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Bibliography BIBLIOGRAPHY Aagesen, Dorthe. “Stick the Fork in Your Eye!: Ends and Means in Wilhelm Freddie’s Work.” In Bjerkhof, Wilhelm Freddie, 12–97. Abel, Richard, ed. French Film Theory and Criticism: A History; Anthology Volume 1, 1907–1929. Princeton: Princeton University Press, 1988. Abel, Richard, ed. French Film Theory and Criticism: A History; Anthology Volume 2, 1929–1939. Princeton: Princeton University Press, 1988. Aberth, Susan. “Leonora Carrington and the Art of Invocation.” Abraxas, no. 6 (2014): 89–99. Aberth, Susan. Leonora Carrington: Surrealism, Alchemy and Art. Aldershot: Lund Humphries, 2004. Acevedo-Muños, Ernesto R. Buñuel and Mexico: The Crisis of National Cinema. Berkeley: University of California Press, 2003. Acker, Adolphe, et al. “Inaugural Rupture.” In Richardson and Fijalkowski, Surrealism Against the Current, 42–48. Adamowicz, Elza. Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse. Cambridge: Cambridge University Press, 1998. Adamowicz, Elza. Un Chien Andalou: (Luis Buñuel and Salvador Dalí, 1929). London: I.B. Tauris, 2010. Ades, Dawn. Dada and Surrealism Reviewed. London: Arts Council of Great Britain, 1978. Ades, Dawn, Rita Eder, and Graciela Speranza, eds. Surrealism in Latin America: Vivísimo muerto. Los Angeles: Getty Research Institute, 2012. Ades, Dawn, and Simon Fraser, eds. Undercover Surrealism: Georges Bataille and Documents. London: Hayward Gallery, 2006. Adrian-Nilsson, Gösta. “Kubism—Surrealism.” In Wilhelm Freddie och Sverige, 17. © The Editor(s) (if applicable) and The Author(s) 2017 223 K. Noheden, Surrealism, Cinema, and the Search for a New Myth, DOI 10.1007/978-3-319-55501-0 224 BIBLIOGRAPHY “After Revolution, the Shit!: Jan Švankmajer Talks to the Context.” The Context. http://web.archive.org/web/20061120000017fw_/http://www.thecon- text.com/docs/3804.html. Alexandrian, Sarane. Le Surréalisme et le rêve. Paris: Gallimard, 1974. Alexandrian, Sarane. Surrealist Art. Translated by Gordon Clough. London: Thames & Hudson, 2007 [1969]. Alleau, René. The Primal Force in Symbol: Understanding the Language of Higher Consciousness. Translated by Ariel Godwin. Rochester: Inner Traditions, 2009 [1976]. Allmer, Patricia, ed. Angels of Anarchy: Women Artists and Surrealism. Munich: Prestel, 2009. Allmer, Patricia, and Hilde Van Gelder, eds. Collective Inventions: Surrealism in Belgium. Leuven University Press: Leuven, 2007. Altman, Georges, et al. “The Revolution First and Always!” In Richardson and Fijalkowski, Surrealism Against the Current, 95–97. Andrew, Dudley. “L’âge d’or and the Eroticism of the Spirit.” In Masterpieces of Modernist Cinema, edited by Ted Perry, 111–137. Bloomington: Indiana University Press, 2006. Andrew, Dudley. Mists of Regret: Culture and Sensibility in Classic French Film. Princeton: Princeton University Press, 1995. Andrew, Dudley. What Cinema Is!: Bazin’s Quest and Its Charge. Malden: Wiley- Blackwell, 2010. “Anthology of Czech and Slovak Surrealism.” Seven volumes. Analogon, nos 37 (2003), 38/39 (2003), 40 (2004), 41/42 (2004), 43 (2005), 44/45 (2005), and 50/51 (2007). Aragon, Louis. Paris Peasant. Translated by Simon Watson Taylor. Boston: Exact Change, 1994 [1926]. Art and Alchemy: The Mystery of Transformation. Munich: Hilmer, 2014. Artaud, Antonin. “Cinema and Reality.” In Abel, French Film Theory and Criticism: A History; Anthology Volume 1, 1907–1929, 410–412. Princeton: Princeton University Press, 1988. Audoin, Philippe et al. “The Platform of Prague.” In Richardson and Fijalkowski, Surrealism Against the Current, 58–66. Bachelard, Gaston. Air and Dreams: An Essay on the Imagination of Movement. Translated by Edith R. Farrell and C. Frederick Farrell. Dallas: Dallas Institute, 1988 [1943]. Bachelard, Gaston. Earth and Reveries of Repose: An Essay on Images of Interiority. Translated by Mary McAllester Jones. Dallas: Dallas Institute, 2011 [1948]. Bachelard, Gaston. Earth and Reveries of Will: An Essay on the Imagination of Matter. Translated by Kenneth Haltman. Dallas: Dallas Institute, 2002 [1947]. Bachelard, Gaston. The Flame of a Candle. Translated by Joni Caldwell. Dallas: Dallas Institute, 1988 [1961]. BIBLIOGRAPHY 225 Bachelard, Gaston. Intuition of the Instant. Translated by Eileen Rizo-Patron. Evanston: Northwestern University Press, 2013 [1932]. Bachelard, Gaston. Lautréamont. Translated by Robert S. Dupree. Dallas: Dallas Institute, 1986 [1939]. Bachelard, Gaston. The Poetics of Space. Translated by Maria Jolas. Boston: Beacon Press, 1994 [1958]. Bachelard, Gaston. The Psychoanalysis of Fire. Translated by Alan C. M. Ross. Boston: Beacon Press, 1968 [1938]. Bachelard, Gaston. The Right to Dream. Translated by J.A. Underwood. New York: Orion Press, 1971. Bachelard, Gaston. Water and Dreams: An Essay on the Imagination of Matter. Translated by Edith R. Farrell. Dallas: Dallas Institute, 1983 [1942]. Balakian, Anna. Surrealism: The Road to the Absolute. Chicago: University of Chicago Press, 1986 [1959]. Balakian, Anna, and Rudolf E. Kuenzli, eds. André Breton Today. New York: Willis, Locker & Owens, 1989. Barker, Jennifer M. The Tactile Eye: Touch and the Cinematic Experience. Berkeley: University of California Press, 2009. Bataille, Georges. The Absence of Myth: Writings on Surrealism. Edited and trans- lated by Michael Richardson. London: Verso, 1994. Bataille, Georges. Literature and Evil. Translated by Alastair Hamilton. London: Penguin, 2012 [1957]. Bataille, Georges. Visions of Excess: Selected Writings, 1927–1939. Edited by Allan Stoekl. Translated by Allan Stoekl with Carl R. Lovitt and Donald M. Leslie Jr. Minneapolis: University of Minnesota Press, 1985. Bate, David. Photography and Surrealism: Sexuality, Colonialism and Social Dissent. London: I.B. Tauris, 2004. Baudelaire, Charles. “The Painter of Modern Life” (1863). In The Painter of Modern Life and Other Essays. Edited and translated by Jonathan Mayne. London: Phaidon, 1995. Bauduin, Tessel. Surrealism and the Occult: Occultism and Western Esotericism in the Work and Movement of André Breton. Amsterdam: Amsterdam University Press, 2014. Bédouin, Jean-Louis, and Michel Zimbacca. “Lumière de l’image.” L’âge du cinéma, no. 4–5 (1951): 8–9. Béguin, Albert. “Poetry and Occultism.” Translated by Robert G. Cohn. Yale French Studies, no. 4 (1949): 12–25. Belen [Nelly Kaplan]. Le Réservoir des Sens. Paris: La Jeune Parque, 1966. Bellows, Andy Masaki, and Marina McDougall, with Brigitte Berg, eds. Science Is Fiction: The Films of Jean Painlevé. Cambridge, MA: MIT Press, 2000. Benayoun, Robert. “The Emperor Has No Clothes.” In Graham, The French New Wave, 163–186. 226 BIBLIOGRAPHY Benayoun, Robert. “Une boulimie de l’absolu.” In Wilhelm Freddie, 73–74. Benjamin, Walter. “The Doctrine of the Similar” (1933). Translated by Knut Tarnowski. New German Critique, no. 17 (1979): 65–69. Benjamin, Walter. Illuminations: Essays and Refections. Edited by Hanna Arendt. Translated by Harry Zohn. New York: Schocken, 2007. Benjamin, Walter. Refections: Essays, Aphorisms, Autobiographical Writings. Edited by Peter Demetz. Translated by Edmund Jephcott. New York: Schocken, 2007. Beugnet, Martine. Cinema and Sensation: French Film and the Art of Transgression. Carbondale: Southern Illinois University Press, 2007. Biro, Adam, and René Passeron, eds. Dictionnaire général du surréalisme et de ses environs. Fribourg: Offce de Livre, 1982. Bjerkhof, Sven, with Dorthe Aagesen and Mette Houlberg Rung, eds. Wilhelm Freddie: Stick the Fork in Your Eye! Copenhagen: Statens Museum for Kunst, 2009. Blake, Jody. “The Truth about the Colonies, 1931: Art Indigène in Service of the Revolution.” Oxford Art Journal 25, no. 1 (2002): 35–58. Blickle, Ursula, and Gerald A. Matt, eds. The Cabinet of Jan Švankmajer: The Pendulum, the Pit, and Other Peculiarities. Nürnberg: Verlag für Moderne Kunst, 2011. Bogdan, Henrik. Western Esotericism and Rituals of Initiation. Albany: State University of New York Press, 2007. Bolt, Mikkel. “Freddie’s Avant-Garde Strategies.” In Bjerkhof, Wilhelm Freddie, 124–135. Bonardel, Françoise. “Alchemical Esotericism and the Hermeneutics of Culture.” In Modern Esoteric Spirituality, edited by Antoine Faivre and Jacob Needleman, 71–100. New York: Crossroad, 1992. Borde, Raymond, and Etienne Chaumeton. A Panorama of American Film Noir: 1941–1953. Translated by Paul Hammond. San Francisco: City Lights, 2002 [1955]. Bounoure, Vincent, et al. “Hermetic Bird” (1987). In Richardson and Fijalkowski, Surrealism Against the Current, 79–81. Bouteillet, Maïa, and Georges Heck. “Interview with Jan Švankmajer.” In Jan Švankmajer: Un surréaliste du cinéma d’animation, 63–69. Bouyxou, Jean-Pierre. La science-fction au cinéma. Paris: Union Générale d’Éditions, 1971. Breton, André. Anthology of Black Humor. Translated by Mark Polizzotti. San Francisco: City Lights, 1997 [1940]. Breton, André. Arcanum 17: With Apertures Grafted to the End. Translated by Zack Rogow. Los Angeles: Green Integer, 2004 [1944]. Breton, André. Break of Day. Translated by Mary Ann Caws and Mark Polizzotti. Lincoln: University of Nebraska Press, 1999 [1934]. Breton, André. Communicating Vessels. Translated by Mary Ann Caws and Geoffrey T. Harris. Lincoln: University of Nebraska Press, 1990 [1932]. BIBLIOGRAPHY 227 Breton, André. Conversations: The Autobiography of Surrealism. Translated by Mark Polizzotti. New York: Paragon House, 1993 [1952]. Breton, André. “Drawbridges” (1962). In Mabille, Mirror of the Marvelous, vii–xv. Breton, André. Free Rein. Translated by Michel Parmentier and Jacqueline d’Amboise. Lincoln: University
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