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Cora Carleton) Papers, 1862-1958
Texas A&M University-San Antonio Digital Commons @ Texas A&M University-San Antonio Finding Aids: Guides to the Collection Archives & Special Collections 2020 Glassford (Cora Carleton) Papers, 1862-1958 DRT Collection at Texas A&M University-San Antonio Follow this and additional works at: https://digitalcommons.tamusa.edu/findingaids Cora Carleton Glassford Papers, 1862-1958 Descriptive Summary Creator: Glassford, Cora Carleton (1886-1958) Title: Cora Carleton Glassford Papers Dates: 1862-1958 Creator Cora Carleton Glassford was active in a number of organizations, Abstract: including the Daughters of the Republic of Texas, and devoted her time to writing fiction, historical articles, and biographical works, much of it based on personal experience. Content Consisting of manuscripts, research material, and some personal Abstract: material, the Cora Carleton Glassford papers reflect a lifelong interest in history and family. Identification: Col 892 Extent: 17 document boxes, 2 oversize boxes Language: Materials are in English Repository: DRT Collection at Texas A&M University-San Antonio Biographical Note Born on the campus of Texas A&M College in 1886, Cora Arthur Carleton was the first child of career Army officer Guy Carleton and his wife Cora. Accompanying her family to most of the postings of her father's military career, she spent her childhood in Arizona, New Mexico, Minnesota, Kansas, Texas, the Philippines and China. Her military association would continue in adulthood, when she met and married another Army officer, Pelham Davis Glassford (1883-1959) while at Fort Riley, Kansas. Her travels also continued as she accompanied her husband to assignments at the U.S. Military Academy, Hawaii, Texas, Kansas and Washington, D.C. -
San Antonio, Bexar County, Texas
Volume 2006 Article 3 2006 Archaeological Testing for the Walker Ranch Park Bridge Project (41BX1271), San Antonio, Bexar County, Texas Barbara A. Meissner Follow this and additional works at: https://scholarworks.sfasu.edu/ita Part of the American Material Culture Commons, Archaeological Anthropology Commons, Environmental Studies Commons, Other American Studies Commons, Other Arts and Humanities Commons, Other History of Art, Architecture, and Archaeology Commons, and the United States History Commons Tell us how this article helped you. Cite this Record Meissner, Barbara A. (2006) "Archaeological Testing for the Walker Ranch Park Bridge Project (41BX1271), San Antonio, Bexar County, Texas," Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State: Vol. 2006, Article 3. https://doi.org/10.21112/ita.2006.1.3 ISSN: 2475-9333 Available at: https://scholarworks.sfasu.edu/ita/vol2006/iss1/3 This Article is brought to you for free and open access by the Center for Regional Heritage Research at SFA ScholarWorks. It has been accepted for inclusion in Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. Archaeological Testing for the Walker Ranch Park Bridge Project (41BX1271), San Antonio, Bexar County, Texas Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License This article is available in Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State: https://scholarworks.sfasu.edu/ita/vol2006/iss1/3 Archaeological Testing for the Walker Ranch Park Bridge Project (41BX1271), San Antonio, Bexar County, Texas by Barbara A. -
San Antonio San Antonio, Texas
What’s ® The Cultural Landscape Foundation ™ Out There connecting people to places tclf.org San Antonio San Antonio, Texas Welcome to What’s Out There San Antonio, San Pedro Springs Park, among the oldest public parks in organized by The Cultural Landscape Foundation the country, and the works of Dionicio Rodriguez, prolificfaux (TCLF) in collaboration with the City of San Antonio bois sculptor, further illuminate the city’s unique landscape legacy. Historic districts such as La Villita and King William Parks & Recreation and a committee of local speak to San Antonio’s immigrant past, while the East Side experts, with generous support from national and Cemeteries and Ellis Alley Enclave highlight its significant local partners. African American heritage. This guidebook provides photographs and details of 36 This guidebook is a complement to TCLF’s digital What’s Out examples of the city's incredible landscape legacy. Its There San Antonio Guide (tclf.org/san-antonio), an interactive publication is timed to coincide with the celebration of San online platform that includes the enclosed essays plus many Antonio's Tricentennial and with What’s Out There Weekend others, as well as overarching narratives, maps, historic San Antonio, November 10-11, 2018, a weekend of free, photographs, and biographical profiles. The guide is one of expert-led tours. several online compendia of urban landscapes, dovetailing with TCLF’s web-based What’s Out There, the nation’s most From the establishment of the San Antonio missions in the comprehensive searchable database of historic designed st eighteenth century, to the 21 -century Mission and Museum landscapes. -
Ecosystem Under Restoration: a Sustainable Future for the Cultural Landscape of San Antonio River, Texas
The Sustainable City IX, Vol. 2 1139 Ecosystem under restoration: a sustainable future for the cultural landscape of San Antonio River, Texas A. Lombardi University of Texas at San Antonio, USA Abstract The city of San Antonio is one of the most relevant historic cities in the US, world-wide renown as the ‘Venice of Texas’, characterized by its river and famous Riverwalk. The city was founded by the Spaniards as a presidio in the first quarter of eighteen century in a strategic location between two water features: the Rio San Antonio and the Arroyo de San Pedro. During the same period, were built along the river five Spanish-colonial missions, which are today, together with their ‘cultural landscape’, on the US tentative list to be advanced as a possible UNESCO World Heritage Site. The famed Riverwalk, created in the 30s after the construction of the Great Bend, is a unique experience of a river park within the city, but it has a limited extension, related only to the downtown area. After 1941 flood, the 1954 Corps of Engineers channelization project drastically transformed the river landscape outside the city center: river channelization effectively protected the area from destructive floods, however, changed the river into a drainage channel. Without taking in consideration Leopold’s ‘land ethic’, it interrupted the ancestral and laborious relationship between land and water. This study analyzes 2001–2014 San Antonio River Improvement Project (SARIP) and subsequently focuses on the undertaken strategies for the ‘Mission Reach Ecosystem Restoration Project’. SARIP enhances 13 miles of the river both north and south of downtown, the latter recovers an eight mile stretch of the river on the southern area of the city. -
Jim Crow Racism and the Mexican Americans of San Antonio, Texas
ORAL HISTORY AS A MEANS OF MORAL REPAIR: JIM CROW RACISM AND THE MEXICAN AMERICANS OF SAN ANTONIO, TEXAS by Rebecca Dominguez-Karimi A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2018 Copyright by Rebecca Dominguez-Karimi, 2017 ii ORAL HISTORY AS A MEANS OF MORAL REPAIR: JIM CROW RACISM AND THE MEXICAN AMERICANS OF SAN ANTONIO, TEXAS by Rebecca Dominguez-Karimi This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Sandra Norman, Comparative Studies Program, and has been approved by the members of her supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. SUPERVISORY COMMnTEE: ~~o..... .:i N1~"" Sandra Norman, Ph.D. ~~Susan Love Brown, Ph. 'S:"..,;ae~.~~o~ JosephinBeoku-Betts, Ph.D. Directo , mparative St ilies Pro? MiC11aeliOfSWclD.~-# Dean, Dorothy F. Schmidt College of Arts andn:ers . 5"", "Zo/g "~~2.~~ ' iii ACKNOWLEDGMENTS The author offers her sincerest thanks and gratitude to members of her committee (past and present-Dr. Robin Fiore, Dr. Marta Cruz-Janzen, Dr. Sandra Norman, Dr. Susan Love Brown, and Dr. Josephine Beoku-Betts) for their guidance, input, and support in bringing this manuscript to fruition. She wishes to especially thank her dissertation advisor, Dr. Sandra Norman, for her patience, advice, and inspiration during the composition of this manuscript. -
The Edwards Aquifer (Part A)
E-PARCC COLLABORATIVE GOVERNANCE INITIATIVE Program for the Advancement of SYRACUSE UNIVERSITY Maxwell School Research on Conflict and Collaboration THE EDWARDS AQUIFER (PART A) Amidst of one of the worst Texas droughts in recent memory, attorney Robert Gulley wondered why he had left his position at an established law practice to take on the position of program director for the Edwards Aquifer Recovery Implementation Program (EARIP). As the program director, Robert now worked for 26 different organizations and his job was to assist them, using a consensus-based stakeholder process, through one of the most contentious and intractable national disputes involving scarce groundwater resources at the Edwards Aquifer, one of the most valuable water resources in the Central Texas area. This dispute had already spanned decades and, to make this task even more daunting, the competing interests on both sides had made numerous unsuccessful attempts over the years to resolve this conflict. Hot weather, droughts, and the resulting conflicts between stakeholders are frequent occurrences in Texas. Robert, who had returned to his home state specifically for this position, knew that this drought would only intensify the tensions amongst the stakeholders involved. The Edwards Aquifer (“Aquifer”) provides approximately 90 percent of the water for over two million people living and working in the South-Central Texas area. The Aquifer supplies the water that services the city of San Antonio and other municipalities; a multi-million agricultural and ranching industry in the western part of the region that views water as a coveted property right; as well as the recreational activities that provide the backbone of the economies of rapidly-growing, nearby cities of San Marcos and New Braunfels (Figure 1). -
Papers, 1729-1967
Texas A&M University-San Antonio Digital Commons @ Texas A&M University-San Antonio Finding Aids: Guides to the Collection Archives & Special Collections 2020 Curtis (Albert) Papers, 1729-1967 DRT Collection at Texas A&M University-San Antonio Follow this and additional works at: https://digitalcommons.tamusa.edu/findingaids A Guide to the Albert Curtis Papers, 1729-1967 Descriptive Summary Creator: Curtis, Albert, 1897-1969 Title: Albert Curtis Papers Dates: 1729-1967 Creator An Ohio native, Albert Curtis (1897-1969) moved to Texas in 1933 and Abstract: eventually settled in San Antonio. While working as a civilian employee at San Antonio military bases, Curtis devoted much of his time to researching and writing, particularly on San Antonio, the Texas Revolution, and the Alamo. Content Manuscripts, correspondence, source material, and personal items make Abstract: up the Albert Curtis Papers, reflecting years of research and writing on the history of Texas. The bulk of the papers are edited typescripts. Many of these are works on the Texas Revolution, particularly the Battle of the Alamo and commander William Barret Travis. Identification: Col 1275 Extent: 13.09 linear feet (23 boxes, 3 oversize items) Language: Materials are in English. Repository: DRT Collection at Texas A&M University-San Antonio Biographical Note Born in Ohio in 1897, Albert Curtis came to Texas in 1933 after periods of residence in New Orleans, Louisiana, and North Carolina. A visit to the Alamo soon after his arrival sparked an interest in Texas history, an avocation he would pursue for the remainder of his life. After two years residence at the Veterans Administration hospital in Legion, Texas (now part of the town of Kerrville), Curtis moved to San Antonio, taking a room a short distance from the Alamo. -
The Effect of Art Music on Pompeo Coppini: Greatest Sculptor of Texas Monuments*
Sociology Study, November 2016, Vol. 6, No. 11, 706‐712 D doi: 10.17265/2159‐5526/2016.11.004 DAVID PUBLISHING The Effect of Art Music on Pompeo Coppini: Greatest Sculptor of Texas Monuments* Valentino Belfiglioa Abstract Art music has the ability to communicate, entertain, and inspire other artists. Opera is a dramatic multimedia genre which fuses solo and choral singing with instrumental accompaniment, dance, staging, costumes, scenery, and libretto. This multimedia approach can inspire painters, sculptors, poets, writers, and other musicians in their works. Italian opera greatly inspired Pompeo Coppini—the Italian sculptor. In particular, scenes and arias by Verdi and Puccini correlate with specific tasks involved in the creation of a monument. In creating the Alamo cenotaph, Coppini often played Gioacchino Rossini’s opera, “William Tell” (1829) correlating the sacrifices made by Texans for their independence at the Alamo (1836) with the sacrifices made by Swiss patriots in their independence from Austrian tyranny. This case study suggests that art music can enhance creativity and visual attention among artists of all genres. Keywords Art music, opera, sculpture, inspiration The author stood in front of a bust portraiture of Gaius sculptor, Pompeo Coppini, the greatest sculptor of Julius Caesar (100-44 B.C.) during a visit to the Texas monuments. Museo Nazionale Romano in Rome, Italy in 20011. Pompeo Coppini (1870-1957) produced art in the The sculpture is 27 inches long, 19 inches wide, and form of Roman classicism. He based his artistic 12 inches in depth. The figure of Caesar is made of designs on Roman classical models. -
Impact Report 2014 Iheartmedia Communities ™ Impact Report 2014 Contents
Impact Report 2014 iHeartMedia Communities ™ Impact Report 2014 Contents Company Overview 02 Executive Letter 04 Community Commitment 06 iHeartMedia 09 2014 Special Projects 12 National Radio Campaigns 30 Radiothons 102 Public Affairs Shows 116 Responding to Disasters 128 Wish Granting 132 Special Events and Fundraising 142 2014 Honorary Awards and Recognition 148 Music Development 160 Local Advisory Boards 174 On-Air Personalities 178 Station Highlights 196 Clear Channel Outdoor 240 Community Commitment 242 Protecting Our Communities 244 National Partners & Programs 248 Market Highlights 258 IMPACT REPORT 2014 | 1 Company Overview ABOUT IHEARTMEDIA, INC. iHeartMedia, Inc. is one of the leading global media and entertainment companies specializing in radio, digital, outdoor, mobile, live events, social and on-demand entertainment and information services for local communities and providing premier opportunities for advertisers. For more company information visit iHeartMedia.com. ABOUT IHEARTMEDIA With 245 million monthly listeners in the U.S., 97 million monthly digital uniques and 196 million monthly consumers of its Total Traffic and Weather Network, iHeartMedia has the largest reach of any radio or television outlet in America. It serves over 150 markets through 858 owned radio stations, and the company’s radio stations and content can be heard on AM/FM, HD digital radio, satellite radio, on the Internet at iHeartRadio.com and on the company’s radio station websites, on the iHeartRadio mobile app, in enhanced auto dashes, on tablets and smartphones, and on gaming consoles. iHeartRadio, iHeartMedia’s digital radio platform, is the No. 1 all-in-one digital audio service with over 500 million downloads; it reached its first 20 million registered users faster than any digital service in Internet history and reached 50 million users faster than any digital music service and even faster than Twitter, Facebook and Pinterest. -
Fiesta San Antonio 5 DAYS ■ April 17, 2021
Fiesta SAN Antonio 5 DAYS ■ APRIL 17, 2021 FIESTA SAN ANTONIO ITINERARY: April 17 served as a rallying cry in the fight for Texas's April 20 San Antonio independence from Mexico. The docu-drama San Antonio Arrive San Antonio and meet your Western recreates battle scenes and dramatic incidents We know you like breakfast, so there is one Leisure tour director. Transfer to your hotel involving such famous historical figures as David waiting for you at the hotel. You will need located on the famous River Walk. This evening Crockett, William Butler Travis, James Bowie, it as you are off on a full day of touring in meet your fellow travelers for dinner at a local Juan Seguin and General Antonio Lopez de what is known as the Texas Hill Country. It hotspot. After our dinner depart for an evening Santa Anna. Continue our tour of San Antonio begins in Kerrville with a visit to a local artist river cruise. This 35-minute narrated cruise will with a stop at the San Fernando Cathedral and who creates unique jewelry, then it’s on to AAA Travel invites you to experience one of the nation’s premier festivals in San AAA EXCLUSIVE AMENITIES take you on a journey through San Antonio’s many other sights. The rest of the afternoon is Fredericksburg, a German community where Antonio, Texas. This annual festival commemorates the memories of the heroes ■ 5 nights' hotel accommodations rich history. free to explore the River Walk and all that San you will have time to shop, enjoy lunch on your of the Alamo and the Battle of San Jacinto. -
Witte Museum Exhibitions Open to CASETA Symposium Attendees
Witte Museum Exhibitions open to CASETA Symposium Attendees B. Naylor Morton Research and Collections Center https://www.wittemuseum.org/b-naylor-morton-research-and-collections-center/ To celebrate the Witte Museum’s renowned collections, this innovative center has been created to provide visible access to the vast and diverse collection when not on display in the museum’s galleries. The Center allows museum professionals to preserve the collection through proper light levels, temperature and humidity control while providing access to visitors and researchers from around the world. The Dickson Allen Orientation Gallery offers a thematic overview of the collection, organized in seven color-coded categories, as well as new acquisitions and iconic Witte artifacts. As the Center expands, visitors will have the opportunity to explore the breadth and depth of each collection category. The Texas Art Storage Gallery showcases the museum’s complete collection of Texas Art. Paintings are arranged alphabetically by artist on racks visible to the public. Those racks closest to the visitor offer a curated overview of the collection. The configuration of the racks changes routinely to provide new experiences for visitors. The Express-News Reading Room provides a space where visitors can browse resources related to the collection and search the collection database using provided kiosks. Researchers can access the Witte Museum Archives by appointment. Please use the reference request form, and the archivist will assist you in locating possible materials of interest prior to your visit and reserve a desk for you in the reading room. Witte Museum Exhibitions open to CASETA Symposium Attendees Confluence and Culture: 300 Years of San Antonio History https://www.wittemuseum.org/confluence-and-culture/ Celebrate San Antonio’s Tricentennial at the Witte Museum with a multi-faceted exhibition that will portray San Antonio as the hub of the frontier under many flags over three centuries. -
Collection Plan
Table of Contents Executive Summary .......................................................................................................................5 Introduction ....................................................................................................................................6 Natural History Collection ............................................................................................................8 Collection Overview ....................................................................................................................8 Size ....................................................................................................................................................... 8 History of Collection ............................................................................................................................ 8 Types of Material .................................................................................................................................. 9 Required Permits ................................................................................................................................. 10 Collection Guidelines .................................................................................................................10 Associated Staff ..........................................................................................................................10 Paleontology & Geology Collection ............................................................................................11