Surrealism in and out of the Czechoslovak New Wave
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André Breton Och Surrealismens Grundprinciper (1977)
Franklin Rosemont André Breton och surrealismens grundprinciper (1977) Översättning Bruno Jacobs (1985) Innehåll Översättarens förord................................................................................................................... 1 Inledande anmärkning................................................................................................................ 2 1.................................................................................................................................................. 3 2.................................................................................................................................................. 8 3................................................................................................................................................ 12 4................................................................................................................................................ 15 5................................................................................................................................................ 21 6................................................................................................................................................ 26 7................................................................................................................................................ 30 8............................................................................................................................................... -
Jiří Menzel Ostre Sledované Vlaky/ Closely Watched Trains 1966 93
October 16, 2007 (XV:8) Jií Menzel Ostre sledované vlaky/ Closely Watched Trains 1966 93 minutes Directed by Jií Menzel Written by Bohumil Hrabal (also novel), Jirí Menzel Produced by Zdenek Oves and Carlo Ponti Original Music by Jirí Sust Cinematography by Jaromír Sofr Film Editing by Jirina Lukesová Václav Neckár... Trainee Milos Hrma Josef Somr...Train dispatcher Hubicka Vlastimil Brodsk...Counselor Zednicek Vladimír Valenta...Stationmaster Max Alois Vachek...Novak Ferdinand Kruta... Masa's Uncle Noneman Jitka Bendová...Conducteress Masa Jitka Zelenohorská...Zdenka Nada Urbánková...Victoria Freie Libuse Havelková...Max's wife Kveta Fialová...The countess Pavla Marsálková...Mother Milada Jezková...Zdenka's mother Academy Award for Best Foreign Language Film JIÍ MENZEL (23 February 1938, Prague, Czechoslovakia) has directed 26 films and acted in many more. Some of the films he directed are Obsluhoval jsem anglického krále/ I Served the King of England (2006), Zebrácká opera/The Beggar’s Opera (1991), Konec starych casu/The End of Old Times (1989), Postriziny/Cutting it Short (1981), Promeny krajiny/Altered Landscapes (1974), Zlocin v dívcí skole/Crime at the Girls School (1965), and Domy z panelu/Prefabricated Houses (1960). from World Film Directors, Vol. II. Ed. John Wakeman. The H.W. Wilson Company NY 1988 Jií Menzel (February 12, 1938— ), Czech film and theatre director, scenarist, and actor, was born in Prague. He is the son of Josef Menzel, a journalist who became a children’s author and then turned to writing scripts for puppet -
The Cremator (Modern Czech Classics)
Karolinum Press ABOUT THE AUTHOR Ladislav Fuks (1923–1994) was a Czech writer known for his brilliant psychological novels. The son of a police officer, Fuks was born and raised in Prague—the capital of the newly independent Czechoslovakia, yet he turned fifteen only days before the Munich Conference and the subsequent Nazi occupation of his country. The deportation of his Jewish classmates (coinciding with a homosexual awakening that could have landed him in a concentration camp) profoundly affected Fuks. After the war, Fuks enrolled in Charles University where he studied Art History, Philosophy and Psychology. His first novel, Mr. Theodore Mundstock (1963; English, 1969), a schizophrenic masterpiece that Life magazine described as a “minor miracle,” explores the anxiety of a Jewish man as he tries to steel himself for life in the concentration camps. The Cremator (1966), was adapted in 1969 into the acclaimed film, which Virginie Sélavy describes as “disorientating, disquieting and darkly humorous . one of the most richly resonant celluloid nightmares,” while Of Mice and Mooshaber (1970; English, 2014) combines dystopian science fiction with elements of the fantastic and grotesque. A prolific author who expertly employed disparate styles, Ladislav Fuks remains one of the finest writers to portray the psychological fragility of those living under totalitarianism. MODERN CZECH CLASSICS The Cremator Ladislav Fuks Translated from the Czech by Eva M. Kandler Afterword by Rajendra Chitnis KAROLINUM PRESS 2016 KAROLINUM PRESS Karolinum Press is a publishing department of Charles University Ovocný trh 5/560, 116 36 Prague 1 Czech Republic www.karolinum.cz Text © 2016 by Ladislav Fuks – heirs, c/o Dilia Translation © 2016 by Eva M. -
Copyright by Deborah Helen Garfinkle 2003
Copyright by Deborah Helen Garfinkle 2003 The Dissertation Committee for Deborah Helen Garfinkle Certifies that this is the approved version of the following dissertation: Bridging East and West: Czech Surrealism’s Interwar Experiment Committee: _____________________________________ Hana Pichova, Supervisor _____________________________________ Seth Wolitz _____________________________________ Keith Livers _____________________________________ Christopher Long _____________________________________ Richard Shiff _____________________________________ Maria Banerjee Bridging East and West: Czech Surrealism’s Interwar Experiment by Deborah Helen Garfinkle, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2003 For my parents whose dialectical union made this work possible ACKNOWLEDGEMENTS I would like to express heartfelt thanks to my advisor Hana Pichova from the University of Texas at Austin for her invaluable advice and support during the course of my writing process. I am also indebted to Jiří Brabec from Charles University in Prague whose vast knowledge of Czech Surrealism and extensive personal library provided me with the framework for this study and the materials to accomplish the task. I would also like to thank my generous benefactors: The Texas Chair in Czech Studies at the University of Texas at Austin, The Graduate School of the University of Texas at Austin, The Fulbright Commission and the American Council of Learned Societies without whom I would not have had the financial wherewithal to see this project to its conclusion. And, finally, I am indebted most of all to Maria Němcová Banerjee of Smith College whose intelligence, insight, generosity as a reader and unflagging faith in my ability made my effort much more than an exercise in scholarship; Maria, working with you was a true joy. -
EASTERN AVANT-GARDE ORBIT II DIGITAL DELIGHTS | LIST NO. 4 DECEMBER 2019 Dear Clients, Colleagues and Friends
EASTERN AVANT-GARDE ORBIT II DIGITAL DELIGHTS | LIST NO. 4 DECEMBER 2019 Dear clients, colleagues and friends, I am hereby glad to present my new short list »Digital Delights«, edition no. 4. The following illustrated list contains 30 new arrivals as well as carefully selected items from my stock related to the Central and Eastern European Avant-Garde orbit. Illustrated books and magazines, each created by major proponents of Bulgarian, Czech, Estonian, Hungarian, Latvian, Romanian, Russian and Yugoslavian avant-garde movements from the 1920s and 1930s are waiting to be discovered by you. Highlights include the first ever printed poems by Paul Celan (pos. 1), the striking "Moholy- Nagy issue" of the Hungarian periodical MA (7), the spectacularly covered magazine »Kreisā Fronte« from Latvia (8-11), »The Adventures of The Five Little Roosters Gang«, probably the most breathtaking of all surrealist children books (29), and some particularly rare Bulgarian items, created by a short lifted but nevertheless fervent modernist scene around Geo Milev (please also consider my monograph »Bulgarian Modernism. Books and Magazines 1919-1934« still available in my web-shop). The list is in alphabetical order and the descriptions are mainly done in English, some of them in German language however. English translations on demand. So, please enjoy browsing, watching and reading, and of course I am very much looking forward to your feedback and orders. Yours, 1 1 Paul CELAN: [Drei Gedichte in] Agora. Colecție internațională de artă și literatură [Internationale Sammlung von Kunst und Literatur]. Îngrijită de [Hg. v.] Ion Caraion și Virgil Ierunca. Vol. 1 [Alles Erschienene] (= Colecție »Sisiph«). -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque A Dissertation Presented by Lilla T!ke to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University May 2010 Copyright by Lilla T!ke 2010 Stony Brook University The Graduate School Lilla T!ke We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, English and Comparative Literary and Cultural Studies, Dissertation Director Krin Gabbard, Professor, Comparative Literary and Cultural Studies, Chairperson of Defense Robert Harvey, Professor, Comparative Literary and Cultural Studies and European Languages Sandy Petrey, Professor, Comparative Literary and Cultural Studies and European Languages Katie Trumpener, Professor, Comparative Literature and English, Yale University Outside Reader This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque by Lilla T!ke Doctor of Philosophy in Comparative Literature Stony Brook University 2010 The dissertation examines the legacies of grotesque comedy in the cinemas of Eastern Europe. The absolute non-seriousness that characterized grotesque realism became a successful and relatively safe way to talk about the absurdities and the failures of the communist system. This modality, however, was not exclusive to the communist era but stretched back to the Austro-Hungarian era and forward into the Postcommunist times. -
Taking a Stand? Debating the Bauhaus and Modernism, Heidelberg: Arthistoricum.Net 2021, P
Damnatio Memoriae. The Case of Mart Stam Simone Hain Hain, Simone, Damnatio Memoriae. The Case of Mart Stam, in: Bärnreuther, Andrea (ed.), Taking a Stand? Debating the Bauhaus and Modernism, Heidelberg: arthistoricum.net 2021, p. 359-573, https://doi.org/10.11588/arthistoricum.843.c11919 361 Simone Hain [ B ] What do we understand by taking a stand regarding architecture and design, and particularly of the Bauhaus and Modernism? architectural historiography As early as 1932, 33-year-old Mart Stam was preoccupied with the of modernism idea that he might be counted as dead as far as architectural his- tory, or rather the «West», was concerned, because for over a year and a half he had failed to provide new material for art history. «We Are Not Working Here with the Intention of Influencing How Art Develops and Making New Material Available to Art History» On August 20th, 1932, he wrote to Sigfried Giedion, the most im- portant art historian for architects: «You will be amazed to receive another little letter from me after I have been dead for a year and a half. Yes, I am immersed in our Russian work, in one of the most [ B ] difficult tasks that will ever exist. I know that we won’t be able to build a lot of flawless buildings here, that we won’t be able to produce wonderful material compositions, that we won’t even be able to implement pure floor plans and apartment types, maybe not even flawless city plans. [...] we are not working here with the intention of influencing how art develops and making new mate- rial available to art history, but rather because we are witnessing societal projects of modernism a great cultural-historical development that is almost unprecedent- reshaping the world ed in its scope and extent [...].»1 Stam describes his activities in Russia ex negativo, knowing full well that in doing so he is violating the well-established rela- tionship between himself and Giedion and all the rules of the game in the industry. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Eurimages Supports 13 European Co-Productions
Press Release Directorate of Communication Ref: 699a09 Tel. +33 3 88 41 25 60 Fax +33 3 88 41 39 11 Internet: www.coe.int e-mail: [email protected] 47 member States Eurimages supports 13 European co-productions Albania Strasbourg, 28.09.2009 - At its 116th meeting, held from 22 to 25 September 2009 in Andorra Strasbourg, the Board of Management of the Council of Europe's Eurimages Fund Armenia agreed to support the co-production of 13 feature films for a total amount of Austria 5 140 000 Euros: Azerbaijan Belgium Kai Apkabinsiu Tave - Kristijonas Vildziunas (Lithuania) Bosnia and Herzegovina (Lithuania, Poland) Bulgaria Az Ajto - Istvan Szabo (Hungary) Croatia (Hungary, Germany) Cyprus Habemus Papam - Nanni Moretti (Italy) Czech Republic (Italy, France) Denmark Our Grand Despair - Seyfi Teoman (Turkey) Estonia (Turkey, Germany, Netherlands) Finland Cirkus Columbia - Danis Tanovic (Belgium/Bosnia and Herzegovina) France (France, Bosnia and Herzegovina, United Kingdom, Germany, Slovenia, Georgia Belgium) Germany Ernest et Célestine - Vincent Patar & Stéphane Aubier (Belgium), Benjamin Renner Greece (France) Hungary (France, Belgium, Luxembourg) Animation film Iceland Tambien La Lluvia - Iciar Bollain (Spain) Ireland (Spain, France) Italy The Children's Republic - Flora Gomes (Portugal) Feature film for children Latvia (Portugal, France) Liechtenstein Limbo - Maria Sodahl (Norway) Lithuania (Norway, Denmark, Sweden) Luxembourg Snowhite - Pablo Berger (Spain) Malta (Spain, France) Moldova Waiting for the sea - Bakhtiar Khoudoinazarov (Russia -
885 -1/-9 Tsekkiläinen KAUNOKIRJALLI- STJUS Pol ‘ P * 885 (082.1) Nowočeská Bibliothéka, Rydáwaná Nákladem Čes- Kého Museum
885 -1/-9 tSekkiläinen KAUNOKIRJALLI- STJUS Pol ‘ P * 885 (082.1) Nowočeská bibliothéka, rydáwaná nákladem Čes- kého museum. 5 IS-lG 13 Praha 1845" 57 082.1 885 -1/-9 (082.1) Pol. P Novočeská knihovna, 7-8, 10-15 Praha 1925-58 Erit. * rikoisbibi.: 885 ; 016 -1/-9 .05=00 tsekkil,f kirj. Česká kniha v cizině 1939-1945« Zprac. Zdenka Broukalova a Olga Malá. Praha 1968. 297 P« (Bibliografický katalog CSSR. Česká knihy. Zvláštní sešit, 196857.) 013 (437) .03=00 1 Runous 885 -1 Pol. kot. 18 Sadoučková, Jitka Být deštěm. [Ústí nad Latem] 1975« 52 p» Pol, - 8559 885 -1 Bass « Eduard To Arbes nenapsal, Vrchlický nebásnil... / Eduard Bass. Praha, 1958. 225 s, (Dílo Eduarda Basse | 4) Pol. - 8989 885 -1 Bezruž « Petr Přátelům i nepřátelům s Paralipomena / Petr Bezruí, Praha, 1958. 142 s. 885 -1 Pol. - 231 Bezruč, Petr Slezské písně. - Stužkonoska modré. Praha 1960. 189 P* (Národní knihovna, 62.) 885 -1 Pol. - 8540 Biebl t Konstantin Bez obav : básně z let 1940-1950 / Konstantin Biebl. Praha, 1951» 251 s. - 8860 885 -1 Pol. Biebl t Konstantin Dílo / Konstantin Biebl, 1 : 1923-1925. Praha, 1951. 146 s. 2 : 1926-1929. Praha, 1952. 120 s. 885 -1 Pol. - 245 Biebl, Konstantin Dílo. 4* Bez obav. 1940-1950. Praha 1953. 207 p. Pol. - 1716 885 -1 Biebl t Konstantin Nebe - peklo - ráj / Konstantin Biebl. 2. vyd. Praha, 1951. 54 s. (Růžová zahrada ;2) Himiölehti puuttuu. 885 -1 Pol. K. - 1005 Biebl , Konstantin Nový Ikaros / Konstantin Biebl, 5« vyd, Praha* 1970« 47 s. : ill. Pol, - 10 688 Biebl , Konstantin Zrcadlo noci / Konstantin Biebl, Praha ; F. -
“Long Live Futurist Prague!”1
“LONG LIVE FUTURIST PRAGUE!”1 David Vichnar The article challenges the widespread notion, repeated in much literary history, regarding the non-existence or irrelevance of Czech Futurism. It traces the reception of Marinetti’s manifestoes through the pre-war and post-WWI context of Prague avant-garde, culminating in the Futurist leader’s triumphant visit to the city in 1921. It discusses the careers of S.K. Neumann, Otakar Theer, and Růžena Zátková, three important Futurist figures on the native avant-garde scene. It analyses selected mid-20s works by two most prominent Devětsil members, Vítězslav Nezval and Jaroslav Seifert, and brings into relief their Futurist poetics. Critiquing, in conclusion, Karel Teige’s anxiety of influence vis-à-vis the movement, the article shows that Futurism formed the very core of avant-garde theory and practice in 1910s and 1920s Bohemia. A hundred-and-ten years after its birth, Futurism still remains an impoverished chapter in the rich history of Prague’s international avant-garde, for reasons both general and endemic. The former would include the dubious light the ravages of WWI cast upon the Futurist adoration of war as hygiene, its much criticised if also ill-understood alignment with Fascism later on, etc. The latter would have to do with the brief and problematic flourishing of pre-war Czech avant-garde, the tortuous career paths of its most dedicated sympathisers and practitioners, and not least its post-WWI doctrinaire developments. Immediately after the war, Futurism found itself supplanted, suppressed, if also absorbed by the 1920- established Devětsil group and its Poetist hardliners. -
Surrealism-Revolution Against Whiteness
summer 1998 number 9 $5 TREASON TO WHITENESS IS LOYALTY TO HUMANITY Race Traitor Treason to whiteness is loyaltyto humanity NUMBER 9 f SUMMER 1998 editors: John Garvey, Beth Henson, Noel lgnatiev, Adam Sabra contributing editors: Abdul Alkalimat. John Bracey, Kingsley Clarke, Sewlyn Cudjoe, Lorenzo Komboa Ervin.James W. Fraser, Carolyn Karcher, Robin D. G. Kelley, Louis Kushnick , Kathryne V. Lindberg, Kimathi Mohammed, Theresa Perry. Eugene F. Rivers Ill, Phil Rubio, Vron Ware Race Traitor is published by The New Abolitionists, Inc. post office box 603, Cambridge MA 02140-0005. Single copies are $5 ($6 postpaid), subscriptions (four issues) are $20 individual, $40 institutions. Bulk rates available. Website: http://www. postfun. com/racetraitor. Midwest readers can contact RT at (312) 794-2954. For 1nformat1on about the contents and ava1lab1l1ty of back issues & to learn about the New Abol1t1onist Society v1s1t our web page: www.postfun.com/racetraitor PostF un is a full service web design studio offering complete web development and internet marketing. Contact us today for more information or visit our web site: www.postfun.com/services. Post Office Box 1666, Hollywood CA 90078-1666 Email: [email protected] RACE TRAITOR I SURREALIST ISSUE Guest Editor: Franklin Rosemont FEATURES The Chicago Surrealist Group: Introduction ....................................... 3 Surrealists on Whiteness, from 1925 to the Present .............................. 5 Franklin Rosemont: Surrealism-Revolution Against Whiteness ............ 19 J. Allen Fees: Burning the Days ......................................................3 0 Dave Roediger: Plotting Against Eurocentrism ....................................32 Pierre Mabille: The Marvelous-Basis of a Free Society ...................... .40 Philip Lamantia: The Days Fall Asleep with Riddles ........................... .41 The Surrealist Group of Madrid: Beyond Anti-Racism ......................