, among the oldest public parks in organized by The Cultural Landscape Foundation the country, and the works of Dionicio Rodriguez, prolificfaux (TCLF) in collaboration with the City of San Antonio bois sculptor, further illuminate the city’s unique landscape legacy. Historic districts such as La Villita and King William Parks & Recreation and a committee of local speak to San Antonio’s immigrant past, while the East Side experts, with generous support from national and Cemeteries and Ellis Alley Enclave highlight its significant local partners. African American heritage. This guidebook provides photographs and details of 36 This guidebook is a complement to TCLF’s digital What’s Out examples of the city's incredible landscape legacy. Its There San Antonio Guide (tclf.org/san-antonio), an interactive publication is timed to coincide with the celebration of San online platform that includes the enclosed essays plus many Antonio's Tricentennial and with What’s Out There Weekend others, as well as overarching narratives, maps, historic San Antonio, November 10-11, 2018, a weekend of free, photographs, and biographical profiles. The guide is one of expert-led tours. several online compendia of urban landscapes, dovetailing with TCLF’s web-based What’s Out There, the nation’s most From the establishment of the San Antonio missions in the comprehensive searchable database of historic designed st eighteenth century, to the 21 -century Mission and Museum landscapes. -
THE ITALIANS of BEXAR COUNTY, TEXAS: TRADITION, CHANGE and INTRAETHNIC DIFFERENCES by Valentine J
East Texas Historical Journal Volume 30 | Issue 2 Article 7 10-1992 The tI alians of Bexar County, Texas: Tradition, Change and Intraethnic Differences Valentine J. Belfiglio Follow this and additional works at: http://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Belfiglio, Valentine J. (1992) "The tI alians of Bexar County, Texas: Tradition, Change and Intraethnic Differences," East Texas Historical Journal: Vol. 30: Iss. 2, Article 7. Available at: http://scholarworks.sfasu.edu/ethj/vol30/iss2/7 This Article is brought to you for free and open access by SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. 30 EAST TEXAS HISTORICAL ASSOCIATION THE ITALIANS OF BEXAR COUNTY, TEXAS: TRADITION, CHANGE AND INTRAETHNIC DIFFERENCES by Valentine J. Be1figlio "San Antonio ... the Venice of the Texas plains. " Mason Sutherland 1 This paper will explore tradition, change and intraethnic differences among Italian-American families whose ancestors settled in Bexar County, Texas, before 1920. After a historical overview, it will contrast immigrant and contemporary attitudes towards fertility, child-rearing patterns, sex ual behavior, friendships and memberships in clubs, and attitudes towards verbal arts, music, and sculpture. Finally, it will contrast the beliefs, technology, norms, values, and language (including nonverbal communica tion) of Italian immigrants and contemporary Italian-Americans. It is hoped that this study will lead to a better understanding of the Italian subculture in Bexar County, and the ways in which that subculture has been affected by the dominant, Southern Anglo-American culture. -
Papers, 1729-1967
Texas A&M University-San Antonio Digital Commons @ Texas A&M University-San Antonio Finding Aids: Guides to the Collection Archives & Special Collections 2020 Curtis (Albert) Papers, 1729-1967 DRT Collection at Texas A&M University-San Antonio Follow this and additional works at: https://digitalcommons.tamusa.edu/findingaids A Guide to the Albert Curtis Papers, 1729-1967 Descriptive Summary Creator: Curtis, Albert, 1897-1969 Title: Albert Curtis Papers Dates: 1729-1967 Creator An Ohio native, Albert Curtis (1897-1969) moved to Texas in 1933 and Abstract: eventually settled in San Antonio. While working as a civilian employee at San Antonio military bases, Curtis devoted much of his time to researching and writing, particularly on San Antonio, the Texas Revolution, and the Alamo. Content Manuscripts, correspondence, source material, and personal items make Abstract: up the Albert Curtis Papers, reflecting years of research and writing on the history of Texas. The bulk of the papers are edited typescripts. Many of these are works on the Texas Revolution, particularly the Battle of the Alamo and commander William Barret Travis. Identification: Col 1275 Extent: 13.09 linear feet (23 boxes, 3 oversize items) Language: Materials are in English. Repository: DRT Collection at Texas A&M University-San Antonio Biographical Note Born in Ohio in 1897, Albert Curtis came to Texas in 1933 after periods of residence in New Orleans, Louisiana, and North Carolina. A visit to the Alamo soon after his arrival sparked an interest in Texas history, an avocation he would pursue for the remainder of his life. After two years residence at the Veterans Administration hospital in Legion, Texas (now part of the town of Kerrville), Curtis moved to San Antonio, taking a room a short distance from the Alamo. -
The Effect of Art Music on Pompeo Coppini: Greatest Sculptor of Texas Monuments*
Sociology Study, November 2016, Vol. 6, No. 11, 706‐712 D doi: 10.17265/2159‐5526/2016.11.004 DAVID PUBLISHING The Effect of Art Music on Pompeo Coppini: Greatest Sculptor of Texas Monuments* Valentino Belfiglioa Abstract Art music has the ability to communicate, entertain, and inspire other artists. Opera is a dramatic multimedia genre which fuses solo and choral singing with instrumental accompaniment, dance, staging, costumes, scenery, and libretto. This multimedia approach can inspire painters, sculptors, poets, writers, and other musicians in their works. Italian opera greatly inspired Pompeo Coppini—the Italian sculptor. In particular, scenes and arias by Verdi and Puccini correlate with specific tasks involved in the creation of a monument. In creating the Alamo cenotaph, Coppini often played Gioacchino Rossini’s opera, “William Tell” (1829) correlating the sacrifices made by Texans for their independence at the Alamo (1836) with the sacrifices made by Swiss patriots in their independence from Austrian tyranny. This case study suggests that art music can enhance creativity and visual attention among artists of all genres. Keywords Art music, opera, sculpture, inspiration The author stood in front of a bust portraiture of Gaius sculptor, Pompeo Coppini, the greatest sculptor of Julius Caesar (100-44 B.C.) during a visit to the Texas monuments. Museo Nazionale Romano in Rome, Italy in 20011. Pompeo Coppini (1870-1957) produced art in the The sculpture is 27 inches long, 19 inches wide, and form of Roman classicism. He based his artistic 12 inches in depth. The figure of Caesar is made of designs on Roman classical models. -
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JoUR"Ab Of THE ,---�----� SDUTHERn·TEXl\S . ARCHAEDLOIiICAL .-.----.......ASSOCIATion fJ'e. dlLanzo Volume 8 NwOOer 1 1981 LA TIERRA Quarterly Journal of the Southern Texas Archaeological Association Volume 8, Number 1 Jimmy L. Mitchell January, 1981 Editor THE ROBERT F. HEIZER MEMORIAL AWARD FOR 1980.................................... 1 HISTORY AND ARCHAEOLOGY OF MISSION SAN ANTONIO DE VALERO (THE ALAMO) . ....... (Jack D. Eaton) ...... ......... ... .... ...... ...... ... 3 AN ARCHAEOLOGICAL SAMPLE FROM AN UNDOCUMENTED EDWARDS SITE IN NORTHERN BEXAR COUNTY, SOUTHERN TEXAS (Richard McReynolds and Keith Grunewald) ••••••••• 15 PALEO INDIAN LITHIC TECHNOLOGY AND NEW ASSOCIATED DATES FOR SITE 41 ME 3, •• 23 MEDINA COUNTY, TEXAS (Leland W. Patterson) •••••.••.•• ••••••••••••••••• DISTINGUISHING MAN-MADE FROM NATURAL FRACTURES (Lee Spencer) ••••••••••••••••... 27 AUTHORS •••••••••••••••••••••••••••••••••••••••••••• •••••••••••••••••••••••••••• 35 Cover Illustration: Mission San Antonio de Valero (The Alamo) ------- See Page 13 By Rose Marie Siebenhausen (Pen and Ink) Single copies of past issues and special publications are available from the business office: STAA, 123 East Crestline, San Antonio, TX 78201 For Membership information, contact the Membership Chairman: Liz Smith, 1607 West Huisache, San Antonio, TX 78201 For use of the STAA Lending Library, contact Ned Harris (733-0498) Manuscripts for the journal should be sent to: Editor, La Tieppa, Jim Mitchell, • 6 Southeast Road, Randolph AFB, TX 78148 (658-2440) Library of Congress Catalog No. 76-649774 All articles in La Tieppa are now summarized in Abstpaats in AnthpopoZogy, published by the Baywood Press. All contributions to this non-profit organization are tax deductible. THE ROBERT F. HEIZER MEMORIAL AWARD for 1980 The Robert F. Heizer Memorial Award was established by the Southern Texas Archaeological Association in 1979 to honor those individuals who had made an out standing contribution to the archaeology of this area. -
BOOKS by ITALO Calvina the Baron in the Trees The
,. BOOKS BY ITALO CALVINa The Baron in the Trees The Nonexistent Knight and The Cloven Viscount The Path to the Nest of Spiders Cosmicomics t zero The Watcher and Other Stories Invisible Cities The Castle of Crossed Destinies Italian Folktales If on a winter's night a traveler Marcovaldo, or The seasons in the city Difficult Loves Mr. Palomar The Uses of Literature Under the Jaguar Sun Six Memos for the Next Millennium Road to San Giovanni Translated from the Italian by William Weaver A Harvest Book A Helen and Kurt Wolff Book Harcourt Brace & Company San Diego New York London Copyright © 1972 by Giulio Einaudi Editore English translation copyright © 1974 by Harcourt Brace & Company All rights reseIVed. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Requests for permission to make copies of any part of the work should be mailed to: Permissions Department, Harcourt Brace & Company, 6277 Sea Harbor Drive, Orlando, Florida 32887-6777. This is a translation of Le citta tnvisibili. Library of Congress Cataloging-in-Publication Data Calvino, Italo. Invisible cities. (Haxvest: pbk.) Translation of Le dna invisibili. "A Helen and Kurt Wolff book." 1. Polo, Marco, 1254?-1323?-Fiction. 2. Kublai Khan, 1216-1294-Fiction. 1. Title. [PZ3.C13956In] 1978 [PQ4809.A451 853'.9'14 77-16002 ISBN 0-15-645380-0 Printed in the United States of America YXWVUT J S 7 Cities and memory. l. -
LIFE from the MET Gift from Tobin Foundation for Theatre Arts Dresses up the Lyric Theatre
Spring 2005 The University of Texas at San Antonio MAGAZINE Vol. 21, No. 2 LIFE FROM THE MET Gift from Tobin Foundation for Theatre Arts dresses up the Lyric Theatre Also in this issue: State demographer Steve Murdock talks numbers UTSA alumni and life in the Middle East SPRING 2005 SPRING 2005 T A B L E O F C ONTEN T S FEATURES 18 DRESSING THE PART A gift of hundreds of costumes is breathing new life into the Lyric Theatre. 22 BY THE NUMBERS State demographer Steve Murdock talks about the future of Texas … and what exactly a state demographer does. 26 CALL OF DUTY Meet just a few of the UTSA alumni who have served their country in Operation Enduring Freedom. DEPARTMENTS 5 In the Loop Rec Center opens tallest climbing wall at a Texas university; Great Conversation! raises money for Honors College scholarships; Ricardo Romo receives two key appointments; faculty publications; and more campus news. 11 Q&A Ellen Riojas Clark, associate professor of bicultural-bilingual studies, talks about her work with the new bilingual children’s show Maya & Miguel. 12 Investigations The university establishes the Institute for the Protection of American Communities to counter terrorism; plus more research activity at UTSA. 14 Roadrunner Sports UTSA’s Super Fans make raising school spirit their mission. 16 Syllabus Mechanical engineering students devote their senior year to designing one major project. 30 Class Notes Profiles of principal Diana Barrera Montemayor ’88, ’00, Hispanic Chamber president A.J. Rodriguez ’98, ’00 and IBM manager Mary Anne Morgan ’77. 36 Looking Back Off to the (tricycle) races! On the cover The Tobin Foundation for Theatre Arts donated hundreds of costumes to UTSA. -
San-Antonio-300-Years-Of-History.Pdf
Copyright © 2020 by Texas State Historical Association All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed “Attention: Permissions,” at the address below. Texas State Historical Association 3001 Lake Austin Blvd. Suite 3.116 Austin, TX 78703 www.tshaonline.org IMAGE USE DISCLAIMER All copyrighted materials included within the Handbook of Texas Online are in accordance with Title 17 U.S.C. Section 107 related to Copyright and “Fair Use” for Non-Profit educational institutions, which permits the Texas State Historical Association (TSHA), to utilize copyrighted materials to further scholarship, education, and inform the public. The TSHA makes every effort to conform to the principles of fair use and to comply with copyright law. For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner. Dear Texas History Community, Texas has a special place in history and in the minds of people throughout the world. Texas symbols such as the Alamo, oil wells, and even the shape of the state, as well as the men and women who worked on farms and ranches and who built cities convey a sense of independence, self-reliance, hard work, and courage. -
March 2, 2020 Texas Historical Commission C/O Chairman John L
March 2, 2020 Texas Historical Commission C/O Chairman John L. Nau, III PO Box 12275 Austin, Texas 78711 Dear Chairman Nau, I commend the Texas Historical Commission for delaying a decision to move the Alamo Cenotaph. During the 86th Texas Legislature, I joined with many of my colleagues, along with our constituents, in asking that the Alamo Cenotaph, as part of the Alamo Master Plan, not be dismantled or moved. Today, I write to the Texas Historical Commission to again ask you not to allow the Alamo Cenotaph to be moved from its current location. In 1936, The Texas Centennial Commission commissioned the Alamo Cenotaph under the theme the “Spirit of Sacrifice.” Begun in 1937, the Alamo Cenotaph has long stood commemoration for those Texians who gave the ultimate sacrifice and chose to defend the Alamo. Those who were killed during the Fall of the Alamo were not given the honor of a proper Christian burial, rather as retribution for their rebellion their bodies were burned in a funeral pyre. For over eighty years, the Alamo Cenotaph has served as an empty tomb and reminder to all the World of those brave Texians’s who refused to surrender. Their sacrifice was not only for the Alamo—it was for Independence from a radical and dictatorial federal government. Their sacrifice is deserving of honor. The monument memorializing their fight for Liberty should remain in the place their blood was shed. As Texans, we should never allow ourselves to forget the sacrifices made for a free and independent Texas. I urge the Texas Historical Commission to honor the Alamo Defenders’ sacrifice and not move the Alamo Cenotaph. -
San Jose Island Zone Friday, February 7Th at Mikel Mays by Dale Rankin If You’Ve Ever Driven Down SPID Starting at 6:30 P.M
Inside the Moon Preparing for the Parade A2 Remember When A6 Help Homeless Pets A7 Seashore Happenings A8 Live Music A18 Issue 825 The 27° 37' 0.5952'' N | 97° 13' 21.4068'' W Island Free The voiceMoon of The Island since 1996 February 06, 2020 Weekly www.islandmoon.com FREE Around Early Voting The Island Starts February By Dale Rankin 18 Well, we had some of what passes New polling location for winter this week as it got just a little too cool to barbeque in the on Padre Island back yard. But when it gets a little cooler than we like Around The Early Voting begins on Tuesday, Island we can tell ourselves it won’t February 18 for both the Democrat last long as Mother Nature soon and Republican primary elections. enough pushes things back to the mu Voters on Padre Island take note of the temperature of the water that that the Early Voting location has surrounds us which has been sticking changed and is now at Padre Island in the mid-sixties. Baptist Church 14253 S. Padre Island Drive. It is the site for both Democrat The Winter Texans know this and and Republican primary voters. when they hear year-round Islanders Registered voters are not required complaining about the cold they look to vote at their own precinct polling a little puzzled as they walk the beach place and can vote at any location in in short pants and windbreakers. Nueces County. Spring Break will be here before we know it. For a list of convenient voting places From Eggs to Freedom! and complete sample ballots see page Careful what you ask for This family of owls was brought into the Texas Sealife Center in October by Fisher A15 in this issue. -
The Posthumanism of Italo Calvino's Fiabe Italiane
Fairy-Tale Metamorphosis and Becoming–Animal: The Posthumanism of Italo Calvino’s Fiabe Italiane Pablo a Marca Introduction In “Hybriditales: Posthumanizing Calvino,” Serenella Iovino describes Italo Calvino’s literary production as one of “hybriditales,” which she defines as “stories in which reality itself is a continuous flow of crossings” (2014, 220). Both in its historical construction as well as in its materiality, in these texts the human is “permeable to other natures, other matters, and other cultural agents,” meaning that being human already involves surpassing the boundaries of human “nature” (ibid., 219). Such a conception of the human is now part of theoretical discussions that fall under the label of posthumanism. While a standard definition of posthumanism does not exist, it is possible to say that posthumanist theorists typically share a suspicion regarding the historical notion of the human, which placed “man” at the center and created a series of others— woman, non-white, queer, animal, inanimate and so on—that are inferior to him. In reaction to this notion, posthumanism moves past humanism and anthropocentrism (Ferrando 2019, 24). Taking discourses themselves to be shapers of subjectivity and adopting a renewed form of materialism, posthumanists try to rethink the human from an onto–epistemological perspective. In so doing, they demonstrate the arbitrariness of categorical boundaries and address instead the flows between humans and the non-human world. Iovino finds a similar trend in Calvino’s literary production, which can be seen as a hybridization of “human nature” and the non-human world because it depicts crossings among matter, forms and signs (2014, 220).